- published: 23 Apr 2015
- views: 518241
-
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Dario Fo
Dario Fo (Italian pronunciation: [ˈdaːrjo ˈfɔ]; born 24 March 1926) is an Italian actor-playwright, comedian, singer, theatre director, stage designer, songwriter, painter and political campaigner, and recipient of the 1997 Nobel Prize in Literature. "Arguably the most widely performed contemporary playwright in world theatre", much of his dramatic work depends on improvisation and comprises the recovery of "illegitimate" forms of theatre, such as those performed by giullari (medieval strolling players) and, more famously, the ancient Italian style of commedia dell'arte.
His plays have been translated into 30 languages and performed across the world, including in Argentina, Chile, England, the Netherlands, Poland, Romania, South Africa, South Korea, Spain, Sri Lanka, Sweden, and Yugoslavia. His work of the 1960s, 1970s and 1980s is peppered with criticisms of assassinations, corruption, organised crime, racism, Roman Catholic theology and war. Throughout the 1990s and 2000s, he took to lampooning Forza Italia and its leader Silvio Berlusconi, while his targets of the 2010s have included the banks amid the European sovereign-debt crisis. Also in the 2010s, he became the main ideologue of the Five Star Movement, the anti-establishment party led by Beppe Grillo, often referred by its members as "the Master".
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Dario_Fo
Podcasts:
Famous quotes by Dario Fo:
"We must hold primary elections to choose the center-left candidate for mayor of Milan,"
"I had the great good fortune to be born in a mad village. It was the kind of village that you could not actually invent."
"Our homeland is the whole world. Our law is liberty. We have but one thought, revolution in our hearts."
"Real socialism is inside man. It wasn't born with Marx. It was in the communes of Italy in the Middle Ages. You can't say it is finished."
"Know how to live the time that is given you."
"We thought the church had withdrawn from interfering in Italian politics ... but instead there is a terrible resurgence. These are ugly signs for freedom of expression."
"I felt like an extraordinary hero. I was only five or six and I had the whole of life in my hands. Even if I had been driving the carriage of the sun I could not have felt any better."
"When I was a boy, unconsciously, spontaneously I learned the art of telling ironic stories."
"It is not just a question of experience, nor is it a question of age ... There are some people who live only 20 years, but many, many people remember them because they knew how to live the time that was given to them. I'm not suggesting that you should live only 20 years. Live as long as you can, but from time to time, think '20 years, 20 years, 20 years', and put them together."
"With comedy I can search for the profound."
"All forms of power - even based on the consensus of the democratic system - react when they are being attacked, or when those who exercise power become a target."
Dario Fo
ALBUMS
- Ci ragiono e canto released:
Ci ragiono e canto
- Le dodici parole della verità
- Sunt content de vess al mund
- Da cannu semmu nati
- Nana bobò
- Canto dei battipali
- Ninna nanna a sette e venti
- A lavorar gh'andem prima matina
- Curaggiu bibinnaduri
- La tera cultivada
- So' stato a lavora' a Montesicuro
- Cassisia agghia vintu
- Io partu e su custrittu di partiri
- Lu suldate che va a la guerra
- Fuoco e mitragliatrici
- Avvidecci la me fata
- Lizza delle Apuane
- Regazzine vi prego ascoltare
- Ascoltate oh popolo ignorante
- La tradotta che parte da Novara
- Abballati abballati
- Ballo tondo
- La Pinota
- Accattari vurria 'Na virrinedda
- Donna lombarda
- E cinquecento catenelle d'oro
- Cecilia
- Ma che m'importa a me
- Cade l'uliva
- Belle fijola viéstete li panna
- La disispirata
- Entruma in sa bell'era
- Abballati abballati
- Italia bella mostrati gentile
- Arriva il giorno del giudizio
- Al jorn del judici
- Vi ricordate quel diciotto aprile
- Sent un Po' Gioan te se regor
- Stornelli d'esilio
-
Mistero Buffo - Dario Fo
Il capolavoro ideato, scritto e recitato dal grandissimo Dario Fo. Collage divertente e satirico di misteri e giullarate medioevali e rinascimentali, volto ad insegnare a grandi e piccoli che il potere può facilmente essere annientato con grosse risate.
published: 23 Apr 2015 -
Dario Fo - Accidental Death of an Anarchist (full)
Manchester Belt & Braces Theatre production of Dario Fo's "Accidental Death of an Anarchist" filmed in 1984 - Wonderfully funny and written and directed by Gavin Richards who also plays the "madman".
published: 27 Apr 2013 -
The Theatre of Dario Fo
1984 documentary on the life and work of the legendary Italian theatre practitioner and his creative partner and wife Franca Rame. Nobel Prize winning author of "Accidental Death of an Anarchist".
published: 12 May 2016 -
Dario Fo: I am a Born Storyteller
Meet legendary playwright Dario Fo, who here tells the intriguing story of how he became a storyteller and how he revolutionized theatre by “destroying the fourth wall” – encouraging his audience not to be voyeurs but to participate. “I’m a born storyteller, it’s true.” There was a glass-blowing factory in the town in which Fo grew up, where thousands of people from all over the world were employed. As a result a strange merge of languages arose: “Grammelot was created, a language of transit made up of onomatopoeic sounds, gestures, movements, tones.” It soon became apparent that there were storytellers in all the different groups of nationalities: “Everyone told stories and I also learned to tell stories. I repeated them, then I made up stories of my own, then I took stories I’d heard fr...
published: 19 Nov 2015 -
Dario Fo e il Grammelot con accento inglese - "L'uomo e la tecnologia" (Rai2 - 1977)
Con Mistero Buffo, l'arte di Fo raggiunge il massimo grado di novità e originalità, seguendo non la tradizione istituzionale del teatro, ma la forza espressiva e la grande carica comunicativa dei giullari medievali (joculatores). E Fo è un giullare perfetto che, "manovrando" con grande abilità, risa e serietà, ripercorre una storia millenaria fatta di abusi e ingiustizie, nel tentativo, anche, di svegliare le coscienze, perché in lui è pressante un impulso forte: la ricerca della giustizia. Il giullare, espressione teatrale del popolo, con la propria cultura e i propri sentimenti di rivolta: ecco la figura che offre a Fo i modi espressivi più consoni alle sue esigenze interpretative e comunicative. I giullari recitavano nelle piazze, nei mercati e, assieme ai comici dell'arte, furono gli i...
published: 25 May 2011 -
Il monologo di Dario Fo sulla pornografia
published: 23 Feb 2021 -
Dario Fo - Satira Su Berlusconi
dario fo è eccezionale!!
published: 02 Apr 2011 -
Dario Fo _ Caino e Abele (mistero buffo) 1977
Teatro e scrittura di scena
published: 31 Dec 2019 -
lezione di teatro Dario Fo
Lezioni di teatro di Dario Fo tratto da I trucchi del mestiere Teatro Argentina di Roma - 1984
published: 09 Dec 2019 -
Dario Fo - "La Resurrezione di Lazzaro" - Mistero Buffo 1991
Dagli spettacoli registrati al Teatro Lirico di Milano - 1991
published: 04 Jul 2014 -
Dario Fo || Lecciones de teatro || El gesto 1 || Subtítulos en español
Vínculo entre trabajo y cultura popular. Origen de los cantos y danzas tradicionales.
published: 15 May 2020 -
Dream Theater - Dance of Paradiribiriparadiri (Feat. Dario Fo)
"Avevamo bisogno di qualcosa in più, il semplice Prog non ci bastava" (Dream Theater)
published: 24 Aug 2015 -
Ubù, la vera storia di Berlusconi di DARIO FO
dissacrante ironica rappresentazione teatrale del truffaldino nano. opss Ubù
published: 17 Oct 2011 -
Barilla Spot - Dario Fo: Il Ballista (1959)
Dario Fo veste, di volta in volta, i panni di un personaggio diverso proponendo agli amici del bar varie storie basate su notevoli e improbabili "balle". Alla fine del racconto uno degli amici puntualmente esclama: «Questa proprio non la bevo» e Fo risponde, mostrando una scatola di pasta Barilla: «E questa la mangi?».
published: 26 Jul 2013
developed with YouTube
2:17:33
Mistero Buffo - Dario Fo
- Order: Reorder
- Duration: 2:17:33
- Uploaded Date: 23 Apr 2015
- views: 518241
Il capolavoro ideato, scritto e recitato dal grandissimo Dario Fo.
Collage divertente e satirico di misteri e giullarate medioevali e rinascimentali, volto ad i...
Il capolavoro ideato, scritto e recitato dal grandissimo Dario Fo.
Collage divertente e satirico di misteri e giullarate medioevali e rinascimentali, volto ad insegnare a grandi e piccoli che il potere può facilmente essere annientato con grosse risate.
https://wn.com/Mistero_Buffo_Dario_Fo
Il capolavoro ideato, scritto e recitato dal grandissimo Dario Fo.
Collage divertente e satirico di misteri e giullarate medioevali e rinascimentali, volto ad insegnare a grandi e piccoli che il potere può facilmente essere annientato con grosse risate.
1:12:58
Dario Fo - Accidental Death of an Anarchist (full)
- Order: Reorder
- Duration: 1:12:58
- Uploaded Date: 27 Apr 2013
- views: 116242
Manchester Belt & Braces Theatre production of Dario Fo's "Accidental Death of an Anarchist" filmed in 1984 - Wonderfully funny and written and directed by Gavi...
Manchester Belt & Braces Theatre production of Dario Fo's "Accidental Death of an Anarchist" filmed in 1984 - Wonderfully funny and written and directed by Gavin Richards who also plays the "madman".
https://wn.com/Dario_Fo_Accidental_Death_Of_An_Anarchist_(Full)
Manchester Belt & Braces Theatre production of Dario Fo's "Accidental Death of an Anarchist" filmed in 1984 - Wonderfully funny and written and directed by Gavin Richards who also plays the "madman".
- published: 27 Apr 2013
- views: 116242
50:25
The Theatre of Dario Fo
- Order: Reorder
- Duration: 50:25
- Uploaded Date: 12 May 2016
- views: 29773
1984 documentary on the life and work of the legendary Italian theatre practitioner and his creative partner and wife Franca Rame. Nobel Prize winning author of...
1984 documentary on the life and work of the legendary Italian theatre practitioner and his creative partner and wife Franca Rame. Nobel Prize winning author of "Accidental Death of an Anarchist".
https://wn.com/The_Theatre_Of_Dario_Fo
1984 documentary on the life and work of the legendary Italian theatre practitioner and his creative partner and wife Franca Rame. Nobel Prize winning author of "Accidental Death of an Anarchist".
- published: 12 May 2016
- views: 29773
23:15
Dario Fo: I am a Born Storyteller
- Order: Reorder
- Duration: 23:15
- Uploaded Date: 19 Nov 2015
- views: 13965
Meet legendary playwright Dario Fo, who here tells the intriguing story of how he became a storyteller and how he revolutionized theatre by “destroying the four...
Meet legendary playwright Dario Fo, who here tells the intriguing story of how he became a storyteller and how he revolutionized theatre by “destroying the fourth wall” – encouraging his audience not to be voyeurs but to participate.
“I’m a born storyteller, it’s true.” There was a glass-blowing factory in the town in which Fo grew up, where thousands of people from all over the world were employed. As a result a strange merge of languages arose: “Grammelot was created, a language of transit made up of onomatopoeic sounds, gestures, movements, tones.” It soon became apparent that there were storytellers in all the different groups of nationalities: “Everyone told stories and I also learned to tell stories. I repeated them, then I made up stories of my own, then I took stories I’d heard from the foreigners.” Soon Fo became famous for his stories, and was often invited to dinners in order to tell them.
“She was truly my teacher.” When Fo met Italian actress Franca Rame, his wife of over six decades, she taught him the importance of communicating with the audience – “destroying the fourth wall” – in a way that would make them feel as if they were actually on stage. When Fo and Rame discovered that they were in fact “soothing the bourgeoisie” with their plays, they felt they had to change everything. This was done by e.g. setting up their plays in places where workers gathered, such as community centres. The audience soon started to participate actively: “… the audience wanted more than us performing stories which we thought were useful to them. No, they wanted us to talk about their personal problems.” In contrast to the bourgeois audience, which Fo considered to be “voyeurs”, their new audience was very much involved.
Fo and Rame performed in a time, where a cultural revolution had erupted in Italy. They developed a way of avoiding censorship by becoming an association with the audience: “We shifted all the models, the rules of conventional theatre.” Their new approach to theatre was much to the dismay of the politicians and during those years they were imprisoned, they underwent 40 trials, suffered great violence – including the rape of Rame – and had bombs placed under the theatre: “But we won with serious injuries and serious troubles…”
Dario Fo (b. 1926) is an Italian playwright, actor, comedian, director, stage and costume designer, songwriter, painter, writer and political campaigner. Much of Fo’s dramatic work depends on improvisation and draws on e.g. the ancient Italian style of commedia dell’arte. Fo’s plays, which have been performed all over the world, are known for their social criticism, and his solo piece ‘Mistero Buffo’ (1969) (Comical Mystery) is recognised as one of the most controversial and popular spectacles in post-war European theatre, and has furthermore been denounced by the Vatican. In 1997 Fo received the Nobel Prize in Literature, the Swedish Academy praising him with the words: “He if anyone merits the epithet of jester in the true meaning of that word. With a blend of laughter and gravity he opens our eyes to abuses and injustices in society and also the wider historical perspective in which they can be placed.”
Dario Fo was interviewed by Christian Lund at Hotel Bella Sky in Copenhagen on 10 November 2015.
Camera: Simon Weyhe
Edited by: Klaus Elmer
Produced by: Christian Lund
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2015
Supported by Nordea-fonden
https://wn.com/Dario_Fo_I_Am_A_Born_Storyteller
Meet legendary playwright Dario Fo, who here tells the intriguing story of how he became a storyteller and how he revolutionized theatre by “destroying the fourth wall” – encouraging his audience not to be voyeurs but to participate.
“I’m a born storyteller, it’s true.” There was a glass-blowing factory in the town in which Fo grew up, where thousands of people from all over the world were employed. As a result a strange merge of languages arose: “Grammelot was created, a language of transit made up of onomatopoeic sounds, gestures, movements, tones.” It soon became apparent that there were storytellers in all the different groups of nationalities: “Everyone told stories and I also learned to tell stories. I repeated them, then I made up stories of my own, then I took stories I’d heard from the foreigners.” Soon Fo became famous for his stories, and was often invited to dinners in order to tell them.
“She was truly my teacher.” When Fo met Italian actress Franca Rame, his wife of over six decades, she taught him the importance of communicating with the audience – “destroying the fourth wall” – in a way that would make them feel as if they were actually on stage. When Fo and Rame discovered that they were in fact “soothing the bourgeoisie” with their plays, they felt they had to change everything. This was done by e.g. setting up their plays in places where workers gathered, such as community centres. The audience soon started to participate actively: “… the audience wanted more than us performing stories which we thought were useful to them. No, they wanted us to talk about their personal problems.” In contrast to the bourgeois audience, which Fo considered to be “voyeurs”, their new audience was very much involved.
Fo and Rame performed in a time, where a cultural revolution had erupted in Italy. They developed a way of avoiding censorship by becoming an association with the audience: “We shifted all the models, the rules of conventional theatre.” Their new approach to theatre was much to the dismay of the politicians and during those years they were imprisoned, they underwent 40 trials, suffered great violence – including the rape of Rame – and had bombs placed under the theatre: “But we won with serious injuries and serious troubles…”
Dario Fo (b. 1926) is an Italian playwright, actor, comedian, director, stage and costume designer, songwriter, painter, writer and political campaigner. Much of Fo’s dramatic work depends on improvisation and draws on e.g. the ancient Italian style of commedia dell’arte. Fo’s plays, which have been performed all over the world, are known for their social criticism, and his solo piece ‘Mistero Buffo’ (1969) (Comical Mystery) is recognised as one of the most controversial and popular spectacles in post-war European theatre, and has furthermore been denounced by the Vatican. In 1997 Fo received the Nobel Prize in Literature, the Swedish Academy praising him with the words: “He if anyone merits the epithet of jester in the true meaning of that word. With a blend of laughter and gravity he opens our eyes to abuses and injustices in society and also the wider historical perspective in which they can be placed.”
Dario Fo was interviewed by Christian Lund at Hotel Bella Sky in Copenhagen on 10 November 2015.
Camera: Simon Weyhe
Edited by: Klaus Elmer
Produced by: Christian Lund
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2015
Supported by Nordea-fonden
- published: 19 Nov 2015
- views: 13965
13:23
Dario Fo e il Grammelot con accento inglese - "L'uomo e la tecnologia" (Rai2 - 1977)
- Order: Reorder
- Duration: 13:23
- Uploaded Date: 25 May 2011
- views: 257772
Con Mistero Buffo, l'arte di Fo raggiunge il massimo grado di novità e originalità, seguendo non la tradizione istituzionale del teatro, ma la forza espressiva ...
Con Mistero Buffo, l'arte di Fo raggiunge il massimo grado di novità e originalità, seguendo non la tradizione istituzionale del teatro, ma la forza espressiva e la grande carica comunicativa dei giullari medievali (joculatores). E Fo è un giullare perfetto che, "manovrando" con grande abilità, risa e serietà, ripercorre una storia millenaria fatta di abusi e ingiustizie, nel tentativo, anche, di svegliare le coscienze, perché in lui è pressante un impulso forte: la ricerca della giustizia. Il giullare, espressione teatrale del popolo, con la propria cultura e i propri sentimenti di rivolta: ecco la figura che offre a Fo i modi espressivi più consoni alle sue esigenze interpretative e comunicative. I giullari recitavano nelle piazze, nei mercati e, assieme ai comici dell'arte, furono gli inventori del GRAMMELOT, sorta di lingua, di articolazione di suoni e di azione mimica messe assieme, nate sia dalla situazione peculiare dei giullari che viaggiavano in luoghi in cui si parlavano lingue diverse, e quindi dalla necessità di farsi intendere un po' da tutti, sia dalle leggi censorie che imponevano loro di non recitare in lingua. «... Fin dal Mille — dice lo stesso Fo — il giullare girava piazze e paesi, facendo sotto forma di recitazione satirica delle vere e proprie accuse ai potenti. Egli era una figura che si concretizzava direttamente dal popolo, dal quale attingeva la rabbia, per poi ritrasmettergliela mediata dal grottesco»; questa forma di teatro popolare era «il giornale parlato e drammatizzato del popolo».
https://wn.com/Dario_Fo_E_Il_Grammelot_Con_Accento_Inglese_L'Uomo_E_La_Tecnologia_(Rai2_1977)
Con Mistero Buffo, l'arte di Fo raggiunge il massimo grado di novità e originalità, seguendo non la tradizione istituzionale del teatro, ma la forza espressiva e la grande carica comunicativa dei giullari medievali (joculatores). E Fo è un giullare perfetto che, "manovrando" con grande abilità, risa e serietà, ripercorre una storia millenaria fatta di abusi e ingiustizie, nel tentativo, anche, di svegliare le coscienze, perché in lui è pressante un impulso forte: la ricerca della giustizia. Il giullare, espressione teatrale del popolo, con la propria cultura e i propri sentimenti di rivolta: ecco la figura che offre a Fo i modi espressivi più consoni alle sue esigenze interpretative e comunicative. I giullari recitavano nelle piazze, nei mercati e, assieme ai comici dell'arte, furono gli inventori del GRAMMELOT, sorta di lingua, di articolazione di suoni e di azione mimica messe assieme, nate sia dalla situazione peculiare dei giullari che viaggiavano in luoghi in cui si parlavano lingue diverse, e quindi dalla necessità di farsi intendere un po' da tutti, sia dalle leggi censorie che imponevano loro di non recitare in lingua. «... Fin dal Mille — dice lo stesso Fo — il giullare girava piazze e paesi, facendo sotto forma di recitazione satirica delle vere e proprie accuse ai potenti. Egli era una figura che si concretizzava direttamente dal popolo, dal quale attingeva la rabbia, per poi ritrasmettergliela mediata dal grottesco»; questa forma di teatro popolare era «il giornale parlato e drammatizzato del popolo».
- published: 25 May 2011
- views: 257772
5:24
Il monologo di Dario Fo sulla pornografia
- Order: Reorder
- Duration: 5:24
- Uploaded Date: 23 Feb 2021
- views: 7707
- published: 23 Feb 2021
- views: 7707
13:25
Dario Fo - Satira Su Berlusconi
- Order: Reorder
- Duration: 13:25
- Uploaded Date: 02 Apr 2011
- views: 41425
dario fo è eccezionale!!
dario fo è eccezionale!!
https://wn.com/Dario_Fo_Satira_Su_Berlusconi
dario fo è eccezionale!!
- published: 02 Apr 2011
- views: 41425
14:09
Dario Fo _ Caino e Abele (mistero buffo) 1977
- Order: Reorder
- Duration: 14:09
- Uploaded Date: 31 Dec 2019
- views: 5952
Teatro e scrittura di scena
Teatro e scrittura di scena
https://wn.com/Dario_Fo_Caino_E_Abele_(Mistero_Buffo)_1977
Teatro e scrittura di scena
- published: 31 Dec 2019
- views: 5952
2:35:28
lezione di teatro Dario Fo
- Order: Reorder
- Duration: 2:35:28
- Uploaded Date: 09 Dec 2019
- views: 3515
Lezioni di teatro di Dario Fo
tratto da I trucchi del mestiere
Teatro Argentina di Roma - 1984
Lezioni di teatro di Dario Fo
tratto da I trucchi del mestiere
Teatro Argentina di Roma - 1984
https://wn.com/Lezione_Di_Teatro_Dario_Fo
Lezioni di teatro di Dario Fo
tratto da I trucchi del mestiere
Teatro Argentina di Roma - 1984
- published: 09 Dec 2019
- views: 3515
15:40
Dario Fo - "La Resurrezione di Lazzaro" - Mistero Buffo 1991
- Order: Reorder
- Duration: 15:40
- Uploaded Date: 04 Jul 2014
- views: 182863
Dagli spettacoli registrati al Teatro Lirico di Milano - 1991
Dagli spettacoli registrati al Teatro Lirico di Milano - 1991
https://wn.com/Dario_Fo_La_Resurrezione_Di_Lazzaro_Mistero_Buffo_1991
Dagli spettacoli registrati al Teatro Lirico di Milano - 1991
- published: 04 Jul 2014
- views: 182863
9:10
Dario Fo || Lecciones de teatro || El gesto 1 || Subtítulos en español
- Order: Reorder
- Duration: 9:10
- Uploaded Date: 15 May 2020
- views: 2431
Vínculo entre trabajo y cultura popular. Origen de los cantos y danzas tradicionales.
Vínculo entre trabajo y cultura popular. Origen de los cantos y danzas tradicionales.
https://wn.com/Dario_Fo_||_Lecciones_De_Teatro_||_El_Gesto_1_||_Subtítulos_En_Español
Vínculo entre trabajo y cultura popular. Origen de los cantos y danzas tradicionales.
- published: 15 May 2020
- views: 2431
0:31
Dream Theater - Dance of Paradiribiriparadiri (Feat. Dario Fo)
- Order: Reorder
- Duration: 0:31
- Uploaded Date: 24 Aug 2015
- views: 37783
"Avevamo bisogno di qualcosa in più, il semplice Prog non ci bastava" (Dream Theater)
"Avevamo bisogno di qualcosa in più, il semplice Prog non ci bastava" (Dream Theater)
https://wn.com/Dream_Theater_Dance_Of_Paradiribiriparadiri_(Feat._Dario_Fo)
"Avevamo bisogno di qualcosa in più, il semplice Prog non ci bastava" (Dream Theater)
- published: 24 Aug 2015
- views: 37783
40:24
Ubù, la vera storia di Berlusconi di DARIO FO
- Order: Reorder
- Duration: 40:24
- Uploaded Date: 17 Oct 2011
- views: 124838
dissacrante ironica rappresentazione teatrale del truffaldino nano. opss Ubù
dissacrante ironica rappresentazione teatrale del truffaldino nano. opss Ubù
https://wn.com/Ubù,_La_Vera_Storia_Di_Berlusconi_Di_Dario_Fo
dissacrante ironica rappresentazione teatrale del truffaldino nano. opss Ubù
- published: 17 Oct 2011
- views: 124838
2:45
Barilla Spot - Dario Fo: Il Ballista (1959)
- Order: Reorder
- Duration: 2:45
- Uploaded Date: 26 Jul 2013
- views: 12237
Dario Fo veste, di volta in volta, i panni di un personaggio diverso proponendo agli amici del bar varie storie basate su notevoli e improbabili "balle". Alla f...
Dario Fo veste, di volta in volta, i panni di un personaggio diverso proponendo agli amici del bar varie storie basate su notevoli e improbabili "balle". Alla fine del racconto uno degli amici puntualmente esclama: «Questa proprio non la bevo» e Fo risponde, mostrando una scatola di pasta Barilla: «E questa la mangi?».
https://wn.com/Barilla_Spot_Dario_Fo_Il_Ballista_(1959)
Dario Fo veste, di volta in volta, i panni di un personaggio diverso proponendo agli amici del bar varie storie basate su notevoli e improbabili "balle". Alla fine del racconto uno degli amici puntualmente esclama: «Questa proprio non la bevo» e Fo risponde, mostrando una scatola di pasta Barilla: «E questa la mangi?».
- published: 26 Jul 2013
- views: 12237
-
Dario Fo - Accidental Death of an Anarchist (full)
Manchester Belt & Braces Theatre production of Dario Fo's "Accidental Death of an Anarchist" filmed in 1984 - Wonderfully funny and written and directed by Gavin Richards who also plays the "madman".
published: 27 Apr 2013 -
Mistero Buffo - Dario Fo
Il capolavoro ideato, scritto e recitato dal grandissimo Dario Fo. Collage divertente e satirico di misteri e giullarate medioevali e rinascimentali, volto ad insegnare a grandi e piccoli che il potere può facilmente essere annientato con grosse risate.
published: 23 Apr 2015 -
The Theatre of Dario Fo
1984 documentary on the life and work of the legendary Italian theatre practitioner and his creative partner and wife Franca Rame. Nobel Prize winning author of "Accidental Death of an Anarchist".
published: 12 May 2016 -
Dario Fo: I am a Born Storyteller
Meet legendary playwright Dario Fo, who here tells the intriguing story of how he became a storyteller and how he revolutionized theatre by “destroying the fourth wall” – encouraging his audience not to be voyeurs but to participate. “I’m a born storyteller, it’s true.” There was a glass-blowing factory in the town in which Fo grew up, where thousands of people from all over the world were employed. As a result a strange merge of languages arose: “Grammelot was created, a language of transit made up of onomatopoeic sounds, gestures, movements, tones.” It soon became apparent that there were storytellers in all the different groups of nationalities: “Everyone told stories and I also learned to tell stories. I repeated them, then I made up stories of my own, then I took stories I’d heard fr...
published: 19 Nov 2015 -
Accidental Death Of An Anarchist
Channel 4 production from 1983.
published: 11 Oct 2015 -
IB Theatre solo in style of Dario Fo 3
published: 01 Apr 2021 -
Dario Fo a Malta (14-16th September 2017) - PART 1
At last 'Mistero Buffo' comes to Malta after a whole 30 years of grotesque struggles..... unfortunately enough without Dario Fo but fortunately enough with his heir, Mario Pirovano. The Strada Stretta Concept, under the auspices of the Valletta 2018 Foundation presents ’Dario Fo A Malta', monologues & workshop interpreted by Mario Pirovano, under the artistic direction of Giuseppe Schembri Bonaci. The event ran as follows: 14th September, 2000hrs, Strada Stretta, near Splendid - Mistero Buffo 15th September, 2000hrs, Strada Stretta, near Splendid - Johan Padan 16th September, 2000hrs, Strada Stretta, near Splendid - Workshop with the participation of Għannejja - Maltese Troubadours. Troubadour meets Jongleur, the Gjiullar is given a new birth in Malta. Dario Fo's Mistero Buffo and Johan...
published: 05 Sep 2021 -
Dario Fo Interview: A Crazy King in Denmark
Watch Nobel Prize winning playwright Dario Fo tell his version of the story of King Christian VII of Denmark and his wife Caroline Mathilde – a dramatic story of love, infidelity and madness in the 18th century, which Fo explores in his new novel. “When I start to research a character, I want to tell his story.” It was hard for Fo to tell the whole story, when it came to that of King Christian VII and his wife Caroline Mathilde, as many facts had been censored or removed from the historical writings. This, however, only triggered his interest further: “It makes me want to know the truth, what are you hiding and why?” On his quest to uncover the truth, Fo then found new texts abroad (in England and France), which made the novel ‘There’s a Mad King in Denmark’ (2015) come together. Fo comp...
published: 12 Jan 2016 -
Dario Fo a Malta (14-16th September 2017) - PART 2
At last 'Mistero Buffo' comes to Malta after a whole 30 years of grotesque struggles..... unfortunately enough without Dario Fo but fortunately enough with his heir, Mario Pirovano. The Strada Stretta Concept, under the auspices of the Valletta 2018 Foundation presents ’Dario Fo A Malta', monologues & workshop interpreted by Mario Pirovano, under the artistic direction of Giuseppe Schembri Bonaci. The event ran as follows: 14th September, 2000hrs, Strada Stretta, near Splendid - Mistero Buffo 15th September, 2000hrs, Strada Stretta, near Splendid - Johan Padan 16th September, 2000hrs, Strada Stretta, near Splendid - Workshop with the participation of Għannejja - Maltese Troubadours. Troubadour meets Jongleur, the Gjiullar is given a new birth in Malta. Dario Fo's Mistero Buffo and Johan...
published: 16 Oct 2021 -
bonifax 2 1 dario fo translated in hebrew yiftach shemesh
published: 12 Jun 2017 -
Accidental Death of an Anarchist
Phoenix Theatre Company's performance of Dario Fo's Play, Accidental Death of an Anarchist.
published: 10 Nov 2017 -
YTPMV - Dario Fo entra in circolo (ft.ilCirox)
Ciao, Dario
published: 23 Oct 2016 -
The Maniac - Accidental Death of an Anarchist - Dario Fo
This is a monologue performed by me (Jack Readyhoof) for my A-level Drama assessment unit 2. The extract comes from Dario Fo's 'Accidental Death of an Anarchist'. An immensely physical performance that was very fun to play. Hope you enjoy!
published: 04 Jul 2013 -
Summary World: Famous Plays 2: "Accidental Death of an Anarchist" by Dario Fo
Summary World: Famous Plays 2: "Accidental Death of an Anarchist" by Dario Fo
published: 19 Jun 2015
developed with YouTube
1:12:58
Dario Fo - Accidental Death of an Anarchist (full)
- Order: Reorder
- Duration: 1:12:58
- Uploaded Date: 27 Apr 2013
- views: 116242
Manchester Belt & Braces Theatre production of Dario Fo's "Accidental Death of an Anarchist" filmed in 1984 - Wonderfully funny and written and directed by Gavi...
Manchester Belt & Braces Theatre production of Dario Fo's "Accidental Death of an Anarchist" filmed in 1984 - Wonderfully funny and written and directed by Gavin Richards who also plays the "madman".
https://wn.com/Dario_Fo_Accidental_Death_Of_An_Anarchist_(Full)
Manchester Belt & Braces Theatre production of Dario Fo's "Accidental Death of an Anarchist" filmed in 1984 - Wonderfully funny and written and directed by Gavin Richards who also plays the "madman".
- published: 27 Apr 2013
- views: 116242
2:17:33
Mistero Buffo - Dario Fo
- Order: Reorder
- Duration: 2:17:33
- Uploaded Date: 23 Apr 2015
- views: 518241
Il capolavoro ideato, scritto e recitato dal grandissimo Dario Fo.
Collage divertente e satirico di misteri e giullarate medioevali e rinascimentali, volto ad i...
Il capolavoro ideato, scritto e recitato dal grandissimo Dario Fo.
Collage divertente e satirico di misteri e giullarate medioevali e rinascimentali, volto ad insegnare a grandi e piccoli che il potere può facilmente essere annientato con grosse risate.
https://wn.com/Mistero_Buffo_Dario_Fo
Il capolavoro ideato, scritto e recitato dal grandissimo Dario Fo.
Collage divertente e satirico di misteri e giullarate medioevali e rinascimentali, volto ad insegnare a grandi e piccoli che il potere può facilmente essere annientato con grosse risate.
- published: 23 Apr 2015
- views: 518241
50:25
The Theatre of Dario Fo
- Order: Reorder
- Duration: 50:25
- Uploaded Date: 12 May 2016
- views: 29773
1984 documentary on the life and work of the legendary Italian theatre practitioner and his creative partner and wife Franca Rame. Nobel Prize winning author of...
1984 documentary on the life and work of the legendary Italian theatre practitioner and his creative partner and wife Franca Rame. Nobel Prize winning author of "Accidental Death of an Anarchist".
https://wn.com/The_Theatre_Of_Dario_Fo
1984 documentary on the life and work of the legendary Italian theatre practitioner and his creative partner and wife Franca Rame. Nobel Prize winning author of "Accidental Death of an Anarchist".
- published: 12 May 2016
- views: 29773
23:15
Dario Fo: I am a Born Storyteller
- Order: Reorder
- Duration: 23:15
- Uploaded Date: 19 Nov 2015
- views: 13965
Meet legendary playwright Dario Fo, who here tells the intriguing story of how he became a storyteller and how he revolutionized theatre by “destroying the four...
Meet legendary playwright Dario Fo, who here tells the intriguing story of how he became a storyteller and how he revolutionized theatre by “destroying the fourth wall” – encouraging his audience not to be voyeurs but to participate.
“I’m a born storyteller, it’s true.” There was a glass-blowing factory in the town in which Fo grew up, where thousands of people from all over the world were employed. As a result a strange merge of languages arose: “Grammelot was created, a language of transit made up of onomatopoeic sounds, gestures, movements, tones.” It soon became apparent that there were storytellers in all the different groups of nationalities: “Everyone told stories and I also learned to tell stories. I repeated them, then I made up stories of my own, then I took stories I’d heard from the foreigners.” Soon Fo became famous for his stories, and was often invited to dinners in order to tell them.
“She was truly my teacher.” When Fo met Italian actress Franca Rame, his wife of over six decades, she taught him the importance of communicating with the audience – “destroying the fourth wall” – in a way that would make them feel as if they were actually on stage. When Fo and Rame discovered that they were in fact “soothing the bourgeoisie” with their plays, they felt they had to change everything. This was done by e.g. setting up their plays in places where workers gathered, such as community centres. The audience soon started to participate actively: “… the audience wanted more than us performing stories which we thought were useful to them. No, they wanted us to talk about their personal problems.” In contrast to the bourgeois audience, which Fo considered to be “voyeurs”, their new audience was very much involved.
Fo and Rame performed in a time, where a cultural revolution had erupted in Italy. They developed a way of avoiding censorship by becoming an association with the audience: “We shifted all the models, the rules of conventional theatre.” Their new approach to theatre was much to the dismay of the politicians and during those years they were imprisoned, they underwent 40 trials, suffered great violence – including the rape of Rame – and had bombs placed under the theatre: “But we won with serious injuries and serious troubles…”
Dario Fo (b. 1926) is an Italian playwright, actor, comedian, director, stage and costume designer, songwriter, painter, writer and political campaigner. Much of Fo’s dramatic work depends on improvisation and draws on e.g. the ancient Italian style of commedia dell’arte. Fo’s plays, which have been performed all over the world, are known for their social criticism, and his solo piece ‘Mistero Buffo’ (1969) (Comical Mystery) is recognised as one of the most controversial and popular spectacles in post-war European theatre, and has furthermore been denounced by the Vatican. In 1997 Fo received the Nobel Prize in Literature, the Swedish Academy praising him with the words: “He if anyone merits the epithet of jester in the true meaning of that word. With a blend of laughter and gravity he opens our eyes to abuses and injustices in society and also the wider historical perspective in which they can be placed.”
Dario Fo was interviewed by Christian Lund at Hotel Bella Sky in Copenhagen on 10 November 2015.
Camera: Simon Weyhe
Edited by: Klaus Elmer
Produced by: Christian Lund
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2015
Supported by Nordea-fonden
https://wn.com/Dario_Fo_I_Am_A_Born_Storyteller
Meet legendary playwright Dario Fo, who here tells the intriguing story of how he became a storyteller and how he revolutionized theatre by “destroying the fourth wall” – encouraging his audience not to be voyeurs but to participate.
“I’m a born storyteller, it’s true.” There was a glass-blowing factory in the town in which Fo grew up, where thousands of people from all over the world were employed. As a result a strange merge of languages arose: “Grammelot was created, a language of transit made up of onomatopoeic sounds, gestures, movements, tones.” It soon became apparent that there were storytellers in all the different groups of nationalities: “Everyone told stories and I also learned to tell stories. I repeated them, then I made up stories of my own, then I took stories I’d heard from the foreigners.” Soon Fo became famous for his stories, and was often invited to dinners in order to tell them.
“She was truly my teacher.” When Fo met Italian actress Franca Rame, his wife of over six decades, she taught him the importance of communicating with the audience – “destroying the fourth wall” – in a way that would make them feel as if they were actually on stage. When Fo and Rame discovered that they were in fact “soothing the bourgeoisie” with their plays, they felt they had to change everything. This was done by e.g. setting up their plays in places where workers gathered, such as community centres. The audience soon started to participate actively: “… the audience wanted more than us performing stories which we thought were useful to them. No, they wanted us to talk about their personal problems.” In contrast to the bourgeois audience, which Fo considered to be “voyeurs”, their new audience was very much involved.
Fo and Rame performed in a time, where a cultural revolution had erupted in Italy. They developed a way of avoiding censorship by becoming an association with the audience: “We shifted all the models, the rules of conventional theatre.” Their new approach to theatre was much to the dismay of the politicians and during those years they were imprisoned, they underwent 40 trials, suffered great violence – including the rape of Rame – and had bombs placed under the theatre: “But we won with serious injuries and serious troubles…”
Dario Fo (b. 1926) is an Italian playwright, actor, comedian, director, stage and costume designer, songwriter, painter, writer and political campaigner. Much of Fo’s dramatic work depends on improvisation and draws on e.g. the ancient Italian style of commedia dell’arte. Fo’s plays, which have been performed all over the world, are known for their social criticism, and his solo piece ‘Mistero Buffo’ (1969) (Comical Mystery) is recognised as one of the most controversial and popular spectacles in post-war European theatre, and has furthermore been denounced by the Vatican. In 1997 Fo received the Nobel Prize in Literature, the Swedish Academy praising him with the words: “He if anyone merits the epithet of jester in the true meaning of that word. With a blend of laughter and gravity he opens our eyes to abuses and injustices in society and also the wider historical perspective in which they can be placed.”
Dario Fo was interviewed by Christian Lund at Hotel Bella Sky in Copenhagen on 10 November 2015.
Camera: Simon Weyhe
Edited by: Klaus Elmer
Produced by: Christian Lund
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2015
Supported by Nordea-fonden
- published: 19 Nov 2015
- views: 13965
1:14:40
Accidental Death Of An Anarchist
- Order: Reorder
- Duration: 1:14:40
- Uploaded Date: 11 Oct 2015
- views: 63452
Channel 4 production from 1983.
Channel 4 production from 1983.
https://wn.com/Accidental_Death_Of_An_Anarchist
Channel 4 production from 1983.
- published: 11 Oct 2015
- views: 63452
4:58
IB Theatre solo in style of Dario Fo 3
- Order: Reorder
- Duration: 4:58
- Uploaded Date: 01 Apr 2021
- views: 248
- published: 01 Apr 2021
- views: 248
1:40:18
Dario Fo a Malta (14-16th September 2017) - PART 1
- Order: Reorder
- Duration: 1:40:18
- Uploaded Date: 05 Sep 2021
- views: 19
At last 'Mistero Buffo' comes to Malta after a whole 30 years of grotesque struggles..... unfortunately enough without Dario Fo but fortunately enough with his ...
At last 'Mistero Buffo' comes to Malta after a whole 30 years of grotesque struggles..... unfortunately enough without Dario Fo but fortunately enough with his heir, Mario Pirovano.
The Strada Stretta Concept, under the auspices of the Valletta 2018 Foundation presents ’Dario Fo A Malta', monologues & workshop interpreted by Mario Pirovano, under the artistic direction of Giuseppe Schembri Bonaci.
The event ran as follows:
14th September, 2000hrs, Strada Stretta, near Splendid - Mistero Buffo
15th September, 2000hrs, Strada Stretta, near Splendid - Johan Padan
16th September, 2000hrs, Strada Stretta, near Splendid - Workshop with the participation of Għannejja - Maltese Troubadours.
Troubadour meets Jongleur, the Gjiullar is given a new birth in Malta. Dario Fo's Mistero Buffo and Johan Padan will be transforming Valletta into a hub of theatre action.
Beware.
Mario Pirovano the gjiullar actor will be presenting Dario Fo's works. This will be accompanied by Maltese Troubadours and GSB's adaptation of the internationally renowned work Mistero Buffo.
Also included:
Dario Fo's connection with Malta, Mario Pirovano's experience and acting workshop, Ghannejja singing Dario Fo including Karmenu l-Baħri's variations, GSB's translations, adaptations of Fo's works in Malta, Paris and Moscow, and other.
The burlesque and grotesque as the most subversive tools in the hands of Dario Fo & Franca Rame were transformed into lethal weapons against the establishment, be it political, economic or ecclesiastical.
As Stuart Hood says ' Fo's genius as both a player and synthesizer of the historical past allows him to resurrect before our eyes and ears, a whole anti-history philosophy proposing on the contrary a history of the unwritten: the real history.
As the pure simpleton, the Maltese 'Gaħan', the Italian Arlechino goes on the attack: 'Gaħan' plays the central role in all 'Mistero Buffo's' biblical stories for the first time seen not through the eyes of saints but through the eyes of pure simpletons. Another 'Gaħan' discovers America and we see this journey towards genocidal destruction not through heroes of armies and battleships but through the eyes of a 'Gaħan'.
Dario Fo and Franca Rame's fight against the establishment has become today a myth and a legend were it not for the real price they had to pay: the kidnapping and collective rape of Franca Rame by Fascist thugs, the Christian Democratic 1950-60s authoritarian censorship on film, theatre, and broadcasting, police presence in all Fo's productions, the Canzonissima scandal, and so many others.
Dario Fo Italian actor–playwright, comedian, singer, theatre director, stage designer, songwriter, painter, political campaigner for the Italian left-wing and the recipient of the 1997 Nobel Prize in Literature. In his time he was "arguably the most widely performed contemporary playwright in world theatre" .Much of his dramatic work depends on improvisation and comprises the recovery of "illegitimate" forms of theatre, such as those performed by gjiullari (medieval strolling players) and, more famously, the ancient Italian style of commedia dell'arte.
Dario Fo/Franca Rame's and Mario Pirovano's connection with Malta dates back to the late 80s with Giuseppe Schembri Bonaci's 'Teatru Strada Stretta' linking Maltese Għana to Fo's idea and development of commedia dell'arte.
Giuseppe Schembri Bonaci considers Dario Fo as one of his main mentors. Besides having been Dario Fo's official representative in Malta, Schembri Bonaci translated and directed several works: Mistero Buffo, Johann ha scoperto l'America, Gli Arcangeli non giocano a flipper, and others.
The monologues were interpreted by Mario Pirovano (b.Milan, 20 April 1950) who is an Italian theatrical actor, storyteller, translator and interpreter of Dario Fo’s monologues. His performances contribute to spread Fo’s art in the world.
Mario Pirovano grew up in Pregnana Milanese, a small village just out of Milan. At the age of 12 he worked in a local shop, at the age of 24 he moved to England, where for about 10 years he did all sort of jobs. In 1983 he saw Dario Fo and Franca Rame performing Mistero Buffo at the Riverside Studios in London, and totally from then on he identifies his life with the works of Dario Fo.
Since 1983 Mario Pirovano has taken part in all the works produced by Dario Fo and Franca Rame as an actor or assistant producer, stage director or simultaneous interpreter. In 1987 with Fo and Rame he acted in the programme “Forced Broadcast”, shown in eight episodes on a national television channel (Rai 3). In 1991 he played a part in the film ‘Blue Lights Murder’, director Alfonso Brescia.
Special thanks to Splendid, Jason Masini and the Istituto Italiano di Cultura La Valletta.
https://wn.com/Dario_Fo_A_Malta_(14_16Th_September_2017)_Part_1
At last 'Mistero Buffo' comes to Malta after a whole 30 years of grotesque struggles..... unfortunately enough without Dario Fo but fortunately enough with his heir, Mario Pirovano.
The Strada Stretta Concept, under the auspices of the Valletta 2018 Foundation presents ’Dario Fo A Malta', monologues & workshop interpreted by Mario Pirovano, under the artistic direction of Giuseppe Schembri Bonaci.
The event ran as follows:
14th September, 2000hrs, Strada Stretta, near Splendid - Mistero Buffo
15th September, 2000hrs, Strada Stretta, near Splendid - Johan Padan
16th September, 2000hrs, Strada Stretta, near Splendid - Workshop with the participation of Għannejja - Maltese Troubadours.
Troubadour meets Jongleur, the Gjiullar is given a new birth in Malta. Dario Fo's Mistero Buffo and Johan Padan will be transforming Valletta into a hub of theatre action.
Beware.
Mario Pirovano the gjiullar actor will be presenting Dario Fo's works. This will be accompanied by Maltese Troubadours and GSB's adaptation of the internationally renowned work Mistero Buffo.
Also included:
Dario Fo's connection with Malta, Mario Pirovano's experience and acting workshop, Ghannejja singing Dario Fo including Karmenu l-Baħri's variations, GSB's translations, adaptations of Fo's works in Malta, Paris and Moscow, and other.
The burlesque and grotesque as the most subversive tools in the hands of Dario Fo & Franca Rame were transformed into lethal weapons against the establishment, be it political, economic or ecclesiastical.
As Stuart Hood says ' Fo's genius as both a player and synthesizer of the historical past allows him to resurrect before our eyes and ears, a whole anti-history philosophy proposing on the contrary a history of the unwritten: the real history.
As the pure simpleton, the Maltese 'Gaħan', the Italian Arlechino goes on the attack: 'Gaħan' plays the central role in all 'Mistero Buffo's' biblical stories for the first time seen not through the eyes of saints but through the eyes of pure simpletons. Another 'Gaħan' discovers America and we see this journey towards genocidal destruction not through heroes of armies and battleships but through the eyes of a 'Gaħan'.
Dario Fo and Franca Rame's fight against the establishment has become today a myth and a legend were it not for the real price they had to pay: the kidnapping and collective rape of Franca Rame by Fascist thugs, the Christian Democratic 1950-60s authoritarian censorship on film, theatre, and broadcasting, police presence in all Fo's productions, the Canzonissima scandal, and so many others.
Dario Fo Italian actor–playwright, comedian, singer, theatre director, stage designer, songwriter, painter, political campaigner for the Italian left-wing and the recipient of the 1997 Nobel Prize in Literature. In his time he was "arguably the most widely performed contemporary playwright in world theatre" .Much of his dramatic work depends on improvisation and comprises the recovery of "illegitimate" forms of theatre, such as those performed by gjiullari (medieval strolling players) and, more famously, the ancient Italian style of commedia dell'arte.
Dario Fo/Franca Rame's and Mario Pirovano's connection with Malta dates back to the late 80s with Giuseppe Schembri Bonaci's 'Teatru Strada Stretta' linking Maltese Għana to Fo's idea and development of commedia dell'arte.
Giuseppe Schembri Bonaci considers Dario Fo as one of his main mentors. Besides having been Dario Fo's official representative in Malta, Schembri Bonaci translated and directed several works: Mistero Buffo, Johann ha scoperto l'America, Gli Arcangeli non giocano a flipper, and others.
The monologues were interpreted by Mario Pirovano (b.Milan, 20 April 1950) who is an Italian theatrical actor, storyteller, translator and interpreter of Dario Fo’s monologues. His performances contribute to spread Fo’s art in the world.
Mario Pirovano grew up in Pregnana Milanese, a small village just out of Milan. At the age of 12 he worked in a local shop, at the age of 24 he moved to England, where for about 10 years he did all sort of jobs. In 1983 he saw Dario Fo and Franca Rame performing Mistero Buffo at the Riverside Studios in London, and totally from then on he identifies his life with the works of Dario Fo.
Since 1983 Mario Pirovano has taken part in all the works produced by Dario Fo and Franca Rame as an actor or assistant producer, stage director or simultaneous interpreter. In 1987 with Fo and Rame he acted in the programme “Forced Broadcast”, shown in eight episodes on a national television channel (Rai 3). In 1991 he played a part in the film ‘Blue Lights Murder’, director Alfonso Brescia.
Special thanks to Splendid, Jason Masini and the Istituto Italiano di Cultura La Valletta.
- published: 05 Sep 2021
- views: 19
7:29
Dario Fo Interview: A Crazy King in Denmark
- Order: Reorder
- Duration: 7:29
- Uploaded Date: 12 Jan 2016
- views: 2235
Watch Nobel Prize winning playwright Dario Fo tell his version of the story of King Christian VII of Denmark and his wife Caroline Mathilde – a dramatic story o...
Watch Nobel Prize winning playwright Dario Fo tell his version of the story of King Christian VII of Denmark and his wife Caroline Mathilde – a dramatic story of love, infidelity and madness in the 18th century, which Fo explores in his new novel.
“When I start to research a character, I want to tell his story.” It was hard for Fo to tell the whole story, when it came to that of King Christian VII and his wife Caroline Mathilde, as many facts had been censored or removed from the historical writings. This, however, only triggered his interest further: “It makes me want to know the truth, what are you hiding and why?” On his quest to uncover the truth, Fo then found new texts abroad (in England and France), which made the novel ‘There’s a Mad King in Denmark’ (2015) come together.
Fo compares the tale of King Christian VII and Caroline Mathilde to that of Shakespeare’s ‘Romeo & Juliet’. In Fo’s version, a soon to be bride learns that her groom, the king, is in fact crazy – even though great measures have been taken to keep this a secret for her. Because of this knowledge, she sees him exactly for what he is and loves him in spite of his condition, and in spite of the fact that the main reason they’re supposed to unite is political. However, there’s an obstacle to their love: The queen mother doesn’t want the marriage to happen, as she wants her son – who is the same age as the king – to take his place.
“He studies and he befriends a German doctor, a genius. He knows everything, he teaches him and offers suggestions.” Moreover, it is also the story of how this unstable king – or perhaps more accurately his German physician Johann Friedrich Struensee (who came to have an affair with Caroline Mathilde) – did ground-breaking things for the Danish contemporary society.
Dario Fo (b. 1926) is an Italian playwright, actor, comedian, director, stage and costume designer, songwriter, painter, writer and political campaigner. Much of Fo’s dramatic work depends on improvisation and draws on e.g. the ancient Italian style of commedia dell’arte. Fo’s plays, which have been performed all over the world, are known for their social criticism, and his solo piece ‘Mistero Buffo’ (1969) (Comical Mystery) is recognised as one of the most controversial and popular spectacles in post-war European theatre, and has furthermore been denounced by the Vatican. In 1997 Fo received the Nobel Prize in Literature, the Swedish Academy praising him with the words: “He if anyone merits the epithet of jester in the true meaning of that word. With a blend of laughter and gravity he opens our eyes to abuses and injustices in society and also the wider historical perspective in which they can be placed.”
Dario Fo was interviewed by Christian Lund at Hotel Bella Sky in Copenhagen on 10 November 2015. The book referred to in the interview is ‘C’è un re pazzo in Danimarca’ (‘There’s a Mad King in Denmark’) (2015).
Camera: Simon Weyhe
Edited by: Klaus Elmer
Produced by: Christian Lund
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2015
https://wn.com/Dario_Fo_Interview_A_Crazy_King_In_Denmark
Watch Nobel Prize winning playwright Dario Fo tell his version of the story of King Christian VII of Denmark and his wife Caroline Mathilde – a dramatic story of love, infidelity and madness in the 18th century, which Fo explores in his new novel.
“When I start to research a character, I want to tell his story.” It was hard for Fo to tell the whole story, when it came to that of King Christian VII and his wife Caroline Mathilde, as many facts had been censored or removed from the historical writings. This, however, only triggered his interest further: “It makes me want to know the truth, what are you hiding and why?” On his quest to uncover the truth, Fo then found new texts abroad (in England and France), which made the novel ‘There’s a Mad King in Denmark’ (2015) come together.
Fo compares the tale of King Christian VII and Caroline Mathilde to that of Shakespeare’s ‘Romeo & Juliet’. In Fo’s version, a soon to be bride learns that her groom, the king, is in fact crazy – even though great measures have been taken to keep this a secret for her. Because of this knowledge, she sees him exactly for what he is and loves him in spite of his condition, and in spite of the fact that the main reason they’re supposed to unite is political. However, there’s an obstacle to their love: The queen mother doesn’t want the marriage to happen, as she wants her son – who is the same age as the king – to take his place.
“He studies and he befriends a German doctor, a genius. He knows everything, he teaches him and offers suggestions.” Moreover, it is also the story of how this unstable king – or perhaps more accurately his German physician Johann Friedrich Struensee (who came to have an affair with Caroline Mathilde) – did ground-breaking things for the Danish contemporary society.
Dario Fo (b. 1926) is an Italian playwright, actor, comedian, director, stage and costume designer, songwriter, painter, writer and political campaigner. Much of Fo’s dramatic work depends on improvisation and draws on e.g. the ancient Italian style of commedia dell’arte. Fo’s plays, which have been performed all over the world, are known for their social criticism, and his solo piece ‘Mistero Buffo’ (1969) (Comical Mystery) is recognised as one of the most controversial and popular spectacles in post-war European theatre, and has furthermore been denounced by the Vatican. In 1997 Fo received the Nobel Prize in Literature, the Swedish Academy praising him with the words: “He if anyone merits the epithet of jester in the true meaning of that word. With a blend of laughter and gravity he opens our eyes to abuses and injustices in society and also the wider historical perspective in which they can be placed.”
Dario Fo was interviewed by Christian Lund at Hotel Bella Sky in Copenhagen on 10 November 2015. The book referred to in the interview is ‘C’è un re pazzo in Danimarca’ (‘There’s a Mad King in Denmark’) (2015).
Camera: Simon Weyhe
Edited by: Klaus Elmer
Produced by: Christian Lund
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2015
- published: 12 Jan 2016
- views: 2235
2:02:06
Dario Fo a Malta (14-16th September 2017) - PART 2
- Order: Reorder
- Duration: 2:02:06
- Uploaded Date: 16 Oct 2021
- views: 14
At last 'Mistero Buffo' comes to Malta after a whole 30 years of grotesque struggles..... unfortunately enough without Dario Fo but fortunately enough with his ...
At last 'Mistero Buffo' comes to Malta after a whole 30 years of grotesque struggles..... unfortunately enough without Dario Fo but fortunately enough with his heir, Mario Pirovano.
The Strada Stretta Concept, under the auspices of the Valletta 2018 Foundation presents ’Dario Fo A Malta', monologues & workshop interpreted by Mario Pirovano, under the artistic direction of Giuseppe Schembri Bonaci.
The event ran as follows:
14th September, 2000hrs, Strada Stretta, near Splendid - Mistero Buffo
15th September, 2000hrs, Strada Stretta, near Splendid - Johan Padan
16th September, 2000hrs, Strada Stretta, near Splendid - Workshop with the participation of Għannejja - Maltese Troubadours.
Troubadour meets Jongleur, the Gjiullar is given a new birth in Malta. Dario Fo's Mistero Buffo and Johan Padan will be transforming Valletta into a hub of theatre action.
Beware.
Mario Pirovano the gjiullar actor will be presenting Dario Fo's works. This will be accompanied by Maltese Troubadours and GSB's adaptation of the internationally renowned work Mistero Buffo.
Also included:
Dario Fo's connection with Malta, Mario Pirovano's experience and acting workshop, Ghannejja singing Dario Fo including Karmenu l-Baħri's variations, GSB's translations, adaptations of Fo's works in Malta, Paris and Moscow, and other.
The burlesque and grotesque as the most subversive tools in the hands of Dario Fo & Franca Rame were transformed into lethal weapons against the establishment, be it political, economic or ecclesiastical.
As Stuart Hood says ' Fo's genius as both a player and synthesizer of the historical past allows him to resurrect before our eyes and ears, a whole anti-history philosophy proposing on the contrary a history of the unwritten: the real history.
As the pure simpleton, the Maltese 'Gaħan', the Italian Arlechino goes on the attack: 'Gaħan' plays the central role in all 'Mistero Buffo's' biblical stories for the first time seen not through the eyes of saints but through the eyes of pure simpletons. Another 'Gaħan' discovers America and we see this journey towards genocidal destruction not through heroes of armies and battleships but through the eyes of a 'Gaħan'.
Dario Fo and Franca Rame's fight against the establishment has become today a myth and a legend were it not for the real price they had to pay: the kidnapping and collective rape of Franca Rame by Fascist thugs, the Christian Democratic 1950-60s authoritarian censorship on film, theatre, and broadcasting, police presence in all Fo's productions, the Canzonissima scandal, and so many others.
Dario Fo Italian actor–playwright, comedian, singer, theatre director, stage designer, songwriter, painter, political campaigner for the Italian left-wing and the recipient of the 1997 Nobel Prize in Literature. In his time he was "arguably the most widely performed contemporary playwright in world theatre" .Much of his dramatic work depends on improvisation and comprises the recovery of "illegitimate" forms of theatre, such as those performed by gjiullari (medieval strolling players) and, more famously, the ancient Italian style of commedia dell'arte.
Dario Fo/Franca Rame's and Mario Pirovano's connection with Malta dates back to the late 80s with Giuseppe Schembri Bonaci's 'Teatru Strada Stretta' linking Maltese Għana to Fo's idea and development of commedia dell'arte.
Giuseppe Schembri Bonaci considers Dario Fo as one of his main mentors. Besides having been Dario Fo's official representative in Malta, Schembri Bonaci translated and directed several works: Mistero Buffo, Johann ha scoperto l'America, Gli Arcangeli non giocano a flipper, and others.
The monologues were interpreted by Mario Pirovano (b.Milan, 20 April 1950) who is an Italian theatrical actor, storyteller, translator and interpreter of Dario Fo’s monologues. His performances contribute to spread Fo’s art in the world.
Mario Pirovano grew up in Pregnana Milanese, a small village just out of Milan. At the age of 12 he worked in a local shop, at the age of 24 he moved to England, where for about 10 years he did all sort of jobs. In 1983 he saw Dario Fo and Franca Rame performing Mistero Buffo at the Riverside Studios in London, and totally from then on he identifies his life with the works of Dario Fo.
Since 1983 Mario Pirovano has taken part in all the works produced by Dario Fo and Franca Rame as an actor or assistant producer, stage director or simultaneous interpreter. In 1987 with Fo and Rame he acted in the programme “Forced Broadcast”, shown in eight episodes on a national television channel (Rai 3). In 1991 he played a part in the film ‘Blue Lights Murder’, director Alfonso Brescia.
Special thanks to Splendid, Jason Masini and the Istituto Italiano di Cultura La Valletta.
https://wn.com/Dario_Fo_A_Malta_(14_16Th_September_2017)_Part_2
At last 'Mistero Buffo' comes to Malta after a whole 30 years of grotesque struggles..... unfortunately enough without Dario Fo but fortunately enough with his heir, Mario Pirovano.
The Strada Stretta Concept, under the auspices of the Valletta 2018 Foundation presents ’Dario Fo A Malta', monologues & workshop interpreted by Mario Pirovano, under the artistic direction of Giuseppe Schembri Bonaci.
The event ran as follows:
14th September, 2000hrs, Strada Stretta, near Splendid - Mistero Buffo
15th September, 2000hrs, Strada Stretta, near Splendid - Johan Padan
16th September, 2000hrs, Strada Stretta, near Splendid - Workshop with the participation of Għannejja - Maltese Troubadours.
Troubadour meets Jongleur, the Gjiullar is given a new birth in Malta. Dario Fo's Mistero Buffo and Johan Padan will be transforming Valletta into a hub of theatre action.
Beware.
Mario Pirovano the gjiullar actor will be presenting Dario Fo's works. This will be accompanied by Maltese Troubadours and GSB's adaptation of the internationally renowned work Mistero Buffo.
Also included:
Dario Fo's connection with Malta, Mario Pirovano's experience and acting workshop, Ghannejja singing Dario Fo including Karmenu l-Baħri's variations, GSB's translations, adaptations of Fo's works in Malta, Paris and Moscow, and other.
The burlesque and grotesque as the most subversive tools in the hands of Dario Fo & Franca Rame were transformed into lethal weapons against the establishment, be it political, economic or ecclesiastical.
As Stuart Hood says ' Fo's genius as both a player and synthesizer of the historical past allows him to resurrect before our eyes and ears, a whole anti-history philosophy proposing on the contrary a history of the unwritten: the real history.
As the pure simpleton, the Maltese 'Gaħan', the Italian Arlechino goes on the attack: 'Gaħan' plays the central role in all 'Mistero Buffo's' biblical stories for the first time seen not through the eyes of saints but through the eyes of pure simpletons. Another 'Gaħan' discovers America and we see this journey towards genocidal destruction not through heroes of armies and battleships but through the eyes of a 'Gaħan'.
Dario Fo and Franca Rame's fight against the establishment has become today a myth and a legend were it not for the real price they had to pay: the kidnapping and collective rape of Franca Rame by Fascist thugs, the Christian Democratic 1950-60s authoritarian censorship on film, theatre, and broadcasting, police presence in all Fo's productions, the Canzonissima scandal, and so many others.
Dario Fo Italian actor–playwright, comedian, singer, theatre director, stage designer, songwriter, painter, political campaigner for the Italian left-wing and the recipient of the 1997 Nobel Prize in Literature. In his time he was "arguably the most widely performed contemporary playwright in world theatre" .Much of his dramatic work depends on improvisation and comprises the recovery of "illegitimate" forms of theatre, such as those performed by gjiullari (medieval strolling players) and, more famously, the ancient Italian style of commedia dell'arte.
Dario Fo/Franca Rame's and Mario Pirovano's connection with Malta dates back to the late 80s with Giuseppe Schembri Bonaci's 'Teatru Strada Stretta' linking Maltese Għana to Fo's idea and development of commedia dell'arte.
Giuseppe Schembri Bonaci considers Dario Fo as one of his main mentors. Besides having been Dario Fo's official representative in Malta, Schembri Bonaci translated and directed several works: Mistero Buffo, Johann ha scoperto l'America, Gli Arcangeli non giocano a flipper, and others.
The monologues were interpreted by Mario Pirovano (b.Milan, 20 April 1950) who is an Italian theatrical actor, storyteller, translator and interpreter of Dario Fo’s monologues. His performances contribute to spread Fo’s art in the world.
Mario Pirovano grew up in Pregnana Milanese, a small village just out of Milan. At the age of 12 he worked in a local shop, at the age of 24 he moved to England, where for about 10 years he did all sort of jobs. In 1983 he saw Dario Fo and Franca Rame performing Mistero Buffo at the Riverside Studios in London, and totally from then on he identifies his life with the works of Dario Fo.
Since 1983 Mario Pirovano has taken part in all the works produced by Dario Fo and Franca Rame as an actor or assistant producer, stage director or simultaneous interpreter. In 1987 with Fo and Rame he acted in the programme “Forced Broadcast”, shown in eight episodes on a national television channel (Rai 3). In 1991 he played a part in the film ‘Blue Lights Murder’, director Alfonso Brescia.
Special thanks to Splendid, Jason Masini and the Istituto Italiano di Cultura La Valletta.
- published: 16 Oct 2021
- views: 14
6:11
bonifax 2 1 dario fo translated in hebrew yiftach shemesh
- Order: Reorder
- Duration: 6:11
- Uploaded Date: 12 Jun 2017
- views: 138
- published: 12 Jun 2017
- views: 138
1:31:59
Accidental Death of an Anarchist
- Order: Reorder
- Duration: 1:31:59
- Uploaded Date: 10 Nov 2017
- views: 13553
Phoenix Theatre Company's performance of Dario Fo's Play, Accidental Death of an Anarchist.
Phoenix Theatre Company's performance of Dario Fo's Play, Accidental Death of an Anarchist.
https://wn.com/Accidental_Death_Of_An_Anarchist
Phoenix Theatre Company's performance of Dario Fo's Play, Accidental Death of an Anarchist.
- published: 10 Nov 2017
- views: 13553
0:56
YTPMV - Dario Fo entra in circolo (ft.ilCirox)
- Order: Reorder
- Duration: 0:56
- Uploaded Date: 23 Oct 2016
- views: 4150
Ciao, Dario
Ciao, Dario
https://wn.com/Ytpmv_Dario_Fo_Entra_In_Circolo_(Ft.Ilcirox)
Ciao, Dario
- published: 23 Oct 2016
- views: 4150
2:18
The Maniac - Accidental Death of an Anarchist - Dario Fo
- Order: Reorder
- Duration: 2:18
- Uploaded Date: 04 Jul 2013
- views: 9187
This is a monologue performed by me (Jack Readyhoof) for my A-level Drama assessment unit 2. The extract comes from Dario Fo's 'Accidental Death of an Anarchist...
This is a monologue performed by me (Jack Readyhoof) for my A-level Drama assessment unit 2. The extract comes from Dario Fo's 'Accidental Death of an Anarchist'. An immensely physical performance that was very fun to play. Hope you enjoy!
https://wn.com/The_Maniac_Accidental_Death_Of_An_Anarchist_Dario_Fo
This is a monologue performed by me (Jack Readyhoof) for my A-level Drama assessment unit 2. The extract comes from Dario Fo's 'Accidental Death of an Anarchist'. An immensely physical performance that was very fun to play. Hope you enjoy!
- published: 04 Jul 2013
- views: 9187
9:54
Summary World: Famous Plays 2: "Accidental Death of an Anarchist" by Dario Fo
- Order: Reorder
- Duration: 9:54
- Uploaded Date: 19 Jun 2015
- views: 5129
Summary World: Famous Plays 2: "Accidental Death of an Anarchist" by Dario Fo
Summary World: Famous Plays 2: "Accidental Death of an Anarchist" by Dario Fo
https://wn.com/Summary_World_Famous_Plays_2_Accidental_Death_Of_An_Anarchist_By_Dario_Fo
Summary World: Famous Plays 2: "Accidental Death of an Anarchist" by Dario Fo
- published: 19 Jun 2015
- views: 5129
-
Dario Fo Interview: A Crazy King in Denmark
Watch Nobel Prize winning playwright Dario Fo tell his version of the story of King Christian VII of Denmark and his wife Caroline Mathilde – a dramatic story of love, infidelity and madness in the 18th century, which Fo explores in his new novel. “When I start to research a character, I want to tell his story.” It was hard for Fo to tell the whole story, when it came to that of King Christian VII and his wife Caroline Mathilde, as many facts had been censored or removed from the historical writings. This, however, only triggered his interest further: “It makes me want to know the truth, what are you hiding and why?” On his quest to uncover the truth, Fo then found new texts abroad (in England and France), which made the novel ‘There’s a Mad King in Denmark’ (2015) come together. Fo comp...
published: 12 Jan 2016 -
Dario Fo: I am a Born Storyteller
Meet legendary playwright Dario Fo, who here tells the intriguing story of how he became a storyteller and how he revolutionized theatre by “destroying the fourth wall” – encouraging his audience not to be voyeurs but to participate. “I’m a born storyteller, it’s true.” There was a glass-blowing factory in the town in which Fo grew up, where thousands of people from all over the world were employed. As a result a strange merge of languages arose: “Grammelot was created, a language of transit made up of onomatopoeic sounds, gestures, movements, tones.” It soon became apparent that there were storytellers in all the different groups of nationalities: “Everyone told stories and I also learned to tell stories. I repeated them, then I made up stories of my own, then I took stories I’d heard fr...
published: 19 Nov 2015 -
The Theatre of Dario Fo
1984 documentary on the life and work of the legendary Italian theatre practitioner and his creative partner and wife Franca Rame. Nobel Prize winning author of "Accidental Death of an Anarchist".
published: 12 May 2016 -
euronews interview - Dario Fo: 'What had taken centuries to create in Italy was degraded in a very short time'
http://www.euronews.com/ Like many countries in Europe, Italy is struggling with problems of its own making following sleaze, scandal and corruption, although it has received some credit after taking measures that have begun to turn things around. On the eve of the Italian general election, euronews spoke to Dario Fo: intellectual, playwright and actor, he was awarded the Nobel Prize for Literature in 1997. Today the "Can't pay? Won't pay!" writer accuses banks and those in power of demoralising the Italian people. *euronews:* "Dario Fo, as at other times in your career, you're currently concentrating on your painting. So I ask you how and what colours you would paint with to represent Italy today." *Dario Fo:* "Unfortunately we're in a situation, where the colours are grey. At best t...
published: 21 Feb 2013 -
Dario Fo - Accidental Death of an Anarchist (full)
Manchester Belt & Braces Theatre production of Dario Fo's "Accidental Death of an Anarchist" filmed in 1984 - Wonderfully funny and written and directed by Gavin Richards who also plays the "madman".
published: 27 Apr 2013 -
Il monologo di Dario Fo sulla pornografia
published: 23 Feb 2021 -
Dario Fo e il Grammelot con accento inglese - "L'uomo e la tecnologia" (Rai2 - 1977)
Con Mistero Buffo, l'arte di Fo raggiunge il massimo grado di novità e originalità, seguendo non la tradizione istituzionale del teatro, ma la forza espressiva e la grande carica comunicativa dei giullari medievali (joculatores). E Fo è un giullare perfetto che, "manovrando" con grande abilità, risa e serietà, ripercorre una storia millenaria fatta di abusi e ingiustizie, nel tentativo, anche, di svegliare le coscienze, perché in lui è pressante un impulso forte: la ricerca della giustizia. Il giullare, espressione teatrale del popolo, con la propria cultura e i propri sentimenti di rivolta: ecco la figura che offre a Fo i modi espressivi più consoni alle sue esigenze interpretative e comunicative. I giullari recitavano nelle piazze, nei mercati e, assieme ai comici dell'arte, furono gli i...
published: 25 May 2011 -
euronews interview - Dario Fo: "Los políticos no me inspiran ninguna piedad"
http://es.euronews.com/ Ve un país entristecido, descolorido y decepcionado, tanto con sus representantes como con una política carente de pasión. Un país que sobrevive exclusivamente gracias a la creatividad de aquellos que no se rinden ante la crisis. Esa es la Italia que lamenta el dramaturgo Dario Fo. En medio de la campaña electoral, el Premio Nobel de Literaruta 1997 no duda en acusar a los bancos, grandes y pequeños, de haber robado el futuro de los italianos. Ésta es la entrevista que nos ha concedido. Euronews: "Dario Fo, como también ha hecho en otros periodos de su carrera, ahora se concentra usted más en la pintura. ¿Qué colores utilizaría para representar la Italia de 2013" Dario Fo: "Desafortunadamente atravesamos una situación bastante gris. Y esa es la gama de colores que...
published: 21 Feb 2013 -
lezione di teatro Dario Fo
Lezioni di teatro di Dario Fo tratto da I trucchi del mestiere Teatro Argentina di Roma - 1984
published: 09 Dec 2019 -
Dario Fo - "La Resurrezione di Lazzaro" - Mistero Buffo 1991
Dagli spettacoli registrati al Teatro Lirico di Milano - 1991
published: 04 Jul 2014 -
Dario Fo: le regole dell'Attore
Chiare Lettere ha mandato in libreria un interessante volume "Nuovo manuale minimo dell'attore", si tratta del volume conclusivo che Franca Rame e Dario Fò avevano promesso dopo il grande successo - nel 1987 - del loro primo volume: Manuale Minimo dell'Attore".....Si fondono in questo nuovo volume, come nel primo, arte e storia di vita. 1) Conoscere tutti i mestieri del Teatro ( l'insegnamento di Streler) 2) Rompere la quarta parete ( sconosciuta alla gran parte degli attori) 3) Giocare con l'imprevisto 4) Rappresentare non recitare ( la rappresentazione diventa presenza vissuta dall'attore. QUalcosa che deve proiettare verso il pubblico) 5) L'Attore deve essere generoso ( anche esponendo la propria parte negativa. Il pubblico si riesce a coinvolgere solo quando si è vivi sul palcosce...
published: 27 Oct 2015 -
euronews interview - Dario Fo: "İtalya sanki bir afet yaşamış gibi"
http://tr.euronews.com/ İtalya'da ana gündem ekonomik kriz. Ülke genel seçim öncesini krizi tamamlayan yolsuzluk ve skandal haberleriyle geçirdi. İtalyanların edebiyat ve sinemada dünyaca ünlü isimlerinden 1997 Nobel Edebiyat Ödülü sahibi Dario Fo, krizin başlıca aktörü olarak nitelendirdiği bankaları İtalyanların hayatından çalmakla suçluyor. Diego Giuliani, euronews: "Dario Fo, kariyerinizin bazı dönemlerinde olduğu gibi resim yapmaya yoğunlaşmışsınız. Şunu sormak isterim: Bugünün İtalyasını resmediyor olsanız hangi renkleri kullanırdınız? Dario Fo: "Maalesef gri tonların ağırlıkta olacağı bir dönemden geçiyoruz. En iyi ihtimalle eflatun, turuncu ya da kırmızının bazı koyu tonlarına kadar açılabiliriz. Çünkü hareketlenme görülmüyor. Melankoli hakim, adeta bir afet yaşamış gibiyiz....
published: 21 Feb 2013 -
Marino libero! Marino è innocente! - Dario Fo
Marino libero! Marino è innocente! (1998) di Dario Fo con Dario Fo e Franca Rame Spettacolo allestito in occasione della decisione della Corte d' Appello sul ricorso per la revisione del processo a Sofri, Bompressi e Pietrostefani.
published: 05 Feb 2021
developed with YouTube
7:29
Dario Fo Interview: A Crazy King in Denmark
- Order: Reorder
- Duration: 7:29
- Uploaded Date: 12 Jan 2016
- views: 2235
Watch Nobel Prize winning playwright Dario Fo tell his version of the story of King Christian VII of Denmark and his wife Caroline Mathilde – a dramatic story o...
Watch Nobel Prize winning playwright Dario Fo tell his version of the story of King Christian VII of Denmark and his wife Caroline Mathilde – a dramatic story of love, infidelity and madness in the 18th century, which Fo explores in his new novel.
“When I start to research a character, I want to tell his story.” It was hard for Fo to tell the whole story, when it came to that of King Christian VII and his wife Caroline Mathilde, as many facts had been censored or removed from the historical writings. This, however, only triggered his interest further: “It makes me want to know the truth, what are you hiding and why?” On his quest to uncover the truth, Fo then found new texts abroad (in England and France), which made the novel ‘There’s a Mad King in Denmark’ (2015) come together.
Fo compares the tale of King Christian VII and Caroline Mathilde to that of Shakespeare’s ‘Romeo & Juliet’. In Fo’s version, a soon to be bride learns that her groom, the king, is in fact crazy – even though great measures have been taken to keep this a secret for her. Because of this knowledge, she sees him exactly for what he is and loves him in spite of his condition, and in spite of the fact that the main reason they’re supposed to unite is political. However, there’s an obstacle to their love: The queen mother doesn’t want the marriage to happen, as she wants her son – who is the same age as the king – to take his place.
“He studies and he befriends a German doctor, a genius. He knows everything, he teaches him and offers suggestions.” Moreover, it is also the story of how this unstable king – or perhaps more accurately his German physician Johann Friedrich Struensee (who came to have an affair with Caroline Mathilde) – did ground-breaking things for the Danish contemporary society.
Dario Fo (b. 1926) is an Italian playwright, actor, comedian, director, stage and costume designer, songwriter, painter, writer and political campaigner. Much of Fo’s dramatic work depends on improvisation and draws on e.g. the ancient Italian style of commedia dell’arte. Fo’s plays, which have been performed all over the world, are known for their social criticism, and his solo piece ‘Mistero Buffo’ (1969) (Comical Mystery) is recognised as one of the most controversial and popular spectacles in post-war European theatre, and has furthermore been denounced by the Vatican. In 1997 Fo received the Nobel Prize in Literature, the Swedish Academy praising him with the words: “He if anyone merits the epithet of jester in the true meaning of that word. With a blend of laughter and gravity he opens our eyes to abuses and injustices in society and also the wider historical perspective in which they can be placed.”
Dario Fo was interviewed by Christian Lund at Hotel Bella Sky in Copenhagen on 10 November 2015. The book referred to in the interview is ‘C’è un re pazzo in Danimarca’ (‘There’s a Mad King in Denmark’) (2015).
Camera: Simon Weyhe
Edited by: Klaus Elmer
Produced by: Christian Lund
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2015
https://wn.com/Dario_Fo_Interview_A_Crazy_King_In_Denmark
Watch Nobel Prize winning playwright Dario Fo tell his version of the story of King Christian VII of Denmark and his wife Caroline Mathilde – a dramatic story of love, infidelity and madness in the 18th century, which Fo explores in his new novel.
“When I start to research a character, I want to tell his story.” It was hard for Fo to tell the whole story, when it came to that of King Christian VII and his wife Caroline Mathilde, as many facts had been censored or removed from the historical writings. This, however, only triggered his interest further: “It makes me want to know the truth, what are you hiding and why?” On his quest to uncover the truth, Fo then found new texts abroad (in England and France), which made the novel ‘There’s a Mad King in Denmark’ (2015) come together.
Fo compares the tale of King Christian VII and Caroline Mathilde to that of Shakespeare’s ‘Romeo & Juliet’. In Fo’s version, a soon to be bride learns that her groom, the king, is in fact crazy – even though great measures have been taken to keep this a secret for her. Because of this knowledge, she sees him exactly for what he is and loves him in spite of his condition, and in spite of the fact that the main reason they’re supposed to unite is political. However, there’s an obstacle to their love: The queen mother doesn’t want the marriage to happen, as she wants her son – who is the same age as the king – to take his place.
“He studies and he befriends a German doctor, a genius. He knows everything, he teaches him and offers suggestions.” Moreover, it is also the story of how this unstable king – or perhaps more accurately his German physician Johann Friedrich Struensee (who came to have an affair with Caroline Mathilde) – did ground-breaking things for the Danish contemporary society.
Dario Fo (b. 1926) is an Italian playwright, actor, comedian, director, stage and costume designer, songwriter, painter, writer and political campaigner. Much of Fo’s dramatic work depends on improvisation and draws on e.g. the ancient Italian style of commedia dell’arte. Fo’s plays, which have been performed all over the world, are known for their social criticism, and his solo piece ‘Mistero Buffo’ (1969) (Comical Mystery) is recognised as one of the most controversial and popular spectacles in post-war European theatre, and has furthermore been denounced by the Vatican. In 1997 Fo received the Nobel Prize in Literature, the Swedish Academy praising him with the words: “He if anyone merits the epithet of jester in the true meaning of that word. With a blend of laughter and gravity he opens our eyes to abuses and injustices in society and also the wider historical perspective in which they can be placed.”
Dario Fo was interviewed by Christian Lund at Hotel Bella Sky in Copenhagen on 10 November 2015. The book referred to in the interview is ‘C’è un re pazzo in Danimarca’ (‘There’s a Mad King in Denmark’) (2015).
Camera: Simon Weyhe
Edited by: Klaus Elmer
Produced by: Christian Lund
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2015
- published: 12 Jan 2016
- views: 2235
23:15
Dario Fo: I am a Born Storyteller
- Order: Reorder
- Duration: 23:15
- Uploaded Date: 19 Nov 2015
- views: 13965
Meet legendary playwright Dario Fo, who here tells the intriguing story of how he became a storyteller and how he revolutionized theatre by “destroying the four...
Meet legendary playwright Dario Fo, who here tells the intriguing story of how he became a storyteller and how he revolutionized theatre by “destroying the fourth wall” – encouraging his audience not to be voyeurs but to participate.
“I’m a born storyteller, it’s true.” There was a glass-blowing factory in the town in which Fo grew up, where thousands of people from all over the world were employed. As a result a strange merge of languages arose: “Grammelot was created, a language of transit made up of onomatopoeic sounds, gestures, movements, tones.” It soon became apparent that there were storytellers in all the different groups of nationalities: “Everyone told stories and I also learned to tell stories. I repeated them, then I made up stories of my own, then I took stories I’d heard from the foreigners.” Soon Fo became famous for his stories, and was often invited to dinners in order to tell them.
“She was truly my teacher.” When Fo met Italian actress Franca Rame, his wife of over six decades, she taught him the importance of communicating with the audience – “destroying the fourth wall” – in a way that would make them feel as if they were actually on stage. When Fo and Rame discovered that they were in fact “soothing the bourgeoisie” with their plays, they felt they had to change everything. This was done by e.g. setting up their plays in places where workers gathered, such as community centres. The audience soon started to participate actively: “… the audience wanted more than us performing stories which we thought were useful to them. No, they wanted us to talk about their personal problems.” In contrast to the bourgeois audience, which Fo considered to be “voyeurs”, their new audience was very much involved.
Fo and Rame performed in a time, where a cultural revolution had erupted in Italy. They developed a way of avoiding censorship by becoming an association with the audience: “We shifted all the models, the rules of conventional theatre.” Their new approach to theatre was much to the dismay of the politicians and during those years they were imprisoned, they underwent 40 trials, suffered great violence – including the rape of Rame – and had bombs placed under the theatre: “But we won with serious injuries and serious troubles…”
Dario Fo (b. 1926) is an Italian playwright, actor, comedian, director, stage and costume designer, songwriter, painter, writer and political campaigner. Much of Fo’s dramatic work depends on improvisation and draws on e.g. the ancient Italian style of commedia dell’arte. Fo’s plays, which have been performed all over the world, are known for their social criticism, and his solo piece ‘Mistero Buffo’ (1969) (Comical Mystery) is recognised as one of the most controversial and popular spectacles in post-war European theatre, and has furthermore been denounced by the Vatican. In 1997 Fo received the Nobel Prize in Literature, the Swedish Academy praising him with the words: “He if anyone merits the epithet of jester in the true meaning of that word. With a blend of laughter and gravity he opens our eyes to abuses and injustices in society and also the wider historical perspective in which they can be placed.”
Dario Fo was interviewed by Christian Lund at Hotel Bella Sky in Copenhagen on 10 November 2015.
Camera: Simon Weyhe
Edited by: Klaus Elmer
Produced by: Christian Lund
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2015
Supported by Nordea-fonden
https://wn.com/Dario_Fo_I_Am_A_Born_Storyteller
Meet legendary playwright Dario Fo, who here tells the intriguing story of how he became a storyteller and how he revolutionized theatre by “destroying the fourth wall” – encouraging his audience not to be voyeurs but to participate.
“I’m a born storyteller, it’s true.” There was a glass-blowing factory in the town in which Fo grew up, where thousands of people from all over the world were employed. As a result a strange merge of languages arose: “Grammelot was created, a language of transit made up of onomatopoeic sounds, gestures, movements, tones.” It soon became apparent that there were storytellers in all the different groups of nationalities: “Everyone told stories and I also learned to tell stories. I repeated them, then I made up stories of my own, then I took stories I’d heard from the foreigners.” Soon Fo became famous for his stories, and was often invited to dinners in order to tell them.
“She was truly my teacher.” When Fo met Italian actress Franca Rame, his wife of over six decades, she taught him the importance of communicating with the audience – “destroying the fourth wall” – in a way that would make them feel as if they were actually on stage. When Fo and Rame discovered that they were in fact “soothing the bourgeoisie” with their plays, they felt they had to change everything. This was done by e.g. setting up their plays in places where workers gathered, such as community centres. The audience soon started to participate actively: “… the audience wanted more than us performing stories which we thought were useful to them. No, they wanted us to talk about their personal problems.” In contrast to the bourgeois audience, which Fo considered to be “voyeurs”, their new audience was very much involved.
Fo and Rame performed in a time, where a cultural revolution had erupted in Italy. They developed a way of avoiding censorship by becoming an association with the audience: “We shifted all the models, the rules of conventional theatre.” Their new approach to theatre was much to the dismay of the politicians and during those years they were imprisoned, they underwent 40 trials, suffered great violence – including the rape of Rame – and had bombs placed under the theatre: “But we won with serious injuries and serious troubles…”
Dario Fo (b. 1926) is an Italian playwright, actor, comedian, director, stage and costume designer, songwriter, painter, writer and political campaigner. Much of Fo’s dramatic work depends on improvisation and draws on e.g. the ancient Italian style of commedia dell’arte. Fo’s plays, which have been performed all over the world, are known for their social criticism, and his solo piece ‘Mistero Buffo’ (1969) (Comical Mystery) is recognised as one of the most controversial and popular spectacles in post-war European theatre, and has furthermore been denounced by the Vatican. In 1997 Fo received the Nobel Prize in Literature, the Swedish Academy praising him with the words: “He if anyone merits the epithet of jester in the true meaning of that word. With a blend of laughter and gravity he opens our eyes to abuses and injustices in society and also the wider historical perspective in which they can be placed.”
Dario Fo was interviewed by Christian Lund at Hotel Bella Sky in Copenhagen on 10 November 2015.
Camera: Simon Weyhe
Edited by: Klaus Elmer
Produced by: Christian Lund
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2015
Supported by Nordea-fonden
- published: 19 Nov 2015
- views: 13965
50:25
The Theatre of Dario Fo
- Order: Reorder
- Duration: 50:25
- Uploaded Date: 12 May 2016
- views: 29773
1984 documentary on the life and work of the legendary Italian theatre practitioner and his creative partner and wife Franca Rame. Nobel Prize winning author of...
1984 documentary on the life and work of the legendary Italian theatre practitioner and his creative partner and wife Franca Rame. Nobel Prize winning author of "Accidental Death of an Anarchist".
https://wn.com/The_Theatre_Of_Dario_Fo
1984 documentary on the life and work of the legendary Italian theatre practitioner and his creative partner and wife Franca Rame. Nobel Prize winning author of "Accidental Death of an Anarchist".
- published: 12 May 2016
- views: 29773
7:35
euronews interview - Dario Fo: 'What had taken centuries to create in Italy was degraded in a very short time'
- Order: Reorder
- Duration: 7:35
- Uploaded Date: 21 Feb 2013
- views: 5839
http://www.euronews.com/ Like many countries in Europe, Italy is struggling with problems of its own making following sleaze, scandal and corruption, although i...
http://www.euronews.com/ Like many countries in Europe, Italy is struggling with problems of its own making following sleaze, scandal and corruption, although it has received some credit after taking measures that have begun to turn things around.
On the eve of the Italian general election, euronews spoke to Dario Fo: intellectual, playwright and actor, he was awarded the Nobel Prize for Literature in 1997.
Today the "Can't pay? Won't pay!" writer accuses banks and those in power of demoralising the Italian people.
*euronews:* "Dario Fo, as at other times in your career, you're currently concentrating on your painting. So I ask you how and what colours you would paint with to represent Italy today."
*Dario Fo:* "Unfortunately we're in a situation, where the colours are grey. At best there are shades of purple, orange and red. This is because 'there's no vibration, there's sadness, there's disaster. The crisis has destroyed any enthusiasm and joy."
*euronews:* "In your latest works, is there any hope? Where is the hope?"
*Dario Fo:* "There is one positive thing, It's the fact that we're doing all we can and not giving up. I see many people who don't surrender and who look for the best solutions, who look for new approaches. It's not only about surviving, it's about something new, a change of approach."
*euronews:* "Let's now jump into your past, to talk about the Nobel Prize for Literature you won in 1997. 'For Dario Fo' - and here I'm quoting the Swedish Academy - 'who, inspired by the jesters of the Middle Ages, castigates the powerful and restores the dignity of the oppressed.' Who are the powerful that Dario Fo castigates today and why?"
*Dario Fo:* "The banks mostly, and the big entrepreneurs. All those who hold the reins "the show within a show ", ie those who - through the media, television and in other ways - make every effort to ensure that the people accept the conditions they find themselves in."
*euronews:* "You're following Italy's election campaign with apprehension . What worries you the most?"
*Dario Fo:* "I'm not worried about the same things as the politicians because I feel like an outsider. I'm tired of the way they think of the relationships between people, it's clear I can't feel pity for these politicians who only risk their jobs. The politicians have just got into a workplace routine, they no longer have a mission, and this is accepted because the voters trust them."
*euronews:* Is it still possible to be passionate about politics?
*Dario Fo:* "It's all become degraded in a very short time, all that had been created over centuries. Hope and trust have been destroyed as well as the value of laws, the community, justice... especially justice."
*euronews:* "When and how did this destruction come about?"
*Dario Fo:* "If there isn't a system which is strong, solid, and based primarily on culture and knowledge, which instils in the collective consciousness equality, freedom and justice, then everything collapses . There are many who praised the sleaze, real scam artists.
"It is not even worth naming anyone in particular. they are all like this, just look around you: the first one you see, he's one of them."
*euronews:* "In today's politics for a few years now, it's considered a good thing to be moderate. You, however, have always proudly claimed not to be. What's the problem with being moderate?".
*Dario Fo:* "Above all the staging, the mask. The mask of a good person, kind, who's never hurt anyone. But it's really a trap. They appear nice and gentle in their mannerisms and gestures; they never let go, they never have fun, they never play, or dance. I've never seen a moderate person dance and party with people. They stay in the corner, not to be seen and not not be discovered."
*euronews:* "In 1994 he went into politics in a surprise move. He then had a long career and today in 2013 he is back and running for re-election. Obviously we're talking about Berlusconi. You've said much about him in the past, how do you see him now?."
*Dario Fo:* "Just yesterday I did a satirical performance drawn from Buster Keaton. It was about a statue in a large room, and all around there are characters who are trying to keep up. They move in all directions, they leave, they come back, they try to support it with mechanical devices, to keep it balanced. But the statue falls, it's on the verge of breaking. But they stand it up and it's still OK. It comes back, but each time it's closer to the abyss."
*euronews:* "But it never reaches it."
Find us on:
Youtube http://bit.ly/zr3upY
Facebook http://www.facebook.com/euronews.fans
Twitter http://twitter.com/euronews
https://wn.com/Euronews_Interview_Dario_Fo_'What_Had_Taken_Centuries_To_Create_In_Italy_Was_Degraded_In_A_Very_Short_Time'
http://www.euronews.com/ Like many countries in Europe, Italy is struggling with problems of its own making following sleaze, scandal and corruption, although it has received some credit after taking measures that have begun to turn things around.
On the eve of the Italian general election, euronews spoke to Dario Fo: intellectual, playwright and actor, he was awarded the Nobel Prize for Literature in 1997.
Today the "Can't pay? Won't pay!" writer accuses banks and those in power of demoralising the Italian people.
*euronews:* "Dario Fo, as at other times in your career, you're currently concentrating on your painting. So I ask you how and what colours you would paint with to represent Italy today."
*Dario Fo:* "Unfortunately we're in a situation, where the colours are grey. At best there are shades of purple, orange and red. This is because 'there's no vibration, there's sadness, there's disaster. The crisis has destroyed any enthusiasm and joy."
*euronews:* "In your latest works, is there any hope? Where is the hope?"
*Dario Fo:* "There is one positive thing, It's the fact that we're doing all we can and not giving up. I see many people who don't surrender and who look for the best solutions, who look for new approaches. It's not only about surviving, it's about something new, a change of approach."
*euronews:* "Let's now jump into your past, to talk about the Nobel Prize for Literature you won in 1997. 'For Dario Fo' - and here I'm quoting the Swedish Academy - 'who, inspired by the jesters of the Middle Ages, castigates the powerful and restores the dignity of the oppressed.' Who are the powerful that Dario Fo castigates today and why?"
*Dario Fo:* "The banks mostly, and the big entrepreneurs. All those who hold the reins "the show within a show ", ie those who - through the media, television and in other ways - make every effort to ensure that the people accept the conditions they find themselves in."
*euronews:* "You're following Italy's election campaign with apprehension . What worries you the most?"
*Dario Fo:* "I'm not worried about the same things as the politicians because I feel like an outsider. I'm tired of the way they think of the relationships between people, it's clear I can't feel pity for these politicians who only risk their jobs. The politicians have just got into a workplace routine, they no longer have a mission, and this is accepted because the voters trust them."
*euronews:* Is it still possible to be passionate about politics?
*Dario Fo:* "It's all become degraded in a very short time, all that had been created over centuries. Hope and trust have been destroyed as well as the value of laws, the community, justice... especially justice."
*euronews:* "When and how did this destruction come about?"
*Dario Fo:* "If there isn't a system which is strong, solid, and based primarily on culture and knowledge, which instils in the collective consciousness equality, freedom and justice, then everything collapses . There are many who praised the sleaze, real scam artists.
"It is not even worth naming anyone in particular. they are all like this, just look around you: the first one you see, he's one of them."
*euronews:* "In today's politics for a few years now, it's considered a good thing to be moderate. You, however, have always proudly claimed not to be. What's the problem with being moderate?".
*Dario Fo:* "Above all the staging, the mask. The mask of a good person, kind, who's never hurt anyone. But it's really a trap. They appear nice and gentle in their mannerisms and gestures; they never let go, they never have fun, they never play, or dance. I've never seen a moderate person dance and party with people. They stay in the corner, not to be seen and not not be discovered."
*euronews:* "In 1994 he went into politics in a surprise move. He then had a long career and today in 2013 he is back and running for re-election. Obviously we're talking about Berlusconi. You've said much about him in the past, how do you see him now?."
*Dario Fo:* "Just yesterday I did a satirical performance drawn from Buster Keaton. It was about a statue in a large room, and all around there are characters who are trying to keep up. They move in all directions, they leave, they come back, they try to support it with mechanical devices, to keep it balanced. But the statue falls, it's on the verge of breaking. But they stand it up and it's still OK. It comes back, but each time it's closer to the abyss."
*euronews:* "But it never reaches it."
Find us on:
Youtube http://bit.ly/zr3upY
Facebook http://www.facebook.com/euronews.fans
Twitter http://twitter.com/euronews
- published: 21 Feb 2013
- views: 5839
1:12:58
Dario Fo - Accidental Death of an Anarchist (full)
- Order: Reorder
- Duration: 1:12:58
- Uploaded Date: 27 Apr 2013
- views: 116242
Manchester Belt & Braces Theatre production of Dario Fo's "Accidental Death of an Anarchist" filmed in 1984 - Wonderfully funny and written and directed by Gavi...
Manchester Belt & Braces Theatre production of Dario Fo's "Accidental Death of an Anarchist" filmed in 1984 - Wonderfully funny and written and directed by Gavin Richards who also plays the "madman".
https://wn.com/Dario_Fo_Accidental_Death_Of_An_Anarchist_(Full)
Manchester Belt & Braces Theatre production of Dario Fo's "Accidental Death of an Anarchist" filmed in 1984 - Wonderfully funny and written and directed by Gavin Richards who also plays the "madman".
- published: 27 Apr 2013
- views: 116242
5:24
Il monologo di Dario Fo sulla pornografia
- Order: Reorder
- Duration: 5:24
- Uploaded Date: 23 Feb 2021
- views: 7707
- published: 23 Feb 2021
- views: 7707
13:23
Dario Fo e il Grammelot con accento inglese - "L'uomo e la tecnologia" (Rai2 - 1977)
- Order: Reorder
- Duration: 13:23
- Uploaded Date: 25 May 2011
- views: 257772
Con Mistero Buffo, l'arte di Fo raggiunge il massimo grado di novità e originalità, seguendo non la tradizione istituzionale del teatro, ma la forza espressiva ...
Con Mistero Buffo, l'arte di Fo raggiunge il massimo grado di novità e originalità, seguendo non la tradizione istituzionale del teatro, ma la forza espressiva e la grande carica comunicativa dei giullari medievali (joculatores). E Fo è un giullare perfetto che, "manovrando" con grande abilità, risa e serietà, ripercorre una storia millenaria fatta di abusi e ingiustizie, nel tentativo, anche, di svegliare le coscienze, perché in lui è pressante un impulso forte: la ricerca della giustizia. Il giullare, espressione teatrale del popolo, con la propria cultura e i propri sentimenti di rivolta: ecco la figura che offre a Fo i modi espressivi più consoni alle sue esigenze interpretative e comunicative. I giullari recitavano nelle piazze, nei mercati e, assieme ai comici dell'arte, furono gli inventori del GRAMMELOT, sorta di lingua, di articolazione di suoni e di azione mimica messe assieme, nate sia dalla situazione peculiare dei giullari che viaggiavano in luoghi in cui si parlavano lingue diverse, e quindi dalla necessità di farsi intendere un po' da tutti, sia dalle leggi censorie che imponevano loro di non recitare in lingua. «... Fin dal Mille — dice lo stesso Fo — il giullare girava piazze e paesi, facendo sotto forma di recitazione satirica delle vere e proprie accuse ai potenti. Egli era una figura che si concretizzava direttamente dal popolo, dal quale attingeva la rabbia, per poi ritrasmettergliela mediata dal grottesco»; questa forma di teatro popolare era «il giornale parlato e drammatizzato del popolo».
https://wn.com/Dario_Fo_E_Il_Grammelot_Con_Accento_Inglese_L'Uomo_E_La_Tecnologia_(Rai2_1977)
Con Mistero Buffo, l'arte di Fo raggiunge il massimo grado di novità e originalità, seguendo non la tradizione istituzionale del teatro, ma la forza espressiva e la grande carica comunicativa dei giullari medievali (joculatores). E Fo è un giullare perfetto che, "manovrando" con grande abilità, risa e serietà, ripercorre una storia millenaria fatta di abusi e ingiustizie, nel tentativo, anche, di svegliare le coscienze, perché in lui è pressante un impulso forte: la ricerca della giustizia. Il giullare, espressione teatrale del popolo, con la propria cultura e i propri sentimenti di rivolta: ecco la figura che offre a Fo i modi espressivi più consoni alle sue esigenze interpretative e comunicative. I giullari recitavano nelle piazze, nei mercati e, assieme ai comici dell'arte, furono gli inventori del GRAMMELOT, sorta di lingua, di articolazione di suoni e di azione mimica messe assieme, nate sia dalla situazione peculiare dei giullari che viaggiavano in luoghi in cui si parlavano lingue diverse, e quindi dalla necessità di farsi intendere un po' da tutti, sia dalle leggi censorie che imponevano loro di non recitare in lingua. «... Fin dal Mille — dice lo stesso Fo — il giullare girava piazze e paesi, facendo sotto forma di recitazione satirica delle vere e proprie accuse ai potenti. Egli era una figura che si concretizzava direttamente dal popolo, dal quale attingeva la rabbia, per poi ritrasmettergliela mediata dal grottesco»; questa forma di teatro popolare era «il giornale parlato e drammatizzato del popolo».
- published: 25 May 2011
- views: 257772
7:35
euronews interview - Dario Fo: "Los políticos no me inspiran ninguna piedad"
- Order: Reorder
- Duration: 7:35
- Uploaded Date: 21 Feb 2013
- views: 4619
http://es.euronews.com/ Ve un país entristecido, descolorido y decepcionado, tanto con sus representantes como con una política carente de pasión. Un país que s...
http://es.euronews.com/ Ve un país entristecido, descolorido y decepcionado, tanto con sus representantes como con una política carente de pasión. Un país que sobrevive exclusivamente gracias a la creatividad de aquellos que no se rinden ante la crisis. Esa es la Italia que lamenta el dramaturgo Dario Fo. En medio de la campaña electoral, el Premio Nobel de Literaruta 1997 no duda en acusar a los bancos, grandes y pequeños, de haber robado el futuro de los italianos. Ésta es la entrevista que nos ha concedido.
Euronews:
"Dario Fo, como también ha hecho en otros periodos de su carrera, ahora se concentra usted más en la pintura. ¿Qué colores utilizaría para representar la Italia de 2013"
Dario Fo:
"Desafortunadamente atravesamos una situación bastante gris. Y esa es la gama de colores que corresponde. Si acaso, utilizaría también un violeta, por la asfixia que sufrimos, un naranja pálido o incluso un tono granate. Nada se mueve. Es todo melancolía. Un desastre. La crisis que nos amenaza ha destruido todo el entusiasmo y toda la alegría".
Euronews:
"¿En su cuadro queda algún sitio para la esperanza?
Dario Fo:
"Hay una cosa positiva. Y es el hecho de no bajar los brazos. Hay mucha gente que se niega a rendirse y que está buscando soluciones. Personas que intentan afrontar los problemas desde una nueva perspectiva. Y no lo hacen sólo para sobrevivir, sino para construir otro mundo y para cambiar las cosas".
Euronews:
"Le propongo que demos un salto atrás en el tiempo y que viajemos al año noventa y siete, cuando recibió el Nobel de Literatura. La Academia sueca le otorgó el premio -y cito, supongo que se acordará-, por fustigar al poder inspirándose en los bufones de la Edad Media, para devolverle la dignidad a los oprimidos. ¿A quién fustigaría hoy Darío Fo y por qué?
Dario Fo:
"A los bancos, sin duda. Y a las grandes empresas. A todos los que dirigen este espectáculo dantesco. Aquellos que a través de los medios, de la televisión, han puesto de rodillas a la sociedad, obligándola a aceptar unas condiciones que son consecuencia de sus malas actuaciones"
Euronews:
"Usted está siguiendo, casi con aprensión, la campaña electoral italiana. ¿Qué es lo que más le preocupa de estas elecciones?
Dario Fo:
"Lo que a mi me preocupa no es lo mismo que le preocupa a los políticos. Yo no les sigo el juego. Y viendo cómo se han comportado y cómo han tratado a la ciudadanía, no puedo decir que ahora me inspiren piedad alguna, porque como mucho van a perder su trabajo. Para ellos esto es sólo un trabajo. Ni están comprometidos, ni creen que tengan una misión que realizar simplemente porque el electorado les haya dado su confianza".
Euronews:
"¿La política puede seguir apasionando a la gente o ya no?
Dario Fo:
"En muy poco tiempo ha destruido todo aquello que tardamos siglos en construir. La política ha destruido la esperanza, la confianza, y los valores de las leyes, de la comunidad y de la justicia, sobre todo de la justicia".
Euronews:
"¿Cuándo y cómo se ha producido toda esa destrucción?".
Dario Fo:
"Si no hay un sistema fuerte y sólido que se apoye en la cultura y el conocimiento y que inculque en la conciencia coletiva la igualdad, la libertad y la justicia, todo se viene abajo. Y en Italia hay gente que incluso aplaude a quien esquiva la ley y estafa a la sociedad. No voy a dar nombres porque no merece la pena. Pero todos los políticos están implicados. Mire usted a su alrededor, escoja uno y seguro que es cómplice de esta farsa".
Euronews:
"Hoy en día, y desde ya hace algún tiempo, ser moderado en política se considera positivo. Pero usted siempre ha criticado a los moderados y hasta se dice orgulloso de no serlo. ¿Qué problema tiene con los moderados? ¿Qué le han hecho?
Dario Fo:
"Les reprocho esa puesta en escena que siempre les acompaña y la careta bajo la que se ocultan. Se presentan como personas buenas, amables, pacíficas, conciliadoras. Pero eso no es cierto. Es una trampa. No son más que apariencia. Esa sensibilidad, esos gestos, las buenas maneras. Es una impostura. Y jamás descansan. Siempre tan mesurados que diríamos que ni siquiera se divierten. Nunca he visto a un moderado bailando entre amigos y divirtiéndose con el resto. Se van a la esquina para que nadie les vea, no sea que alguien vaya a descubrirlos".
Euronews:
SÃguenos:
En YouTube: http://bit.ly/xjG7il
En Facebook: http://www.facebook.com/euronews.fans
En Twitter: http://twitter.com/euronewses
https://wn.com/Euronews_Interview_Dario_Fo_Los_Políticos_No_Me_Inspiran_Ninguna_Piedad
http://es.euronews.com/ Ve un país entristecido, descolorido y decepcionado, tanto con sus representantes como con una política carente de pasión. Un país que sobrevive exclusivamente gracias a la creatividad de aquellos que no se rinden ante la crisis. Esa es la Italia que lamenta el dramaturgo Dario Fo. En medio de la campaña electoral, el Premio Nobel de Literaruta 1997 no duda en acusar a los bancos, grandes y pequeños, de haber robado el futuro de los italianos. Ésta es la entrevista que nos ha concedido.
Euronews:
"Dario Fo, como también ha hecho en otros periodos de su carrera, ahora se concentra usted más en la pintura. ¿Qué colores utilizaría para representar la Italia de 2013"
Dario Fo:
"Desafortunadamente atravesamos una situación bastante gris. Y esa es la gama de colores que corresponde. Si acaso, utilizaría también un violeta, por la asfixia que sufrimos, un naranja pálido o incluso un tono granate. Nada se mueve. Es todo melancolía. Un desastre. La crisis que nos amenaza ha destruido todo el entusiasmo y toda la alegría".
Euronews:
"¿En su cuadro queda algún sitio para la esperanza?
Dario Fo:
"Hay una cosa positiva. Y es el hecho de no bajar los brazos. Hay mucha gente que se niega a rendirse y que está buscando soluciones. Personas que intentan afrontar los problemas desde una nueva perspectiva. Y no lo hacen sólo para sobrevivir, sino para construir otro mundo y para cambiar las cosas".
Euronews:
"Le propongo que demos un salto atrás en el tiempo y que viajemos al año noventa y siete, cuando recibió el Nobel de Literatura. La Academia sueca le otorgó el premio -y cito, supongo que se acordará-, por fustigar al poder inspirándose en los bufones de la Edad Media, para devolverle la dignidad a los oprimidos. ¿A quién fustigaría hoy Darío Fo y por qué?
Dario Fo:
"A los bancos, sin duda. Y a las grandes empresas. A todos los que dirigen este espectáculo dantesco. Aquellos que a través de los medios, de la televisión, han puesto de rodillas a la sociedad, obligándola a aceptar unas condiciones que son consecuencia de sus malas actuaciones"
Euronews:
"Usted está siguiendo, casi con aprensión, la campaña electoral italiana. ¿Qué es lo que más le preocupa de estas elecciones?
Dario Fo:
"Lo que a mi me preocupa no es lo mismo que le preocupa a los políticos. Yo no les sigo el juego. Y viendo cómo se han comportado y cómo han tratado a la ciudadanía, no puedo decir que ahora me inspiren piedad alguna, porque como mucho van a perder su trabajo. Para ellos esto es sólo un trabajo. Ni están comprometidos, ni creen que tengan una misión que realizar simplemente porque el electorado les haya dado su confianza".
Euronews:
"¿La política puede seguir apasionando a la gente o ya no?
Dario Fo:
"En muy poco tiempo ha destruido todo aquello que tardamos siglos en construir. La política ha destruido la esperanza, la confianza, y los valores de las leyes, de la comunidad y de la justicia, sobre todo de la justicia".
Euronews:
"¿Cuándo y cómo se ha producido toda esa destrucción?".
Dario Fo:
"Si no hay un sistema fuerte y sólido que se apoye en la cultura y el conocimiento y que inculque en la conciencia coletiva la igualdad, la libertad y la justicia, todo se viene abajo. Y en Italia hay gente que incluso aplaude a quien esquiva la ley y estafa a la sociedad. No voy a dar nombres porque no merece la pena. Pero todos los políticos están implicados. Mire usted a su alrededor, escoja uno y seguro que es cómplice de esta farsa".
Euronews:
"Hoy en día, y desde ya hace algún tiempo, ser moderado en política se considera positivo. Pero usted siempre ha criticado a los moderados y hasta se dice orgulloso de no serlo. ¿Qué problema tiene con los moderados? ¿Qué le han hecho?
Dario Fo:
"Les reprocho esa puesta en escena que siempre les acompaña y la careta bajo la que se ocultan. Se presentan como personas buenas, amables, pacíficas, conciliadoras. Pero eso no es cierto. Es una trampa. No son más que apariencia. Esa sensibilidad, esos gestos, las buenas maneras. Es una impostura. Y jamás descansan. Siempre tan mesurados que diríamos que ni siquiera se divierten. Nunca he visto a un moderado bailando entre amigos y divirtiéndose con el resto. Se van a la esquina para que nadie les vea, no sea que alguien vaya a descubrirlos".
Euronews:
SÃguenos:
En YouTube: http://bit.ly/xjG7il
En Facebook: http://www.facebook.com/euronews.fans
En Twitter: http://twitter.com/euronewses
- published: 21 Feb 2013
- views: 4619
2:35:28
lezione di teatro Dario Fo
- Order: Reorder
- Duration: 2:35:28
- Uploaded Date: 09 Dec 2019
- views: 3515
Lezioni di teatro di Dario Fo
tratto da I trucchi del mestiere
Teatro Argentina di Roma - 1984
Lezioni di teatro di Dario Fo
tratto da I trucchi del mestiere
Teatro Argentina di Roma - 1984
https://wn.com/Lezione_Di_Teatro_Dario_Fo
Lezioni di teatro di Dario Fo
tratto da I trucchi del mestiere
Teatro Argentina di Roma - 1984
- published: 09 Dec 2019
- views: 3515
15:40
Dario Fo - "La Resurrezione di Lazzaro" - Mistero Buffo 1991
- Order: Reorder
- Duration: 15:40
- Uploaded Date: 04 Jul 2014
- views: 182863
Dagli spettacoli registrati al Teatro Lirico di Milano - 1991
Dagli spettacoli registrati al Teatro Lirico di Milano - 1991
https://wn.com/Dario_Fo_La_Resurrezione_Di_Lazzaro_Mistero_Buffo_1991
Dagli spettacoli registrati al Teatro Lirico di Milano - 1991
- published: 04 Jul 2014
- views: 182863
5:21
Dario Fo: le regole dell'Attore
- Order: Reorder
- Duration: 5:21
- Uploaded Date: 27 Oct 2015
- views: 24960
Chiare Lettere ha mandato in libreria un interessante volume "Nuovo manuale minimo dell'attore", si tratta del volume conclusivo che Franca Rame e Dario Fò avev...
Chiare Lettere ha mandato in libreria un interessante volume "Nuovo manuale minimo dell'attore", si tratta del volume conclusivo che Franca Rame e Dario Fò avevano promesso dopo il grande successo - nel 1987 - del loro primo volume: Manuale Minimo dell'Attore".....Si fondono in questo nuovo volume, come nel primo, arte e storia di vita.
1) Conoscere tutti i mestieri del Teatro ( l'insegnamento di Streler)
2) Rompere la quarta parete ( sconosciuta alla gran parte degli attori)
3) Giocare con l'imprevisto
4) Rappresentare non recitare ( la rappresentazione diventa presenza vissuta dall'attore. QUalcosa che deve proiettare verso il pubblico)
5) L'Attore deve essere generoso ( anche esponendo la propria parte negativa. Il pubblico si riesce a coinvolgere solo quando si è vivi sul palcoscenico)
Nell'ultima parte Dario Fo parla di chi è stata la sua vera maestra d'arte: Franca.
Nuovo manuale minimo dell'attore -Collana Reverse
http://www.ibs.it/code/9788861907522/fo-dario/nuovo-manuale-minimo.html
Una biografia:
http://biografieonline.it/biografia.htm?BioID=100&biografia=Dario+Fo
https://wn.com/Dario_Fo_Le_Regole_Dell'Attore
Chiare Lettere ha mandato in libreria un interessante volume "Nuovo manuale minimo dell'attore", si tratta del volume conclusivo che Franca Rame e Dario Fò avevano promesso dopo il grande successo - nel 1987 - del loro primo volume: Manuale Minimo dell'Attore".....Si fondono in questo nuovo volume, come nel primo, arte e storia di vita.
1) Conoscere tutti i mestieri del Teatro ( l'insegnamento di Streler)
2) Rompere la quarta parete ( sconosciuta alla gran parte degli attori)
3) Giocare con l'imprevisto
4) Rappresentare non recitare ( la rappresentazione diventa presenza vissuta dall'attore. QUalcosa che deve proiettare verso il pubblico)
5) L'Attore deve essere generoso ( anche esponendo la propria parte negativa. Il pubblico si riesce a coinvolgere solo quando si è vivi sul palcoscenico)
Nell'ultima parte Dario Fo parla di chi è stata la sua vera maestra d'arte: Franca.
Nuovo manuale minimo dell'attore -Collana Reverse
http://www.ibs.it/code/9788861907522/fo-dario/nuovo-manuale-minimo.html
Una biografia:
http://biografieonline.it/biografia.htm?BioID=100&biografia=Dario+Fo
- published: 27 Oct 2015
- views: 24960
7:35
euronews interview - Dario Fo: "İtalya sanki bir afet yaşamış gibi"
- Order: Reorder
- Duration: 7:35
- Uploaded Date: 21 Feb 2013
- views: 707
http://tr.euronews.com/ İtalya'da ana gündem ekonomik kriz. Ülke genel seçim öncesini krizi tamamlayan yolsuzluk ve skandal haberleriyle geçirdi. İtalyanların e...
http://tr.euronews.com/ İtalya'da ana gündem ekonomik kriz. Ülke genel seçim öncesini krizi tamamlayan yolsuzluk ve skandal haberleriyle geçirdi. İtalyanların edebiyat ve sinemada dünyaca ünlü isimlerinden 1997 Nobel Edebiyat Ödülü sahibi Dario Fo, krizin başlıca aktörü olarak nitelendirdiği bankaları İtalyanların hayatından çalmakla suçluyor.
Diego Giuliani, euronews:
"Dario Fo, kariyerinizin bazı dönemlerinde olduğu gibi resim yapmaya yoğunlaşmışsınız. Şunu sormak isterim: Bugünün İtalyasını resmediyor olsanız hangi renkleri kullanırdınız?
Dario Fo:
"Maalesef gri tonların ağırlıkta olacağı bir dönemden geçiyoruz. En iyi ihtimalle eflatun, turuncu ya da kırmızının bazı koyu tonlarına kadar açılabiliriz. Çünkü hareketlenme görülmüyor. Melankoli hakim, adeta bir afet yaşamış gibiyiz. Yaşanan kriz yaşama sevincini ve tutkuyu aldı götürdü."
euronews:
"Son çalışmalarınızda umuda yer veriyor musunuz? Umut nerede peki?"
Fo:
"Olumlu bir şey var ki o da yapabileceğimizi sonuna kadar yapıyor ve bırakmıyoruz. Çok insan görüyorum ki teslim olmuyor ve çözüm bulmak için, yeni yollar bulmak için çalışıyor. Yalnızca varlığını sürdürmek değil yeni yaklaşımlar da ortaya koymak gerekiyor."
euronews:
"Geçmişe, 1997'de kazandığınız Nobel Edebiyat Ödülü'ne dönecek olursak, sizin için İsveç Nobel Akademisi'nin yaptığı tanımlamayı hatırlatmak isterim: Ortaçağ krallarının soytarılarından ilham alsa da zorbaları eleştirdi ve ezilenlerin onurunu korudu. Peki Dario Fo'nun bugün hicvedeceği baskıcılar kim olabilir?"
Fo:
"Daha çok bankalar ve büyük ticari işletmeler. Tüm bu ipleri elinde tutanlar oyun içinde oyun oynuyorlar. Medya, televizyonlar ve diğerleri aracılığıyla, bütün güçleriyle halkın kendilerinin sebep olduğu şartların içinde yaşamayı kabulünü sağlamaya çalışıyorlar."
euronews:
"İtalyan seçim sürecini evhamlı bir şekilde izlediğiniz görülüyor. Sizi en çok ne endişelendiriyor?"
Fo:
"Politikacılarla aynı endişeyi taşıdığımı sanmıyorum, çünkü kendimi dışarıda hissediyorum. Onların insan ilişkilerinden anladığı şeylerden artık bıktım ve sadece kendi koltuğunu kaybetme riski taşıyan siyasetçiler için üzülmüyorum. Bu artık onlar için bir görev değil de sanki bir meslek olmuş ve halk onlara güvendiği için de yapabiliyorlarmış gibi."
euronews:
"Siyasetten hala bir şey beklemeli miyiz?"
Fo:
"Çok kısa sürede her şey değerini kaybetti. Yüzyılllar içinde kurulan şeyler hem de... Konulan kanunların değeri, toplum, adalet gibi umut ve güven de yıkıldı. Özellikle de adalet."
euronews:
"Bu yıkımı kim, ne zaman yaptı?"
Fo:
"Kültüre ve bilgiye dayanan sağlam ve dayanıklı bir sistem olmazsa ve halkın bilincinde eşitlik, özgürlük ve adalet yerleşmemişse her şey yıkılıverir gider. Kanunları istismar eden, yolsuzluk yapan çok kişi var. Belli bir isim vermenin çok faydası yok. Hepsi böyle. Etrafınıza bakın ilk gördüğünüz onlardan biri olacak. Kesin karışmıştır burada bir yerlere de."
euronews:
"Son dönemde ve bugünün siyasetinde "ılımlı" olmak iyi bir şey olarak nitelendirilir oldu. Siz ise böyle olmadığınızı hep gururla ifade ettiniz. "Ilımlı" olmaktaki sorun nedir?
Fo:
"Her şeyden önce maske olması, oyun oynanıyor olması. İyi, kibar ve kimseye zararı olmayan insan maskesi. Fakat bu bir tuzak. Hareketlerinde davranışlarında iyi, kibar görünüyorlar, bundan hiç vazgeçmiyorlar. Duruşlarını, ciddiyetlerini değiştirmiyor, bunu hiç bozmuyorlar. Bu ılımlıların bir güne bir gün dans edip şarkı söylediğini görmedim. Görünmeden, ortaya çıkmadan, bir köşede saklanmayı iyi beceriyorlar."
euronews:
"1994'te sürpriz bir kararla politikaya atıldı ve burada uzun bir kariyere sahip oldu. Yıl 2013, geri döndü ve seçimlere giriyor. Tabii ki Berlusconi'den bahsediyoruz. Geçmişte onunla ilgili çok şey söylemiştiniz, peki bugün nasıl görüyorsunuz?"
Fo:
Bizi izlemeye devam edin:
YouTube: http://bit.ly/wbx4iT
Facebook http://www.facebook.com/euronews.tr
Twitter http://twitter.com/euronews_tr
https://wn.com/Euronews_Interview_Dario_Fo_İtalya_Sanki_Bir_Afet_Yaşamış_Gibi
http://tr.euronews.com/ İtalya'da ana gündem ekonomik kriz. Ülke genel seçim öncesini krizi tamamlayan yolsuzluk ve skandal haberleriyle geçirdi. İtalyanların edebiyat ve sinemada dünyaca ünlü isimlerinden 1997 Nobel Edebiyat Ödülü sahibi Dario Fo, krizin başlıca aktörü olarak nitelendirdiği bankaları İtalyanların hayatından çalmakla suçluyor.
Diego Giuliani, euronews:
"Dario Fo, kariyerinizin bazı dönemlerinde olduğu gibi resim yapmaya yoğunlaşmışsınız. Şunu sormak isterim: Bugünün İtalyasını resmediyor olsanız hangi renkleri kullanırdınız?
Dario Fo:
"Maalesef gri tonların ağırlıkta olacağı bir dönemden geçiyoruz. En iyi ihtimalle eflatun, turuncu ya da kırmızının bazı koyu tonlarına kadar açılabiliriz. Çünkü hareketlenme görülmüyor. Melankoli hakim, adeta bir afet yaşamış gibiyiz. Yaşanan kriz yaşama sevincini ve tutkuyu aldı götürdü."
euronews:
"Son çalışmalarınızda umuda yer veriyor musunuz? Umut nerede peki?"
Fo:
"Olumlu bir şey var ki o da yapabileceğimizi sonuna kadar yapıyor ve bırakmıyoruz. Çok insan görüyorum ki teslim olmuyor ve çözüm bulmak için, yeni yollar bulmak için çalışıyor. Yalnızca varlığını sürdürmek değil yeni yaklaşımlar da ortaya koymak gerekiyor."
euronews:
"Geçmişe, 1997'de kazandığınız Nobel Edebiyat Ödülü'ne dönecek olursak, sizin için İsveç Nobel Akademisi'nin yaptığı tanımlamayı hatırlatmak isterim: Ortaçağ krallarının soytarılarından ilham alsa da zorbaları eleştirdi ve ezilenlerin onurunu korudu. Peki Dario Fo'nun bugün hicvedeceği baskıcılar kim olabilir?"
Fo:
"Daha çok bankalar ve büyük ticari işletmeler. Tüm bu ipleri elinde tutanlar oyun içinde oyun oynuyorlar. Medya, televizyonlar ve diğerleri aracılığıyla, bütün güçleriyle halkın kendilerinin sebep olduğu şartların içinde yaşamayı kabulünü sağlamaya çalışıyorlar."
euronews:
"İtalyan seçim sürecini evhamlı bir şekilde izlediğiniz görülüyor. Sizi en çok ne endişelendiriyor?"
Fo:
"Politikacılarla aynı endişeyi taşıdığımı sanmıyorum, çünkü kendimi dışarıda hissediyorum. Onların insan ilişkilerinden anladığı şeylerden artık bıktım ve sadece kendi koltuğunu kaybetme riski taşıyan siyasetçiler için üzülmüyorum. Bu artık onlar için bir görev değil de sanki bir meslek olmuş ve halk onlara güvendiği için de yapabiliyorlarmış gibi."
euronews:
"Siyasetten hala bir şey beklemeli miyiz?"
Fo:
"Çok kısa sürede her şey değerini kaybetti. Yüzyılllar içinde kurulan şeyler hem de... Konulan kanunların değeri, toplum, adalet gibi umut ve güven de yıkıldı. Özellikle de adalet."
euronews:
"Bu yıkımı kim, ne zaman yaptı?"
Fo:
"Kültüre ve bilgiye dayanan sağlam ve dayanıklı bir sistem olmazsa ve halkın bilincinde eşitlik, özgürlük ve adalet yerleşmemişse her şey yıkılıverir gider. Kanunları istismar eden, yolsuzluk yapan çok kişi var. Belli bir isim vermenin çok faydası yok. Hepsi böyle. Etrafınıza bakın ilk gördüğünüz onlardan biri olacak. Kesin karışmıştır burada bir yerlere de."
euronews:
"Son dönemde ve bugünün siyasetinde "ılımlı" olmak iyi bir şey olarak nitelendirilir oldu. Siz ise böyle olmadığınızı hep gururla ifade ettiniz. "Ilımlı" olmaktaki sorun nedir?
Fo:
"Her şeyden önce maske olması, oyun oynanıyor olması. İyi, kibar ve kimseye zararı olmayan insan maskesi. Fakat bu bir tuzak. Hareketlerinde davranışlarında iyi, kibar görünüyorlar, bundan hiç vazgeçmiyorlar. Duruşlarını, ciddiyetlerini değiştirmiyor, bunu hiç bozmuyorlar. Bu ılımlıların bir güne bir gün dans edip şarkı söylediğini görmedim. Görünmeden, ortaya çıkmadan, bir köşede saklanmayı iyi beceriyorlar."
euronews:
"1994'te sürpriz bir kararla politikaya atıldı ve burada uzun bir kariyere sahip oldu. Yıl 2013, geri döndü ve seçimlere giriyor. Tabii ki Berlusconi'den bahsediyoruz. Geçmişte onunla ilgili çok şey söylemiştiniz, peki bugün nasıl görüyorsunuz?"
Fo:
Bizi izlemeye devam edin:
YouTube: http://bit.ly/wbx4iT
Facebook http://www.facebook.com/euronews.tr
Twitter http://twitter.com/euronews_tr
- published: 21 Feb 2013
- views: 707
1:58:40
Marino libero! Marino è innocente! - Dario Fo
- Order: Reorder
- Duration: 1:58:40
- Uploaded Date: 05 Feb 2021
- views: 4942
Marino libero! Marino è innocente! (1998) di Dario Fo
con Dario Fo e Franca Rame
Spettacolo allestito in occasione della decisione della Corte d' Appello sul r...
Marino libero! Marino è innocente! (1998) di Dario Fo
con Dario Fo e Franca Rame
Spettacolo allestito in occasione della decisione della Corte d' Appello sul ricorso per la revisione del processo a Sofri, Bompressi e Pietrostefani.
https://wn.com/Marino_Libero_Marino_È_Innocente_Dario_Fo
Marino libero! Marino è innocente! (1998) di Dario Fo
con Dario Fo e Franca Rame
Spettacolo allestito in occasione della decisione della Corte d' Appello sul ricorso per la revisione del processo a Sofri, Bompressi e Pietrostefani.
- published: 05 Feb 2021
- views: 4942
2:17:33
Mistero Buffo - Dario Fo
Il capolavoro ideato, scritto e recitato dal grandissimo Dario Fo.
Collage divertente e sa...
published: 23 Apr 2015
Mistero Buffo - Dario Fo
Mistero Buffo - Dario Fo
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- published: 23 Apr 2015
- views: 518241
Il capolavoro ideato, scritto e recitato dal grandissimo Dario Fo.
Collage divertente e satirico di misteri e giullarate medioevali e rinascimentali, volto ad insegnare a grandi e piccoli che il potere può facilmente essere annientato con grosse risate.
1:12:58
Dario Fo - Accidental Death of an Anarchist (full)
Manchester Belt & Braces Theatre production of Dario Fo's "Accidental Death of an Anarchis...
published: 27 Apr 2013
Dario Fo - Accidental Death of an Anarchist (full)
Dario Fo - Accidental Death of an Anarchist (full)
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- published: 27 Apr 2013
- views: 116242
Manchester Belt & Braces Theatre production of Dario Fo's "Accidental Death of an Anarchist" filmed in 1984 - Wonderfully funny and written and directed by Gavin Richards who also plays the "madman".
50:25
The Theatre of Dario Fo
1984 documentary on the life and work of the legendary Italian theatre practitioner and hi...
published: 12 May 2016
The Theatre of Dario Fo
The Theatre of Dario Fo
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- published: 12 May 2016
- views: 29773
1984 documentary on the life and work of the legendary Italian theatre practitioner and his creative partner and wife Franca Rame. Nobel Prize winning author of "Accidental Death of an Anarchist".
23:15
Dario Fo: I am a Born Storyteller
Meet legendary playwright Dario Fo, who here tells the intriguing story of how he became a...
published: 19 Nov 2015
Dario Fo: I am a Born Storyteller
Dario Fo: I am a Born Storyteller
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- published: 19 Nov 2015
- views: 13965
Meet legendary playwright Dario Fo, who here tells the intriguing story of how he became a storyteller and how he revolutionized theatre by “destroying the fourth wall” – encouraging his audience not to be voyeurs but to participate.
“I’m a born storyteller, it’s true.” There was a glass-blowing factory in the town in which Fo grew up, where thousands of people from all over the world were employed. As a result a strange merge of languages arose: “Grammelot was created, a language of transit made up of onomatopoeic sounds, gestures, movements, tones.” It soon became apparent that there were storytellers in all the different groups of nationalities: “Everyone told stories and I also learned to tell stories. I repeated them, then I made up stories of my own, then I took stories I’d heard from the foreigners.” Soon Fo became famous for his stories, and was often invited to dinners in order to tell them.
“She was truly my teacher.” When Fo met Italian actress Franca Rame, his wife of over six decades, she taught him the importance of communicating with the audience – “destroying the fourth wall” – in a way that would make them feel as if they were actually on stage. When Fo and Rame discovered that they were in fact “soothing the bourgeoisie” with their plays, they felt they had to change everything. This was done by e.g. setting up their plays in places where workers gathered, such as community centres. The audience soon started to participate actively: “… the audience wanted more than us performing stories which we thought were useful to them. No, they wanted us to talk about their personal problems.” In contrast to the bourgeois audience, which Fo considered to be “voyeurs”, their new audience was very much involved.
Fo and Rame performed in a time, where a cultural revolution had erupted in Italy. They developed a way of avoiding censorship by becoming an association with the audience: “We shifted all the models, the rules of conventional theatre.” Their new approach to theatre was much to the dismay of the politicians and during those years they were imprisoned, they underwent 40 trials, suffered great violence – including the rape of Rame – and had bombs placed under the theatre: “But we won with serious injuries and serious troubles…”
Dario Fo (b. 1926) is an Italian playwright, actor, comedian, director, stage and costume designer, songwriter, painter, writer and political campaigner. Much of Fo’s dramatic work depends on improvisation and draws on e.g. the ancient Italian style of commedia dell’arte. Fo’s plays, which have been performed all over the world, are known for their social criticism, and his solo piece ‘Mistero Buffo’ (1969) (Comical Mystery) is recognised as one of the most controversial and popular spectacles in post-war European theatre, and has furthermore been denounced by the Vatican. In 1997 Fo received the Nobel Prize in Literature, the Swedish Academy praising him with the words: “He if anyone merits the epithet of jester in the true meaning of that word. With a blend of laughter and gravity he opens our eyes to abuses and injustices in society and also the wider historical perspective in which they can be placed.”
Dario Fo was interviewed by Christian Lund at Hotel Bella Sky in Copenhagen on 10 November 2015.
Camera: Simon Weyhe
Edited by: Klaus Elmer
Produced by: Christian Lund
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2015
Supported by Nordea-fonden
13:23
Dario Fo e il Grammelot con accento inglese - "L'uomo e la tecnologia" (Rai2 - 1977)
Con Mistero Buffo, l'arte di Fo raggiunge il massimo grado di novità e originalità, seguen...
published: 25 May 2011
Dario Fo e il Grammelot con accento inglese - "L'uomo e la tecnologia" (Rai2 - 1977)
Dario Fo e il Grammelot con accento inglese - "L'uomo e la tecnologia" (Rai2 - 1977)
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- published: 25 May 2011
- views: 257772
Con Mistero Buffo, l'arte di Fo raggiunge il massimo grado di novità e originalità, seguendo non la tradizione istituzionale del teatro, ma la forza espressiva e la grande carica comunicativa dei giullari medievali (joculatores). E Fo è un giullare perfetto che, "manovrando" con grande abilità, risa e serietà, ripercorre una storia millenaria fatta di abusi e ingiustizie, nel tentativo, anche, di svegliare le coscienze, perché in lui è pressante un impulso forte: la ricerca della giustizia. Il giullare, espressione teatrale del popolo, con la propria cultura e i propri sentimenti di rivolta: ecco la figura che offre a Fo i modi espressivi più consoni alle sue esigenze interpretative e comunicative. I giullari recitavano nelle piazze, nei mercati e, assieme ai comici dell'arte, furono gli inventori del GRAMMELOT, sorta di lingua, di articolazione di suoni e di azione mimica messe assieme, nate sia dalla situazione peculiare dei giullari che viaggiavano in luoghi in cui si parlavano lingue diverse, e quindi dalla necessità di farsi intendere un po' da tutti, sia dalle leggi censorie che imponevano loro di non recitare in lingua. «... Fin dal Mille — dice lo stesso Fo — il giullare girava piazze e paesi, facendo sotto forma di recitazione satirica delle vere e proprie accuse ai potenti. Egli era una figura che si concretizzava direttamente dal popolo, dal quale attingeva la rabbia, per poi ritrasmettergliela mediata dal grottesco»; questa forma di teatro popolare era «il giornale parlato e drammatizzato del popolo».
5:24
Il monologo di Dario Fo sulla pornografia
published: 23 Feb 2021
Il monologo di Dario Fo sulla pornografia
Il monologo di Dario Fo sulla pornografia
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- published: 23 Feb 2021
- views: 7707
13:25
Dario Fo - Satira Su Berlusconi
dario fo è eccezionale!!
published: 02 Apr 2011
Dario Fo - Satira Su Berlusconi
Dario Fo - Satira Su Berlusconi
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- published: 02 Apr 2011
- views: 41425
dario fo è eccezionale!!
14:09
Dario Fo _ Caino e Abele (mistero buffo) 1977
Teatro e scrittura di scena
published: 31 Dec 2019
Dario Fo _ Caino e Abele (mistero buffo) 1977
Dario Fo _ Caino e Abele (mistero buffo) 1977
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- published: 31 Dec 2019
- views: 5952
Teatro e scrittura di scena
2:35:28
lezione di teatro Dario Fo
Lezioni di teatro di Dario Fo
tratto da I trucchi del mestiere
Teatro Argentina di Roma - ...
published: 09 Dec 2019
lezione di teatro Dario Fo
lezione di teatro Dario Fo
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- published: 09 Dec 2019
- views: 3515
Lezioni di teatro di Dario Fo
tratto da I trucchi del mestiere
Teatro Argentina di Roma - 1984
15:40
Dario Fo - "La Resurrezione di Lazzaro" - Mistero Buffo 1991
Dagli spettacoli registrati al Teatro Lirico di Milano - 1991
published: 04 Jul 2014
Dario Fo - "La Resurrezione di Lazzaro" - Mistero Buffo 1991
Dario Fo - "La Resurrezione di Lazzaro" - Mistero Buffo 1991
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- published: 04 Jul 2014
- views: 182863
Dagli spettacoli registrati al Teatro Lirico di Milano - 1991
9:10
Dario Fo || Lecciones de teatro || El gesto 1 || Subtítulos en español
Vínculo entre trabajo y cultura popular. Origen de los cantos y danzas tradicionales.
published: 15 May 2020
Dario Fo || Lecciones de teatro || El gesto 1 || Subtítulos en español
Dario Fo || Lecciones de teatro || El gesto 1 || Subtítulos en español
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- published: 15 May 2020
- views: 2431
Vínculo entre trabajo y cultura popular. Origen de los cantos y danzas tradicionales.
0:31
Dream Theater - Dance of Paradiribiriparadiri (Feat. Dario Fo)
"Avevamo bisogno di qualcosa in più, il semplice Prog non ci bastava" (Dream Theater)
published: 24 Aug 2015
Dream Theater - Dance of Paradiribiriparadiri (Feat. Dario Fo)
Dream Theater - Dance of Paradiribiriparadiri (Feat. Dario Fo)
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- published: 24 Aug 2015
- views: 37783
"Avevamo bisogno di qualcosa in più, il semplice Prog non ci bastava" (Dream Theater)
40:24
Ubù, la vera storia di Berlusconi di DARIO FO
dissacrante ironica rappresentazione teatrale del truffaldino nano. opss Ubù
published: 17 Oct 2011
Ubù, la vera storia di Berlusconi di DARIO FO
Ubù, la vera storia di Berlusconi di DARIO FO
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- published: 17 Oct 2011
- views: 124838
dissacrante ironica rappresentazione teatrale del truffaldino nano. opss Ubù
2:45
Barilla Spot - Dario Fo: Il Ballista (1959)
Dario Fo veste, di volta in volta, i panni di un personaggio diverso proponendo agli amici...
published: 26 Jul 2013
Barilla Spot - Dario Fo: Il Ballista (1959)
Barilla Spot - Dario Fo: Il Ballista (1959)
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- published: 26 Jul 2013
- views: 12237
Dario Fo veste, di volta in volta, i panni di un personaggio diverso proponendo agli amici del bar varie storie basate su notevoli e improbabili "balle". Alla fine del racconto uno degli amici puntualmente esclama: «Questa proprio non la bevo» e Fo risponde, mostrando una scatola di pasta Barilla: «E questa la mangi?».
Dario Fo
Dario Fo (Italian pronunciation: [ˈdaːrjo ˈfɔ]; born 24 March 1926) is an Italian actor-playwright, comedian, singer, theatre director, stage designer, songwriter, painter and political campaigner, and recipient of the 1997 Nobel Prize in Literature. "Arguably the most widely performed contemporary playwright in world theatre", much of his dramatic work depends on improvisation and comprises the recovery of "illegitimate" forms of theatre, such as those performed by giullari (medieval strolling players) and, more famously, the ancient Italian style of commedia dell'arte.
His plays have been translated into 30 languages and performed across the world, including in Argentina, Chile, England, the Netherlands, Poland, Romania, South Africa, South Korea, Spain, Sri Lanka, Sweden, and Yugoslavia. His work of the 1960s, 1970s and 1980s is peppered with criticisms of assassinations, corruption, organised crime, racism, Roman Catholic theology and war. Throughout the 1990s and 2000s, he took to lampooning Forza Italia and its leader Silvio Berlusconi, while his targets of the 2010s have included the banks amid the European sovereign-debt crisis. Also in the 2010s, he became the main ideologue of the Five Star Movement, the anti-establishment party led by Beppe Grillo, often referred by its members as "the Master".
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Dario_Fo
1:12:58
Dario Fo - Accidental Death of an Anarchist (full)
Manchester Belt & Braces Theatre production of Dario Fo's "Accidental Death of an Anarchis...
published: 27 Apr 2013
Dario Fo - Accidental Death of an Anarchist (full)
Dario Fo - Accidental Death of an Anarchist (full)
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- published: 27 Apr 2013
- views: 116242
Manchester Belt & Braces Theatre production of Dario Fo's "Accidental Death of an Anarchist" filmed in 1984 - Wonderfully funny and written and directed by Gavin Richards who also plays the "madman".
2:17:33
Mistero Buffo - Dario Fo
Il capolavoro ideato, scritto e recitato dal grandissimo Dario Fo.
Collage divertente e sa...
published: 23 Apr 2015
Mistero Buffo - Dario Fo
Mistero Buffo - Dario Fo
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- published: 23 Apr 2015
- views: 518241
Il capolavoro ideato, scritto e recitato dal grandissimo Dario Fo.
Collage divertente e satirico di misteri e giullarate medioevali e rinascimentali, volto ad insegnare a grandi e piccoli che il potere può facilmente essere annientato con grosse risate.
50:25
The Theatre of Dario Fo
1984 documentary on the life and work of the legendary Italian theatre practitioner and hi...
published: 12 May 2016
The Theatre of Dario Fo
The Theatre of Dario Fo
- Report rights infringement
- published: 12 May 2016
- views: 29773
1984 documentary on the life and work of the legendary Italian theatre practitioner and his creative partner and wife Franca Rame. Nobel Prize winning author of "Accidental Death of an Anarchist".
23:15
Dario Fo: I am a Born Storyteller
Meet legendary playwright Dario Fo, who here tells the intriguing story of how he became a...
published: 19 Nov 2015
Dario Fo: I am a Born Storyteller
Dario Fo: I am a Born Storyteller
- Report rights infringement
- published: 19 Nov 2015
- views: 13965
Meet legendary playwright Dario Fo, who here tells the intriguing story of how he became a storyteller and how he revolutionized theatre by “destroying the fourth wall” – encouraging his audience not to be voyeurs but to participate.
“I’m a born storyteller, it’s true.” There was a glass-blowing factory in the town in which Fo grew up, where thousands of people from all over the world were employed. As a result a strange merge of languages arose: “Grammelot was created, a language of transit made up of onomatopoeic sounds, gestures, movements, tones.” It soon became apparent that there were storytellers in all the different groups of nationalities: “Everyone told stories and I also learned to tell stories. I repeated them, then I made up stories of my own, then I took stories I’d heard from the foreigners.” Soon Fo became famous for his stories, and was often invited to dinners in order to tell them.
“She was truly my teacher.” When Fo met Italian actress Franca Rame, his wife of over six decades, she taught him the importance of communicating with the audience – “destroying the fourth wall” – in a way that would make them feel as if they were actually on stage. When Fo and Rame discovered that they were in fact “soothing the bourgeoisie” with their plays, they felt they had to change everything. This was done by e.g. setting up their plays in places where workers gathered, such as community centres. The audience soon started to participate actively: “… the audience wanted more than us performing stories which we thought were useful to them. No, they wanted us to talk about their personal problems.” In contrast to the bourgeois audience, which Fo considered to be “voyeurs”, their new audience was very much involved.
Fo and Rame performed in a time, where a cultural revolution had erupted in Italy. They developed a way of avoiding censorship by becoming an association with the audience: “We shifted all the models, the rules of conventional theatre.” Their new approach to theatre was much to the dismay of the politicians and during those years they were imprisoned, they underwent 40 trials, suffered great violence – including the rape of Rame – and had bombs placed under the theatre: “But we won with serious injuries and serious troubles…”
Dario Fo (b. 1926) is an Italian playwright, actor, comedian, director, stage and costume designer, songwriter, painter, writer and political campaigner. Much of Fo’s dramatic work depends on improvisation and draws on e.g. the ancient Italian style of commedia dell’arte. Fo’s plays, which have been performed all over the world, are known for their social criticism, and his solo piece ‘Mistero Buffo’ (1969) (Comical Mystery) is recognised as one of the most controversial and popular spectacles in post-war European theatre, and has furthermore been denounced by the Vatican. In 1997 Fo received the Nobel Prize in Literature, the Swedish Academy praising him with the words: “He if anyone merits the epithet of jester in the true meaning of that word. With a blend of laughter and gravity he opens our eyes to abuses and injustices in society and also the wider historical perspective in which they can be placed.”
Dario Fo was interviewed by Christian Lund at Hotel Bella Sky in Copenhagen on 10 November 2015.
Camera: Simon Weyhe
Edited by: Klaus Elmer
Produced by: Christian Lund
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2015
Supported by Nordea-fonden
1:14:40
Accidental Death Of An Anarchist
Channel 4 production from 1983.
published: 11 Oct 2015
Accidental Death Of An Anarchist
Accidental Death Of An Anarchist
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- published: 11 Oct 2015
- views: 63452
Channel 4 production from 1983.
4:58
IB Theatre solo in style of Dario Fo 3
published: 01 Apr 2021
IB Theatre solo in style of Dario Fo 3
IB Theatre solo in style of Dario Fo 3
- Report rights infringement
- published: 01 Apr 2021
- views: 248
1:40:18
Dario Fo a Malta (14-16th September 2017) - PART 1
At last 'Mistero Buffo' comes to Malta after a whole 30 years of grotesque struggles..... ...
published: 05 Sep 2021
Dario Fo a Malta (14-16th September 2017) - PART 1
Dario Fo a Malta (14-16th September 2017) - PART 1
- Report rights infringement
- published: 05 Sep 2021
- views: 19
At last 'Mistero Buffo' comes to Malta after a whole 30 years of grotesque struggles..... unfortunately enough without Dario Fo but fortunately enough with his heir, Mario Pirovano.
The Strada Stretta Concept, under the auspices of the Valletta 2018 Foundation presents ’Dario Fo A Malta', monologues & workshop interpreted by Mario Pirovano, under the artistic direction of Giuseppe Schembri Bonaci.
The event ran as follows:
14th September, 2000hrs, Strada Stretta, near Splendid - Mistero Buffo
15th September, 2000hrs, Strada Stretta, near Splendid - Johan Padan
16th September, 2000hrs, Strada Stretta, near Splendid - Workshop with the participation of Għannejja - Maltese Troubadours.
Troubadour meets Jongleur, the Gjiullar is given a new birth in Malta. Dario Fo's Mistero Buffo and Johan Padan will be transforming Valletta into a hub of theatre action.
Beware.
Mario Pirovano the gjiullar actor will be presenting Dario Fo's works. This will be accompanied by Maltese Troubadours and GSB's adaptation of the internationally renowned work Mistero Buffo.
Also included:
Dario Fo's connection with Malta, Mario Pirovano's experience and acting workshop, Ghannejja singing Dario Fo including Karmenu l-Baħri's variations, GSB's translations, adaptations of Fo's works in Malta, Paris and Moscow, and other.
The burlesque and grotesque as the most subversive tools in the hands of Dario Fo & Franca Rame were transformed into lethal weapons against the establishment, be it political, economic or ecclesiastical.
As Stuart Hood says ' Fo's genius as both a player and synthesizer of the historical past allows him to resurrect before our eyes and ears, a whole anti-history philosophy proposing on the contrary a history of the unwritten: the real history.
As the pure simpleton, the Maltese 'Gaħan', the Italian Arlechino goes on the attack: 'Gaħan' plays the central role in all 'Mistero Buffo's' biblical stories for the first time seen not through the eyes of saints but through the eyes of pure simpletons. Another 'Gaħan' discovers America and we see this journey towards genocidal destruction not through heroes of armies and battleships but through the eyes of a 'Gaħan'.
Dario Fo and Franca Rame's fight against the establishment has become today a myth and a legend were it not for the real price they had to pay: the kidnapping and collective rape of Franca Rame by Fascist thugs, the Christian Democratic 1950-60s authoritarian censorship on film, theatre, and broadcasting, police presence in all Fo's productions, the Canzonissima scandal, and so many others.
Dario Fo Italian actor–playwright, comedian, singer, theatre director, stage designer, songwriter, painter, political campaigner for the Italian left-wing and the recipient of the 1997 Nobel Prize in Literature. In his time he was "arguably the most widely performed contemporary playwright in world theatre" .Much of his dramatic work depends on improvisation and comprises the recovery of "illegitimate" forms of theatre, such as those performed by gjiullari (medieval strolling players) and, more famously, the ancient Italian style of commedia dell'arte.
Dario Fo/Franca Rame's and Mario Pirovano's connection with Malta dates back to the late 80s with Giuseppe Schembri Bonaci's 'Teatru Strada Stretta' linking Maltese Għana to Fo's idea and development of commedia dell'arte.
Giuseppe Schembri Bonaci considers Dario Fo as one of his main mentors. Besides having been Dario Fo's official representative in Malta, Schembri Bonaci translated and directed several works: Mistero Buffo, Johann ha scoperto l'America, Gli Arcangeli non giocano a flipper, and others.
The monologues were interpreted by Mario Pirovano (b.Milan, 20 April 1950) who is an Italian theatrical actor, storyteller, translator and interpreter of Dario Fo’s monologues. His performances contribute to spread Fo’s art in the world.
Mario Pirovano grew up in Pregnana Milanese, a small village just out of Milan. At the age of 12 he worked in a local shop, at the age of 24 he moved to England, where for about 10 years he did all sort of jobs. In 1983 he saw Dario Fo and Franca Rame performing Mistero Buffo at the Riverside Studios in London, and totally from then on he identifies his life with the works of Dario Fo.
Since 1983 Mario Pirovano has taken part in all the works produced by Dario Fo and Franca Rame as an actor or assistant producer, stage director or simultaneous interpreter. In 1987 with Fo and Rame he acted in the programme “Forced Broadcast”, shown in eight episodes on a national television channel (Rai 3). In 1991 he played a part in the film ‘Blue Lights Murder’, director Alfonso Brescia.
Special thanks to Splendid, Jason Masini and the Istituto Italiano di Cultura La Valletta.
7:29
Dario Fo Interview: A Crazy King in Denmark
Watch Nobel Prize winning playwright Dario Fo tell his version of the story of King Christ...
published: 12 Jan 2016
Dario Fo Interview: A Crazy King in Denmark
Dario Fo Interview: A Crazy King in Denmark
- Report rights infringement
- published: 12 Jan 2016
- views: 2235
Watch Nobel Prize winning playwright Dario Fo tell his version of the story of King Christian VII of Denmark and his wife Caroline Mathilde – a dramatic story of love, infidelity and madness in the 18th century, which Fo explores in his new novel.
“When I start to research a character, I want to tell his story.” It was hard for Fo to tell the whole story, when it came to that of King Christian VII and his wife Caroline Mathilde, as many facts had been censored or removed from the historical writings. This, however, only triggered his interest further: “It makes me want to know the truth, what are you hiding and why?” On his quest to uncover the truth, Fo then found new texts abroad (in England and France), which made the novel ‘There’s a Mad King in Denmark’ (2015) come together.
Fo compares the tale of King Christian VII and Caroline Mathilde to that of Shakespeare’s ‘Romeo & Juliet’. In Fo’s version, a soon to be bride learns that her groom, the king, is in fact crazy – even though great measures have been taken to keep this a secret for her. Because of this knowledge, she sees him exactly for what he is and loves him in spite of his condition, and in spite of the fact that the main reason they’re supposed to unite is political. However, there’s an obstacle to their love: The queen mother doesn’t want the marriage to happen, as she wants her son – who is the same age as the king – to take his place.
“He studies and he befriends a German doctor, a genius. He knows everything, he teaches him and offers suggestions.” Moreover, it is also the story of how this unstable king – or perhaps more accurately his German physician Johann Friedrich Struensee (who came to have an affair with Caroline Mathilde) – did ground-breaking things for the Danish contemporary society.
Dario Fo (b. 1926) is an Italian playwright, actor, comedian, director, stage and costume designer, songwriter, painter, writer and political campaigner. Much of Fo’s dramatic work depends on improvisation and draws on e.g. the ancient Italian style of commedia dell’arte. Fo’s plays, which have been performed all over the world, are known for their social criticism, and his solo piece ‘Mistero Buffo’ (1969) (Comical Mystery) is recognised as one of the most controversial and popular spectacles in post-war European theatre, and has furthermore been denounced by the Vatican. In 1997 Fo received the Nobel Prize in Literature, the Swedish Academy praising him with the words: “He if anyone merits the epithet of jester in the true meaning of that word. With a blend of laughter and gravity he opens our eyes to abuses and injustices in society and also the wider historical perspective in which they can be placed.”
Dario Fo was interviewed by Christian Lund at Hotel Bella Sky in Copenhagen on 10 November 2015. The book referred to in the interview is ‘C’è un re pazzo in Danimarca’ (‘There’s a Mad King in Denmark’) (2015).
Camera: Simon Weyhe
Edited by: Klaus Elmer
Produced by: Christian Lund
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2015
2:02:06
Dario Fo a Malta (14-16th September 2017) - PART 2
At last 'Mistero Buffo' comes to Malta after a whole 30 years of grotesque struggles..... ...
published: 16 Oct 2021
Dario Fo a Malta (14-16th September 2017) - PART 2
Dario Fo a Malta (14-16th September 2017) - PART 2
- Report rights infringement
- published: 16 Oct 2021
- views: 14
At last 'Mistero Buffo' comes to Malta after a whole 30 years of grotesque struggles..... unfortunately enough without Dario Fo but fortunately enough with his heir, Mario Pirovano.
The Strada Stretta Concept, under the auspices of the Valletta 2018 Foundation presents ’Dario Fo A Malta', monologues & workshop interpreted by Mario Pirovano, under the artistic direction of Giuseppe Schembri Bonaci.
The event ran as follows:
14th September, 2000hrs, Strada Stretta, near Splendid - Mistero Buffo
15th September, 2000hrs, Strada Stretta, near Splendid - Johan Padan
16th September, 2000hrs, Strada Stretta, near Splendid - Workshop with the participation of Għannejja - Maltese Troubadours.
Troubadour meets Jongleur, the Gjiullar is given a new birth in Malta. Dario Fo's Mistero Buffo and Johan Padan will be transforming Valletta into a hub of theatre action.
Beware.
Mario Pirovano the gjiullar actor will be presenting Dario Fo's works. This will be accompanied by Maltese Troubadours and GSB's adaptation of the internationally renowned work Mistero Buffo.
Also included:
Dario Fo's connection with Malta, Mario Pirovano's experience and acting workshop, Ghannejja singing Dario Fo including Karmenu l-Baħri's variations, GSB's translations, adaptations of Fo's works in Malta, Paris and Moscow, and other.
The burlesque and grotesque as the most subversive tools in the hands of Dario Fo & Franca Rame were transformed into lethal weapons against the establishment, be it political, economic or ecclesiastical.
As Stuart Hood says ' Fo's genius as both a player and synthesizer of the historical past allows him to resurrect before our eyes and ears, a whole anti-history philosophy proposing on the contrary a history of the unwritten: the real history.
As the pure simpleton, the Maltese 'Gaħan', the Italian Arlechino goes on the attack: 'Gaħan' plays the central role in all 'Mistero Buffo's' biblical stories for the first time seen not through the eyes of saints but through the eyes of pure simpletons. Another 'Gaħan' discovers America and we see this journey towards genocidal destruction not through heroes of armies and battleships but through the eyes of a 'Gaħan'.
Dario Fo and Franca Rame's fight against the establishment has become today a myth and a legend were it not for the real price they had to pay: the kidnapping and collective rape of Franca Rame by Fascist thugs, the Christian Democratic 1950-60s authoritarian censorship on film, theatre, and broadcasting, police presence in all Fo's productions, the Canzonissima scandal, and so many others.
Dario Fo Italian actor–playwright, comedian, singer, theatre director, stage designer, songwriter, painter, political campaigner for the Italian left-wing and the recipient of the 1997 Nobel Prize in Literature. In his time he was "arguably the most widely performed contemporary playwright in world theatre" .Much of his dramatic work depends on improvisation and comprises the recovery of "illegitimate" forms of theatre, such as those performed by gjiullari (medieval strolling players) and, more famously, the ancient Italian style of commedia dell'arte.
Dario Fo/Franca Rame's and Mario Pirovano's connection with Malta dates back to the late 80s with Giuseppe Schembri Bonaci's 'Teatru Strada Stretta' linking Maltese Għana to Fo's idea and development of commedia dell'arte.
Giuseppe Schembri Bonaci considers Dario Fo as one of his main mentors. Besides having been Dario Fo's official representative in Malta, Schembri Bonaci translated and directed several works: Mistero Buffo, Johann ha scoperto l'America, Gli Arcangeli non giocano a flipper, and others.
The monologues were interpreted by Mario Pirovano (b.Milan, 20 April 1950) who is an Italian theatrical actor, storyteller, translator and interpreter of Dario Fo’s monologues. His performances contribute to spread Fo’s art in the world.
Mario Pirovano grew up in Pregnana Milanese, a small village just out of Milan. At the age of 12 he worked in a local shop, at the age of 24 he moved to England, where for about 10 years he did all sort of jobs. In 1983 he saw Dario Fo and Franca Rame performing Mistero Buffo at the Riverside Studios in London, and totally from then on he identifies his life with the works of Dario Fo.
Since 1983 Mario Pirovano has taken part in all the works produced by Dario Fo and Franca Rame as an actor or assistant producer, stage director or simultaneous interpreter. In 1987 with Fo and Rame he acted in the programme “Forced Broadcast”, shown in eight episodes on a national television channel (Rai 3). In 1991 he played a part in the film ‘Blue Lights Murder’, director Alfonso Brescia.
Special thanks to Splendid, Jason Masini and the Istituto Italiano di Cultura La Valletta.
6:11
bonifax 2 1 dario fo translated in hebrew yiftach shemesh
published: 12 Jun 2017
bonifax 2 1 dario fo translated in hebrew yiftach shemesh
bonifax 2 1 dario fo translated in hebrew yiftach shemesh
- Report rights infringement
- published: 12 Jun 2017
- views: 138
1:31:59
Accidental Death of an Anarchist
Phoenix Theatre Company's performance of Dario Fo's Play, Accidental Death of an Anarchist...
published: 10 Nov 2017
Accidental Death of an Anarchist
Accidental Death of an Anarchist
- Report rights infringement
- published: 10 Nov 2017
- views: 13553
Phoenix Theatre Company's performance of Dario Fo's Play, Accidental Death of an Anarchist.
0:56
YTPMV - Dario Fo entra in circolo (ft.ilCirox)
Ciao, Dario
published: 23 Oct 2016
YTPMV - Dario Fo entra in circolo (ft.ilCirox)
YTPMV - Dario Fo entra in circolo (ft.ilCirox)
- Report rights infringement
- published: 23 Oct 2016
- views: 4150
Ciao, Dario
2:18
The Maniac - Accidental Death of an Anarchist - Dario Fo
This is a monologue performed by me (Jack Readyhoof) for my A-level Drama assessment unit ...
published: 04 Jul 2013
The Maniac - Accidental Death of an Anarchist - Dario Fo
The Maniac - Accidental Death of an Anarchist - Dario Fo
- Report rights infringement
- published: 04 Jul 2013
- views: 9187
This is a monologue performed by me (Jack Readyhoof) for my A-level Drama assessment unit 2. The extract comes from Dario Fo's 'Accidental Death of an Anarchist'. An immensely physical performance that was very fun to play. Hope you enjoy!
9:54
Summary World: Famous Plays 2: "Accidental Death of an Anarchist" by Dario Fo
Summary World: Famous Plays 2: "Accidental Death of an Anarchist" by Dario Fo
published: 19 Jun 2015
Summary World: Famous Plays 2: "Accidental Death of an Anarchist" by Dario Fo
Summary World: Famous Plays 2: "Accidental Death of an Anarchist" by Dario Fo
- Report rights infringement
- published: 19 Jun 2015
- views: 5129
Summary World: Famous Plays 2: "Accidental Death of an Anarchist" by Dario Fo
7:29
Dario Fo Interview: A Crazy King in Denmark
Watch Nobel Prize winning playwright Dario Fo tell his version of the story of King Christ...
published: 12 Jan 2016
Dario Fo Interview: A Crazy King in Denmark
Dario Fo Interview: A Crazy King in Denmark
- Report rights infringement
- published: 12 Jan 2016
- views: 2235
Watch Nobel Prize winning playwright Dario Fo tell his version of the story of King Christian VII of Denmark and his wife Caroline Mathilde – a dramatic story of love, infidelity and madness in the 18th century, which Fo explores in his new novel.
“When I start to research a character, I want to tell his story.” It was hard for Fo to tell the whole story, when it came to that of King Christian VII and his wife Caroline Mathilde, as many facts had been censored or removed from the historical writings. This, however, only triggered his interest further: “It makes me want to know the truth, what are you hiding and why?” On his quest to uncover the truth, Fo then found new texts abroad (in England and France), which made the novel ‘There’s a Mad King in Denmark’ (2015) come together.
Fo compares the tale of King Christian VII and Caroline Mathilde to that of Shakespeare’s ‘Romeo & Juliet’. In Fo’s version, a soon to be bride learns that her groom, the king, is in fact crazy – even though great measures have been taken to keep this a secret for her. Because of this knowledge, she sees him exactly for what he is and loves him in spite of his condition, and in spite of the fact that the main reason they’re supposed to unite is political. However, there’s an obstacle to their love: The queen mother doesn’t want the marriage to happen, as she wants her son – who is the same age as the king – to take his place.
“He studies and he befriends a German doctor, a genius. He knows everything, he teaches him and offers suggestions.” Moreover, it is also the story of how this unstable king – or perhaps more accurately his German physician Johann Friedrich Struensee (who came to have an affair with Caroline Mathilde) – did ground-breaking things for the Danish contemporary society.
Dario Fo (b. 1926) is an Italian playwright, actor, comedian, director, stage and costume designer, songwriter, painter, writer and political campaigner. Much of Fo’s dramatic work depends on improvisation and draws on e.g. the ancient Italian style of commedia dell’arte. Fo’s plays, which have been performed all over the world, are known for their social criticism, and his solo piece ‘Mistero Buffo’ (1969) (Comical Mystery) is recognised as one of the most controversial and popular spectacles in post-war European theatre, and has furthermore been denounced by the Vatican. In 1997 Fo received the Nobel Prize in Literature, the Swedish Academy praising him with the words: “He if anyone merits the epithet of jester in the true meaning of that word. With a blend of laughter and gravity he opens our eyes to abuses and injustices in society and also the wider historical perspective in which they can be placed.”
Dario Fo was interviewed by Christian Lund at Hotel Bella Sky in Copenhagen on 10 November 2015. The book referred to in the interview is ‘C’è un re pazzo in Danimarca’ (‘There’s a Mad King in Denmark’) (2015).
Camera: Simon Weyhe
Edited by: Klaus Elmer
Produced by: Christian Lund
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2015
23:15
Dario Fo: I am a Born Storyteller
Meet legendary playwright Dario Fo, who here tells the intriguing story of how he became a...
published: 19 Nov 2015
Dario Fo: I am a Born Storyteller
Dario Fo: I am a Born Storyteller
- Report rights infringement
- published: 19 Nov 2015
- views: 13965
Meet legendary playwright Dario Fo, who here tells the intriguing story of how he became a storyteller and how he revolutionized theatre by “destroying the fourth wall” – encouraging his audience not to be voyeurs but to participate.
“I’m a born storyteller, it’s true.” There was a glass-blowing factory in the town in which Fo grew up, where thousands of people from all over the world were employed. As a result a strange merge of languages arose: “Grammelot was created, a language of transit made up of onomatopoeic sounds, gestures, movements, tones.” It soon became apparent that there were storytellers in all the different groups of nationalities: “Everyone told stories and I also learned to tell stories. I repeated them, then I made up stories of my own, then I took stories I’d heard from the foreigners.” Soon Fo became famous for his stories, and was often invited to dinners in order to tell them.
“She was truly my teacher.” When Fo met Italian actress Franca Rame, his wife of over six decades, she taught him the importance of communicating with the audience – “destroying the fourth wall” – in a way that would make them feel as if they were actually on stage. When Fo and Rame discovered that they were in fact “soothing the bourgeoisie” with their plays, they felt they had to change everything. This was done by e.g. setting up their plays in places where workers gathered, such as community centres. The audience soon started to participate actively: “… the audience wanted more than us performing stories which we thought were useful to them. No, they wanted us to talk about their personal problems.” In contrast to the bourgeois audience, which Fo considered to be “voyeurs”, their new audience was very much involved.
Fo and Rame performed in a time, where a cultural revolution had erupted in Italy. They developed a way of avoiding censorship by becoming an association with the audience: “We shifted all the models, the rules of conventional theatre.” Their new approach to theatre was much to the dismay of the politicians and during those years they were imprisoned, they underwent 40 trials, suffered great violence – including the rape of Rame – and had bombs placed under the theatre: “But we won with serious injuries and serious troubles…”
Dario Fo (b. 1926) is an Italian playwright, actor, comedian, director, stage and costume designer, songwriter, painter, writer and political campaigner. Much of Fo’s dramatic work depends on improvisation and draws on e.g. the ancient Italian style of commedia dell’arte. Fo’s plays, which have been performed all over the world, are known for their social criticism, and his solo piece ‘Mistero Buffo’ (1969) (Comical Mystery) is recognised as one of the most controversial and popular spectacles in post-war European theatre, and has furthermore been denounced by the Vatican. In 1997 Fo received the Nobel Prize in Literature, the Swedish Academy praising him with the words: “He if anyone merits the epithet of jester in the true meaning of that word. With a blend of laughter and gravity he opens our eyes to abuses and injustices in society and also the wider historical perspective in which they can be placed.”
Dario Fo was interviewed by Christian Lund at Hotel Bella Sky in Copenhagen on 10 November 2015.
Camera: Simon Weyhe
Edited by: Klaus Elmer
Produced by: Christian Lund
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2015
Supported by Nordea-fonden
50:25
The Theatre of Dario Fo
1984 documentary on the life and work of the legendary Italian theatre practitioner and hi...
published: 12 May 2016
The Theatre of Dario Fo
The Theatre of Dario Fo
- Report rights infringement
- published: 12 May 2016
- views: 29773
1984 documentary on the life and work of the legendary Italian theatre practitioner and his creative partner and wife Franca Rame. Nobel Prize winning author of "Accidental Death of an Anarchist".
7:35
euronews interview - Dario Fo: 'What had taken centuries to create in Italy was degraded in a very short time'
http://www.euronews.com/ Like many countries in Europe, Italy is struggling with problems ...
published: 21 Feb 2013
euronews interview - Dario Fo: 'What had taken centuries to create in Italy was degraded in a very short time'
euronews interview - Dario Fo: 'What had taken centuries to create in Italy was degraded in a very short time'
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- published: 21 Feb 2013
- views: 5839
http://www.euronews.com/ Like many countries in Europe, Italy is struggling with problems of its own making following sleaze, scandal and corruption, although it has received some credit after taking measures that have begun to turn things around.
On the eve of the Italian general election, euronews spoke to Dario Fo: intellectual, playwright and actor, he was awarded the Nobel Prize for Literature in 1997.
Today the "Can't pay? Won't pay!" writer accuses banks and those in power of demoralising the Italian people.
*euronews:* "Dario Fo, as at other times in your career, you're currently concentrating on your painting. So I ask you how and what colours you would paint with to represent Italy today."
*Dario Fo:* "Unfortunately we're in a situation, where the colours are grey. At best there are shades of purple, orange and red. This is because 'there's no vibration, there's sadness, there's disaster. The crisis has destroyed any enthusiasm and joy."
*euronews:* "In your latest works, is there any hope? Where is the hope?"
*Dario Fo:* "There is one positive thing, It's the fact that we're doing all we can and not giving up. I see many people who don't surrender and who look for the best solutions, who look for new approaches. It's not only about surviving, it's about something new, a change of approach."
*euronews:* "Let's now jump into your past, to talk about the Nobel Prize for Literature you won in 1997. 'For Dario Fo' - and here I'm quoting the Swedish Academy - 'who, inspired by the jesters of the Middle Ages, castigates the powerful and restores the dignity of the oppressed.' Who are the powerful that Dario Fo castigates today and why?"
*Dario Fo:* "The banks mostly, and the big entrepreneurs. All those who hold the reins "the show within a show ", ie those who - through the media, television and in other ways - make every effort to ensure that the people accept the conditions they find themselves in."
*euronews:* "You're following Italy's election campaign with apprehension . What worries you the most?"
*Dario Fo:* "I'm not worried about the same things as the politicians because I feel like an outsider. I'm tired of the way they think of the relationships between people, it's clear I can't feel pity for these politicians who only risk their jobs. The politicians have just got into a workplace routine, they no longer have a mission, and this is accepted because the voters trust them."
*euronews:* Is it still possible to be passionate about politics?
*Dario Fo:* "It's all become degraded in a very short time, all that had been created over centuries. Hope and trust have been destroyed as well as the value of laws, the community, justice... especially justice."
*euronews:* "When and how did this destruction come about?"
*Dario Fo:* "If there isn't a system which is strong, solid, and based primarily on culture and knowledge, which instils in the collective consciousness equality, freedom and justice, then everything collapses . There are many who praised the sleaze, real scam artists.
"It is not even worth naming anyone in particular. they are all like this, just look around you: the first one you see, he's one of them."
*euronews:* "In today's politics for a few years now, it's considered a good thing to be moderate. You, however, have always proudly claimed not to be. What's the problem with being moderate?".
*Dario Fo:* "Above all the staging, the mask. The mask of a good person, kind, who's never hurt anyone. But it's really a trap. They appear nice and gentle in their mannerisms and gestures; they never let go, they never have fun, they never play, or dance. I've never seen a moderate person dance and party with people. They stay in the corner, not to be seen and not not be discovered."
*euronews:* "In 1994 he went into politics in a surprise move. He then had a long career and today in 2013 he is back and running for re-election. Obviously we're talking about Berlusconi. You've said much about him in the past, how do you see him now?."
*Dario Fo:* "Just yesterday I did a satirical performance drawn from Buster Keaton. It was about a statue in a large room, and all around there are characters who are trying to keep up. They move in all directions, they leave, they come back, they try to support it with mechanical devices, to keep it balanced. But the statue falls, it's on the verge of breaking. But they stand it up and it's still OK. It comes back, but each time it's closer to the abyss."
*euronews:* "But it never reaches it."
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1:12:58
Dario Fo - Accidental Death of an Anarchist (full)
Manchester Belt & Braces Theatre production of Dario Fo's "Accidental Death of an Anarchis...
published: 27 Apr 2013
Dario Fo - Accidental Death of an Anarchist (full)
Dario Fo - Accidental Death of an Anarchist (full)
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- published: 27 Apr 2013
- views: 116242
Manchester Belt & Braces Theatre production of Dario Fo's "Accidental Death of an Anarchist" filmed in 1984 - Wonderfully funny and written and directed by Gavin Richards who also plays the "madman".
5:24
Il monologo di Dario Fo sulla pornografia
published: 23 Feb 2021
Il monologo di Dario Fo sulla pornografia
Il monologo di Dario Fo sulla pornografia
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- published: 23 Feb 2021
- views: 7707
13:23
Dario Fo e il Grammelot con accento inglese - "L'uomo e la tecnologia" (Rai2 - 1977)
Con Mistero Buffo, l'arte di Fo raggiunge il massimo grado di novità e originalità, seguen...
published: 25 May 2011
Dario Fo e il Grammelot con accento inglese - "L'uomo e la tecnologia" (Rai2 - 1977)
Dario Fo e il Grammelot con accento inglese - "L'uomo e la tecnologia" (Rai2 - 1977)
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- published: 25 May 2011
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Con Mistero Buffo, l'arte di Fo raggiunge il massimo grado di novità e originalità, seguendo non la tradizione istituzionale del teatro, ma la forza espressiva e la grande carica comunicativa dei giullari medievali (joculatores). E Fo è un giullare perfetto che, "manovrando" con grande abilità, risa e serietà, ripercorre una storia millenaria fatta di abusi e ingiustizie, nel tentativo, anche, di svegliare le coscienze, perché in lui è pressante un impulso forte: la ricerca della giustizia. Il giullare, espressione teatrale del popolo, con la propria cultura e i propri sentimenti di rivolta: ecco la figura che offre a Fo i modi espressivi più consoni alle sue esigenze interpretative e comunicative. I giullari recitavano nelle piazze, nei mercati e, assieme ai comici dell'arte, furono gli inventori del GRAMMELOT, sorta di lingua, di articolazione di suoni e di azione mimica messe assieme, nate sia dalla situazione peculiare dei giullari che viaggiavano in luoghi in cui si parlavano lingue diverse, e quindi dalla necessità di farsi intendere un po' da tutti, sia dalle leggi censorie che imponevano loro di non recitare in lingua. «... Fin dal Mille — dice lo stesso Fo — il giullare girava piazze e paesi, facendo sotto forma di recitazione satirica delle vere e proprie accuse ai potenti. Egli era una figura che si concretizzava direttamente dal popolo, dal quale attingeva la rabbia, per poi ritrasmettergliela mediata dal grottesco»; questa forma di teatro popolare era «il giornale parlato e drammatizzato del popolo».
7:35
euronews interview - Dario Fo: "Los políticos no me inspiran ninguna piedad"
http://es.euronews.com/ Ve un país entristecido, descolorido y decepcionado, tanto con sus...
published: 21 Feb 2013
euronews interview - Dario Fo: "Los políticos no me inspiran ninguna piedad"
euronews interview - Dario Fo: "Los políticos no me inspiran ninguna piedad"
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- published: 21 Feb 2013
- views: 4619
http://es.euronews.com/ Ve un país entristecido, descolorido y decepcionado, tanto con sus representantes como con una política carente de pasión. Un país que sobrevive exclusivamente gracias a la creatividad de aquellos que no se rinden ante la crisis. Esa es la Italia que lamenta el dramaturgo Dario Fo. En medio de la campaña electoral, el Premio Nobel de Literaruta 1997 no duda en acusar a los bancos, grandes y pequeños, de haber robado el futuro de los italianos. Ésta es la entrevista que nos ha concedido.
Euronews:
"Dario Fo, como también ha hecho en otros periodos de su carrera, ahora se concentra usted más en la pintura. ¿Qué colores utilizaría para representar la Italia de 2013"
Dario Fo:
"Desafortunadamente atravesamos una situación bastante gris. Y esa es la gama de colores que corresponde. Si acaso, utilizaría también un violeta, por la asfixia que sufrimos, un naranja pálido o incluso un tono granate. Nada se mueve. Es todo melancolía. Un desastre. La crisis que nos amenaza ha destruido todo el entusiasmo y toda la alegría".
Euronews:
"¿En su cuadro queda algún sitio para la esperanza?
Dario Fo:
"Hay una cosa positiva. Y es el hecho de no bajar los brazos. Hay mucha gente que se niega a rendirse y que está buscando soluciones. Personas que intentan afrontar los problemas desde una nueva perspectiva. Y no lo hacen sólo para sobrevivir, sino para construir otro mundo y para cambiar las cosas".
Euronews:
"Le propongo que demos un salto atrás en el tiempo y que viajemos al año noventa y siete, cuando recibió el Nobel de Literatura. La Academia sueca le otorgó el premio -y cito, supongo que se acordará-, por fustigar al poder inspirándose en los bufones de la Edad Media, para devolverle la dignidad a los oprimidos. ¿A quién fustigaría hoy Darío Fo y por qué?
Dario Fo:
"A los bancos, sin duda. Y a las grandes empresas. A todos los que dirigen este espectáculo dantesco. Aquellos que a través de los medios, de la televisión, han puesto de rodillas a la sociedad, obligándola a aceptar unas condiciones que son consecuencia de sus malas actuaciones"
Euronews:
"Usted está siguiendo, casi con aprensión, la campaña electoral italiana. ¿Qué es lo que más le preocupa de estas elecciones?
Dario Fo:
"Lo que a mi me preocupa no es lo mismo que le preocupa a los políticos. Yo no les sigo el juego. Y viendo cómo se han comportado y cómo han tratado a la ciudadanía, no puedo decir que ahora me inspiren piedad alguna, porque como mucho van a perder su trabajo. Para ellos esto es sólo un trabajo. Ni están comprometidos, ni creen que tengan una misión que realizar simplemente porque el electorado les haya dado su confianza".
Euronews:
"¿La política puede seguir apasionando a la gente o ya no?
Dario Fo:
"En muy poco tiempo ha destruido todo aquello que tardamos siglos en construir. La política ha destruido la esperanza, la confianza, y los valores de las leyes, de la comunidad y de la justicia, sobre todo de la justicia".
Euronews:
"¿Cuándo y cómo se ha producido toda esa destrucción?".
Dario Fo:
"Si no hay un sistema fuerte y sólido que se apoye en la cultura y el conocimiento y que inculque en la conciencia coletiva la igualdad, la libertad y la justicia, todo se viene abajo. Y en Italia hay gente que incluso aplaude a quien esquiva la ley y estafa a la sociedad. No voy a dar nombres porque no merece la pena. Pero todos los políticos están implicados. Mire usted a su alrededor, escoja uno y seguro que es cómplice de esta farsa".
Euronews:
"Hoy en día, y desde ya hace algún tiempo, ser moderado en política se considera positivo. Pero usted siempre ha criticado a los moderados y hasta se dice orgulloso de no serlo. ¿Qué problema tiene con los moderados? ¿Qué le han hecho?
Dario Fo:
"Les reprocho esa puesta en escena que siempre les acompaña y la careta bajo la que se ocultan. Se presentan como personas buenas, amables, pacíficas, conciliadoras. Pero eso no es cierto. Es una trampa. No son más que apariencia. Esa sensibilidad, esos gestos, las buenas maneras. Es una impostura. Y jamás descansan. Siempre tan mesurados que diríamos que ni siquiera se divierten. Nunca he visto a un moderado bailando entre amigos y divirtiéndose con el resto. Se van a la esquina para que nadie les vea, no sea que alguien vaya a descubrirlos".
Euronews:
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2:35:28
lezione di teatro Dario Fo
Lezioni di teatro di Dario Fo
tratto da I trucchi del mestiere
Teatro Argentina di Roma - ...
published: 09 Dec 2019
lezione di teatro Dario Fo
lezione di teatro Dario Fo
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- published: 09 Dec 2019
- views: 3515
Lezioni di teatro di Dario Fo
tratto da I trucchi del mestiere
Teatro Argentina di Roma - 1984
15:40
Dario Fo - "La Resurrezione di Lazzaro" - Mistero Buffo 1991
Dagli spettacoli registrati al Teatro Lirico di Milano - 1991
published: 04 Jul 2014
Dario Fo - "La Resurrezione di Lazzaro" - Mistero Buffo 1991
Dario Fo - "La Resurrezione di Lazzaro" - Mistero Buffo 1991
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- published: 04 Jul 2014
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Dagli spettacoli registrati al Teatro Lirico di Milano - 1991
5:21
Dario Fo: le regole dell'Attore
Chiare Lettere ha mandato in libreria un interessante volume "Nuovo manuale minimo dell'at...
published: 27 Oct 2015
Dario Fo: le regole dell'Attore
Dario Fo: le regole dell'Attore
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- published: 27 Oct 2015
- views: 24960
Chiare Lettere ha mandato in libreria un interessante volume "Nuovo manuale minimo dell'attore", si tratta del volume conclusivo che Franca Rame e Dario Fò avevano promesso dopo il grande successo - nel 1987 - del loro primo volume: Manuale Minimo dell'Attore".....Si fondono in questo nuovo volume, come nel primo, arte e storia di vita.
1) Conoscere tutti i mestieri del Teatro ( l'insegnamento di Streler)
2) Rompere la quarta parete ( sconosciuta alla gran parte degli attori)
3) Giocare con l'imprevisto
4) Rappresentare non recitare ( la rappresentazione diventa presenza vissuta dall'attore. QUalcosa che deve proiettare verso il pubblico)
5) L'Attore deve essere generoso ( anche esponendo la propria parte negativa. Il pubblico si riesce a coinvolgere solo quando si è vivi sul palcoscenico)
Nell'ultima parte Dario Fo parla di chi è stata la sua vera maestra d'arte: Franca.
Nuovo manuale minimo dell'attore -Collana Reverse
http://www.ibs.it/code/9788861907522/fo-dario/nuovo-manuale-minimo.html
Una biografia:
http://biografieonline.it/biografia.htm?BioID=100&biografia=Dario+Fo
7:35
euronews interview - Dario Fo: "İtalya sanki bir afet yaşamış gibi"
http://tr.euronews.com/ İtalya'da ana gündem ekonomik kriz. Ülke genel seçim öncesini kriz...
published: 21 Feb 2013
euronews interview - Dario Fo: "İtalya sanki bir afet yaşamış gibi"
euronews interview - Dario Fo: "İtalya sanki bir afet yaşamış gibi"
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- published: 21 Feb 2013
- views: 707
http://tr.euronews.com/ İtalya'da ana gündem ekonomik kriz. Ülke genel seçim öncesini krizi tamamlayan yolsuzluk ve skandal haberleriyle geçirdi. İtalyanların edebiyat ve sinemada dünyaca ünlü isimlerinden 1997 Nobel Edebiyat Ödülü sahibi Dario Fo, krizin başlıca aktörü olarak nitelendirdiği bankaları İtalyanların hayatından çalmakla suçluyor.
Diego Giuliani, euronews:
"Dario Fo, kariyerinizin bazı dönemlerinde olduğu gibi resim yapmaya yoğunlaşmışsınız. Şunu sormak isterim: Bugünün İtalyasını resmediyor olsanız hangi renkleri kullanırdınız?
Dario Fo:
"Maalesef gri tonların ağırlıkta olacağı bir dönemden geçiyoruz. En iyi ihtimalle eflatun, turuncu ya da kırmızının bazı koyu tonlarına kadar açılabiliriz. Çünkü hareketlenme görülmüyor. Melankoli hakim, adeta bir afet yaşamış gibiyiz. Yaşanan kriz yaşama sevincini ve tutkuyu aldı götürdü."
euronews:
"Son çalışmalarınızda umuda yer veriyor musunuz? Umut nerede peki?"
Fo:
"Olumlu bir şey var ki o da yapabileceğimizi sonuna kadar yapıyor ve bırakmıyoruz. Çok insan görüyorum ki teslim olmuyor ve çözüm bulmak için, yeni yollar bulmak için çalışıyor. Yalnızca varlığını sürdürmek değil yeni yaklaşımlar da ortaya koymak gerekiyor."
euronews:
"Geçmişe, 1997'de kazandığınız Nobel Edebiyat Ödülü'ne dönecek olursak, sizin için İsveç Nobel Akademisi'nin yaptığı tanımlamayı hatırlatmak isterim: Ortaçağ krallarının soytarılarından ilham alsa da zorbaları eleştirdi ve ezilenlerin onurunu korudu. Peki Dario Fo'nun bugün hicvedeceği baskıcılar kim olabilir?"
Fo:
"Daha çok bankalar ve büyük ticari işletmeler. Tüm bu ipleri elinde tutanlar oyun içinde oyun oynuyorlar. Medya, televizyonlar ve diğerleri aracılığıyla, bütün güçleriyle halkın kendilerinin sebep olduğu şartların içinde yaşamayı kabulünü sağlamaya çalışıyorlar."
euronews:
"İtalyan seçim sürecini evhamlı bir şekilde izlediğiniz görülüyor. Sizi en çok ne endişelendiriyor?"
Fo:
"Politikacılarla aynı endişeyi taşıdığımı sanmıyorum, çünkü kendimi dışarıda hissediyorum. Onların insan ilişkilerinden anladığı şeylerden artık bıktım ve sadece kendi koltuğunu kaybetme riski taşıyan siyasetçiler için üzülmüyorum. Bu artık onlar için bir görev değil de sanki bir meslek olmuş ve halk onlara güvendiği için de yapabiliyorlarmış gibi."
euronews:
"Siyasetten hala bir şey beklemeli miyiz?"
Fo:
"Çok kısa sürede her şey değerini kaybetti. Yüzyılllar içinde kurulan şeyler hem de... Konulan kanunların değeri, toplum, adalet gibi umut ve güven de yıkıldı. Özellikle de adalet."
euronews:
"Bu yıkımı kim, ne zaman yaptı?"
Fo:
"Kültüre ve bilgiye dayanan sağlam ve dayanıklı bir sistem olmazsa ve halkın bilincinde eşitlik, özgürlük ve adalet yerleşmemişse her şey yıkılıverir gider. Kanunları istismar eden, yolsuzluk yapan çok kişi var. Belli bir isim vermenin çok faydası yok. Hepsi böyle. Etrafınıza bakın ilk gördüğünüz onlardan biri olacak. Kesin karışmıştır burada bir yerlere de."
euronews:
"Son dönemde ve bugünün siyasetinde "ılımlı" olmak iyi bir şey olarak nitelendirilir oldu. Siz ise böyle olmadığınızı hep gururla ifade ettiniz. "Ilımlı" olmaktaki sorun nedir?
Fo:
"Her şeyden önce maske olması, oyun oynanıyor olması. İyi, kibar ve kimseye zararı olmayan insan maskesi. Fakat bu bir tuzak. Hareketlerinde davranışlarında iyi, kibar görünüyorlar, bundan hiç vazgeçmiyorlar. Duruşlarını, ciddiyetlerini değiştirmiyor, bunu hiç bozmuyorlar. Bu ılımlıların bir güne bir gün dans edip şarkı söylediğini görmedim. Görünmeden, ortaya çıkmadan, bir köşede saklanmayı iyi beceriyorlar."
euronews:
"1994'te sürpriz bir kararla politikaya atıldı ve burada uzun bir kariyere sahip oldu. Yıl 2013, geri döndü ve seçimlere giriyor. Tabii ki Berlusconi'den bahsediyoruz. Geçmişte onunla ilgili çok şey söylemiştiniz, peki bugün nasıl görüyorsunuz?"
Fo:
Bizi izlemeye devam edin:
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Twitter http://twitter.com/euronews_tr
1:58:40
Marino libero! Marino è innocente! - Dario Fo
Marino libero! Marino è innocente! (1998) di Dario Fo
con Dario Fo e Franca Rame
Spettaco...
published: 05 Feb 2021
Marino libero! Marino è innocente! - Dario Fo
Marino libero! Marino è innocente! - Dario Fo
- Report rights infringement
- published: 05 Feb 2021
- views: 4942
Marino libero! Marino è innocente! (1998) di Dario Fo
con Dario Fo e Franca Rame
Spettacolo allestito in occasione della decisione della Corte d' Appello sul ricorso per la revisione del processo a Sofri, Bompressi e Pietrostefani.
Dario Fo Interview: A Crazy King in Denmark...
Dario Fo: I am a Born Storyteller...
The Theatre of Dario Fo...
euronews interview - Dario Fo: 'What had taken cen...
Dario Fo - Accidental Death of an Anarchist (full)...
Il monologo di Dario Fo sulla pornografia...
Dario Fo e il Grammelot con accento inglese - "L'u...
euronews interview - Dario Fo: "Los políticos no m...
lezione di teatro Dario Fo...
Dario Fo - "La Resurrezione di Lazzaro" - Mistero ...
Dario Fo: le regole dell'Attore...
euronews interview - Dario Fo: "İtalya sanki bir a...
Marino libero! Marino è innocente! - Dario Fo...
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by Troy Ave
Ice Cream Paint Job
by: Dorroughhahaha
yeah its the D-O-double R
I say...
Yeah buddy
Rolling like a big shot
Chevy tuned up like a nascar pit stop
Fresh paint job (check)
Fresh inside (check)
Is the outside frame in the trunk wide (yes)
Are the rims big (what)
Do it ride good (good)
Lean back right hand on the pine wood (ughh)
Cream on the inside clean on the outside
Cream on the inside clean on the outside
Cream on the inside clean on the outside
Cream on the inside clean on the outside
Ice cream paint job
Cream on the inside clean on the outside
Cream on the inside clean on the outside
Cream on the inside clean on the outside
Cream on the inside clean on the outside
Ice cream paint job
(1st verse)
Whooa
Clean on the outside
Cream on the inside
Ice cream paint job (paint job)
I got screens on the dash watchin saved by the bell,
got a house by The bay side (bay side)
Yeah Im livin like that, like that like that
And im riding like that, like that like that
Boy im ridin like that and the steerin wheel wood like
a basbeall bat.
Just like Archie said we ready! (ready)
Whole click straight lunatics like nelly (nelly)
Grand marquis paint job grape jelly
R triple BC big black box chevy (chevy)
Crank my car (car)
She be hummin (hummin)
Rims so big you can see me commin (commin)
Prime time click (yea)
We get money (money)
Stay iced up like tv Johnny
Cream on the inside clean on the outside
Cream on the inside clean on the outside
Cream on the inside clean on the outside
Cream on the inside clean on the outside
Ice cream paint job
Cream on the inside clean on the outside
Cream on the inside clean on the outside
Cream on the inside clean on the outside
Cream on the inside clean on the outside
Ice cream paint job
(verse 2)
Im live!
Like a super bowl kick off (kick off)
My slab gotta lotta ****** pist off (pist off)
Yea!
Paint shine like lip gloss
Cadillac gotta wide body like rick ross
Took time but my cash got right (right)
If i want it imma buy it
I dont ask no price (ugh uh)
Rear view mirror (mirror)
Jumbo dice (dice)
Trunk hit hard like kimbo slice (yea)
Be around tint no window light
Car ride smooth so the rims all white
That right there see see I like
Got the top notch slab for da dirt cheap price
Press one button car automatic start (start)
Stand too close car alarm might bark (like what)
Arff Arff like a Q dog
Prime time click make you move like uhaul
Cream on the inside clean on the outside
Cream on the inside clean on the outside
Cream on the inside clean on the outside
Cream on the inside clean on the outside
Ice cream paint job
Cream on the inside clean on the outside
Cream on the inside clean on the outside
Cream on the inside clean on the outside
Cream on the inside clean on the outside
Ice cream paint job
(Verse 3)x2
I ride with a towel cuz the candy paint wet (wet)
Rims on the ride got these ****** upset (set)
Rims sittin high so I ride upset
6-12's in the trunk
4 screens in the deck
I ride (i ride) I ride (i ride) I ride (i ride)
Lets ride! (lets ride)
I ride (propped up) i ride (propped up) i ride
Say bro! Lets ride (lets ride)
I gotta
Fresh paint job (check)
Fresh inside (check)
Is the outside frame in the trunk wide (yes)
Are the rims big (what)
Do it ride good (good)
Lean back right hand on the pine wood (ughh)
Cream on the inside clean on the outside
Cream on the inside clean on the outside
Cream on the inside clean on the outside
Cream on the inside clean on the outside
Ice cream paint job
Cream on the inside clean on the outside
Cream on the inside clean on the outside
Cream on the inside clean on the outside
Cream on the inside clean on the outside
Latest News for: Dario Fo
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Dario Fo’s ‘The Open Couple’ returns to Hyderabad stage after seven years
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‘The Physicists,’ staged by Dark & Stormy Productions, delves into the complicated lives of scientists
... Written by 20th-century Swiss playwright Friedrich Durrenmatt, the 1961 play bears echoes of the absurdism of Eugene Ionesco and the comical commentary on modern life you’ll find in Dario Fo.
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Giornate degli Autori 2024 line-up includes Quay Brothers animation and Peaches biopic
The sidebar’s opening film, screening out of competition, is by Federica Di Giacomo, starring Chiara Francini, who is also the producer, and based on the play by the same name by Franca Rame and Dario Fo ... Competition. Taxi Monamour (It). Dir ... Dir ... Dir ... .
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Venice film festival’s Giornate degli Autori 2024 line-up includes Quay Brothers animation and Peaches biopic
The sidebar’s opening film, screening out of competition, is by Federica Di Giacomo, starring Chiara Francini, who is also the producer, and based on the play by the same name by Franca Rame and Dario Fo ... Competition. Taxi Monamour (It). Dir ... Dir ... Dir ... .
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Women in wealthier areas are twice as likely to receive HRT, research finds
Dame Arlene Phillips received a standing ovation as she won her first ever Olivier Award for Best Theatre Choreographer for Guys and Dolls ... They wrote ... Phenomenal. And so well deserved,'; ... Accidental Death of an Anarchist by Dario Fo and Franca Rame ... .
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Olivier Awards Winners Include Nicole Scherzinger, Sarah Snook, ‘Sunset Boulevard,’ ‘Stranger Things’
Show additional share options. Show additional share options ... Related Stories ... Stranger Things ... Accidental Death of an Anarchist by Dario Fo & Franca Rame, adapted by Tom Basden at the Lyric Hammersmith & Theatre Royal Haymarket ... Stranger Things.
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Nicole Scherzinger jokes
Nicole Scherzinger gave a heartfelt thanks to god during her Olivier Awards acceptance speech, thanking him for saving her from tripping ... She continued ... Fighting back tears, she added ... Vanya ... Accidental Death of an Anarchist by Dario Fo and Franca Rame ... .
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Olivier Awards 2024 afterparty: Nicole Scherzinger celebrates Best Actress win in a racy backless...
Her West End musical Sunset Boulevard swept the board at this year’s Olivier Awards with an impressive seven wins ... Her first look of the evening was a purple semi-sheer gown ... Dear England ... Accidental Death of an Anarchist by Dario Fo and Franca Rame ... .
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Olivier Awards 2024: Haydn Gwynne fans slam
Olivier Awards viewers branded ITV 'shameful' on Sunday night after the broadcaster failed to show in full the moment Haydn Gwynne was announced as Best Supporting Actress ... Dear England ... Accidental Death of an Anarchist by Dario Fo and Franca Rame ... .
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Hannah Waddingham fires back at Olivier Awards photographer who asked her to
Olivier Awards host Hannah Waddingham called out a photographer on Sunday night's red carpet after she was asked to 'show a leg.' ... 'Oh my God, you'd never say that to a man, my friend.' ... Accidental Death of an Anarchist by Dario Fo and Franca Rame ... .
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Sarah Snook exudes elegance in black velvet gown with bow sleeves as she leads the ...
Sarah Snook was the picture of glamour on Sunday night as she led the star-studded arrivals at the 2024 Olivier Awards at London's Royal Albert Hall ... Olivier awards 2024 ... Accidental Death of an Anarchist by Dario Fo and Franca Rame ... Stranger Things ... .
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David Tennant, 52, rocks a dazzling suit jacket as he poses with wife Georgia, 39, ...
David Tennant put on a dapper display in a dazzling suit jacket as he arrived at the Olivier Awards with wife Georgia at London's Royal Albert Hall on Sunday ... Full nominations list ... Accidental Death of an Anarchist by Dario Fo and Franca Rame ... Pioneers.
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Glamorous Hannah Waddingham wows in a glitzy purple gown as she arrives at the star-studded Olivier...
Hannah Waddingham put on a glamorous display in a glitzy purple gown as she attended the star-studded Olivier Awards on Sunday ... Full nominations list. David Cumming for Operation Mincemeat ... Accidental Death of an Anarchist by Dario Fo and Franca Rame ... .
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Andrew Scott looks like a winner as fashion conscious star attends the 2024 Olivier Awards ...
Andrew Scott was in attendance on Sunday evening as the 2024 Olivier Awards with Mastercard got underway at London's Royal Albert Hall ... 'She loved jewellery and jewellery design ... Ripley ... Accidental Death of an Anarchist by Dario Fo and Franca Rame ... .
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