- published: 09 May 2017
- views: 55877
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. Load news page with ajax here } else if(num > 1900){ //FIX ME. Load timeline page with ajax here } } else if(tab.match(/^playlist\d+$/)){ var playerId = parseInt(tab.substring(8)); var vp = videoplayers[playerId]; window.descriptionsholder = $('.descriptionsplace'); if(!vp) return; // why? no player? if(replayMode){ $('.replaycurrent'+playerId).attr('checked', true); vp.setReplayCurrent(true); } var playQueue = []; window.playQueue = playQueue; var playQueuePosition = 0; var playShouldStart = null; var playShouldStop = null; var parseList = function(x){ var items = x.split(/;|,/g); var results = []; for (i in items){ try{ var action = parseAction(vp, items[i]); if(!action.video){ if(window.console && console.log) console.log("Warning: No video for queued entry: " + items[i]); }else{ results.push(action); } }catch(e){ if(window.console && console.log) console.log("Warning: Can''t parse queue entry: " + items[i]); } } return results; }; var scrollToPlaylistPosition = function(vp){ var ppos = vp.getPlaylistPosition(); var el = vp.playlistContainer.find('>li').eq(ppos); 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playShouldStart = null; } }; function loadMoreVideos(playerId, vp, start, finish, callback){ var playlistInfo = playlists[playerId-1]; if(playlistInfo.loading >= finish) return; playlistInfo.loading = finish; $.ajax({ url: '/api/upge/cheetah-photo-search/query_videos2', dataType: 'json', data: { query: playlistInfo.query, orderby: playlistInfo.orderby, start: start, count: finish-start }, success: function(response){ var pl = vp.getPlaylist().slice(0); pl.push.apply(pl, response); vp.setPlaylist(pl); callback(); } }); } if(parts.length == 1 && matchDash(parts[0])){ var pl = vp.getActualPlaylist(); var vids = parseDash(parts[0]); parts = []; for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': null }) } if(vids.length){ if(vids[vids.length-1]-1>=pl.length){ loadMoreVideos(playerId, vp, pl.length, vids[vids.length-1], function(){ if(fsonload){ activateTabArea(tab, parts[0]+'/fs'); }else{ activateTabArea(tab, parts[0]); } var pls = vp.getPlaylist(); 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Francis Albert "Frank" Sinatra (/sᵻˈnɑːtrə/; December 12, 1915 – May 14, 1998) was an American singer, actor, producer, and director, who was one of the most popular and influential musical artists of the 20th century. Sinatra's music has been considered timeless by many. He is one of the best-selling music artists of all time, having sold more than 150 million records worldwide. Born in Hoboken, New Jersey, to Italian immigrants, he began his musical career in the swing era with Harry James and Tommy Dorsey. He found success as a solo artist after being signed by Columbia Records in 1943, becoming the idol of the "bobby soxers". He released his first album, The Voice of Frank Sinatra, in 1946. Sinatra's professional career had stalled by the early 1950s, and he turned to Las Vegas, where he became one of its best known performers as part of the Rat Pack. His career was reborn in 1953 with the success of From Here to Eternity and his subsequent Academy Award for Best Supporting Actor. He signed with Capitol Records and released several critically lauded albums, including In the Wee Small Hours (1955), Songs for Swingin' Lovers! (1956), Come Fly with Me (1958), Only the Lonely (1958) and Nice 'n' Easy (1960).
Frank Sinatra (1915–1998) was an American singer and actor.
Sinatra may also refer to:
"Frank Sinatra" is a song by French recording duo Miss Kittin & The Hacker. It is the second single from their debut album as a duo First Album (2001). The song was originally included on the duo's 1998 EP Champagne and became an anthem of the electroclash scene. Miss Kittin included the song on her DJ mix album On the Road.
Miss Kittin explained in an interview that the song was inspired by her love of Frank Sinatra and jazz music.
"I love Frank Sinatra and the American crooners and romantic jazz in general. I was looking for a rhyme to "area" and here it came. What you don't know, is when I said "He's dead", I really thought he was... A friend told me it was funny because he's still alive... I couldn't believe it and felt guilty, especially when he died three months later..."
"Frank Sinatra" is credited as an electroclash and techno song, and is noted for its use of deadpan. In the song, Miss Kittin discusses having sex in limousines. According to Terry Sawyer of PopMatters, "In a deadpan cadence done in the accent of Ilsa the She-Wolf of The SS, Miss Kittin [...], created decadent club music for people too arch and smart for typical white label fare. It was a deader and more desolate take on tired convention of the house beat and unknown diva repeating a pithy chorus ad nauseum [sic], an alleged elevation of cliché through the detachment of kitsch.
Come Dance with Me may refer to:
Come Dance with Me is a 1950 British musical film directed by Mario Zampi and starring Max Wall, Gordon Humphris and Yvonne Marsh. The film was made by Zampi's Anglofilm and largely consisted of cabaret acts.
Come Dance with Me! (French: Voulez-vous danser avec moi? Italian release "Sexy Girl") is a 1959 French-Italian drama film directed by Michel Boisrond and starring Brigitte Bardot. The film is based on the novel The Blonde Died Dancing by Kelley Roos.
Against her wealthy industrialist father Albert's wishes, young Virginie (Brigitte Bardot) marries dentist Hervé Dandieu (Henri Vidal). After three months, all passion has disappeared, and after an argument, Hervé leaves the house for a drink at a club. There, he is seduced by Anita Florès (Dawn Addams), a red-headed dance instructor. Unbeknownst to him, Anita is a scam artist who has sent her boyfriend Léon (Serge Gainsbourg) to photograph her in companionship with Hervé. Although Hervé eventually decides to stay faithful to his wife, Léon is able to take some pictures of their intimate moments.
Hervé refuses to give in to any of her attempts to blackmail him, until she calls him one night. Virginie and Albert overhear the conversation, after which Virginie concludes that her husband is having an affair. The next day, she follows him to Anita's dance studio, and when looking through the key hole, she spots Anita's murdered body next to Hervé, who is holding a gun. Hervé convinces her that he is not guilty and they flee the place of crime through the back door, although they are noticed by some of the staff members. To prove her husband's innocence, she charms Anita's husband Florès (Darío Moreno) into hiring her as a dance teacher in order to able herself of finding more information.
Provided to YouTube by Universal Music Group Come Dance With Me (1998 Remastered) · Frank Sinatra Classic Sinatra - His Great Performances 1953-1960 ℗ 1998 Capitol Records, LLC Released on: 2000-01-01 Associated Performer, Vocals: Frank Sinatra Producer: Voyle Gilmore Conductor: Billy May Producer: Dave Cavanaugh Studio Personnel, Mastering Engineer: Bob Norberg Studio Personnel, Mastering Engineer: Robert Norberg Composer Lyricist: Jimmy van Heusen Composer Lyricist: Sammy Cahn Auto-generated by YouTube.
An all-time personal favorite, this swing tune is the definition of Frank Sinatra. "Come Dance With Me", the single, charted #30 on Billboards Hot 100. The ALBUM is another story. The Album won 3 Grammy awards, and peaked at #2, spending TWO AND A HALF YEARS (140 WEEKS) on the Billboard Charts, making this his most successful album. The video is Fred Astaire and Ginger Rogers from the 1936 film "Swing Time", rendered in wide screen with a flashing lights overlay.
Frank Sinatra : Come Dance With Me : Ultimate Sinatra (2015) Hey there cutes, put on your dancin' boots And come dance with me Come dance with me, what an evenin' for some Terpsichore Pretty face, I know a swingin' place Come on, dance with me Romance with me on a crowded floor And while the rhythm swings What lovely things I'll be sayin' 'Cause what is dancin' but makin' love Set to music...playin' When the band begins to leave the stand And folks start to roam As we waltz home, cheek to cheek we'll be Come on, come on, come on Come on and dance with me Hey there cutes, put on your Basie boots And come dance with me Come dance with me, what an evenin' for some Terpsichore Pretty face, I know a swingin' place Come on, dance with me Romance with me on a crowded floor And while the rhythm ...
Provided to YouTube by The state51 Conspiracy Come Dance With Me · Frank Sinatra Come Dance with Me! ℗ 2015 Crazy Warthog Media Released on: 2015-07-01 Auto-generated by YouTube.
Provided to YouTube by J. Joes J. Edizioni Musicali Come Dance with Me (Remastered) · Frank Sinatra · Sammy Cahn · James Van Heusen Come Dance with Me! (Remastered 2014) ℗ J. Joes J. Edizioni Musicali Released on: 1959-01-01 Auto-generated by YouTube.
Frank Sinatra - The best songs 2 - Come dance with me - 2012
Francis Albert "Frank" Sinatra (/sᵻˈnɑːtrə/; December 12, 1915 – May 14, 1998) was an American singer, actor, producer, and director, who was one of the most popular and influential musical artists of the 20th century. Sinatra's music has been considered timeless by many. He is one of the best-selling music artists of all time, having sold more than 150 million records worldwide. Born in Hoboken, New Jersey, to Italian immigrants, he began his musical career in the swing era with Harry James and Tommy Dorsey. He found success as a solo artist after being signed by Columbia Records in 1943, becoming the idol of the "bobby soxers". He released his first album, The Voice of Frank Sinatra, in 1946. Sinatra's professional career had stalled by the early 1950s, and he turned to Las Vegas, where he became one of its best known performers as part of the Rat Pack. His career was reborn in 1953 with the success of From Here to Eternity and his subsequent Academy Award for Best Supporting Actor. He signed with Capitol Records and released several critically lauded albums, including In the Wee Small Hours (1955), Songs for Swingin' Lovers! (1956), Come Fly with Me (1958), Only the Lonely (1958) and Nice 'n' Easy (1960).
I always say, comme ci comme ca,*
And go my way, comme ci comme ca,
Since you are gone, nothing excites me.
Since you are gone, no one delights me.
And I go on, comme ci comme ca,
Midnight till dawn, comme ci comme ca,
But should we meet, that would excite me,
And should you smile, that would delight me,
I'd live again to love again,
But until then, comme ci comme ca.
It seems my friends have been complaining
They say that I've been acting rude.
But I have never liked explaining,
Which may explain my attitude.
comme ci comme ca,
comme ci comme ca,
Since you are gone, nothing excites me.
Since you are gone, no one delights me.
hmm, hmm,
tira, rirum.
But should we meet, that would excite me,
And should you smile, that would delight me,
I'd live again to love again,
But until then, comme ci comme ca.