-
The Stunning Evolution of Color in Film | WIRED
Before they figured out how to shoot film in color, filmmakers were painting their footage, frame-by-frame. Fast forward a century and the HDR technology available to colorists means we are to see more detail than ever on our screens. From technicolor to color grading, color in the movies has had a fascinating 116 year history.
Still haven’t subscribed to WIRED on YouTube? ►► http://wrd.cm/15fP7B7
ABOUT WIRED
WIRED is where tomorrow is realized. Through thought-provoking stories and videos, WIRED explores the future of business, innovation, and culture.
The Stunning Evolution of Color in Film | WIRED
published: 14 Jul 2017
-
Cinema Motion Picture Film for Still Photography 🎥 🎞️ - An Overview!
Let’s chat about color cinema or motion picture film and using it for still photography!!
Carmencita blog post: https://carmencitafilmlab.com/blog/everything-you-need-to-know-about-ecn-2-film
Flic Film: https://flicfilm.ca
Atlanta Film Co: https://www.atlantafilmco.com
This Is How I Roll: https://www.instagram.com/thisis_howiroll
Reflx Lab: https://reflxlab.com
Cinemot: https://cinemotfilm.com
===================================
Join the eclectachrome email newsletter crew!
►MONTHLY NEWSLETTER: https://eclectachrome.substack.com
SUBSCRIBE AND KEEP FILM ALIVE
===================================
►shop the gear I use (I've actually bought this stuff on amazon):
Developing tank: https://amzn.to/3O5yaBh
Darkbag: https://amzn.to/3UvtqJc
Chemistry bottles (if you don't have other ones to ...
published: 11 Feb 2024
-
Color film was built for white people. Here's what it did to dark skin.
The unfortunate history of racial bias in photography.
Subscribe today: http://goo.gl/0bsAjO
For decades, the color film available to consumers was built for white people. The chemicals coating the film simply weren't adequate to capture a diversity of darker skin tones. And the photo labs established in the 1940s and 50s even used an image of a white woman, called a Shirley card, to calibrate the colors for printing.
Concordia University professor Lorna Roth has researched the evolution of skin tone imaging. She explained in a 2009 paper how the older technology distorted the appearance of black subjects:
"Problems for the African-American community, for example, have included reproduction of facial images without details, lighting challenges, and ashen-looking facial skin colours co...
published: 18 Sep 2015
-
First Motion Picture Ever Made
By definition, a motion picture is a series of pictures, projected onto a screen, creating the illusion of movement.
By the 1800's humans had discovered photography, projection and motion. We just hadn't put them together.
Then, in 1878 a guy called Edward Muybridge changed everything.
He set up 24 cameras linked to tripwires to take photographs of a horse galloping.
He developed and later projected the images onto a screen using his invention, the zoopraxiscope.
The result was 2 seconds of movie history.
Here it is, the first motion picture ever made.
Get your popcorn.
Join us online:
http://www.yestervid.com
http://www.facebook.com/yestervid
https://twitter.com/yestervid
published: 13 Jul 2015
-
Colour In Storytelling
Support us on Patreon:
https://www.patreon.com/cinemacartography
Colour Theory is one of the most important elements in Art theory. Is no different for the medium of film; learn how colours mean and why and investigate the power of colour in storytelling.
Press CC to see a list of the movies shown.
For business inquiries: [email protected]
published: 29 Jul 2015
-
Color in David Fincher Movies — Fincher Explains How He Uses Color Palettes in His Films
A breakdown of the David Fincher color palette from the director and his collaborators in their own words discussing Se7en, Fight Club, The Social Network, Mindhunter, and more.
How David Fincher Uses Color in Film ►► https://bit.ly/df-cp
StudioBinder Blog ►► http://bit.ly/sb-bl
─────────────────────
Chapters:
00:00 - Introduction to David Fincher's Colors
00:41 - Desaturated Palette
02:37 - Colors & Characters
04:51 - Settings & Tone
07:55 - Wrap Up
─────────────────────
The typical David Fincher color palette isn’t very colorful. Exceptions aside, Fincher typically forgoes any bright or saturated colors for something much more subdued. Beyond a simple aesthetic choice, there is also storytelling value within a David Fincher color palette. A filmmaker as precise as Fincher doesn’t le...
published: 11 Apr 2022
-
10 Best Uses of Color of All Time
Color is one of the most effective tools in a storyteller's arsenal. From fiery red, to the coldest blue, a great filmmaker knows just what colors to paint on the screen. Move over light and shadow, lets take the color wheel for a spin! Here are the very best uses of color in a movie ever!
More episodes:
https://www.youtube.com/playlist?list=PL1AXWu-gGX6IcOGt0yaA9Cd_hkt_TwQlC
Subscribe for new episodes:
http://goo.gl/9AGRm
Follow us Twitter:
https://twitter.com/CineFixNetwork
Oh, and we're on the Facebook:
http://www.facebook.com/CineFixNetwork
More Recent CineFix Videos:
Indiana Jones as a Bourne Movie - Trailer Mix
https://www.youtube.com/watch?v=Nt2QOd79yV8&t=5s
Captain America: Civil War - Homemade Shot for Shot
https://youtu.be/oEcjBYz474s
The Top 15 BEST Movies of 2016! - Ci...
published: 19 Jan 2017
-
The Last Colour Negative Motion Picture Film In The World: Kodak Vision 3
THREE COLOURS: BLUE is now streaming on MUBI in South Africa and many other countries.
Get a whole month of great cinema FREE: https://mubi.com/indepthcine
Let’s use this video to examine the last remaining range of colour negative film stocks, go over how to choose the right film, how to identify each stock’s specifications based on the label of their film can, and talk about the visual characteristics that contribute to the ‘shot on Kodak’ look.
MERCH:
Official IDC Merch: https://www.indepthcine.shop/
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published: 25 Sep 2022
-
Motion Picture Film Photography
I love the subtle look of colour negative films and recently I've been exploring the Kodak range of motion picture stock. These are proving very popular amongst still photographers and with good reason, the look is something special but there are a few drawbacks too.
Equipment Used
Bronica SQA-i
Cinestill 400D developed in Bellini C-41 chemistry
Velbon 655 tripod with Manfrotto MG460 head
Preview App
Mark II Artists Viewfinder (iOS only on the App Store)
Vlogging Equipment
GoPro Hero 10
Holyland Lark wireless mic
Etsy Shop
https://steveonionsphoto.etsy.com
Contact Details
Email: [email protected]
Twitter: Steve_ONions https://twitter.com/Steve_ONions
Instagram: steveonions1 https://www.instagram.com/steveonions1/
YouTube: YouTube.com/@SteveONions
published: 05 Feb 2024
-
The world's oldest colour film discovered in Bradford (circa 1902)
Film historians in Bradford have found what they believe to be the first colour film ever made. The reel of film was discovered in the archives of the National Media Museum, and dates back 110 years. Until now it's been widely believed that colour cinematography was invented in 1908, but experts say this news re-writes the history of early film making. Nicola Rees reports for BBC Yorkshire.
published: 12 Sep 2012
5:09
The Stunning Evolution of Color in Film | WIRED
Before they figured out how to shoot film in color, filmmakers were painting their footage, frame-by-frame. Fast forward a century and the HDR technology availa...
Before they figured out how to shoot film in color, filmmakers were painting their footage, frame-by-frame. Fast forward a century and the HDR technology available to colorists means we are to see more detail than ever on our screens. From technicolor to color grading, color in the movies has had a fascinating 116 year history.
Still haven’t subscribed to WIRED on YouTube? ►► http://wrd.cm/15fP7B7
ABOUT WIRED
WIRED is where tomorrow is realized. Through thought-provoking stories and videos, WIRED explores the future of business, innovation, and culture.
The Stunning Evolution of Color in Film | WIRED
https://wn.com/The_Stunning_Evolution_Of_Color_In_Film_|_Wired
Before they figured out how to shoot film in color, filmmakers were painting their footage, frame-by-frame. Fast forward a century and the HDR technology available to colorists means we are to see more detail than ever on our screens. From technicolor to color grading, color in the movies has had a fascinating 116 year history.
Still haven’t subscribed to WIRED on YouTube? ►► http://wrd.cm/15fP7B7
ABOUT WIRED
WIRED is where tomorrow is realized. Through thought-provoking stories and videos, WIRED explores the future of business, innovation, and culture.
The Stunning Evolution of Color in Film | WIRED
- published: 14 Jul 2017
- views: 218443
18:34
Cinema Motion Picture Film for Still Photography 🎥 🎞️ - An Overview!
Let’s chat about color cinema or motion picture film and using it for still photography!!
Carmencita blog post: https://carmencitafilmlab.com/blog/everything-y...
Let’s chat about color cinema or motion picture film and using it for still photography!!
Carmencita blog post: https://carmencitafilmlab.com/blog/everything-you-need-to-know-about-ecn-2-film
Flic Film: https://flicfilm.ca
Atlanta Film Co: https://www.atlantafilmco.com
This Is How I Roll: https://www.instagram.com/thisis_howiroll
Reflx Lab: https://reflxlab.com
Cinemot: https://cinemotfilm.com
===================================
Join the eclectachrome email newsletter crew!
►MONTHLY NEWSLETTER: https://eclectachrome.substack.com
SUBSCRIBE AND KEEP FILM ALIVE
===================================
►shop the gear I use (I've actually bought this stuff on amazon):
Developing tank: https://amzn.to/3O5yaBh
Darkbag: https://amzn.to/3UvtqJc
Chemistry bottles (if you don't have other ones to reuse): https://amzn.to/48I9838
Thermometer: https://amzn.to/3HO4ULU
Temperature control sous vide: https://amzn.to/4bt3uUz
Etone darkroom timer: https://amzn.to/3TTMAZ5
Distilled White Vinegar: https://amzn.to/48wAucC
120 Negative sleeves: https://amzn.to/4boYXT4
35mm Negative sleeves: https://amzn.to/3SKvX0L
Instax wide film: https://amzn.to/3SM8GvF
Instax square film: https://amzn.to/484kmxW
I set up an Amazon Associates account which earns the channel something on purchases that qualify :) I've linked items that I 100% recomend and use myself.
#filmphotography #analogphotography #filmcommunity
https://wn.com/Cinema_Motion_Picture_Film_For_Still_Photography_🎥_🎞️_An_Overview
Let’s chat about color cinema or motion picture film and using it for still photography!!
Carmencita blog post: https://carmencitafilmlab.com/blog/everything-you-need-to-know-about-ecn-2-film
Flic Film: https://flicfilm.ca
Atlanta Film Co: https://www.atlantafilmco.com
This Is How I Roll: https://www.instagram.com/thisis_howiroll
Reflx Lab: https://reflxlab.com
Cinemot: https://cinemotfilm.com
===================================
Join the eclectachrome email newsletter crew!
►MONTHLY NEWSLETTER: https://eclectachrome.substack.com
SUBSCRIBE AND KEEP FILM ALIVE
===================================
►shop the gear I use (I've actually bought this stuff on amazon):
Developing tank: https://amzn.to/3O5yaBh
Darkbag: https://amzn.to/3UvtqJc
Chemistry bottles (if you don't have other ones to reuse): https://amzn.to/48I9838
Thermometer: https://amzn.to/3HO4ULU
Temperature control sous vide: https://amzn.to/4bt3uUz
Etone darkroom timer: https://amzn.to/3TTMAZ5
Distilled White Vinegar: https://amzn.to/48wAucC
120 Negative sleeves: https://amzn.to/4boYXT4
35mm Negative sleeves: https://amzn.to/3SKvX0L
Instax wide film: https://amzn.to/3SM8GvF
Instax square film: https://amzn.to/484kmxW
I set up an Amazon Associates account which earns the channel something on purchases that qualify :) I've linked items that I 100% recomend and use myself.
#filmphotography #analogphotography #filmcommunity
- published: 11 Feb 2024
- views: 2901
4:40
Color film was built for white people. Here's what it did to dark skin.
The unfortunate history of racial bias in photography.
Subscribe today: http://goo.gl/0bsAjO
For decades, the color film available to consumers was built for ...
The unfortunate history of racial bias in photography.
Subscribe today: http://goo.gl/0bsAjO
For decades, the color film available to consumers was built for white people. The chemicals coating the film simply weren't adequate to capture a diversity of darker skin tones. And the photo labs established in the 1940s and 50s even used an image of a white woman, called a Shirley card, to calibrate the colors for printing.
Concordia University professor Lorna Roth has researched the evolution of skin tone imaging. She explained in a 2009 paper how the older technology distorted the appearance of black subjects:
"Problems for the African-American community, for example, have included reproduction of facial images without details, lighting challenges, and ashen-looking facial skin colours contrasted strikingly with the whites of eyes and teeth."
How this would affect non-white people seemingly didn't occur to those who designed and operated the photo systems. In an essay for Buzzfeed, writer and photographer Syreeta McFadden described growing up with film that couldn't record her actual appearance:
"The inconsistencies were so glaring that for a while, I thought it was impossible to get a decent picture of me that captured my likeness. I began to retreat from situations involving group photos. And sure, many of us are fickle about what makes a good portrait. But it seemed the technology was stacked against me. I only knew, though I didn’t understand why, that the lighter you were, the more likely it was that the camera — the film — got your likeness right."
Many of the technological biases have since been corrected (though, not all of them, as explained in the video above). Still, we often see controversies about the misrepresentation of non-white subjects in magazines and advertisements. What are we to make of the fact that these images routinely lighten the skin of women of color?
Tools are only as good as the people who use them. The learned preference for lighter skin is ubiquitous in many parts of the world, and it starts early. That's an infinitely tougher problem than improving the color range of photo technology.
Vox.com is a news website that helps you cut through the noise and understand what's really driving the events in the headlines. Check out http://www.vox.com to get up to speed on everything from Kurdistan to the Kim Kardashian app.
Check out our full video catalog: http://goo.gl/IZONyE
Follow Vox on Twitter: http://goo.gl/XFrZ5H
Or on Facebook: http://goo.gl/U2g06o
https://wn.com/Color_Film_Was_Built_For_White_People._Here's_What_It_Did_To_Dark_Skin.
The unfortunate history of racial bias in photography.
Subscribe today: http://goo.gl/0bsAjO
For decades, the color film available to consumers was built for white people. The chemicals coating the film simply weren't adequate to capture a diversity of darker skin tones. And the photo labs established in the 1940s and 50s even used an image of a white woman, called a Shirley card, to calibrate the colors for printing.
Concordia University professor Lorna Roth has researched the evolution of skin tone imaging. She explained in a 2009 paper how the older technology distorted the appearance of black subjects:
"Problems for the African-American community, for example, have included reproduction of facial images without details, lighting challenges, and ashen-looking facial skin colours contrasted strikingly with the whites of eyes and teeth."
How this would affect non-white people seemingly didn't occur to those who designed and operated the photo systems. In an essay for Buzzfeed, writer and photographer Syreeta McFadden described growing up with film that couldn't record her actual appearance:
"The inconsistencies were so glaring that for a while, I thought it was impossible to get a decent picture of me that captured my likeness. I began to retreat from situations involving group photos. And sure, many of us are fickle about what makes a good portrait. But it seemed the technology was stacked against me. I only knew, though I didn’t understand why, that the lighter you were, the more likely it was that the camera — the film — got your likeness right."
Many of the technological biases have since been corrected (though, not all of them, as explained in the video above). Still, we often see controversies about the misrepresentation of non-white subjects in magazines and advertisements. What are we to make of the fact that these images routinely lighten the skin of women of color?
Tools are only as good as the people who use them. The learned preference for lighter skin is ubiquitous in many parts of the world, and it starts early. That's an infinitely tougher problem than improving the color range of photo technology.
Vox.com is a news website that helps you cut through the noise and understand what's really driving the events in the headlines. Check out http://www.vox.com to get up to speed on everything from Kurdistan to the Kim Kardashian app.
Check out our full video catalog: http://goo.gl/IZONyE
Follow Vox on Twitter: http://goo.gl/XFrZ5H
Or on Facebook: http://goo.gl/U2g06o
- published: 18 Sep 2015
- views: 5639562
1:25
First Motion Picture Ever Made
By definition, a motion picture is a series of pictures, projected onto a screen, creating the illusion of movement.
By the 1800's humans had discovered photog...
By definition, a motion picture is a series of pictures, projected onto a screen, creating the illusion of movement.
By the 1800's humans had discovered photography, projection and motion. We just hadn't put them together.
Then, in 1878 a guy called Edward Muybridge changed everything.
He set up 24 cameras linked to tripwires to take photographs of a horse galloping.
He developed and later projected the images onto a screen using his invention, the zoopraxiscope.
The result was 2 seconds of movie history.
Here it is, the first motion picture ever made.
Get your popcorn.
Join us online:
http://www.yestervid.com
http://www.facebook.com/yestervid
https://twitter.com/yestervid
https://wn.com/First_Motion_Picture_Ever_Made
By definition, a motion picture is a series of pictures, projected onto a screen, creating the illusion of movement.
By the 1800's humans had discovered photography, projection and motion. We just hadn't put them together.
Then, in 1878 a guy called Edward Muybridge changed everything.
He set up 24 cameras linked to tripwires to take photographs of a horse galloping.
He developed and later projected the images onto a screen using his invention, the zoopraxiscope.
The result was 2 seconds of movie history.
Here it is, the first motion picture ever made.
Get your popcorn.
Join us online:
http://www.yestervid.com
http://www.facebook.com/yestervid
https://twitter.com/yestervid
- published: 13 Jul 2015
- views: 413875
16:25
Colour In Storytelling
Support us on Patreon:
https://www.patreon.com/cinemacartography
Colour Theory is one of the most important elements in Art theory. Is no different for the m...
Support us on Patreon:
https://www.patreon.com/cinemacartography
Colour Theory is one of the most important elements in Art theory. Is no different for the medium of film; learn how colours mean and why and investigate the power of colour in storytelling.
Press CC to see a list of the movies shown.
For business inquiries:
[email protected]
https://wn.com/Colour_In_Storytelling
Support us on Patreon:
https://www.patreon.com/cinemacartography
Colour Theory is one of the most important elements in Art theory. Is no different for the medium of film; learn how colours mean and why and investigate the power of colour in storytelling.
Press CC to see a list of the movies shown.
For business inquiries:
[email protected]
- published: 29 Jul 2015
- views: 1989901
8:55
Color in David Fincher Movies — Fincher Explains How He Uses Color Palettes in His Films
A breakdown of the David Fincher color palette from the director and his collaborators in their own words discussing Se7en, Fight Club, The Social Network, Mind...
A breakdown of the David Fincher color palette from the director and his collaborators in their own words discussing Se7en, Fight Club, The Social Network, Mindhunter, and more.
How David Fincher Uses Color in Film ►► https://bit.ly/df-cp
StudioBinder Blog ►► http://bit.ly/sb-bl
─────────────────────
Chapters:
00:00 - Introduction to David Fincher's Colors
00:41 - Desaturated Palette
02:37 - Colors & Characters
04:51 - Settings & Tone
07:55 - Wrap Up
─────────────────────
The typical David Fincher color palette isn’t very colorful. Exceptions aside, Fincher typically forgoes any bright or saturated colors for something much more subdued. Beyond a simple aesthetic choice, there is also storytelling value within a David Fincher color palette. A filmmaker as precise as Fincher doesn’t leave any decision unconsidered so what is behind his choice of colors? In this video, we’ll hear from Fincher and his collaborators on color in David Fincher movies and how it fits into his overall approach.
The David Fincher Color Palette — Desaturation
If there is one consistent trait to a David Fincher color palette, it is desaturation. As Production Designer Arthur Max explains, Se7en is a “no-color color movie.” Creating such a muted and controlled palette, especially away from primary and vibrant colors, has a number of effects. One effect is that when a bold color is used, the audience will notice it. In Se7en, it also allows the appearance of bright red to stand out even more — which is reserved for blood, John Doe, and the relationship between them.
David Fincher's Color — Characters
Fincher will often attach color to a character. In The Curious Case of Benjamin Button, the color red was used exclusively for Daisy. In Se7en, Det. Somerset is surrounded by dark colors. In his apartment, we get dark Earth tones and deep greens to match his pessimistic worldview.
Color in David Fincher Movies — Settings
Where Fincher does make pronounced choices in his color palette is in settings. Often he will wash the entire room in a single color — like the nostalgic yellow in The Curious Case of Benjamin Button or the oppressive orange heat in Alien 3. For the “Sloth” crime scene in Se7en, cinematographer Darius Khondji explains how they used green in the lighting to give the scene a “moist, fungal” look.
The David Fincher color palette isn’t bold or even that visually appealing but that’s the point. To create the dark and dangerous moods of his subject matter, it makes perfect sense to let color become equally dark.
#FilmTheory #VideoEssay #Filmmaking
─────────────────────
♬ SONGS USED:
"She's a Rainbow" - The Rolling Stones
"Where Is My Mind?" - Pixies
"In Motion" - Trent Reznor and Atticus Ross
"Deep Blue Sea - Instrumental Version" - Yehezkel Raz
"Envy" - Howard Shore
"Benjamin and Daisy" - Alexandre Desplat
"Out of Nowhere" - Sidney Bechet
"What Is Fight Club?" - The Dust Brothers
"Gluttony" - Howard Shore
"A Familiar Taste" - Trent Reznor and Atticus Ross
"Hidden in Snow" - Trent Reznor and Atticus Ross
"Who Is Tyler Durden?" - The Dust Brothers
"Sloth" - Howard Shore
"Main Titles" - Jason Hill
"In the Hall of the Mountain King" - Trent Reznor and Atticus Ross
Music by Artlist ► https://utm.io/umJx
Music by Artgrid ► https://utm.io/umJy
Music by Soundstripe ► http://bit.ly/2IXwomF
Music by MusicBed ► http://bit.ly/2Fnz9Zq
─────────────────────
SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0
Looking for production management solution for your film? Try StudioBinder for FREE today: https://studiobinder.com/pricing
— Join us on Social Media! —
Instagram ►► https://www.instagram.com/studiobinder
Facebook ►► https://www.facebook.com/studiobinderapp
Twitter ►► https://www.twitter.com/studiobinder
https://wn.com/Color_In_David_Fincher_Movies_—_Fincher_Explains_How_He_Uses_Color_Palettes_In_His_Films
A breakdown of the David Fincher color palette from the director and his collaborators in their own words discussing Se7en, Fight Club, The Social Network, Mindhunter, and more.
How David Fincher Uses Color in Film ►► https://bit.ly/df-cp
StudioBinder Blog ►► http://bit.ly/sb-bl
─────────────────────
Chapters:
00:00 - Introduction to David Fincher's Colors
00:41 - Desaturated Palette
02:37 - Colors & Characters
04:51 - Settings & Tone
07:55 - Wrap Up
─────────────────────
The typical David Fincher color palette isn’t very colorful. Exceptions aside, Fincher typically forgoes any bright or saturated colors for something much more subdued. Beyond a simple aesthetic choice, there is also storytelling value within a David Fincher color palette. A filmmaker as precise as Fincher doesn’t leave any decision unconsidered so what is behind his choice of colors? In this video, we’ll hear from Fincher and his collaborators on color in David Fincher movies and how it fits into his overall approach.
The David Fincher Color Palette — Desaturation
If there is one consistent trait to a David Fincher color palette, it is desaturation. As Production Designer Arthur Max explains, Se7en is a “no-color color movie.” Creating such a muted and controlled palette, especially away from primary and vibrant colors, has a number of effects. One effect is that when a bold color is used, the audience will notice it. In Se7en, it also allows the appearance of bright red to stand out even more — which is reserved for blood, John Doe, and the relationship between them.
David Fincher's Color — Characters
Fincher will often attach color to a character. In The Curious Case of Benjamin Button, the color red was used exclusively for Daisy. In Se7en, Det. Somerset is surrounded by dark colors. In his apartment, we get dark Earth tones and deep greens to match his pessimistic worldview.
Color in David Fincher Movies — Settings
Where Fincher does make pronounced choices in his color palette is in settings. Often he will wash the entire room in a single color — like the nostalgic yellow in The Curious Case of Benjamin Button or the oppressive orange heat in Alien 3. For the “Sloth” crime scene in Se7en, cinematographer Darius Khondji explains how they used green in the lighting to give the scene a “moist, fungal” look.
The David Fincher color palette isn’t bold or even that visually appealing but that’s the point. To create the dark and dangerous moods of his subject matter, it makes perfect sense to let color become equally dark.
#FilmTheory #VideoEssay #Filmmaking
─────────────────────
♬ SONGS USED:
"She's a Rainbow" - The Rolling Stones
"Where Is My Mind?" - Pixies
"In Motion" - Trent Reznor and Atticus Ross
"Deep Blue Sea - Instrumental Version" - Yehezkel Raz
"Envy" - Howard Shore
"Benjamin and Daisy" - Alexandre Desplat
"Out of Nowhere" - Sidney Bechet
"What Is Fight Club?" - The Dust Brothers
"Gluttony" - Howard Shore
"A Familiar Taste" - Trent Reznor and Atticus Ross
"Hidden in Snow" - Trent Reznor and Atticus Ross
"Who Is Tyler Durden?" - The Dust Brothers
"Sloth" - Howard Shore
"Main Titles" - Jason Hill
"In the Hall of the Mountain King" - Trent Reznor and Atticus Ross
Music by Artlist ► https://utm.io/umJx
Music by Artgrid ► https://utm.io/umJy
Music by Soundstripe ► http://bit.ly/2IXwomF
Music by MusicBed ► http://bit.ly/2Fnz9Zq
─────────────────────
SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0
Looking for production management solution for your film? Try StudioBinder for FREE today: https://studiobinder.com/pricing
— Join us on Social Media! —
Instagram ►► https://www.instagram.com/studiobinder
Facebook ►► https://www.facebook.com/studiobinderapp
Twitter ►► https://www.twitter.com/studiobinder
- published: 11 Apr 2022
- views: 145560
13:01
10 Best Uses of Color of All Time
Color is one of the most effective tools in a storyteller's arsenal. From fiery red, to the coldest blue, a great filmmaker knows just what colors to paint on t...
Color is one of the most effective tools in a storyteller's arsenal. From fiery red, to the coldest blue, a great filmmaker knows just what colors to paint on the screen. Move over light and shadow, lets take the color wheel for a spin! Here are the very best uses of color in a movie ever!
More episodes:
https://www.youtube.com/playlist?list=PL1AXWu-gGX6IcOGt0yaA9Cd_hkt_TwQlC
Subscribe for new episodes:
http://goo.gl/9AGRm
Follow us Twitter:
https://twitter.com/CineFixNetwork
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https://wn.com/10_Best_Uses_Of_Color_Of_All_Time
Color is one of the most effective tools in a storyteller's arsenal. From fiery red, to the coldest blue, a great filmmaker knows just what colors to paint on the screen. Move over light and shadow, lets take the color wheel for a spin! Here are the very best uses of color in a movie ever!
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Indiana Jones as a Bourne Movie - Trailer Mix
https://www.youtube.com/watch?v=Nt2QOd79yV8&t=5s
Captain America: Civil War - Homemade Shot for Shot
https://youtu.be/oEcjBYz474s
The Top 15 BEST Movies of 2016! - CineFix Staff Picks
https://youtu.be/pPzIm6aXQfU
Make Your Own Captain America Costume - DIY Costume Squad
https://www.youtube.com/watch?v=XcNgx...
Rogue One: A Star Wars Story - CineFix Roundtable
https://youtu.be/pPVh9b4rtrY
- published: 19 Jan 2017
- views: 3709238
11:41
The Last Colour Negative Motion Picture Film In The World: Kodak Vision 3
THREE COLOURS: BLUE is now streaming on MUBI in South Africa and many other countries.
Get a whole month of great cinema FREE: https://mubi.com/indepthcine
Let...
THREE COLOURS: BLUE is now streaming on MUBI in South Africa and many other countries.
Get a whole month of great cinema FREE: https://mubi.com/indepthcine
Let’s use this video to examine the last remaining range of colour negative film stocks, go over how to choose the right film, how to identify each stock’s specifications based on the label of their film can, and talk about the visual characteristics that contribute to the ‘shot on Kodak’ look.
MERCH:
Official IDC Merch: https://www.indepthcine.shop/
SOCIALS:
Instagram: https://www.instagram.com/indepthcine/
Patreon: https://www.patreon.com/indepthcine
IDC Website: https://www.indepthcine.com/
GEAR:
Editing Software I Use: http://bit.ly/2LZ60Lo
Music I Use: https://bit.ly/3E6o8c4 (CODE 'IDC10' for 10% off)
MUSIC: https://bit.ly/3jZHBC0
Ottom - 'Hold On'
Jon Presstone - 'A Rising Fire'
Contra Productions - 'Melloh'
Yestalgia - 'Memos'
Port George - 'Linda'
The Bows - 'Fall Equinox'
Chill Winston - 'The Truth'
0:00 Introduction
1:18 Choosing The Right Film
3:38 How To Read A Film Label
6:59 Kodak Vision 3 Characteristics
9:52 MUBI
DISCLAIMER: Some links in this description are affiliate links. If you purchase a product or service with these links I may receive a small commission without an additional charge to you.
Thank you for supporting my channel so I can continue to provide you with free videos!
https://wn.com/The_Last_Colour_Negative_Motion_Picture_Film_In_The_World_Kodak_Vision_3
THREE COLOURS: BLUE is now streaming on MUBI in South Africa and many other countries.
Get a whole month of great cinema FREE: https://mubi.com/indepthcine
Let’s use this video to examine the last remaining range of colour negative film stocks, go over how to choose the right film, how to identify each stock’s specifications based on the label of their film can, and talk about the visual characteristics that contribute to the ‘shot on Kodak’ look.
MERCH:
Official IDC Merch: https://www.indepthcine.shop/
SOCIALS:
Instagram: https://www.instagram.com/indepthcine/
Patreon: https://www.patreon.com/indepthcine
IDC Website: https://www.indepthcine.com/
GEAR:
Editing Software I Use: http://bit.ly/2LZ60Lo
Music I Use: https://bit.ly/3E6o8c4 (CODE 'IDC10' for 10% off)
MUSIC: https://bit.ly/3jZHBC0
Ottom - 'Hold On'
Jon Presstone - 'A Rising Fire'
Contra Productions - 'Melloh'
Yestalgia - 'Memos'
Port George - 'Linda'
The Bows - 'Fall Equinox'
Chill Winston - 'The Truth'
0:00 Introduction
1:18 Choosing The Right Film
3:38 How To Read A Film Label
6:59 Kodak Vision 3 Characteristics
9:52 MUBI
DISCLAIMER: Some links in this description are affiliate links. If you purchase a product or service with these links I may receive a small commission without an additional charge to you.
Thank you for supporting my channel so I can continue to provide you with free videos!
- published: 25 Sep 2022
- views: 104164
9:08
Motion Picture Film Photography
I love the subtle look of colour negative films and recently I've been exploring the Kodak range of motion picture stock. These are proving very popular amongs...
I love the subtle look of colour negative films and recently I've been exploring the Kodak range of motion picture stock. These are proving very popular amongst still photographers and with good reason, the look is something special but there are a few drawbacks too.
Equipment Used
Bronica SQA-i
Cinestill 400D developed in Bellini C-41 chemistry
Velbon 655 tripod with Manfrotto MG460 head
Preview App
Mark II Artists Viewfinder (iOS only on the App Store)
Vlogging Equipment
GoPro Hero 10
Holyland Lark wireless mic
Etsy Shop
https://steveonionsphoto.etsy.com
Contact Details
Email:
[email protected]
Twitter: Steve_ONions https://twitter.com/Steve_ONions
Instagram: steveonions1 https://www.instagram.com/steveonions1/
YouTube: YouTube.com/@SteveONions
https://wn.com/Motion_Picture_Film_Photography
I love the subtle look of colour negative films and recently I've been exploring the Kodak range of motion picture stock. These are proving very popular amongst still photographers and with good reason, the look is something special but there are a few drawbacks too.
Equipment Used
Bronica SQA-i
Cinestill 400D developed in Bellini C-41 chemistry
Velbon 655 tripod with Manfrotto MG460 head
Preview App
Mark II Artists Viewfinder (iOS only on the App Store)
Vlogging Equipment
GoPro Hero 10
Holyland Lark wireless mic
Etsy Shop
https://steveonionsphoto.etsy.com
Contact Details
Email:
[email protected]
Twitter: Steve_ONions https://twitter.com/Steve_ONions
Instagram: steveonions1 https://www.instagram.com/steveonions1/
YouTube: YouTube.com/@SteveONions
- published: 05 Feb 2024
- views: 5885
2:33
The world's oldest colour film discovered in Bradford (circa 1902)
Film historians in Bradford have found what they believe to be the first colour film ever made. The reel of film was discovered in the archives of the National ...
Film historians in Bradford have found what they believe to be the first colour film ever made. The reel of film was discovered in the archives of the National Media Museum, and dates back 110 years. Until now it's been widely believed that colour cinematography was invented in 1908, but experts say this news re-writes the history of early film making. Nicola Rees reports for BBC Yorkshire.
https://wn.com/The_World's_Oldest_Colour_Film_Discovered_In_Bradford_(Circa_1902)
Film historians in Bradford have found what they believe to be the first colour film ever made. The reel of film was discovered in the archives of the National Media Museum, and dates back 110 years. Until now it's been widely believed that colour cinematography was invented in 1908, but experts say this news re-writes the history of early film making. Nicola Rees reports for BBC Yorkshire.
- published: 12 Sep 2012
- views: 386136