- published: 30 Jun 2018
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Luigi Rodolfo Boccherini (Italian pronunciation: [riˈdɔlfo luˈiːdʒi bokkeˈriːni]; February 19, 1743 – May 28, 1805) was an Italian classical era composer and cellist whose music retained a courtly and galante style while he matured somewhat apart from the major European musical centers. Boccherini is most widely known for one particular minuet from his String Quintet in E, Op. 11, No. 5 (G 275), and the Cello Concerto in B flat major (G 482). The latter work was long known in the heavily altered version by German cellist and prolific arranger Friedrich Grützmacher, but has recently been restored to its original version. Boccherini composed several guitar quintets, including the "Fandango", which was influenced by Spanish music. His biographer Elisabeth Le Guin noted among Boccherini's musical qualities "an astonishing repetitiveness, an affection for extended passages with fascinating textures but virtually no melodic line, an obsession with soft dynamics, a unique ear for sonority, and an unusually rich palette of introverted and mournful affects."
A cello concerto (sometimes called a violoncello concerto) is a concerto for solo cello with orchestra or, very occasionally, smaller groups of instruments.
These pieces have been written since the Baroque era if not earlier. However, unlike the violin, the cello had to face harsh competition from the older, well-established viola da gamba. As a result, few important cello concertos were written before the 19th century – with the notable exceptions of those by Vivaldi, C.P.E. Bach, Haydn and Boccherini. Its full recognition as a solo instrument came during the Romantic era with the concertos of Schumann, Saint-Saëns and Dvořák. From then on, cello concertos have become more and more frequent. Twentieth-century composers have made the cello a standard concerto instrument, along with the already-rooted piano and violin concertos; among the most notable concertos of the first half of the century are those of Elgar, Prokofiev, Barber and Hindemith. Most post-World War II composers (Shostakovich, Ligeti, Britten, Dutilleux, Lutoslawski and Penderecki among others) have written at least one.
The Cello Concerto in B minor, Op. 104, B. 191, is the last solo concerto by Antonín Dvořák. It was written in 1894–1895 for his friend, the cellist Hanuš Wihan, but was premiered by the English cellist Leo Stern.
The piece is scored for a full romantic orchestra (with the exception of a 4th horn), containing two flutes (second doubling piccolo), two oboes, two clarinets, two bassoons, three horns, two trumpets, three trombones, tuba, timpani, triangle (last movement only), and strings, and is in the standard three-movement concerto format:
Total duration: approximately 40 minutes.
In 1865, early in his career, Dvořák started a Cello Concerto in A major (B. 10). The piece was written for Ludevít Peer, whom he knew well from the Provisional Theatre Orchestra in which they both played. He handed the cello score (with piano accompaniment) over to Peer for review but neither bothered to finish the piece. It was recovered from his estate in 1925.
The Cello Concerto in A minor, Op 40, was composed by Gerald Finzi in 1955.
The piece is in three movements:
The concerto was written as the result of a request by John Barbirolli, and first performed by Barbirolli and the Hallé Orchestra, with Christopher Bunting as the soloist at the Cheltenham Music Festival on 19 July 1955.
Part of the second movement was used as the signature tune for the BBC Radio 2003 of adaptation of C. P. Snow's Strangers and Brothers.
The Simpsons includes a large array of supporting characters: co-workers, teachers, family friends, extended relatives, townspeople, local celebrities, fictional characters within the show, and even animals. The writers originally intended many of these characters as one-time jokes or for fulfilling needed functions in the town. A number of them have gained expanded roles and have subsequently starred in their own episodes. According to the creator of The Simpsons, Matt Groening, the show adopted the concept of a large supporting cast from the Canadian sketch comedy show Second City Television.
Agnes Skinner (voiced by Tress MacNeille) is the mother of Principal Skinner and first appeared in the first season episode "The Crepes of Wrath" as an old woman who embarrassingly calls her son "Spanky". However, as episodes progressed, the character turned bitter. She is very controlling of her son and often treats him as if he is a child. She hates Edna Krabappel due to her son's feelings for the other woman. Agnes has married four times. Several Springfield residents (including the Simpsons) are afraid of her. When "the real Seymour Skinner" arrives in Springfield, Agnes ends up rejecting him in part because he stands up to her, but also because unlike Skinner/Tamzarian, her biological son is independent and doesn't need her anymore, while Skinner immediately reverts to a good-for-nothing without her.
Luigi is a fictional character in the Mario franchise.
Luigi may also refer to:
Luigi is a masculine Italian given name. It is the Italian form of the German name Ludwig, through the Latinization Ludovicus, corresponding the French form Louis and its anglicized variant Lewis.
Other forms of the same name in Italian are the names Ludovico, Clodoveo, Aloisio and Alvise. A derived feminine name is Luigina.
Concerto n° 1 - Saint-Saëns Bis : Les Larmes de Jacqueline - Offenbach Orchestre National Bordeaux Aquitaine sous la direction de Diego Matheuz Auditorium de l'Opéra de Bordeaux
Chicago Symphony Orchestra Daniel Barenboim 1. Allegro 0:00 2. Adagio ma non troppo 15:27 3. Finale. Allegro moderato 28:45 Rec. 1971
Sheku Kanneh-Mason performs Elgar's Cello Concerto with the City of Birmingham Symphony Orchestra ALL FOOTAGE AND AUDIO WAS PRODUCED BY THE BBC I DO NOT OWN ANYTHING 1 - 00:00 Adagio – Moderato 2 - 07:54 Lento – Allegro molto 3 - 12:42 Adagio 4 - 17:17 Allegro – Moderato – Allegro, ma non-troppo – Poco più lento – Adagio Encore - 30:54 - Weinberg - Cello Prélude No. 18 Sheku Kanneh-Mason - Violoncello Mirga Gražinyte-Tyla - Conductor City of Birmingham Symphony Orchestra Performed on 22/08/19 Prom 46
❤️ If you like CM//RR content, please consider membership at our Patreon page. Thank you :) https://www.patreon.com/cmrr Franz Joseph Haydn (1732-1809) - The Concertos for Cello and Orchestra. 🎧 *Find this recording in our Spotify playlist* : https://spoti.fi/3cnzkWK Click to activate the English subtitles for the presentation (00:00-01:45) Concerto in D / Ré Majeur, Hob.VIIb:2 Allegro moderato (00:00) Adagio (14:27) Rondo - Allegro (19:37) Concerto in C / Do Majeur, Hob.VIIb:1 Moderato (24:30) Adagio (34:21) Allegro molto (42:50) Cello : Mstislav Rostropovich Academy of St.Martin in the Flields Direction : Iona Brown Recorded in 1975, Abbey Road Studio, London Find CMRR's recordings on Spotify: https://spoti.fi/3016eVr L'authentification et la survie des concertos pour violoncelle de ...
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer): https://brilliant-classics.lnk.to/VivaldiCompleteCelloConcertosID More Information: http://brilliantclassics.com/articles/v/vivaldi-complete-cello-concertos/ Composer: Antonio Vivaldi Artists: L'Arte dell'Arco, Federico Guglielmo, Francesco Galligioni Cello Concerto in D Minor, RV 405: 00:00:00 I. — 00:02:40 II. Adagio 00:06:27 III. Allegro Cello Concerto in G Minor, RV 417: 00:08:45 I. Allegro 00:11:28 II. Andante 00:15:22 III. Allegro Cello Concerto in D Major, RV 403: 00:18:22 I. Allegro 00:21:10 II. — 00:22:52 III. Allegro Cello Concerto in F Major, RV 410: 00:25:29 I. Allegro 00:28:49 II. Adagio, solo a piacimento 00:32:39 III. — Cello Concerto in A Minor, RV 420: 00:36:05 I. Andante 00:39:49 II. Adagio 00:4...
Elgar:Cello Concerto in E minor Op.85 Conductor:David Zinman Baltimore Symphony Orchestra Cello:Yo-Yo Ma 1994.11.11 Live in Japan
Tracklist below. Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer): https://brilliant-classics.lnk.to/BoccheriniID More Information: https://www.brilliantclassics.com/articles/b/boccherini-cello-concertos/ Some of Boccherini’s cello concertos are popular. But a complete set of all 12 is hard to find.This release has them all with cellist Enrico Bronzi as the soloist. He plays together with the Italian ensemble Accademia i Filarmonici di Verona which he conducts as well. Some of the musicians in this ensemble also work as principals of the main Italian orchestras like the one of La Scala, others are chamber musicians or teachers. Boccherini had a great affinity with the cello. Each of the 12 concertos is a musical gem, well-suited for the instrument, delightfully ligh...
Anton Rubinstein (1829-1894) Cello Concerto No. 2 in D minor, Op. 96 I. Allegro moderato II. Andante 11:19 III. Allegro - Moderato - Allegro vivace 16:45 Werner Thomas, cello Bamberger Symfoniker Yuri Ahronovich, conductor Anton Grigorevich Rubinstein (November 28, 1829 -- November 20, 1894) was a Russian pianist, composer and conductor who became a pivotal figure in Russian culture when he founded the Saint Petersburg Conservatory. He was the elder brother of Nikolai Rubinstein who founded the Moscow Conservatory. As a pianist, Rubinstein ranks amongst the great 19th-century keyboard virtuosos. He became most famous for his series of historical recitals—seven enormous, consecutive concerts covering the history of piano music. Rubinstein played this series throughout Russia and Easter...
1. Prelude - 0:00 2. Allermande - 2:45 3. Courante - 7:09 4. Sarabande - 9:47 5. Menuet I / II - 13:41 6. Gigue - 17:38 Unitel 1993
https://www.facebook.com/kiansoltanicellist/ https://www.instagram.com/kian.soltani_cellist/?hl=de http://www.kiansoltani.com Kian Soltani, Cello (the "London" Stradivarius 1694) Christoph Eschenbach, conductor SWR Symphonieorchester Stuttgart-Freiburg Concert was filmed in May 2018, at the Liederhalle Stuttgart
Cello Concerto No. 1 in E-flat major, Opus 107 1. Allegretto 2. Moderato 3. Cadenza -- Attacca 4. Allegro con moto Soloist: Sol Gabetta Conductor: Carlos Kalmar Orchestra: Orquesta Sinfónica de RTVE Composer: Dmitri Dmitriyevich Shostakovich (1906 - 1975) 2013 . Live
Follow HAUSER: https://www.instagram.com/hausercello https://www.facebook.com/hauserofficial https://www.tiktok.com/@hauser_official HAUSER performing his favorite classical music pieces with the Zagreb Philharmonic Orchestra at his classical solo concert at the Lisinski Concert Hall in Zagreb, October 2017. Elisabeth Fuchs, conductor Special guests: Choir Zvjezdice Lana Trotovsek, violin Petrit Çeku, guitar 00:34 Benedictus (K. Jenkins) 09:05 Pie Jesu (A. L. Webber) feat. Josephine Ida Zec, child soprano 13:00 Ave Maria (F. Schubert) 17:50 Jesu, Joy of Man's Desiring (J. S. Bach) 21:08 Prelude from Cello Suite no.1 (J. S. Bach) 23:40 Panis Angelicus (C. Franck) 28:08 Erbarme Dich, Mein Gott from St. Matthew Passion (J. S. Bach) 36:20 Passacaglia (Handel - Halvorsen) 44:37 Adagio (Alb...
Support us on Patreon and get more content: https://www.patreon.com/classicalvault --- Joseph Haydn Cello Concerto No 1 in C major, Hob VIIb:1 1 Moderato 2 Adagio 3 Allegro molto Mischa Maisky, cello & conductor Wiener Symphoniker
Luigi Rodolfo Boccherini (Italian pronunciation: [riˈdɔlfo luˈiːdʒi bokkeˈriːni]; February 19, 1743 – May 28, 1805) was an Italian classical era composer and cellist whose music retained a courtly and galante style while he matured somewhat apart from the major European musical centers. Boccherini is most widely known for one particular minuet from his String Quintet in E, Op. 11, No. 5 (G 275), and the Cello Concerto in B flat major (G 482). The latter work was long known in the heavily altered version by German cellist and prolific arranger Friedrich Grützmacher, but has recently been restored to its original version. Boccherini composed several guitar quintets, including the "Fandango", which was influenced by Spanish music. His biographer Elisabeth Le Guin noted among Boccherini's musical qualities "an astonishing repetitiveness, an affection for extended passages with fascinating textures but virtually no melodic line, an obsession with soft dynamics, a unique ear for sonority, and an unusually rich palette of introverted and mournful affects."
Everyone here's in trouble
The man with the megaphone
Smoke and mirrors and crystal balls and red alerts and all because
Of the king who hides behind the pawns
I can see what's really going on
I can see what's really going on
Everyone here's a bubble
Merrily floating on
Manicured suburban lawns and patriotic country songs
Pledge allegiance, sing along
I can see what's really going on
I can see what's really going on
Everyone here's in trouble
Angels abandon guard
History is cyclical
Crusaders and the biblical
Light the torches bang the gongs
I can see what's really going on
I can see what's really going on
Na na na na-na
Na na na na-na
Na na, na na
Na na, na na
Na na na na-na
Na na na na-na
Na na, na na