- published: 29 Oct 2010
- views: 2347
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Bernardo Pasquini (7 December 1637 – 21 November 1710) was an Italian composer of operas, oratorios, cantatas and keyboard music. A renowned virtuoso keyboard player in his day, he was one of the most important Italian composers for harpsichord between Girolamo Frescobaldi and Domenico Scarlatti, having also made substantial contributions to the opera and oratorio.
Pasquini was born at Massa in Val di Nievole (today Massa e Cozzile), Grand Duchy of Tuscany. He was a pupil of Mariotto Bocciantini in Uzzano. Around 1650 he moved to Ferrara with his uncle Giovanni Pasquini. In 1654–55 he was organist of Accademia della Morte. Later he moved to Rome and in 1657 became organist of Santa Maria in Vallicella (Chiesa nuova). In November 1667 entered to the service of Prince Borghese. In February 1664 he was appointed organist of the Basilica di Santa Maria Maggiore and Santa Maria in Aracoeli. As a composer and keyboard player, he collaborated to the music performances patronised by most famous patrons in Rome, such as cardinals Flavio Chigi, Benedetto Pamphilj, Pietro Ottoboni, and Queen Christina of Sweden in whose honour his operas L'Alcasta (libretto by Giovanni Filippo Apolloni), and Il Lisimaco (libretto by Giacomo Sinibaldi) were performed respectively in 1673 and 1681.
The Bachianas Brasileiras (Portuguese pronunciation: [bakiˈɐ̃nɐz bɾaziˈlejɾɐs]) are a series of nine suites by the Brazilian composer Heitor Villa-Lobos, written for various combinations of instruments and voices between 1930 and 1945. They represent not so much a fusion of Brazilian folk and popular music on the one hand, and the style of Johann Sebastian Bach on the other, as an attempt freely to adapt a number of Baroque harmonic and contrapuntal procedures to Brazilian music (Béhague 1994, 106; Béhague 2001). Most of the movements in each suite have two titles: one "Bachian" (Preludio, Fuga, etc.), the other Brazilian (Embolada, O canto da nossa terra, etc.).
Scored for orchestra of cellos (1930):
Scored for orchestra (1930). There are four movements, the third later transcribed for piano, and the others for cello and piano (Appleby 1988, 64–65).
Recorded live in the Circolo Italiano, Buenos Aires 1991. Baroque fingerings. Harpsichord by Leopoldo Perez-Robledo 1990, double-French after Taskin 1769. Tuning: Vallotti's temperament. Registration (stops): Aria: upper 8' with buff, Partita 1: upper 8' unbuffed, Par.2: left hand upper 8' with right hand lower 8', Par.3: left hand lower 8' with right hand upper 8' then both lower 8', Par.4: 8+8', Par.5: 8+8+4' (full harpsichord). For more about Claudio Di Veroli go to http://harps.braybaroque.ie . He is the author of the recent eBook "Playing the Baroque Harpsichord" http://play.braybaroque.ie/
Played by Andreas Zappe, Harpsichord by Cornelis Bom after Giusti, a = 415 Hz, meantone, Picture by Jessica Zappe (www.atelier-zappe.net)
Aleksandra & Alexander Grychtolik Schloss Ettersburg Production : audovisual elements 2015
Texte explicatif et références sur mon blog : http://lelutindecouves.blogspot.fr/2010/09/les-folies-despagne-13.html
Bernardo Pasquini (Massa e Cozzile, 7 December 1637 – Rome, 21 November 1710) was an Italian composer of operas, oratorios, cantatas and keyboard music. A renowned virtuoso keyboard player in his day, he was one of the most important Italian composers for harpsichord between Girolamo Frescobaldi and Domenico Scarlatti, having also made substantial contributions to the opera and oratorio. Egida Giordani Sartori (1910-1999), often considered the dean of Italian harpsichordists, dedicated her life to the revival and popularization of this instrument. She began piano studies at the age of three with her mother. By the time she was four she gave a recital for a member of the Savoia royal family. At five she was the youngest student ever admitted to the Benedetto Marcello Music School in Venic...
This harpsichord has been sold. [email protected] Bernardo Pasquini: Aria c-moll (No. 1)
Aleksandra Grychtolik & Alexander Grychtolik www.grychtolik.com Schloß Ettersburg (b. Weimar) Produktion: audiovisual elements 2015
Anton Gansberger spielt die Bergamasca von Bernardo Pasquini (1637-1710) auf einem Cembalo von Martin Pühringer im Palais Colloredo in Wien am 19. Dezember 2020. Panasonic Lumix GH5 + Panasonic DMW-XLR1E XLR-Mikrofonadapter + Sontronics STC-1S Stereopaar Kleinmembran Niere BL + Sony PlayMemories + Windows Movie Maker © Darko Pleli www.youtube.com/c/DarkoPleli www.facebook.com/plelidarko www.darkopleli.at www.gegenklang.at
Traeri - Guermandi organ Special thanks to Don Lazzaro Pereira and to the direction of the Museum Genus Bononiae
Excerpts from ARTEK's Arcadian Academy concert Bernardo Pasquini (1637-1710) Cantata: Applauso musicale Apollo: Clara Rottsolk Bellezza: Sarah Chalfy Pallade: Laura Heimes Destino: Gregorio Taniguchi Tempo: Steven Hrycelak Orchestra: Enrico Gatti, concertino violin Cynthia Freivogel, concertino violin Loretta O’Sullivan, concertino cello Alyssa Campbell, Peter Kupfer, Jeremy Rhizor, Theresa Salomon, violins Dan McCarthy, Andrea Andros, violas Arnie Tanimoto, cello Motomi Igarashi, violone Daniel Swenberg, theorbo & archlute Adam Cockerham, theorbo & guitar Christa Patton, harp Gwendolyn Toth, harpsichord & director Sinfonia Aria: Tutti - Di lieto concento Recitativo: Apollo - Meraviglia non rechi Aria: Apollo - Ma voi, luci belle Recitativo: Bellezza - È dover che t’inchini Aria: Belle...
#VillaLobos Heitor Villa-Lobos (1887 - 1959) Bachianas Brasileiras No. 5 for soprano and 8 cellos (1938) 1. Aria (Cantilena) (text: Ruth Valadares Correa) Cellists from the Gothenburg Symphony Orchestra Barbara Hannigan, soprano 🇸🇪 Gothenburg Concert Hall, 2016 The music published in this channel is exclusively dedicated to divulgation purposes and not commercial. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to YouTube, and it will be our care to remove immediately the video accordingly.
#VillaLobos Heitor Villa-Lobos (1887 - 1959) Bachianas Brasileiras No. 1 for orchestra of cellos (1930-38) 1. Introdução (Embolada) 00:00 2. Prelúdio (Modinha) 06:40 3. Fuga (Conversa) 13:13 Cellists from Berlin Philharmonic 🇩🇪 Philharmonie Berlin, 2015 The music published in this channel is exclusively dedicated to divulgation purposes and not commercial. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to YouTube, and it will be our care to remove immediately the video accordingly.
Follow HAUSER: https://www.instagram.com/hausercello https://www.facebook.com/hauserofficial https://www.tiktok.com/@hauser_official Hauser and Petrit Çeku performing Aria (Cantilena) from Bachianas Brasileiras No. 5 by Heitor Villa - Lobos at the Lisinski Concert Hall in Zagreb, October 2017. Filmed and edited by MedVid production Sound and mixing by Morris Studio 2CELLOS
(Intervalo entre 0'43" e 7'00") Vídeo sem fins lucrativos compartilhado de: Samuel Pinheiro Festival de Waldbuhne 2008 - Berlim - Orquestra Filarmônica de Berlim. Regência Gustavo Dudanel, Soprano Ana Maria Martínez. Bachianas Brasileiras nº5 de Heitor Villa Lobos. Sugerido por nikitaventures music Classical Music Everyone Should Know #1 | Compilation by wocomoMUSIC
Listen to my recording of Heitor Villa-Lobos' “Bachianas brasileiras No. 5: I. Aria (Cantilena): Adagio” featuring Sheku Kanneh-Mason. My debut album ‘Saudade’ is out now on Decca Gold: https://pliniofernandes.lnk.to/Saudade Follow Plínio: Instagram: https://PlinioFernandes.lnk.to/Instagram Facebook: https://PlinioFernandes.lnk.to/Facebook TikTok: https://PlinioFernandes.lnk.to/TikTok Spotify: https://PlinioFernandes.lnk.to/Spotify Apple Music: https://PlinioFernandes.lnk.to/AppleM... Amazon: https://PlinioFernandes.lnk.to/Amazon Soundcloud: https://PlinioFernandes.lnk.to/SoundC... Official Website: http://www.pliniofernandesmusic.com Follow Sheku: Instagram: https://www.instagram.com/shekukanneh... Facebook: https://www.facebook.com/ShekuKMOffic... Twitter:...
Preview, download or stream: https://dg.lnk.to/sierra Villa-Lobos: Bachianas brasileiras No. 5, W. 389, 1. Aria (Cantilena) [ Live at Borchardt, Berlin / 2018 ] "I feel deep down that we can make a change in the right direction and that the right direction is about uniting people." – Nadine Sierra Nadine Sierra, 2018 winner of the Metropolitan Opera’s prestigious Beverly Sills Artist Award, has made her first album for Deutsche Grammophon and Decca Gold, having signed an exclusive contract with the labels last year. There’s a Place for Us was recorded with the Royal Philharmonic Orchestra under the baton of Robert Spano. The album presents the soprano’s stunning vocal abilities in an eclectic choice of American classical music – as well as works by Bernstein, the repertoire ranges from ...
Heitor Villa-Lobos - Bachianas Brasileiras Nº 2 - IV. Tocata (O trenzinho do caipira) Roberto Minczuk, Maestro . Orquestra Sinfônica Brasileira Cidade das Artes - Rio de Janeiro Março 2015 Acompanhe a OSB pelas Redes Sociais: FACEBOOK.COM/OrquestraSinfonicaBrasileira TWITTER.COM/OSBrasileira INSTAGRAM.COM/OSBrasileira Visite o site da Orquestra: http://www.osb.com.br EQUIPE DE FILMAGEM DIREÇÃO E MONTAGEM EDUARDO CHAMON SOM PHILLIPPE INGRAND IMAGENS ALLAN BALTAR, BENY CAZIM, DANIEL D'ORNELLAS, EDUARDO CHAMON, GUSTAVO DANNEMANN, PEDRO NASCIMENTO, RODOLFO ASSIS e RODRIGO ALAYETE CORTES. PRODUÇÃO CHAMON AUDIOVISUAL
#VillaLobos Heitor Villa-Lobos (1887 - 1959) Bachianas Brasileiras No. 4, version for orchestra (1941) 1. Prelúdio (Introdução) 00:00 2. Coral (Canto do sertão) 03:58 3. Ária (Cantiga) 07:58 4. Dança (Miudinho) 12:58 São Paulo Symphony Orchestra Wagner Polistchuk, conductor 🇧🇷 Sala São Paulo, 2019 The music published in this channel is exclusively dedicated to divulgation purposes and not commercial. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to YouTube, and it will be our care to remove immediately the video accordingly.
Well, the bit before the words, at least.
Bernardo Pasquini (7 December 1637 – 21 November 1710) was an Italian composer of operas, oratorios, cantatas and keyboard music. A renowned virtuoso keyboard player in his day, he was one of the most important Italian composers for harpsichord between Girolamo Frescobaldi and Domenico Scarlatti, having also made substantial contributions to the opera and oratorio.
Pasquini was born at Massa in Val di Nievole (today Massa e Cozzile), Grand Duchy of Tuscany. He was a pupil of Mariotto Bocciantini in Uzzano. Around 1650 he moved to Ferrara with his uncle Giovanni Pasquini. In 1654–55 he was organist of Accademia della Morte. Later he moved to Rome and in 1657 became organist of Santa Maria in Vallicella (Chiesa nuova). In November 1667 entered to the service of Prince Borghese. In February 1664 he was appointed organist of the Basilica di Santa Maria Maggiore and Santa Maria in Aracoeli. As a composer and keyboard player, he collaborated to the music performances patronised by most famous patrons in Rome, such as cardinals Flavio Chigi, Benedetto Pamphilj, Pietro Ottoboni, and Queen Christina of Sweden in whose honour his operas L'Alcasta (libretto by Giovanni Filippo Apolloni), and Il Lisimaco (libretto by Giacomo Sinibaldi) were performed respectively in 1673 and 1681.
Hollywood, we never going down
Hollywood, we never going down
Hollywood, we never going down
And all the kids in the hood come on wave and shake your hands
Hollywood, we never going down
And when you're drunk shake that ass like you know how to dance
Hollywood, we never going down
Start getting loud, I wanna party now
If you hate on Undead that's a party foul
I only drink Mickey's, I can't afford the cans
I drink so much they call me Charlie 40 Hands
If the keg is tapped, then you're getting capped
Take your girl to the sack and we'll take a nap
Ladies drink them fast so I can have a blast
You got your beer gog's on and I'm getting? ass
Like, oh my God, is that Charlie Scene?
Ladies show me your treats like it's Halloween
You got fake I.D. and you're 17
I'm a complete catastrophe buzzing around you like a bumblebee
So let's take some shots
Do a beer run and flip off a cop
Girls give me props and they're on my jock
Paris Hilton said that's hot, when she saw my cock, that's hot
And all the kids in the hood come on wave and shake your hands
Hollywood, we never going down
And when you're drunk shake that ass like you know how to dance
Hollywood, we never going down
I'm about to serve it up for all you party goers
Scene kids, Meat Heads, Alchi's, Stoners
Dancing around like a bunch of faggots
Funnier than fuck, you can ask Bob Saggot
I never claimed that I knew how to dance
But I'll get drunk, get high and pull down my pants
So fuck five bucks, just fill up my cup
Don't kiss me bitch, you just threw up
Now I'm drunk as fuck about to pass out
Destination your mother's couch
Dude, is it really true you screwed my mom?
Fuck yeah bro, that pussy was bomb
So I'm hopping, jumping, sipping, and skipping
It's nights like these that we all love living
So take out your hands and throw the H.U. up
Now wave it around like you don't give a fuck, check please
And all the kids in the hood come on wave and shake your hands
Hollywood we never going down
And when you're drunk shake that ass like you know how to dance
Hollywood we never going down
Can't stop, won't stop, Charlie make the booty drop
Can't stop, won't stop, Johnny make the booty drop
Can't stop, won't stop, J make the booty drop
Can't stop, won't stop, Peters make the booty drop
Can't stop, won't stop, Kurlzz make the booty drop
Can't stop, won't stop, Funny make the booty drop
Can't stop, won't stop, let me see the panties drop
Producers on the dance floor, let me see your booty pop
Grab your drink, get on the floor
Grab your drink and get on the floor
Let's dance in the hood, shake that ass Hollywood
And all the kids in the hood come on wave and shake your hands
Hollywood, we never going down
And when you're drunk shake that ass like you know how to dance
Hollywood, we never going down
Let's dance in the hood, shake that ass Hollywood
Hollywood, we never going down
Let's dance in the hood, shake that ass Hollywood