Ars nova (Latin: new art) refers to a musical style which flourished in France and the Burgundian Low Countries in the Late Middle Ages: more particularly, in the period between the preparation of the Roman de Fauvel (1310s) and the death of the composer Guillaume de Machaut in 1377. The term is sometimes used more generally to refer to all European polyphonic music of the 14th century. For instance "Italian ars nova" is sometimes used to denote the music of Francesco and his compatriots; however, Trecento music is the more common term for music in Italy). The "ars" in "ars nova" can be read as "technique", or "style". The term was first used in two musical treatises, titled Ars novae musicae (New Technique of Music) (c. 1320) by Johannes de Muris, and a collection of writings attributed to Philippe de Vitry often simply called "Ars nova" today (c. 1322). However, the term was only first used to describe an historical era by Johannes Wolf in 1904.
The term "ars nova" is often used in juxtaposition to another term, "ars antiqua", which refers to the music of the immediately preceding age, usually extending back to take in the period of Notre Damepolyphony (therefore covering the period from about 1170 to 1320). Roughly, then, the "ars antiqua" is the music of the thirteenth century, and the "ars nova" the music of the fourteenth; many music histories use the terms in this more general sense.
Early Netherlandish painting refers to the work of artists, sometimes known as the Flemish Primitives, active in the Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance; especially in the flourishing cities of Bruges, Ghent, Tournai and Brussels. Their work follows the International Gothic style and begins approximately with Robert Campin and Jan van Eyck in the early 1420s. It lasts at least until the death of Gerard David in 1523, although many scholars extend it to the start of the Dutch Revolt in 1566 or 1568. Early Netherlandish painting coincides with the Early and HighItalian Renaissance but is seen as an independent artistic culture, separate from the Renaissance humanism that characterised developments in Italy. Because these painters represent the culmination of the northern European medieval artistic heritage and the incorporation of Renaissance ideals, they are sometimes categorised as belonging to both the Early Renaissance and Late Gothic.
Lamb of God (Greek:ἀμνὸς τοῦ θεοῦ, amnos tou theou; Latin:Agnus Dei) is a title for Jesus that appears in the Gospel of John. It appears at John 1:29, where John the Baptist sees Jesus and exclaims, "Behold the Lamb of God who takes away the sin of the world."
Although "Lamb of God" refers in Christian teachings to Jesus Christ in his role of the perfect sacrificial offering, Christological arguments dissociate the term from the Old Testament concept of a "scapegoat", which is a person or animal subject to punishment for the sins of others without knowing it or willing it. Christian doctrine holds that Jesus chose to suffer at Calvary as a sign of his full obedience to the will of his Father, as an "agent and servant of God". The Lamb of God is thus related to the Paschal Lamb of Passover, which is viewed as foundational and integral to the message of Christianity.
A lion-like lamb that rises to deliver victory after being slain appears several times in the Book of Revelation. It is also referred to in Pauline writings, 1 Corinthians 5:7 suggests that Saint Paul intends to refer to the death of Jesus, who is the Paschal Lamb, using the theme found in Johannine writings.
Angus was historically a county, known officially as Forfarshire from the 18th century until 1928. It remains a registration county and a lieutenancy area. In 1975 its administrative functions were transferred to the council district of the TaysideRegion, and in 1995 further reform resulted in the establishment of the unitary Angus Council.
History
Prehistory
The area that now comprises Angus has been occupied since at least the Neolithic period. Material taken from postholes from an enclosure at Douglasmuir, near Friockheim, about five miles north of Arbroath have been radiocarbon dated to around 3500BC The function of the enclosure is unknown, but may have been for agriculture or for ceremonial purposes.
Angus is a masculine given name in English. It is an Anglicised form of the Irish and Scottish GaelicAonghas, which is composed of Celtic elements meaning "one", and "choice". A variant spelling of the Scottish Gaelic name is Aonghus. The Irish form of the Scottish Gaelic name is Aengus. A pet form of the given name Angus is Angie, pronounced "an-ghee", which represents the Scottish Gaelic Angaidh. A short form of the given name Angus is Gus, which may be lengthened to Gussie. The feminine form of Angus is Angusina.
The earliest form of the given name Angus, and its cognates, occurs in Adomnán's Vita Columbae (English: "Life of Columba") as Oinogusius, Oinogussius. This name likely refers to a Pictish king whose name is recorded variously as Onnust, Hungus. According to historian Alex Woolf, the early Gaelic form of the name, Oengus, was borrowed from the British PictishOnuist, which appears in British as Ungust. Woolf noted that these names are all derived from the Celtic *Oinogustos. Linguist John Kneen derived this name from two Celtic elements the following way: *Oino-gustos, meaning "one-choice". Woolf also stated that between about AD 350 and AD 660, the Insular Celtic dialects underwent changes which included the loss of the final syllables and unstressed vowels, which affected *Oinogustos thus: *Oinogustos.
Angus cattle, known as Aberdeen Angus in most parts of the world, are a breed of cattle commonly used in beef production. They were developed from cattle native to the counties of Aberdeenshire and Angus in Scotland.
Angus cattle are naturally polled and solid black or red although the udder may be white. The native colour is black, but more recently red colours have emerged. The UK registers both in the same herd book, but in the US they are regarded as two separate breeds– Red Angus and Black Angus. Black Angus is the most common breed of beef cattle in the US, with 324,266 animals registered in 2005. In 2014, the British Cattle Movement Service named Angus the UK's most popular native beef breed, and the second most popular beef breed overall.
History
Scotland
Aberdeen Angus cattle have been recorded in Scotland since at least the 16th century in the country's North East. For some time before the 1800s, the hornless cattle in Aberdeenshire and Angus were called Angus doddies. In 1824, William McCombie of Tillyfour, M.P. for South Aberdeenshire, began to improve the stock and is regarded today as the father of the breed. Many local names emerged, including doddies or hummlies. The first herd book was created in 1862, and the society was formed in 1879. This is considered late, given that the cattle gained mainstream acceptance in the middle of the eighteenth century. The cattle became commonplace throughout the British Isles in the middle of the 20th century.
Live performance at Garnisonskirken in Copenhagen on april 6th 2014. Ars Nova Copenhagen conducted by Paul Hillier.
Visit Arsnova.dk for more information
published: 10 Jun 2014
Medieval to Modern - Lesson 8 - Ars Nova (The New Art)
As we continue our journey through music history, we find more secular music being composed, more complex rhythms, and new intervals being used. Learn about the first truly famous composer, Guillaume de Machaut.
#homeschoolmusic #musiceducation #musichistory
published: 01 Nov 2021
King Solomon's Final Noble Phantasm (Ars Nova) | Fate/Grand Order
anime hype
Music Used:
Lord of the Castle- Kingdom Hearts Re: Chain of Memories OST
published: 30 Dec 2018
Ars Nova and the Roman Catholic Mass
In this video, we wrap up the Medieval period by talking about the Ars Nova movement, the development of rhythm, as well as the music of the Roman Catholic mass.
Introduction - 0:00
Tumultuous times in Europe - 2:26
Ars Nova - 3:03
Why rhythm is so important - 3:50
Philippe de Vitry - 4:36
“Vos qui admiramini/Gratissima virginis” - 5:02
Contemporary critic's reaction - 5:52
Understanding the Roman Catholic mass - 7:20
Outline of the Mass - 8:11
Guillaume de Machaut - 9:04
"Kyrie" from Messe de Nostre Dame - 9:53
The legacy of Machaut on music - 10:54
Recordings in this video:
Vos qui admiramini - Gratissima viginis: https://amzn.to/3xk6Fss
Messe de Nostre Dame: https://amzn.to/3iki6fG
Ave Maris Stella: https://amzn.to/3yl7ZNh
--------------------------------------------
Support me on ...
published: 17 Sep 2019
Ars Nøva "Raisøn D’être" Music Video
Raisøn D'être
Lyrics : HIVARI / Music : RyO
跡切れた時代の狭間で
独り呟く旋律
いつかあの星の彼方へ
どうか届きますように
それは終焉のStory
脆弱な亡者はただ
行き場も失く幻影の淵を彷徨う
傾いた天秤に
舞い落ちた真実の羽根
下される審判を前に
「私は何を想うのだろう?」
跡切れた時代の狭間で
独り呟く旋律
いつかあの星の彼方へ
届くように
揺るぎない想いを馳せて
闇を切り裂いて 未来を照らせ
命の軌跡よ 希望となれ
定められた 運命さえ
壊した先に広がる空は
どんな色をしている?
新たな時代の狭間で
君と奏でる旋律
今もあの日と同じように
届けたい
想いを誓いに変えて
人は何故生まれ 何故死にゆく
確かな答えも出せぬまま
それでもまた 伸ばした手で
君に 今 触れられるなら
闇を切り裂いて 未来を照らせ
命の軌跡よ 希望となれ
定められた 運命なら
愛して君と超えていこう
Ah 風が吹き荒ぶ大地は
無常に凍てつくけれど
(Don’t let your fear decide your future.
Because we have a painful past.)
瞬く星の欠片を抱き
共に探しに行こう
(Don’t let your fear decide your future.
Because, I'll be with you.)
“存在の証明を”
例えこの世界の果てに答えは無いとしても
恐れはしない
導く 何処までも
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
2023.03.08(wed) 巣鴨獅子王
Ars Nøva始動記念 無料ONEMAN LIVE
The end of the "R...
published: 22 Feb 2023
Ars Nova Napoli ft. Assurd - Marinaresca (live video)
Gli Ars Nova Napoli cantano "Marinaresca", un omaggio a Roberto De Simone suonato dal vivo insieme a Lorella Monti e Cristina Vetrone delle Assurd al Teatro Piccolo Bellini di Napoli il 9 Dicembre 2019 durante il concerto che la band e la formazione femminile di musica popolare hanno tenuto per la rassegna "BeQuiet - Concerti al Piccolo Bellini".
Marcello Squillante - Fisarmonica e voce
Gianluca Fusco – Voce
Antonino Anastasia - Percussioni
Bruno Belardi – Contrabbasso
Michelangelo Nusco - Violino
Vincenzo Racioppi - Charango
Lorella Monti - Voce
Cristina Vetrone - Voce
Marcello Smigliante Gentile - Mandolino
Riprese: Upside
Organizzazione e produzione: Apogeo Records
Segui gli Ars Nova Napoli su
Facebook: https://www.facebook.com/ArsNovaNapoli
Instagram: https://www.instagram.com/arsn...
published: 10 Mar 2020
MUSC 1100 08 - Medieval Period Part 3 (Ars Antiqua and Ars Nova)
Music 1100 with Assistant Professor of Music Robert Adams
published: 02 Jun 2015
Napoli, gran successo per la notte bianca al rione Sanità
Il palco era uno, ma tutto il Rione Sanità era in festa sabato sera per “Sanità TàTà”, rassegna musicale per riscoprire storia e monumenti. Dalle 18 alle 24 alla Notte bianca della Sanità concerti e djset per l’evento promosso dall’assessorato al turismo del Comune. In piazza Sanità si sono alternati oltre 30 tra cantanti e performer: Gabriele Esposito, Andrea Settembre, Greg Rega, Sara Penelope Robin, Silvia Uras, Plug, Mv Killa, Stè, Cecchy, Dipinto, Ars Nova e Bagaria Orchestar, Bimbi di fumo e Simona Boo, Gaié, Annibale, Vesuviano, Kamaak e Officina 011.
Video NeaPhoto, Renato Esposito
published: 21 Jan 2024
Ars Nova Napoli - La catalana (live video)
Versione live di "La catalana", inedito degli Ars Nova Napoli registrato durante il concerto al Teatro Galleria Toledo di Napoli il 5 Aprile 2018.
Il brano è estratto dall'album "E senza acqua la terra more", in uscita Venerdì 24 Maggio sotto etichetta Apogeo Records, distribuito da Altafonte Network.
La canzone vede la collaborazione di Lorella Monti e Cristina Vetrone, voce delle Assurd, e di Alessandro de Carolis, oltre che di Davide "Puffo" Chimenti", autore di musiche e parole.
Ascoltalo su Spotify: https://spoti.fi/2Q9gmGr
Davide "Puffo" Chimenti - Voce
Marcello Squillante - Organetto
Antonino Anastasia - Tapan
Vincenzo Racioppi - Conchiglie
Bruno Belardi – Contrabbasso
Michelangelo Nusco - Violino
Gianluca Fusco – Tanburello
Alessandro de Carolis: Flauti
Musiche e testi: Davide...
Live performance at Garnisonskirken in Copenhagen on april 6th 2014. Ars Nova Copenhagen conducted by Paul Hillier.
Visit Arsnova.dk for more information
Live performance at Garnisonskirken in Copenhagen on april 6th 2014. Ars Nova Copenhagen conducted by Paul Hillier.
Visit Arsnova.dk for more information
Live performance at Garnisonskirken in Copenhagen on april 6th 2014. Ars Nova Copenhagen conducted by Paul Hillier.
Visit Arsnova.dk for more information
As we continue our journey through music history, we find more secular music being composed, more complex rhythms, and new intervals being used. Learn about the...
As we continue our journey through music history, we find more secular music being composed, more complex rhythms, and new intervals being used. Learn about the first truly famous composer, Guillaume de Machaut.
#homeschoolmusic #musiceducation #musichistory
As we continue our journey through music history, we find more secular music being composed, more complex rhythms, and new intervals being used. Learn about the first truly famous composer, Guillaume de Machaut.
#homeschoolmusic #musiceducation #musichistory
In this video, we wrap up the Medieval period by talking about the Ars Nova movement, the development of rhythm, as well as the music of the Roman Catholic mass...
In this video, we wrap up the Medieval period by talking about the Ars Nova movement, the development of rhythm, as well as the music of the Roman Catholic mass.
Introduction - 0:00
Tumultuous times in Europe - 2:26
Ars Nova - 3:03
Why rhythm is so important - 3:50
Philippe de Vitry - 4:36
“Vos qui admiramini/Gratissima virginis” - 5:02
Contemporary critic's reaction - 5:52
Understanding the Roman Catholic mass - 7:20
Outline of the Mass - 8:11
Guillaume de Machaut - 9:04
"Kyrie" from Messe de Nostre Dame - 9:53
The legacy of Machaut on music - 10:54
Recordings in this video:
Vos qui admiramini - Gratissima viginis: https://amzn.to/3xk6Fss
Messe de Nostre Dame: https://amzn.to/3iki6fG
Ave Maris Stella: https://amzn.to/3yl7ZNh
--------------------------------------------
Support me on Patreon: https://www.patreon.com/keepitclassical
Follow me on Instagram: https://www.instagram.com/matthewdnielsen/
--------------------------------------------
About me: I am a conductor, published composer, professional singer, sound engineer, and producer based in Los Angeles. I love classical music and want to help as many people as possible learn more about it.
--------------------------------------------
Sources:
A History of Western Music (https://amzn.to/2VfIzCi)
Renaissance Music: Music in Western Europe, 1400–1600 (https://amzn.to/3jevvVB)
Choral Repertoire (https://amzn.to/3locFhJ)
Choral Music of the 19th Century (https://amzn.to/3jwiLdp)
Choral Music of the 20th Century (https://amzn.to/3xliG0W)
Music of the 17th and 18th Centuries (https://amzn.to/3zZXj75)
--------------------------------------------
My Equipment:
My camera: https://amzn.to/3lpaiek
My microphone: https://amzn.to/3jk9rsT
My keylight: https://amzn.to/3A1NZzx
Links included in this description might be affiliate links. As an Amazon Associate I earn from qualifying purchases. I may receive commissions for purchases made through links in this post.
--------------------------------------------
Intro Music: Short Ride in Fast Machine (John Adams) - https://www.youtube.com/watch?v=DJvni...
In this video, we wrap up the Medieval period by talking about the Ars Nova movement, the development of rhythm, as well as the music of the Roman Catholic mass.
Introduction - 0:00
Tumultuous times in Europe - 2:26
Ars Nova - 3:03
Why rhythm is so important - 3:50
Philippe de Vitry - 4:36
“Vos qui admiramini/Gratissima virginis” - 5:02
Contemporary critic's reaction - 5:52
Understanding the Roman Catholic mass - 7:20
Outline of the Mass - 8:11
Guillaume de Machaut - 9:04
"Kyrie" from Messe de Nostre Dame - 9:53
The legacy of Machaut on music - 10:54
Recordings in this video:
Vos qui admiramini - Gratissima viginis: https://amzn.to/3xk6Fss
Messe de Nostre Dame: https://amzn.to/3iki6fG
Ave Maris Stella: https://amzn.to/3yl7ZNh
--------------------------------------------
Support me on Patreon: https://www.patreon.com/keepitclassical
Follow me on Instagram: https://www.instagram.com/matthewdnielsen/
--------------------------------------------
About me: I am a conductor, published composer, professional singer, sound engineer, and producer based in Los Angeles. I love classical music and want to help as many people as possible learn more about it.
--------------------------------------------
Sources:
A History of Western Music (https://amzn.to/2VfIzCi)
Renaissance Music: Music in Western Europe, 1400–1600 (https://amzn.to/3jevvVB)
Choral Repertoire (https://amzn.to/3locFhJ)
Choral Music of the 19th Century (https://amzn.to/3jwiLdp)
Choral Music of the 20th Century (https://amzn.to/3xliG0W)
Music of the 17th and 18th Centuries (https://amzn.to/3zZXj75)
--------------------------------------------
My Equipment:
My camera: https://amzn.to/3lpaiek
My microphone: https://amzn.to/3jk9rsT
My keylight: https://amzn.to/3A1NZzx
Links included in this description might be affiliate links. As an Amazon Associate I earn from qualifying purchases. I may receive commissions for purchases made through links in this post.
--------------------------------------------
Intro Music: Short Ride in Fast Machine (John Adams) - https://www.youtube.com/watch?v=DJvni...
Gli Ars Nova Napoli cantano "Marinaresca", un omaggio a Roberto De Simone suonato dal vivo insieme a Lorella Monti e Cristina Vetrone delle Assurd al Teatro Pic...
Gli Ars Nova Napoli cantano "Marinaresca", un omaggio a Roberto De Simone suonato dal vivo insieme a Lorella Monti e Cristina Vetrone delle Assurd al Teatro Piccolo Bellini di Napoli il 9 Dicembre 2019 durante il concerto che la band e la formazione femminile di musica popolare hanno tenuto per la rassegna "BeQuiet - Concerti al Piccolo Bellini".
Marcello Squillante - Fisarmonica e voce
Gianluca Fusco – Voce
Antonino Anastasia - Percussioni
Bruno Belardi – Contrabbasso
Michelangelo Nusco - Violino
Vincenzo Racioppi - Charango
Lorella Monti - Voce
Cristina Vetrone - Voce
Marcello Smigliante Gentile - Mandolino
Riprese: Upside
Organizzazione e produzione: Apogeo Records
Segui gli Ars Nova Napoli su
Facebook: https://www.facebook.com/ArsNovaNapoli
Instagram: https://www.instagram.com/arsnovanapoli
YouTube: https://www.youtube.com/user/VideoArs...
Segui Apogeo Records su
Facebook: https://www.facebook.com/ApogeoRecords/
Instagram: https://www.instagram.com/apogeo_records/
Sito ufficiale: https://apogeorecords.it/
Gli Ars Nova Napoli cantano "Marinaresca", un omaggio a Roberto De Simone suonato dal vivo insieme a Lorella Monti e Cristina Vetrone delle Assurd al Teatro Piccolo Bellini di Napoli il 9 Dicembre 2019 durante il concerto che la band e la formazione femminile di musica popolare hanno tenuto per la rassegna "BeQuiet - Concerti al Piccolo Bellini".
Marcello Squillante - Fisarmonica e voce
Gianluca Fusco – Voce
Antonino Anastasia - Percussioni
Bruno Belardi – Contrabbasso
Michelangelo Nusco - Violino
Vincenzo Racioppi - Charango
Lorella Monti - Voce
Cristina Vetrone - Voce
Marcello Smigliante Gentile - Mandolino
Riprese: Upside
Organizzazione e produzione: Apogeo Records
Segui gli Ars Nova Napoli su
Facebook: https://www.facebook.com/ArsNovaNapoli
Instagram: https://www.instagram.com/arsnovanapoli
YouTube: https://www.youtube.com/user/VideoArs...
Segui Apogeo Records su
Facebook: https://www.facebook.com/ApogeoRecords/
Instagram: https://www.instagram.com/apogeo_records/
Sito ufficiale: https://apogeorecords.it/
Il palco era uno, ma tutto il Rione Sanità era in festa sabato sera per “Sanità TàTà”, rassegna musicale per riscoprire storia e monumenti. Dalle 18 alle 24 all...
Il palco era uno, ma tutto il Rione Sanità era in festa sabato sera per “Sanità TàTà”, rassegna musicale per riscoprire storia e monumenti. Dalle 18 alle 24 alla Notte bianca della Sanità concerti e djset per l’evento promosso dall’assessorato al turismo del Comune. In piazza Sanità si sono alternati oltre 30 tra cantanti e performer: Gabriele Esposito, Andrea Settembre, Greg Rega, Sara Penelope Robin, Silvia Uras, Plug, Mv Killa, Stè, Cecchy, Dipinto, Ars Nova e Bagaria Orchestar, Bimbi di fumo e Simona Boo, Gaié, Annibale, Vesuviano, Kamaak e Officina 011.
Video NeaPhoto, Renato Esposito
Il palco era uno, ma tutto il Rione Sanità era in festa sabato sera per “Sanità TàTà”, rassegna musicale per riscoprire storia e monumenti. Dalle 18 alle 24 alla Notte bianca della Sanità concerti e djset per l’evento promosso dall’assessorato al turismo del Comune. In piazza Sanità si sono alternati oltre 30 tra cantanti e performer: Gabriele Esposito, Andrea Settembre, Greg Rega, Sara Penelope Robin, Silvia Uras, Plug, Mv Killa, Stè, Cecchy, Dipinto, Ars Nova e Bagaria Orchestar, Bimbi di fumo e Simona Boo, Gaié, Annibale, Vesuviano, Kamaak e Officina 011.
Video NeaPhoto, Renato Esposito
Versione live di "La catalana", inedito degli Ars Nova Napoli registrato durante il concerto al Teatro Galleria Toledo di Napoli il 5 Aprile 2018.
Il brano è es...
Versione live di "La catalana", inedito degli Ars Nova Napoli registrato durante il concerto al Teatro Galleria Toledo di Napoli il 5 Aprile 2018.
Il brano è estratto dall'album "E senza acqua la terra more", in uscita Venerdì 24 Maggio sotto etichetta Apogeo Records, distribuito da Altafonte Network.
La canzone vede la collaborazione di Lorella Monti e Cristina Vetrone, voce delle Assurd, e di Alessandro de Carolis, oltre che di Davide "Puffo" Chimenti", autore di musiche e parole.
Ascoltalo su Spotify: https://spoti.fi/2Q9gmGr
Davide "Puffo" Chimenti - Voce
Marcello Squillante - Organetto
Antonino Anastasia - Tapan
Vincenzo Racioppi - Conchiglie
Bruno Belardi – Contrabbasso
Michelangelo Nusco - Violino
Gianluca Fusco – Tanburello
Alessandro de Carolis: Flauti
Musiche e testi: Davide "Puffo" Chimenti
Riprese: Upside
Organizzazione e produzione: Apogeo Records
Segui gli Ars Nova Napoli su
Facebook: https://www.facebook.com/ArsNovaNapoli
Instagram: https://www.instagram.com/arsnovanapoli
YouTube: https://www.youtube.com/user/VideoArs...
________________________________________________
TESTO
Jevo cercanno furtuna
furtuna nunn ne truvavo
abbascio a nu turrente jevo e me arrepusavo
abbascio a nu turrente jevo e me arrepusavo
tu nun lassà la via,
la via ca te vo lassà
afferra la furtuna ca nun se fa afferrà
vaje vaje e’ à cammenà vaje vaje e’ à cammenà.
Voglio cuntà li stelle li prete de lu mare
li passi ca li nenne fanno pe’ cammenare
li passi ca li nenne fanno pe’ cammenare
tu nun lassà la via, la via ca te vo lassà
afferra la furtuna ca nun se fa afferrà
vaje vaje e’ à cammenà vaje vaje e’ à cammenà.
Voglio cantà cu e’ ghieule, cu l’onne de lu mare
mugliere tonne e figlie de janare
mugliere tonne e figlie de janara
tu nun lassà la via, la via ca te vo lassà
afferra la furtuna ca nun se fa afferrà
vaje vaje e’ à cammenà vaje vaje e’ à cammenà.
Me voglio fa’ nu guzzo cu noce e mulliche e’ pane
e voce nfunno e puzze voglio sentì e’ menare
e voce nfunno e puzze voglio sentì e’ menare
tu nun lassà la via, la via ca te vo lassà
afferra la furtuna ca nun se fa afferrà.
Vaje vaje e’ à cammenà vaje vaje e’ à cammenà
voglio parlà cu a morte, mantello e faucione
brutto cu l’ossa storte ncoppa a’ palla e’ cannone
brutto cu l’ossa storte ncoppa a’ palla e’ cannone
tu nun lassà la via, la via ca te vo lassà
afferra la furtuna ca nun se fa afferrà
vaje vaje e’ à cammenà
vaje vaje e’ à cammenà.
Jevo cercanno furtuna
furtuna nun ne truvavo
e n’zino ‘ncoppa a luna jevo e me ammaretavo
e n’zino ‘ncoppa a luna jevo e me ammaretavo
tu nun lassà la via, la via ca te vo lassà
afferra la furtuna ca nun se fa afferrà
vaje vaje e’ à cammenà vaje vaje e’ à cammenà.
Versione live di "La catalana", inedito degli Ars Nova Napoli registrato durante il concerto al Teatro Galleria Toledo di Napoli il 5 Aprile 2018.
Il brano è estratto dall'album "E senza acqua la terra more", in uscita Venerdì 24 Maggio sotto etichetta Apogeo Records, distribuito da Altafonte Network.
La canzone vede la collaborazione di Lorella Monti e Cristina Vetrone, voce delle Assurd, e di Alessandro de Carolis, oltre che di Davide "Puffo" Chimenti", autore di musiche e parole.
Ascoltalo su Spotify: https://spoti.fi/2Q9gmGr
Davide "Puffo" Chimenti - Voce
Marcello Squillante - Organetto
Antonino Anastasia - Tapan
Vincenzo Racioppi - Conchiglie
Bruno Belardi – Contrabbasso
Michelangelo Nusco - Violino
Gianluca Fusco – Tanburello
Alessandro de Carolis: Flauti
Musiche e testi: Davide "Puffo" Chimenti
Riprese: Upside
Organizzazione e produzione: Apogeo Records
Segui gli Ars Nova Napoli su
Facebook: https://www.facebook.com/ArsNovaNapoli
Instagram: https://www.instagram.com/arsnovanapoli
YouTube: https://www.youtube.com/user/VideoArs...
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TESTO
Jevo cercanno furtuna
furtuna nunn ne truvavo
abbascio a nu turrente jevo e me arrepusavo
abbascio a nu turrente jevo e me arrepusavo
tu nun lassà la via,
la via ca te vo lassà
afferra la furtuna ca nun se fa afferrà
vaje vaje e’ à cammenà vaje vaje e’ à cammenà.
Voglio cuntà li stelle li prete de lu mare
li passi ca li nenne fanno pe’ cammenare
li passi ca li nenne fanno pe’ cammenare
tu nun lassà la via, la via ca te vo lassà
afferra la furtuna ca nun se fa afferrà
vaje vaje e’ à cammenà vaje vaje e’ à cammenà.
Voglio cantà cu e’ ghieule, cu l’onne de lu mare
mugliere tonne e figlie de janare
mugliere tonne e figlie de janara
tu nun lassà la via, la via ca te vo lassà
afferra la furtuna ca nun se fa afferrà
vaje vaje e’ à cammenà vaje vaje e’ à cammenà.
Me voglio fa’ nu guzzo cu noce e mulliche e’ pane
e voce nfunno e puzze voglio sentì e’ menare
e voce nfunno e puzze voglio sentì e’ menare
tu nun lassà la via, la via ca te vo lassà
afferra la furtuna ca nun se fa afferrà.
Vaje vaje e’ à cammenà vaje vaje e’ à cammenà
voglio parlà cu a morte, mantello e faucione
brutto cu l’ossa storte ncoppa a’ palla e’ cannone
brutto cu l’ossa storte ncoppa a’ palla e’ cannone
tu nun lassà la via, la via ca te vo lassà
afferra la furtuna ca nun se fa afferrà
vaje vaje e’ à cammenà
vaje vaje e’ à cammenà.
Jevo cercanno furtuna
furtuna nun ne truvavo
e n’zino ‘ncoppa a luna jevo e me ammaretavo
e n’zino ‘ncoppa a luna jevo e me ammaretavo
tu nun lassà la via, la via ca te vo lassà
afferra la furtuna ca nun se fa afferrà
vaje vaje e’ à cammenà vaje vaje e’ à cammenà.
Live performance at Garnisonskirken in Copenhagen on april 6th 2014. Ars Nova Copenhagen conducted by Paul Hillier.
Visit Arsnova.dk for more information
As we continue our journey through music history, we find more secular music being composed, more complex rhythms, and new intervals being used. Learn about the first truly famous composer, Guillaume de Machaut.
#homeschoolmusic #musiceducation #musichistory
In this video, we wrap up the Medieval period by talking about the Ars Nova movement, the development of rhythm, as well as the music of the Roman Catholic mass.
Introduction - 0:00
Tumultuous times in Europe - 2:26
Ars Nova - 3:03
Why rhythm is so important - 3:50
Philippe de Vitry - 4:36
“Vos qui admiramini/Gratissima virginis” - 5:02
Contemporary critic's reaction - 5:52
Understanding the Roman Catholic mass - 7:20
Outline of the Mass - 8:11
Guillaume de Machaut - 9:04
"Kyrie" from Messe de Nostre Dame - 9:53
The legacy of Machaut on music - 10:54
Recordings in this video:
Vos qui admiramini - Gratissima viginis: https://amzn.to/3xk6Fss
Messe de Nostre Dame: https://amzn.to/3iki6fG
Ave Maris Stella: https://amzn.to/3yl7ZNh
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Follow me on Instagram: https://www.instagram.com/matthewdnielsen/
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About me: I am a conductor, published composer, professional singer, sound engineer, and producer based in Los Angeles. I love classical music and want to help as many people as possible learn more about it.
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Sources:
A History of Western Music (https://amzn.to/2VfIzCi)
Renaissance Music: Music in Western Europe, 1400–1600 (https://amzn.to/3jevvVB)
Choral Repertoire (https://amzn.to/3locFhJ)
Choral Music of the 19th Century (https://amzn.to/3jwiLdp)
Choral Music of the 20th Century (https://amzn.to/3xliG0W)
Music of the 17th and 18th Centuries (https://amzn.to/3zZXj75)
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My Equipment:
My camera: https://amzn.to/3lpaiek
My microphone: https://amzn.to/3jk9rsT
My keylight: https://amzn.to/3A1NZzx
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Intro Music: Short Ride in Fast Machine (John Adams) - https://www.youtube.com/watch?v=DJvni...
Gli Ars Nova Napoli cantano "Marinaresca", un omaggio a Roberto De Simone suonato dal vivo insieme a Lorella Monti e Cristina Vetrone delle Assurd al Teatro Piccolo Bellini di Napoli il 9 Dicembre 2019 durante il concerto che la band e la formazione femminile di musica popolare hanno tenuto per la rassegna "BeQuiet - Concerti al Piccolo Bellini".
Marcello Squillante - Fisarmonica e voce
Gianluca Fusco – Voce
Antonino Anastasia - Percussioni
Bruno Belardi – Contrabbasso
Michelangelo Nusco - Violino
Vincenzo Racioppi - Charango
Lorella Monti - Voce
Cristina Vetrone - Voce
Marcello Smigliante Gentile - Mandolino
Riprese: Upside
Organizzazione e produzione: Apogeo Records
Segui gli Ars Nova Napoli su
Facebook: https://www.facebook.com/ArsNovaNapoli
Instagram: https://www.instagram.com/arsnovanapoli
YouTube: https://www.youtube.com/user/VideoArs...
Segui Apogeo Records su
Facebook: https://www.facebook.com/ApogeoRecords/
Instagram: https://www.instagram.com/apogeo_records/
Sito ufficiale: https://apogeorecords.it/
Il palco era uno, ma tutto il Rione Sanità era in festa sabato sera per “Sanità TàTà”, rassegna musicale per riscoprire storia e monumenti. Dalle 18 alle 24 alla Notte bianca della Sanità concerti e djset per l’evento promosso dall’assessorato al turismo del Comune. In piazza Sanità si sono alternati oltre 30 tra cantanti e performer: Gabriele Esposito, Andrea Settembre, Greg Rega, Sara Penelope Robin, Silvia Uras, Plug, Mv Killa, Stè, Cecchy, Dipinto, Ars Nova e Bagaria Orchestar, Bimbi di fumo e Simona Boo, Gaié, Annibale, Vesuviano, Kamaak e Officina 011.
Video NeaPhoto, Renato Esposito
Versione live di "La catalana", inedito degli Ars Nova Napoli registrato durante il concerto al Teatro Galleria Toledo di Napoli il 5 Aprile 2018.
Il brano è estratto dall'album "E senza acqua la terra more", in uscita Venerdì 24 Maggio sotto etichetta Apogeo Records, distribuito da Altafonte Network.
La canzone vede la collaborazione di Lorella Monti e Cristina Vetrone, voce delle Assurd, e di Alessandro de Carolis, oltre che di Davide "Puffo" Chimenti", autore di musiche e parole.
Ascoltalo su Spotify: https://spoti.fi/2Q9gmGr
Davide "Puffo" Chimenti - Voce
Marcello Squillante - Organetto
Antonino Anastasia - Tapan
Vincenzo Racioppi - Conchiglie
Bruno Belardi – Contrabbasso
Michelangelo Nusco - Violino
Gianluca Fusco – Tanburello
Alessandro de Carolis: Flauti
Musiche e testi: Davide "Puffo" Chimenti
Riprese: Upside
Organizzazione e produzione: Apogeo Records
Segui gli Ars Nova Napoli su
Facebook: https://www.facebook.com/ArsNovaNapoli
Instagram: https://www.instagram.com/arsnovanapoli
YouTube: https://www.youtube.com/user/VideoArs...
________________________________________________
TESTO
Jevo cercanno furtuna
furtuna nunn ne truvavo
abbascio a nu turrente jevo e me arrepusavo
abbascio a nu turrente jevo e me arrepusavo
tu nun lassà la via,
la via ca te vo lassà
afferra la furtuna ca nun se fa afferrà
vaje vaje e’ à cammenà vaje vaje e’ à cammenà.
Voglio cuntà li stelle li prete de lu mare
li passi ca li nenne fanno pe’ cammenare
li passi ca li nenne fanno pe’ cammenare
tu nun lassà la via, la via ca te vo lassà
afferra la furtuna ca nun se fa afferrà
vaje vaje e’ à cammenà vaje vaje e’ à cammenà.
Voglio cantà cu e’ ghieule, cu l’onne de lu mare
mugliere tonne e figlie de janare
mugliere tonne e figlie de janara
tu nun lassà la via, la via ca te vo lassà
afferra la furtuna ca nun se fa afferrà
vaje vaje e’ à cammenà vaje vaje e’ à cammenà.
Me voglio fa’ nu guzzo cu noce e mulliche e’ pane
e voce nfunno e puzze voglio sentì e’ menare
e voce nfunno e puzze voglio sentì e’ menare
tu nun lassà la via, la via ca te vo lassà
afferra la furtuna ca nun se fa afferrà.
Vaje vaje e’ à cammenà vaje vaje e’ à cammenà
voglio parlà cu a morte, mantello e faucione
brutto cu l’ossa storte ncoppa a’ palla e’ cannone
brutto cu l’ossa storte ncoppa a’ palla e’ cannone
tu nun lassà la via, la via ca te vo lassà
afferra la furtuna ca nun se fa afferrà
vaje vaje e’ à cammenà
vaje vaje e’ à cammenà.
Jevo cercanno furtuna
furtuna nun ne truvavo
e n’zino ‘ncoppa a luna jevo e me ammaretavo
e n’zino ‘ncoppa a luna jevo e me ammaretavo
tu nun lassà la via, la via ca te vo lassà
afferra la furtuna ca nun se fa afferrà
vaje vaje e’ à cammenà vaje vaje e’ à cammenà.
Ars nova (Latin: new art) refers to a musical style which flourished in France and the Burgundian Low Countries in the Late Middle Ages: more particularly, in the period between the preparation of the Roman de Fauvel (1310s) and the death of the composer Guillaume de Machaut in 1377. The term is sometimes used more generally to refer to all European polyphonic music of the 14th century. For instance "Italian ars nova" is sometimes used to denote the music of Francesco and his compatriots; however, Trecento music is the more common term for music in Italy). The "ars" in "ars nova" can be read as "technique", or "style". The term was first used in two musical treatises, titled Ars novae musicae (New Technique of Music) (c. 1320) by Johannes de Muris, and a collection of writings attributed to Philippe de Vitry often simply called "Ars nova" today (c. 1322). However, the term was only first used to describe an historical era by Johannes Wolf in 1904.
The term "ars nova" is often used in juxtaposition to another term, "ars antiqua", which refers to the music of the immediately preceding age, usually extending back to take in the period of Notre Damepolyphony (therefore covering the period from about 1170 to 1320). Roughly, then, the "ars antiqua" is the music of the thirteenth century, and the "ars nova" the music of the fourteenth; many music histories use the terms in this more general sense.