Metal industrial
| Metal industrial | |
| Origini stilistice | Industrial rock, industrial dance, heavy metal, thrash metal, noise rock, hardcore punk |
|---|---|
| Origini culturale | Sfârșitul anilor 1980, Marea Britanie, S.U.A., Germania |
| Instrumente tipice | Chitara electrică, chitară bas, baterie, sintetizator, sintetizator de ritm, sequencer, clape, sampler |
| Popularitate | Underground la sfârșitul anilor 1980, moderată în anii 1990, înaltă la sf. anilor 1990-anii 2000. |
| Forme derivate | Neue Deutsche Härte, nu metal |
| Genuri de fuziune | |
| Industrial black metal, industrial thrash metal, industrial death metal | |
| Alte subiecte | |
| Formații - Post-industrial music - Alternative metal[1][2] | |
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Metalul industrial, denumit și industrial metal sau cyber metal este un subgen al muzicii heavy metal, derivat din Industrial dance,[3] thrash metal și hardcore punk, utilizând riffuri de chitară repetitive de Heavy metal, sampling, linii de sintetizator sau sequencer, și vocal distorsionat.[1] Ca fondatori ai industrial metal sunt considerate formațiile Ministry,[4] Godflesh[5] și KMFDM.[4]
Vezi și
[modificare | modificare sursă]Note
[modificare | modificare sursă]- ^ a b „Industrial Metal”. Allmusic. Arhivat din original la . Accesat în .
- ^ „Alternative Metal”. Allmusic. Accesat în .
- ^ Mark Blackwell / Jim Greer: All-Day Sucker. In: SPIN Magazine, Oktober 1991, p. 57.
- ^ a b Di Perna 1995a, page 69.
- ^ Walters, Martin. „(((Godflesh > Overview)))”. allmusic. Accesat în .
Bibliografie
[modificare | modificare sursă]- Alexander, Phil (1995). Alien Soundtracks! Kerrang!, 528, 52–53.
- Arnopp, Jason (1993). De-Construction! Kerrang!, 462, 41.
- Arnopp, Jason (1993). Industrial Metal: A User's Guide. Kerrang!, 462, 44.
- Barcinski, André (1992). Máquina Mortífera. Bizz, 79, 24–29.
- Blush, Steven (2001). American Hardcore: A Tribal History. Los Angeles, CA: Feral House.
- Chantler, Chris (2002). Splitting Heirs. Terrorizer, 96, 54–55.
- Collins, Karen (2005). Dead Channel Surfing: the Commonalities between Cyberpunk Literature and Industrial Music. Popular Music, 24(2), 165–178.
- Di Perna, Alan (1995). Jackhammer of the Gods. Guitar World, 15(6), 54–59, 61–62, 67, 69, 71.
- Di Perna, Alan (1995). White Zombie: Zombies Gave Me Lunch! Guitar World, 15(6), 33, 35–26, 38, 40, 46, 170, 172.
- Fergunson, Paul (1993). Terror Against Terror: Lustmord's Dancefloor Coup. Industrial Nation, 7, 53–7.
- Gill, Chris (1996). Swine Before Pearls: Wallowing In the Muck with Ministry's Al Jourgensen. Guitar Player, 30(3), 84–89.
- Gill, C., Rotondi, J. (1996). Heady Metal. Guitar Player, 30(3), 74–82.
- Gitter, Mike (1990). Ministry: Sole Survivors. Thrasher, January: 76–77, 100.
- Kaye, Don (1992). Flesh Eaters. Kerrang!, 388, 16–17.
- Martin, Jim (2004). Sadness Will Prevail. Terrorizer!, 123, 24–25.
- Mörat (1990). Flesh for Fantasy. Kerrang!, 320, 14–15.
- Mudrian, Albert (2004). Choosing Death: the Improbable History of Death Metal and Grindcore. Los Angeles, CA: Feral House.
- Paytress, Mark (1995). Industrial Music. Record Collector, 185, 92–99.
- Pettigrew, Jason (1991). Godflesh: the Power of Positive Paradoxes. Alternative Press, 5(36), 22–23.
- Pettigrew, Jason (1996). Watch Yourself and Watch What You Say. Alternative Press, 92, 44–51.
- Reynolds, Simon (20 august 1988). Detonation Angels. Melody Maker, pp. 28–30.
- Stud, B., Stud, T. (20 June 1987). Heaven Up Here. Melody Maker, pp. 26–27.
- The Ministry of Noise (1989). Modern Keyboard, March, 49–50.
- Thompson, Dave (1994). Industrial Revolution. Los Angeles, CA: Cleopatra.
- Vale, V., Juno, A. (1983). RE/Search #6-#7: Industrial Culture Handbook. San Francisco, CA: RE/SEARCH PUBLICATIONS.
- Wiederhorn, Jon (1994). Industrious Metal. Pulse, 64, 64.
- Yates, Catherine (2001). Souls of a New Machine. Kerrang!, 871, 18–20.