Should the London Olympics remember the 1972 Munich Holocaust? Do you?

America can’t memorialize the 1972 Munich hostage killings, because that act of terrorism was not unlike our own airstrikes or special ops raids, against purported enemy combatants, off the field of combat, except we don’t even try to kidnap them alive.
 
Of course the Israeli Olympic wrestlers and weightlifters killed in Munich in 1972 should be memorialized. But to call the deaths a massacre pretends the German police meant their ambush to kill everyone.* What happened at the 1972 Olympics is being recalled as the “Munich Massacre” but even the propagandists tweaking the Wikipedia entry don’t have the temerity to doff the disclaimer that “massacre” is the informal name. Shall we recall what happened? On September 5, 1972, PLO terrorists infiltrated the Olympic village and tried to kidnap Israeli hostages to exchange for 234 Palestinians held by Israel. Two Israelis fought back and were killed. Next the eight gunman and their nine captives were led into an ambush at a military airfield. After a 1 & 1/2 hour gun battle on the tarmac, trapped under the helicopters by police snipers, the PLO killed four of their captives. A police investigation revealed the remaining five captives may have died in sniper crossfire. This detail is disputed, but a secret financial settlement was sought and reached with German authorities. So, was Munich a massacre or a botched hostage rescue? Do words matter? The Mossad’s retaliatory murder of an innocent Moroccan waiter in Norway, mistaken for the Munich mastermind, is trivialized as the Lillehammer Affair.

Proponents want an Olympic tribute to the Munich Massacre “so that it never happens again.” Boy does that ever have a familiar ring to it. Look out for an Elie Wieselish re-tailoring of the original narrative, Steven Spielberg’s Munich being only a recent example of a myth-makeover remembrance.

To begin with, the PLO kidnappers were a faction of the PLO called the Black September Brigade, named after the Black September purge of the PLO from Jordan. This ouster, aided by the US and fought by Syria, was initiated by Israel’s attack on the village of Karameh, in which the PLO suffered 200 killed, to the IDF’s 28. Not a massacre because 150 PLO fighters were taken captive. Wikistorians taking liberties with translation are calling the PLO group “Black September”, with the effect of obfuscating the event which preceded the Munich operation.

The Munich raid to seize hostages was actually named “Operation Iqrit and Kafr Bir’im” after the Christian villages of Kafr Bir’im and Iqrit, ethnically cleansed by Israel in 1948. Villagers were granted right of return by Israel’s supreme court, but overruled by the military. An attempt to return had been repulsed by police as recently as August 1972, as the Olympics began.

Next, the identity of the Israeli athletes is always left incomplete. With the exception of the 18 year old Russian immigrant, all the Israeli hostages were IDF soldiers who’d participated in military acts against Palestine, Egypt, lebanon, Jordan, or Syria, and so are not exactly the innocent civilians of current retellings.

Who killed the Israeli captives during the gun battle with German police? An immediate investigation found that sniper fire may have hit the captives, as it had also severely wounded a fellow policeman. A cover-up long obscured the official reports. While this could be pretended to protect the German participants, it also kept the blame on the PLO gunmen, which would have been critical to justify Israel’s “eye for an eye” revenge killings.

Did the gunman strafe their hostages with bullets upon seeing the arrival of the police armored reinforcements? The only witness accounts come from the German authorities. We might accept that the lead PLO gunman lobbed a grenade into the first helicopter with the intention of killing the four hostages it contained, if they were still alive. An autopsy revealing that one of the Israelis died from the flames is used the emphasize that the grenade, and thus a PLO terrorist, certainly killed him.

Though the German police admitted potential culpability for the deaths of the five hostages in the second helicopter, a later analysis put convenient blame on a particular gunman, one of them ones captured and who eventually escaped justice by being released. Certainly this narrative would be critical if Israel hoped for popular support for their effort to hunt the gunman down.

Many of Israel’s revenge killings involved car bombs which risked collateral deaths and injuries. Assassinating the “mastermind” killed eight others, including a nun, and injured 18 more.

Whether the PLO gunmen killed the Israelis or not, even the operation’s planners can’t be said to have intended it. No one masterminded a massacre.

Of the PLO participants in Munich, five gunman were killed, and three were captured. Those three were released weeks later to meet the demands of a subsequent hijacking. Israel’s Mossad boasted of having tracked them down and assassinated them shortly thereafter. But accounts vary, and one of them was interviewed decades later for a documentary. What’s known is that Israel implemented an “eye for an eye” operation that over 20 years hunted and killed 20-35 Palestinian targets. They weren’t sought out to take hostage but to murder, and most of them were unconnected to the Black September Brigade. The Mossad long-arm-of-the-law theme was less about revenge than deterrence, because anyone who might have masterminded or abetted the Munich plot was planning a kidnapping not a murder.

If a massacre is measured by an imbalance of casualties, let’s look at the numbers. After 11 Israelis were murdered, Israel retaliatory airstrikes killed 200 in Syria and Lebanon, an IDF raid killed up to 100 in Lebanon, and the Mossad targeted up to 35 in subsequent assassinations. Here’s an accounting:

Sept 5-6, 1972
11 Israeli athletes, coaches former IDF
(2 killed by BSB in initial break-in, 9 killed during the ambush rescue attempt, possibly by crossfire)
1 German police
5 PLO gunmen

Sept 8, 1972
IAF retaliatory airstrikes on PLO bases in Syria and Lebanon.
200 Palestinians killed, including women and children

IDF Operation “SPRING OF YOUTH” raid on Lebanon, April 1973
3 PLO suspected planners
12-100 PLO members
1 PLO wife
1 Italian woman
2 Lebanese policemen
Unknown number of Lebanese civilians

Mossad Operation “WRATH OF GOD”, (20-35 targets over 20 years)
PLO translator of disputed BSB involvement, Oct 1972
PLO senior official, December 1972
Palestinian activist “expertly” pushed under bus, London, 1972
Jordanian Fatah rep, January 1973
Law professor at Am Univ of Beirut, April, 1973
Replacement for Fatah rep, Athens, April 1973
(2 BSB minor members injured, Rome, April 1973)
PLO director of operations for BSB, June 1973
Moroccan waiter, mistaken identity, Norway, July 1973
3 Arab-looking men, Switzerland, January 1974
Arab security guard, Spain, August 1974
PLO rep, blamed on the Abu Nidal Org, London, January 1978
2 PLO reps, Paris, August 1978 (3 injured)
PLO suspected “mastermind”, car-bomb, January 1979, also killed:
4 Bodyguards
1 British student
1 German nun
2 Lebanese passersby (also 18 injured)
PLO military head, Cannes, July 1979
2 Palestinians, December, 1979
PLO rep, Brussels, June 1981
2 PLO senior figures, car bomb, Rome, June 1982
PLO senior official, car bomb, Paris, July 1982
PLO senior official, drive-by, Athens, August 1983
PLO Secretary-General, drive-by, Athens, June 1986
PLO official, car bomb, Athens, October 1986
2 Palestinians, car bomb, Cyprus, February 1988 (1 other wounded)
PLO suspected head of intelligence, June 1992

What’s that? The ratio is 11 to 335 and the Israelis want to call it a massacre? If you count the Palestinians killed in the initial Black September attack on the PLO in Jordan, the comparison becomes irrelevant.

But the Munich ratio is nothing compared to the 1,500 Gazans killed in Operation Cast Lead. Now there’s a massacre.

*ON THE OTHER HAND. The botched hostage rescue in Munich might very well have been a massacre. Do we really want to go there? The German snipers who initiated the gun battle at Furstenfeldbruck Airbase may really have behaved with a total disregard to the fate of the Israeli hostages. With the antisemitism that prevailed in Europe, and still prevails there among the working classes, it’s very likely the policemen looked at the gunmen and their captives with equal scorn. If the bound Israelis weren’t hit in the crossfire, it could certainly be held that the sniper attack provoked their killing. The coverup and subsequent private financial settlement reached between Germany and the Israeli survivors suggests a culpability of the like. In that respect, if European Jews look back at Munich 1972 and say it was a massacre, I believe them.

Do the 2012 London Olympics need extra security forces to protect Israeli athletes or to arrest them?

Organizers are worried about inadequate security for the Olympic Games set to begin next month in London. What security threat are they anticipating exactly? It’s true the Olympics have become a bullseye for globalization critics. More and more, both athletes and groupies represent the jet set. But other than past indigenous protests in the Commonwealth territories, which amounted to no more than nonviolent blockades, what does the UK need paramilitary forces to defend against this time? Another 1972 Munich massacre? At the summer Olympics in Munich, the Israeli wrestling team was murdered by PLO terrorists called the “Black September Brigade”, but the official narrative leaves off that the Israeli athletes were targeted because they were IDF soldiers who’d participated in the counter-insurgent near-complete rout of the PLO, known as Black September. So that raises an interesting question. Is London expecting to host Israeli athletes who were veterans of Operation Cast Lead or the attack on the Mavi Marmara, whose assassinations someone might want to avenge? British authorities could address that most handily with preemption, because this time the IDF campaign against Gaza was widely regarded to have violated international law. Warn Team Israel that any such veteran setting foot in England would face prosecution for war crimes. While London is at it, issue the same warning to Team USA. Yeah, and Team UK, and Team Germany, et cetera, for Afghanistan, Libya, now Syria. It’s become the 2012 NATO War Criminals Olympics, gone professional, no amateur status terrorists need apply.

Coppelia and the Viennese Hesitation

If you are hardwired with a cultural affliction like mine, if you find yourself with a compulsive affinity for the waltz, I’ll wager you will also be a sucker for what’s called the Viennese Hesitation. It was just such a hook that led me to a Slav melody that immersed me into a ballet called Coppélia, two days ago, and I still haven’t surfaced.
 
Any fan of ballet, or parent whose child has studied dance, will know about this beguiling comic classic. To the rest of us unwashed, Coppélia or The Girl with Enamel Eyes, draws a blank, likewise even of its composer, Leo Delibes. Most of us outside the world of dance think ballet is all nutcrackers and swans, or the usual literary themes transposed to choreography. What are ballets but silent films to opera’s talkies? In today’s terms, ballet scores were the first soundtracks, and if you find new film scores overwrought, you might be delighted to alight on Delibes and his clever heroine, yes, Swanilda.

The title character Coppélia is actually a doll, the creation of aging Dr. Coppelius in his efforts to fashion his idealized bride. Seated in a window above the square, the mechanical beauty entrances the village boys, in particular Swanilda’s suitor Franz, so it falls to the assertive girl to break the spell. Hilarity ensues. Or, beyond the traditional lighthearted reading…

You may not recognize the name Delibes, but you know his Mazurka. And I’ll bet you can hum his Pizzicato (a divertissement from Silvia) in its entirety. Tchaikovsky said if he’d fully appreciated Delibes’ mastery of composing for the ballet, he would not have dared write Swan Lake.

If you’d like to share my Coppélia experience, I’d love to curate it for you. Start with the Royal Ballet production available on Youtube, mostly because the entire performance is there, and its intertitles explain the plot. There are more lauded productions, but Youtube has enough of their highlights to satiate without testing your patience with Netflix. That said, you’ll want to put the 1994 Lyon Ballet adaptation to the top of your queue now, because we want to save that for last.

The 2000 Royal Ballet production provides an ideal example of a classic interpretation of COPPÉLIA on a Disney budget. The comedy is writ large enough for opera glasses in the nosebleed seats. The choreography is traditional with a Sorcerers Apprentice perfection to it. The costumes are precisely Galician, where this adaptation of a Hoffman tale is set, an agrarian village in a region now part of the Ukraine, but in 1870 belonged to the Austro-Hungarian Empire. The red boots go to the Hungarian wine makers who dance the Csardas, and the black boots to the Mazurka dancers returning from the wheat harvest.

Unfortunately the Royal Ballet appeared satisfied to play to the popular misconception that the story of Coppélia is a trifle. I’ll suggest as a rebuttal the 2001 production staged by the National Ballet School of Paris, where the students were clearly able to imbue the lovers with emotion and spirit. This Swanilda is danced by a 16-year-old ballerina, by coincidence the same age as the Italian-Parisian who originated the part before she succumbed to disease after the 18th performance, during the Prussian siege of Paris.

The student production dispenses with Act III, which was all divertissements as you’ll have noted, beautiful musical scenes, but extraneous to the plot, although the love story looses the enchanting La Paix (Peace) variation and the Dance de Fete pas de deux. But they manage to sneak in Act III’s La Fileuse into a dance.

By the way, in my opinion this production makes the very best of the aforementioned hesitation, basically a hanging pause. There’s a suspended hesitation inherent in every waltz, Viennese or otherwise, but Delibes renders this one monumental. In the Theme Slav in question, the fickle Franz punctuates each break with an entreaty, and each time Swanilda resumes her dance. Other choreographies of the Them Slav don’t even slow for those moments, some notably expunge the hesitations from the score altogether.

(Note: If you are curious about the solo for Franz interposed into this variation, it’s a short Scena taken from Act II of Delibes’ 1866 ballet The Source.)

You can compare and contrast or not, but I will suggest checking on other Swanildas to flesh out the flirtations, coy games and lovers quarrels of Act I. For example, ?do not miss Lucia Lacarra of the Munich production, in particular this less coy prelude to the Ballade de L’epi.

For a heartier rendition of the first folk dance, check out the 1993 Kirov Ballet Mazurka.

You will want to see Lisa Parvane of the 1990 Melborne Ballet, in the denouement of Act II, made to dance for Coppelius’ amusement, the Boléro Spanish dancer, and Gigue referred to as the Scottish reel, (actually “Gigue” pronounced in French is Jig), but mostly for the cathartic finale, where the mad Coppelius does not merely mourn the broken mechanical doll, as Delibes’ score makes clear, his heart breaks.

Where the students of Paris may have glossed over the old man’s loss, they did grasp the sociological theme of this tale, natural versus unnatural love, nature versus industrial modernity. The violin Ballade de L’Epi, where a spear of wheat is shaken to reveal if you’ve found true love. We know it as plucking the daisy. But where we’ve come to leave the outcome to chance, in a farming community the answer is sought from nature. Green grains will remain silent until they’re ripe and ready for harvest. This concept is faithfully conveyed by the students, as was the sequence which preceded it, where the tinkerer’s labors to animate his lone world are derided while the villagers anticipate the next day’s social festivities.

If you’re still looking for what makes COPPÉLIA more than a silly tale, you’re ready for the absolutely mesmerizing modernized interpretation filmed by the Opera Ballet de Lyon.

Lyon is not coincidentally France’s industrial center, and here the Coppelius malaise is contemporary. Ballet purists appeared to be aghast, and isn’t that the surest sign of a heretical message? Extracts one and two are online and make obvious this production pulls COPPÉLIA right back from the purgatory of children’s repertory. And here it helps I think to know the tale they’re supposed to be telling, to see what they really have to say. The peasants of Lyon are today much the wiser to the false reality foisted upon them by industrial culture. Their Mazurka is a silent glare. Swanilda’s waltz is a childish mocking of the inanimate Deneuve clone.

While some have describe the Lyon staging as a new twist on the tale, I’d say it’s a brilliant reexamination that gets to the core of why Coppélia became an immediate classic in the first place.

An aside about the Theme Slav. Like Offenbach and other contemporaries composing for the ballet, Delibes borrowed from folk melodies to inform his dances. His partner Saint-Leon returned from travels in Eastern Europe praising this popular melody he had overheard. The Slavic theme turned out not to have folk origins at all, but was a piece by composer Stanislaw Moniuszko, actually Poland’s national composer, author of numerous ballets and operas. Delibes gave credit where it was due, and the Slav melody stands out from among the indigenous varieties. At seven minutes it is Coppélia’s longest sequence. But it was Delibes who lent it the memorable hesitation motif which permeates the score.

In the Lyon production the musical hesitation comes in an early variation, a dramatic leap that already feels like it will haunt me forever.

COPPÉLIA celebrates the strength and wisdom of women, and nature, to overcome a young man’s hesitation, where that of the old man may be doomed, and his technology damned.

The Cairo Declaration

The Cairo Declaration

gaza-freedom-march-cairo-egypt
Ambitions for a greater Gaza Freedom March have been set aside for another decade, but the hopeful delegates thwarted in Cairo issued the following declaration:

End Israeli Apartheid?
Cairo Declaration
?January 1, 2010

We, international delegates meeting in Cairo during the Gaza Freedom March 2009 in collective response to an initiative from the South African delegation, state:

In view of:

* Israel’s ongoing collective punishment of Palestinians through the illegal occupation and siege of Gaza;?

* the illegal occupation of the West Bank, including East Jerusalem, and the continued construction of the illegal Apartheid Wall and settlements;?

* the new Wall under construction by Egypt and the US which will tighten even further the siege of Gaza;?

* the contempt for Palestinian democracy shown by Israel, the US, Canada, the EU and others after the Palestinian elections of 2006;?

* the war crimes committed by Israel during the invasion of Gaza one year ago;?

* the continuing discrimination and repression faced by Palestinians within Israel;?

* and the continuing exile of millions of Palestinian refugees;?

* all of which oppressive acts are based ultimately on the Zionist ideology which underpins Israel;?

* in the knowledge that our own governments have given Israel direct economic, financial, military and diplomatic support and allowed it to behave with impunity;?

* and mindful of the United Nations Declaration on the Rights of Indigenous People (2007)

We reaffirm our commitment to:

Palestinian Self-Determination?Ending the Occupation?Equal Rights for All within historic Palestine?The full Right of Return for Palestinian refugees.

We therefore reaffirm our commitment to the United Palestinian call of July 2005 for Boycott, Divestment and Sanctions (BDS) to compel Israel to comply with international law.

To that end, we call for and wish to help initiate a global mass, democratic anti-apartheid movement to work in full consultation with Palestinian civil society to implement the Palestinian call for BDS.

Mindful of the many strong similarities between apartheid Israel and the former apartheid regime in South Africa, we propose:

1) An international speaking tour in the first 6 months of 2010 by Palestinian and South African trade unionists and civil society activists, to be joined by trade unionists and activists committed to this programme within the countries toured, to take mass education on BDS directly to the trade union membership and wider public internationally;

2) Participation in the Israeli Apartheid Week in March 2010;

3) A systematic unified approach to the boycott of Israeli products, involving consumers, workers and their unions in the retail, warehousing, and transportation sectors;

4) Developing the Academic, Cultural and Sports boycott;

5) Campaigns to encourage divestment of trade union and other pension funds from companies directly implicated in the Occupation and/or the Israeli military industries;

6) Legal actions targeting the external recruitment of soldiers to serve in the Israeli military, and the prosecution of Israeli government war criminals; coordination of Citizen’s Arrest Bureaux to identify, campaign and seek to prosecute Israeli war criminals; support for the Goldstone Report and the implementation of its recommendations;

7) Campaigns against charitable status of the Jewish National Fund (JNF).

We appeal to organisations and individuals committed to this declaration to sign it and work with us to make it a reality.

Signed by:

(* Affiliation for identification purposes only.)

1. Hedy Epstein, Holocaust Survivor/ Women in Black*, USA?
2. Nomthandazo Sikiti, Nehawu, Congress of South African Trade Unions (COSATU), Affiliate International Officer*, South Africa?
3. Zico Tamela, Satawu, Congress of South African Trade Unions (COSATU) Affiliate International Officer*, South Africa?
4. Hlokoza Motau, Numsa, Congress of South African Trade Unions (COSATU) Affiliate International Officer*, South Africa?
5. George Mahlangu, Congress of South African Trade Unions (COSATU) Campaigns Coordinator*, South Africa?
6. Crystal Dicks, Congress of South African Trade Unions (COSATU) Education Secretary*, South Africa?
7. Savera Kalideen, SA Palestinian Solidarity Committee*, South Africa?
8. Suzanne Hotz, SA Palestinian Solidarity Group*, South Africa?
9. Shehnaaz Wadee, SA Palestinian Solidarity Alliance*, South Africa?
10. Haroon Wadee, SA Palestinian Solidarity Alliance*, South Africa?
11. Sayeed Dhansey, South Africa?
12. Faiza Desai, SA Palestinian Solidarity Alliance*, South Africa?
13. Ali Abunimah, Electronic Intifada*, USA?
14. Hilary Minch, Ireland Palestine Solidarity Committee*, Ireland?
15. Anthony Loewenstein, Australia?
16. Sam Perlo-Freeman, United Kingdom?
17. Julie Moentk, Pax Christi*, USA?
18. Ulf Fogelström, Sweden?
19. Ann Polivka, Chico Peace and Justice Center*, USA?
20. Mark Johnson, Fellowship of Reconciliation*, USA?
21. Elfi Padovan, Munich Peace Committee*/Die Linke*, Germany?
22. Elizabeth Barger, Peace Roots Alliance*/Plenty I*, USA?
23. Sarah Roche-Mahdi, CodePink*, USA?
24. Svetlana Gesheva-Anar, Bulgaria?
25. Cristina Ruiz Cortina, Al Quds-Malaga*, Spain?
26. Rachel Wyon, Boston Gaza Freedom March*, USA?
27. Mary Hughes-Thompson, Women in Black*, USA?
28. David Letwin, International Jewish Anti-Zionist Network (IJAN)*, USA?
29. Jean Athey, Peace Action Montgomery*, USA?
30. Gael Murphy, Gaza Freedom March*/CodePink*, USA?
31. Thomas McAfee, Journalist/PC*, USA?
32. Jean Louis Faure, International Jewish Anti-Zionist Network (IJAN)*, France?
33. Timothy A King, Christians for Peace and Justice in the Middle East*, USA?
34. Gail Chalbi, Palestine/Israel Justice Project of the Minnesota United Methodist Church*, USA?
35. Ouahib Chalbi, Palestine/Israel Justice Project of the Minnesota United Methodist Church*, USA?
36. Greg Dropkin, Liverpool Friends of Palestine*, England?
37. Felice Gelman, Wespac Peace and Justice New York*/Gaza Freedom March*, USA?
38. Ron Witton, Australian Academic Union*, Australia?
39. Hayley Wallace, Palestine Solidarity Committee*, USA?
40. Norma Turner, Manchester Palestine Solidarity Campaign*, England?
41. Paula Abrams-Hourani, Women in Black (Vienna)*/ Jewish Voice for Just Peace in the Middle East*, Austria?
42. Mateo Bernal, Industrial Workers of the World*, USA?
43. Mary Mattieu, Collectif Urgence Palestine*, Switzerland?
44. Agneta Zuppinger, Collectif Urgence Palestine*, Switzerland?
45. Ashley Annis, People for Peace*, Canada?
46. Peige Desgarlois, People for Peace*, Canada?
47. Hannah Carter, Canadian Friends of Sabeel*, Canada?
48. Laura Ashfield, Canadian Friends of Sabeel*, Canada?
49. Iman Ghazal, People for Peace*, Canada?
50. Filsam Farah, People for Peace*, Canada?
51. Awa Allin, People for Peace*, Canada?
52. Cleopatra McGovern, USA?
53. Miranda Collet, Spain?
54. Alison Phillips, Scotland?
55. Nicholas Abramson, Middle East Crisis Response Network*/Jews Say No*, USA?
56. Tarak Kauff, Middle East Crisis Response Network*/Veterans for Peace*, USA?
57. Jesse Meisler-Abramson, USA?
58. Hope Mariposa, USA?
59. Ivesa Lübben. Bremer Netzwerk fur Gerechten Frieden in Nahost*, Germany?
60. Sheila Finan, Mid-Hudson Council MERC*, USA?
61. Joanne Lingle, Christians for Peace and Justice in the Middle East (CPJME)*, USA?
62. Barbara Lubin, Middle East Children’s Alliance*, USA?
63. Josie Shields-Stromsness, Middle East Children’s Alliance*, USA?
64. Anna Keuchen, Germany?
65. Judith Mahoney Pasternak, WRL* and Indypendent*, USA?
66. Ellen Davidson, New York City Indymedia*, WRL*, Indypendent*, USA?
67. Ina Kelleher, USA?
68. Lee Gargagliano, International Jewish Anti-Zionist Network (Chicago)*, USA?
69. Brad Taylor, OUT-FM*, USA?
70. Helga Mankovitz, SPHR (Queen’s University)*, Canada?
71. Mick Napier, Scottish Palestine Solidarity Campaign*, Scotland?
72. Agnes Kueng, Paso Basel*, Switzerland?
73. Anne Paxton, Voices of Palestine*, USA?
74. Leila El Abtah, The Netherlands?
75. Richard, Van der Wouden, The Netherlands?
76. Rafiq A. Firis, P.K.R.*/Isra*, The Netherlands?
77. Sandra Tamari, USA?
78. Alice Azzouzi, Way to Jerusalem*, USA?
79. J’Ann Schoonmaker Allen, USA?
80. Ruth F. Hooke, Episcopalian Peace Fellowship*, USA?
81. Jean E. Lee, Holy Land Awareness Action Task Group of United Church of Canada*, Canada?
82. Delphine de Boutray, Association Thèâtre Cine*, France?
83. Sylvia Schwarz, USA?
84. Alexandra Safi, Germany?
85. Abdullah Anar, Green Party – Turkey*, Turkey?
86. Ted Auerbach, USA?
87. Martha Hennessy, Catholic Worker*, USA?
88. Father Louis Vitale, Interfaile Pace e Bene*, USA?
89. Leila Zand, Fellowship of Reconciliation*, USA?
90. Emma Grigore, CodePink*, USA?
91. Sammer Abdelela, New York Community of Muslim Progressives*, USA?
92. Sharat G. Lin, San Jose Peace and Justice Center*, USA?
93. Katherine E. Sheetz, Free Gaza*, USA?
94. Steve Greaves, Free Gaza*, USA?
95. Trevor Baumgartner, Free Gaza*, USA?
96. Hanan Tabbara, USA?
97. Marina Barakatt, CodePink*, USA?
98. Keren Bariyov, USA?
99. Ursula Sagmeister, Women in Black – Vienna*, Austria?
100. Ann Cunningham, Australia?
101. Bill Perry, Delaware Valley Veterans for Peace*, USA?
102. Terry Perry, Delaware Valley Veterans for Peace*, USA?
103. Athena Viscusi, USA?
104. Marco Viscusi, USA?
105. Paki Wieland, Northampton Committee*, USA?
106. Manijeh Saba, New York / New Jersey, USA?
107. Ellen Graves, USA?
108. Zoë Lawlor, Ireland – Palestine Solidarity Campaign*, Ireland?
109. Miguel García Grassot, Al Quds – Málaga*, Spain?
110. Ana Mamora Romero, ASPA-Asociacion Andaluza Solidaridad y Paz*, Spain?
111. Ehab Lotayef, CJPP Canada*, Canada?
112. David Heap, London Anti-War*, Canada?
113. Adie Mormech, Free Gaza* / Action Palestine*, England?
114. Aimee Shalan, UK?
115. Liliane Cordova, International Jewish Anti-Zionist Network (IJAN)*, Spain?
116. Priscilla Lynch, USA?
117. Jenna Bitar, USA?
118. Deborah Mardon, USA?
119. Becky Thompson, USA?
120. Diane Hereford, USA?
121. David Heap, People for Peace London*, Canada?
122. Donah Abdulla, Solidarity for Palestinian Human Rights*, Canada?
123. Wendy Goldsmith, People for Peace London*, Canada?
124. Abdu Mihirig, Solidarity for Palestinian Human Rights-UBC*, Canada?
125. Saldibastami, Solidarity for Palestinian Human Rights-UBC*, Canada?
126. Abdenahmane Bouaffad, CMF*, France?
127. Feroze Mithiborwala, Awami Bharat*, India?
128. John Dear, Pax Christi*, USA?
129. Ziyaad Lunat, Portugal?
130. Michael Letwin, New York City Labor Against the War (NYCLAW)?
131. Labor For Palestine

Bishop Williamson and Auschwitz 1.0

Bishop Williamson and Auschwitz 1.0

Arbeit Macht Frei
I am curious as to why a Roman Catholic bishop would risk a second excommunication over the historic particulars of the Holocaust. Bishop Richard Williamson is being labeled a “Holocaust Denier” because he questions the extent, and mechanism, of the official version of the Holocaust. Because Williamson is also criticized for his skepticism about the official 9/11 narrative, and for his praise for the Unabomber’s manifesto, I want to take a closer look, and wonder what is he reading?

Bishop Richard WilliamsonHere’s what the outspoken Williamson told Swedish SVT in a November 2008 interview, as transcribed by the BBC:

“I believe that the historical evidence is strongly against, is hugely against, six million Jews having been deliberately gassed in gas chambers as a deliberate policy of Adolf Hitler… I believe there were no gas chambers [during World War II]”

First, I’m compelled to pose a naive question: If we can all agree that Jews died in huge numbers by incomparable horrors at the hands of the Nazis, would it matter what the exact death toll was, or which killing method predominated? Why? What is the need for laws to restrict historians who are trying to reconstruct the record from emerging facts? Must preemptive “anti-defamation” laws mandate that historians stick to the official “untold” number and “indescribable” evil?

Even if we postulate, albeit cynically, that Holocaust reverence is critical to upholding American public support for Israel‘s “right to exist” in the Middle East, how could a revision of the casualties, in any case a horrific magnitude, make an difference?

Millions of Jews fell victim to the Third Reich. No one is denying it, and historical revision is not trying to bring the Holocaust victims back to life. Holocaust Remembrance of the Jewish victims has remained a political priority around the world, advocating commemoration in education, literature, civic life, and pop culture. Why then, an aversion to scrutiny?

Last week a fellow Society of St. Pius X member, Rev. Floriano Abrahamowicz was ejected from SSPX for coming to Williamson’s and the Pope’s defense.

While the usual politicians and Jewish community leaders are voicing their indignation, can we ask, are the Bishop’s beliefs really at odds with accepted orthodoxy? The media will reiterate that the Six Million figure has always been beyond dispute. All the while, official scholarship has been recording otherwise. In Germany, revisionist historians are jailed for Holocaust Denial. Yet bit by bit, mainstream historians have been able to publish divergent theses which withstand legal refutation.

For the sake of argument, let’s dismiss all the “deniers” as kooks, and look only at the traditionally vetted voices.

On the subject of Auschwitz, where four million of the total six million Jews were believed to have perished, Der Spiegel managing editor Fritjof Meyer a continued critic of revisionism, summarized in Osteuropa 52, 5/2002, p. 631:

“In 1945, the Soviet Investigatory Commission numbered four million victims in the National Socialist work and extermination camp of Auschwitz-Birkenau, a product of war propaganda. Under coercion, camp Commandant Höß named three million and recanted. Up until now, how many people actually fell victim to this singular mass murder could only be estimated. The first Holocaust historian, Gerald Reitlinger, assumed one million, while the latest state of research estimated it to be several hundred thousand fewer.”

Naturally even Meyer touched off a firestorm by integrating the sum of official scholarship into the big picture. The difficulties which historians face in reaching variant findings are explained by another mainstream scholar, noted Hitler historian Dr. Werner Maser, Professor for History and International Law, Munich University, Falsification, Legend, and Truth about Hitler and Stalin, Olzog, Munich 2004, on p.332

“To be sure, […] the extermination of the Jews is considered to be one of the best researched aspects of contemporary history […], but that is not the case. […] Indeed, whole regions remain as much terra incognita as ever, […] German historians exhibit timidity about taking on the horrible issue and possibly bringing to light details that do not agree with the accounts which have multiplied for a very long time.”

And about the deterrence of the Holocaust Denial laws:

“The sword of Damocles hovers over historians (not only in Germany) who portray the controversial phases of history as they ‘actually were’ – and identify the frequently even officially codified ideological specifications as falsifications of history.”

The question of the gas chambers is raised by the absence of evidence. According to major Holocaust authority Dr. Arno J. Mayer, Professor of Modern Jewish History at Princeton University, in Why Did the Heavens Not Darken? The “Final Solution” in History, Pantheon, New York 1990, p. 362:

“Sources for the study of the gas chambers are at once rare and unreliable. Even though Hitler and the Nazis made no secret of their war on the Jews, the SS operatives dutifully eliminated all traces of their murderous activities and instruments. No written orders for gassing have turned up thus far. The SS not only destroyed most camp records, which were in any case incomplete, but also razed nearly all killing and crematory installations well before the arrival of Soviet troops. Likewise, care was taken to dispose of the bones and ashes of the victims.”

Justifiably, scholars are skeptical that the complete absence of evidence should be taken as proof of its existence and total suppression. Some camps were overrun before the Germans could destroy any part of them. Mayer continues, p. 163:

“In the meantime, there is no denying the many contradictions, ambiguities, and errors in the existing sources. […] Much the same is true of for the conflicting estimates and extrapolations of the number of victims, since there are no reliable statistics to work with. […] Both radical skepticism and rigid dogmatism about the exact processes of extermination and the exact number of victims are the bane of sound historical interpretation”

In light of the before-sited Wannsee Conference documents now being considered post-war forgeries, Mayer explains, p 163:

“To date there is no certainty about who gave the order, and when, to install the gas chambers used for the murder of Jews at Auschwitz. As no written command has been located, there is a strong presumption that the order was issued and received orally”

With no written record of a “Final Solution,” and the implausibility of a completely vaporized paper trail, mainstream scholars have had to improvise an explanation for how an extermination directive was disseminated. University of Vermont Professor Raul Hilberg, member of US Holocaust Memorial Council, author of The Destruction of the European Jews, (Holmes & Meyer, New York 1985), was quoted in Newsday, Feb. 23, 1983:

“But what began in 1941 was a process of destruction [of the Jews] not planned in advance, not organized centrally by any agency. There was no blueprint and there was no budget for destructive measures. They [these measures] were taken step by step, one step at a time. Thus came about not so much a plan being carried out, but an incredible meeting of minds, a consensus mind reading by a far-flung [German] bureaucracy.”

Hilberg himself ran into trouble with the authorized version, because he refused to corroborate tales of Jewish rebellion against their Nazi jailers. His group-think theory extended to the Jews themselves, putting emphasis on their acceptance of being exploited as war industry slave labor.

“I had to examine the Jewish tradition of trusting God, princes, laws and contracts […] Ultimately I had to ponder the Jewish calculation that the persecutor would not destroy what he could economically exploit. It was precisely this Jewish strategy that dictated accommodation and precluded resistance.”

That’s where the extermination camp thesis becomes less probable than the work camp. Perhaps the Jews didn’t resist because they were being worked, not gassed. Worked to death, of course, but dying as more a consequence of wartime Germany’s depleting resources, than from a deliberate eradication effort. Evidence is plentiful of the work camps and dead bodies.

And isn’t that the answer to my innocent question? To doubt whether the murder weapon was a pistol or a knife, means calling into question the crime entirely. That’s why revisionists are decried for being “deniers.” While we presume the distinction makes little difference, because clearly a murder was committed regardless, the prosecutor constructing the accusations wants to prove his motive and not another.

There are many details about which historians have begun to disagree. Many of the witness accounts have been proven to be unreliable. Even Elie Wiesel was compelled to reclassified his memoir as a novel. The Holocaust as later generations have come to know it was not as the WWII generation saw it. Even those soldiers who encountered the atrocities themselves.

Professor Hilberg recounts studying at Brooklyn College under Hans Rosenberg, a fellow Jew. Even in the wake of the haunting newsreels of the concentration camps, Hilberg records that Rosenberg remarked in a 1948 lecture:

“The most wicked atrocities perpetrated on a civilian population in modern times occurred during the Napoleonic occupation of Spain.”

I don’t really subscribe to the idea that the Holocaust is diminished by learning that the WWII concentration camp victims died from systemic and despotic abuse, starvation and exhaustion. But those holding the secrets believe that the concept of the Holocaust being the greatest evil perpetrated upon mankind falls apart if cracks are allowed to form in the accepted narrative.

Perhaps the German population, and for that matter, the Catholic Church, did not intercede more vigorously because there was no premeditated extermination program. We can say now that German reinforcements being sent to the Russian Front knew they were being sent to their deaths, but this is only with hindsight.

Is this Bishop Williamson’s interest in revisiting the Holocaust, to rehabilitate the church’s role? I doubt it. The Catholic church cannot escape culpability for its instrumental role in support of the Nazis, guilty of ware crimes and crimes against humanity, initiating a war of aggression being the chief charge at the Nuremberg Trials for example, before even taking into account the concentration camps.

Perhaps the American industrialists and bankers who knew about the camps did not interfere because they understood the camps were for the supply of slave labor. Isn’t this a key enigma of the Holocaust, as we grapple with it? How could we have not known? How could this have been allowed to happen?

Perhaps the signs above the camp gates which read ARBEIT MACHT FREI, work earns freedom, meant what they said. They might have been inescapable ironies, but not the cruel mockery of which we accuse the Germans.

Why would factories like IG Farben and Krupp want to liquidate their valuable cheap workforce? Why would camps meant to exterminate have infirmaries? Why would the wardens treat inmates for illness while simultaneously sending incoming transports to directly to ovens?

Today the popular conscience has been saturated with the ghostly images of the concentration camp victims. How to explain the emaciated inmates discovered by the liberating troops, many of whom could not be saved from dying, even under the administration of the liberators? Dr. Arno J. Mayer concedes this explanation, p. 365

“[…] the whole of Auschwitz was intermittently in the grip of a devastating typhus epidemic. The result was an unspeakable death rate. […] There is a distinction between dying from ‘natural’ or ‘normal’ causes and being killed by shooting, hanging, phenol injection, or gassing. […] from 1942 to 1945, certainly at Auschwitz, but probably overall, more Jews were killed by so-called ‘natural’ causes than by ‘unnatural’ ones.”

This is not to diminish the crime of the Holocaust one iota. The German people, the industrialists, the church, the anti-Semites, are far more guilty because the crime against the Jews was banal and common. It was not devised by agents of unspeakable evil.

Other aspiring genocidal nations and peoples cannot excuse their acts because their methods fall demonstrably below the mythic proportions of the Holocaust.

ig-farben-auschwitz

C.E.L.L. house of horror indoctrination

C.E.L.L. house of horror indoctrination

THE CELL passcardDENVER, COLORADO-
The visitor brochure explains that THE C.E.L.L. exhibit SHATTERED LIVES is “designed to encourage critical thinking.” But a step through its doors proves it intends everything but. With a patronizing audacity beyond Orwell, these A.G.E.N.T.S. lurk with sensory trauma to infect your personal American idyll with fear.

To my mind, they’re Alarmist Goons Elevating a Nonsensical Terrorism Scare.

Picture-taking is forbidden beyond the lobby doors, but after the collage assemblage in the atrium, there’s nothing to photograph. The ticketed portion of the ride consists of crooked halls filled simply with video screens, projections, and blurbs of text on the walls; self-described “sophisticated multimedia techniques.” Monitors and kiosks are peppered throughout in multiples, as if the installation were anticipating subway-strength traffic making a beeline through; or large school groups with no freedom to move laterally.

Of course, the omniscient repetition also indoctrinates us subliminally. The TV news clips sample a half dozen terrorism incidents, Munich, Lockerbie, Nairobi, et EL AL. Remote voices accompany still photos of bloodied carnage. Fear falling shards Amidst the intonations of observers and analysts ring two repeated motifs: JFK’s mocking condemnation of terrorists, and Edmund Burke’s admonition “All that is necessary for the triumph of evil is that good men do nothing.” Someone can’t resist that adage. I wonder if it’s true.

PUTS YOU AT THE SCENE
Before I relate the plenty creepy details, I’ll jump straight to the orchestration’s third movement. Perhaps someone else can compare the programming of THE CELL according to known indoctrination stratagems. I’ll call the third chamber the climax. Automatically-timed doors enforce a six-minute collective “immersion.” Signs warn away anyone with a weak heart, etc, although I didn’t see an alternate passage around. Neither do the doors allow anyone to pass quickly through. They release the previous group before locking to entrap the next.

( S P O I L E R – A L E R T )
Inside, a video-surround chamber simulates a camera obscura viewpoint, first we’re at a summer fair in Denver’s Civic Center Park, then outside the DAM, then a sunny morning on the 16th Street Mall. The movement of bystanders and passersby around us sometimes slows or accelerates. Until SUDDENLY –OF COURSE– we’re at the epicenter of a FURIOUS EXPLOSION and our mid-west urban tranquility is engulfed in fire. Soon enough, floating in the flames come images of urban battlefields, destruction and carnage. Eventually we can recognize the iconic photographs of Pan Am Flight 103, and the rescue of embassy employees in Kenya, about which we were just reminded in the previous chamber. Then we’re treated to a large text message which reminds us that a terrorist attack can strike “anyone, anytime, anywhere,” and we’re released into an antechamber of analysis.

Actually, claustrophobes might want to know that every segment of THE CELL is time-released. But there will be intrusive control elements to offend everyone.

PERSONALIZED ID
For starters, the entrance fee is $8, or $6 to Coloradans. Can you think of why the cost of admission would be more expensive for out-of-state visitors? I can’t. But the discount means patrons must show their ID to buy a ticket. The clerk issues a computer receipt.

Along with your ticket you get a magnetic passcard which you’re instructed to use at progressive kiosks along your route. You swipe your card to gain access to biographical information about a particular victim of terror. The first row of kiosks will reveal a first page of info, a later pod will reveal a second page, etc. No matter which kiosk, your card will only access a single bio, meaning passcards are keyed to the visitor. Mine brought up a middle aged professor whose life was shattered by terrorism. Perhaps a younger visitor would be given a passcard corresponding to a like-aged victim of “Shattered Lives.” Learning, as their own immersion into THE CELL progressed, how their adopted personage fared in THEIR brush with terrorism.

INDOCTRINATION
Let’s see. First chamber: Kennedy, Burke and multimedia barrage. Second chamber: news clips, kiosks with bio part one. Third chamber: BOOM. Fourth chamber: Rand Corporation analysts, so-called experts sitting beneath bookshelves of law books. Dershowitz and the usual talking heads that you see as FOX advisers. One important meme is the accusation that the internet is increasingly being used as a propaganda tool of the Islamists. Websites, blogs, chat rooms are suspect. Trust only the credentialed media apparently…

Two of videos in the last chamber are timed so that you have to watch one, then the other. They include snippets of the videos available at the interactive displays, in case you had chosen not to watch them. There are numerous clips from Islamic television which purport to demonstrate how Muslim children are being indoctrinated against the west.

No forewarningPHOTOGRAPHS:
Here is what greets us at the entrance of THE CELL, before we even get to the exhibit. First, flashing images of violence and victims. Next, a collage of the FACES OF TERROR. Already we are able to recognize faces from the video sequences on the first wall. (Are there so few victims of terrorism? Or are the show’s makers deliberately limiting the selection of iconic fear-triggers?)

Faces of Terror
Faces of fear. Isn’t that what “terror” means? We can project ourselves in those images. Faces forever fearful.

Bright dark future for terrorismNext a map with cross-hairs roaming at seemingly random locations “anywhere.” The text explains that acts of terrorism began in the latter 20th century, and apparently EL AL airline was its principle early target.

Definition of Terrorism
What young scholar’s essay does not begin with a “definition?” In this case the word, even more typically, is “for various political, social and cultural reasons” defies definition. How extraordinary! (It reminds me of the www.thecell.org website, which by any standard is written for under-sophisticated readers.)

Terrorism shatters lives
Here’s the exhibit’s theme, SHATTERED LIVES, adjacent the reception desk ticket counter. The wall is papered with names, resembling the black marble of the Vietnam War Memorial Wall, probably these are names from the WTC.

I was directed to take no pictures of the main installation, but I pulled my camera out again right before the exit door.

Mayor Hickenlooper says thanks
There I found Denver Mayor Hinckenlooper thanking everyone for visiting the C.E.L.L. and urging us to become active eyes and ears against the terrorist threat.

Giuliani says helloOf course, could there be any official statement about 9/11 without ex New York Mayor Rudy Giuliani weighing in? Etc, etc, and so it goes.

But I loved one of the parting shots, TV footage of Giuliani at Ground Zero in 2001 showed him wearing a mask. There’s the brave mayor making a quick round of handshakes, with workers notably not wearing any protection. Every one of those workers is now most famously dead, or suffering respiratory ailments in NYC hospices. While Giuliani still tramps around as 911 hero.

Wears mask at Ground Zero

(See previous NMT article about THE CELL.)

DHS and AIPAC implant fear cancer CELL, a house of horrors in Denver museum circuit (Photos) (Spoiler)

DHS and AIPAC implant fear cancer CELL, a house of horrors in Denver museum circuit (Photos) (Spoiler)

the-CELL-center-for-empowered-living-and-learning
DENVER, COLORADO- Just in time for this year’s 9/11 commemoration, and in the spirit of deepening America’s public commitment to the self- described endless Global War On Terror, comes THE CELL, a permanent museum exhibit to keep US citizens vigilant to the treat of terrorism. The DHS has provided funds to AIPAC and erstwhile Jewish lobbyists to build this display at the Mizel Museum next to the Denver Art Museum. You might well ask, WHAT are Israeli/Jewish interests doing fanning the flames of the so-called GWOT?

From ML:

collaborators are Rand, MIPT, Lawson Terrorism Information Center, AIC, Melanie Pearlman, regional director of AIPAC, Toby Dershowitz, Courtney Green (Mizel’s daughter) Mark Dubowitz, David Grey, Michael Inlander, Jonathan Schanzer, David Heyman, Brian Michael Jenkins, spook, mercenary, and false flag agent with Kroll Associates, who was in charge of WTC security and hired John O’Neill, who fingered the US ambassador to Yemen in the USS Cole bombing, and who was killed on 9/11, and Clifford May, of the RMN, NY Times, Committee on the Present Danger, and Foundation for the Defense of Democracies, ngo CIA fronts.

The CELL is an acronym for Center for Empowered Living and Learning, but in a political world where a reference to “lipstick” is automatically taken to refer to the Ugly American fundamentalist/ bigot/ corrupt/ simpleton/ sow running for GOP VP, the word “cell” is incredibly unsubtle. It’s the dreaded “sleeper cell” of dormant terrorists, meant to allude to the malignant cancer cell poised to spread until its host is dead. Fighting cancer of course means excising every single trace of an inclination of a tumor. While “cell” also describes a small organization, it has another definition certainly inconvenient to our would-be DHS fear-mongering jailers.

It’s a prison cell to which we confine ourselves for the sake of “security.” This hysterical fear spreads like a cancer throughout our nation, seeded by 9/11 and apparently folks who think we need regular inoculations of fear cells.

the-cell-anyone-anytime-anywhereThe display at the CELL is called ANYONE, ANYTIME, ANYWHERE: UNDERSTANDING THE THREAT OF TERRORISM. It teaches people to join Neighborhood Watch programs, etc, and to keep in touch with the Department of Homeland Security.

When FDR said “the only thing we have to fear is fear itself,” he was encouraging Americans to overcome their fear. Like a parent’s bedside advice: there’s no bogeyman in the closet, it’s all in your head. How far have we fallen when our own leaders pervert FDR’s axiom to mean the only thing you have to fear is terror (fear itself). Never mind what you have to fear, just fear.

What then do AIPAC and the Simon Wiesenthal Center have to do with scaring Americans into serving the GWOT? Does Israel think that unless Americans are reminded to fear Islam, they might begin to question white man’s incursion into the Middle East? Are Israel’s atrocities against Palestine and Lebanon likely to come into question unless the American public is kept mesmerized by Muslim Terror?

To refer to terrorism as an ideology is already an adolescent fallacy. The term is even inappropriate to isolate a particular means of warfare. Terrorism may be a tactic, but you cannot differentiate between suicide bombers and aerial bombing, between beheadings and extra-judicial preemptive assassination, between kidnappings and extraordinary rendition and torture.
the-cell-doors
We’re making a visit to THE CELL today, by coincidence on 9/11.
I can’t wait to see how an entire exhibit is going to riff on the never forget always remember TO FEAR illogic. A little knowledge can plant the seed of fear, sufficient knowledge can weed it out.

UPDATE:
The good news is that THE CELL looks like a low-rent Sharper Image meets espionage store. What is the graphic on the front door, a sniper’s crosshairs? All the windows are mirrored except where neon text is scrolling cautionary warnings. In other windows silhouettes of crowds huddle together beneath illuminated shards of falling structures. Another window glamorizes rack after rack of data processing electronics.

denver-civic-center-cultural-complexThe main logo (photo at top of article) features a map of the world overlaid on a fingerprint. I had to laugh at the forced acronym. Center for Empowered Living and Learning. Isn’t to “Live and Learn” an expression for wisdom gained by experience, basically at the expense of mistakes made?

Most distressing however was to see this sign, an indication that the C.E.L.L. is not a temporary exhibit but an integral component of the Denver museum-scape. Does fear-mongering propaganda belong in the CULTURAL COMPLEX? Between Art, History and Library, a House of Horrors?

WE GO INSIDE!
THE CELL passcardThe visitor brochure explains that THE C.E.L.L. exhibit SHATTERED LIVES is “designed to encourage critical thinking.” But a step through its doors proves it intends everything but. With a patronizing audacity beyond Orwell, these A.G.E.N.T.S. lurk with sensory trauma to infect your personal American idyll with fear.

To my mind, they’re Alarmist Goons Elevating a Nonsensical Terrorism Scare.

Picture-taking is forbidden beyond the lobby doors, but after the collage assemblage in the atrium, there’s nothing to photograph. The ticketed portion of the ride consists of crooked halls filled simply with video screens, projections, and blurbs of text on the walls; self-described “sophisticated multimedia techniques.” Monitors and kiosks are peppered throughout in multiples, as if the installation were anticipating subway-strength traffic making a beeline through; or large school groups with no freedom to move laterally.

Of course, the omniscient repetition also indoctrinates us subliminally. The TV news clips sample a half dozen terrorism incidents, Munich, Lockerbie, Nairobi, et EL AL. Remote voices accompany still photos of bloodied carnage. Fear falling shards Amidst the intonations of observers and analysts ring two repeated motifs: JFK’s mocking condemnation of terrorists, and Edmund Burke’s admonition “All that is necessary for the triumph of evil is that good men do nothing.” Someone can’t resist that adage. I wonder if it’s true.

PUTS YOU AT THE SCENE
Before I relate the plenty creepy details, I’ll jump straight to the orchestration’s third movement. Perhaps someone else can compare the programming of THE CELL according to known indoctrination stratagems. I’ll call the third chamber the climax. Automatically-timed doors enforce a six-minute collective “immersion.” Signs warn away anyone with a weak heart, etc, although I didn’t see an alternate passage around. Neither do the doors allow anyone to pass quickly through. They release the previous group before locking to entrap the next.

( S P O I L E R – A L E R T )
Inside, a video-surround chamber simulates a camera obscura viewpoint, first we’re at a summer fair in Denver’s Civic Center Park, then outside the DAM, then a sunny morning on the 16th Street Mall. The movement of bystanders and passersby around us sometimes slows or accelerates. Until SUDDENLY –OF COURSE– we’re at the epicenter of a FURIOUS EXPLOSION and our mid-west urban tranquility is engulfed in fire. Soon enough, floating in the flames come images of urban battlefields, destruction and carnage. Eventually we can recognize the iconic photographs of Pan Am Flight 103, and the rescue of embassy employees in Kenya, about which we were just reminded in the previous chamber. Then we’re treated to a large text message which reminds us that a terrorist attack can strike “anyone, anytime, anywhere,” and we’re released into an antechamber of analysis.

Actually, claustrophobes might want to know that every segment of THE CELL is time-released. But there will be intrusive control elements to offend everyone.

PERSONALIZED ID
For starters, the entrance fee is $8, or $6 to Coloradans. Can you think of why the cost of admission would be more expensive for out-of-state visitors? I can’t. But the discount means patrons must show their ID to buy a ticket. The clerk issues a computer receipt.

Along with your ticket you get a magnetic passcard which you’re instructed to use at progressive kiosks along your route. You swipe your card to gain access to biographical information about a particular victim of terror. The first row of kiosks will reveal a first page of info, a later pod will reveal a second page, etc. No matter which kiosk, your card will only access a single bio, meaning passcards are keyed to the visitor. Mine brought up a middle aged professor whose life was shattered by terrorism. Perhaps a younger visitor would be given a passcard corresponding to a like-aged victim of “Shattered Lives.” Learning, as their own immersion into THE CELL progressed, how their adopted personage fared in THEIR brush with terrorism.

INDOCTRINATION
Let’s see. First chamber: Kennedy, Burke and multimedia barrage. Second chamber: news clips, kiosks with bio part one. Third chamber: BOOM. Fourth chamber: Rand Corporation analysts, so-called experts sitting beneath bookshelves of law books. Dershowitz and the usual talking heads that you see as FOX advisers. One important meme is the accusation that the internet is increasingly being used as a propaganda tool of the Islamists. Websites, blogs, chat rooms are suspect. Trust only the credentialed media apparently…

Two of videos in the last chamber are timed so that you have to watch one, then the other. They include snippets of the videos available at the interactive displays, in case you had chosen not to watch them. There are numerous clips from Islamic television which purport to demonstrate how Muslim children are being indoctrinated against the west.

No forewarningPHOTOGRAPHS:
Here is what greets us at the entrance of THE CELL, before we even get to the exhibit. First, flashing images of violence and victims. Next, a collage of the FACES OF TERROR. Already we are able to recognize faces from the video sequences on the first wall. (Are there so few victims of terrorism? Or are the show’s makers deliberately limiting the selection of iconic fear-triggers?)

Faces of Terror
Faces of fear. Isn’t that what “terror” means? We can project ourselves in those images. Faces forever fearful.

Bright dark future for terrorismNext a map with cross-hairs roaming at seemingly random locations “anywhere.” The text explains that acts of terrorism began in the latter 20th century, and apparently EL AL airline was its principle early target.

Definition of Terrorism
What young scholar’s essay does not begin with a “definition?” In this case the word, even more typically, is “for various political, social and cultural reasons” defies definition. How extraordinary! (It reminds me of the www.thecell.org website, which by any standard is written for under-sophisticated readers.)

Terrorism shatters lives
Here’s the exhibit’s theme, SHATTERED LIVES, adjacent the reception desk ticket counter. The wall is papered with names, resembling the black marble of the Vietnam War Memorial Wall, probably these are names from the WTC.

I was directed to take no pictures of the main installation, but I pulled my camera out again right before the exit door.

Mayor Hickenlooper says thanks
There I found Denver Mayor Hinckenlooper thanking everyone for visiting the C.E.L.L. and urging us to become active eyes and ears against the terrorist threat.

Giuliani says helloOf course, could there be any official statement about 9/11 without ex New York Mayor Rudy Giuliani weighing in? Etc, etc, and so it goes.

But I loved one of the parting shots, TV footage of Giuliani at Ground Zero in 2001 showed him wearing a mask. There’s the brave mayor making a quick round of handshakes, with workers notably not wearing any protection. Every one of those workers is now most famously dead, or suffering respiratory ailments in NYC hospices. While Giuliani still tramps around as 911 hero.

Wears mask at Ground Zero