Reactions visible to anyoneReactions visible to owner’s Close FriendsReactions only visible to youDraft entryVisible to anyone (with link)Visible to the member’s friends (with link)Only visible to you
not well-versed enough to say anything particular cohesive about this, but im just not convinced nolan was the right man on the job; him obviously being such a technician and obsessed with the spectacle; which sounds somewhat fitting given the scientific innovation and desire to create here, but i still don't think he juggles it well altogether; his sense of grandeur leaving the very much important human elements overlooked or undercooked imo; characters move in and out within the blink of an eye, all spouting some very dire exposition so we can forcibly move into the next part of oppenheimer's life - or the next step of the goal. additionally, he still has no idea how to write females and everyone here feels excruciatingly limited to motivation for oppenheimer as a character; or as a shallow move to add sentimentality. was very much into the dreamy abstraction of the first 30 mins and ludwig's score was nothing short of transcendent.
Letterboxd is an independent service created by a small team, and we rely mostly on the support of our members to maintain our site and apps. Please consider upgrading to a Pro account—for less than a couple bucks a month, you’ll get cool additional features like all-time and annual stats pages (example), the ability to select (and filter by) your favorite streaming services, and no ads!