Lackadaisical actioner from Raoul Walsh, poorly scripted by the usually reliable Borden Chase and perfunctorily acted by Rock Hudson - in his matinee idol, pre-Magnificent Obsession days - and the lovely Yvonne De Carlo, inheriting a role turned down by Joan Fontaine. Low key support comes from Maxwell Reed - the first Mr. Joan Collins - and future director Bryan Forbes. It's not a bad picture 'per se'. Compensations include Ms. De Carlo looking very fetching in Technicolor, and the…
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Assignment: Paris 1952
'A good bartender lets a customer cry in his own beer..' (Audrey Totter as Sandy Tate)
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Brief Synopsis: A newspaper reporter (Dana Andrews) find himself trapped behind the Iron Curtain as he chases down a major scoop.
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Verdict: A routine title for a routine - though not unenjoyable - Cold War drama from actor turned editor turned director Robert Parrish, a workaday helmsman who doesn't really have a standout film on his resume. There were a whole slew…
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In a Lonely Place 1950
5 Reasons why this film is a masterpiece:
1. It's the best film Nicholas Ray ever made; a noir-tinged drama rendered in dark visuals of exhilarating beauty.
2. It showcases probably the greatest performance of Bogie's career as the short-fused screenwriter Dix Steele, a character he imbues with a neurotic edge that is frightening in its intensity.
3. This dialogue: 'I was born when she kissed me. I died when she left me. I lived a few weeks while she loved me'.
4. Gloria Grahame is in it.
5. It just is, OK?!
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An Autumn Afternoon 1962
Poem written by Yasujirō Ozu on the death of his mother in 1962:
Down in the valley it is already spring
Clouds of cherry blossoms;
But here, the sluggish eye, the taste of mackerel -
The blossoms are melancholy
And the flavor of sake becomes bitter.[Note: 'the taste of mackerel' translates as 'sanma no aji', the Japanese title of An Autumn Afternoon]
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