This but the opening set piece takes place at the Barnes & Nobles Criterion flash sale. 🦃
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Winter Boy 2022
I’ve never had such a full bodied reaction to tragedy in film, particularly of that in the very first 15 minutes, and I’m conscious about exaggerating as this movie has barely been seen, but Winter Boy is emotional charged knockout.
Led by a relative newcomer, Paul Kircher all but obliterates himself in a role that requires such intense physicality of a young actor. The way he portrays the initial numbness and eventual outburst of grief is astonishing.
Juliette Binoche, is one…
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Red Rooms 2023
Says something very interesting about how the world functions in a post-online age. In conversation with Demonlover and The Beast, and very specifically about the post-modern commodification of everything, even people. Cosplay in a courtroom, ISIS videos as NFTs, post-irony, customised AI assistants.
Among the most ahead of its time films of this decade. Excellent probing, disorienting camerawork. Sick Uboa needledrop.
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Next Goal Wins 2023
Oh this was like, exceptionally bad. Trying to work out whether it was shot more like a home and contents insurance commercial or a Qantas preflight video.
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Lost in the Night 2023
Did not expect to see erect cock on the screen at the State Theatre tonight, but I’m not mad!
Surreal and erotic are not the words I thought I’d be using to describe the new mystery from Amat Escalante, but here we are anyway.
I knew from the first minute featuring the poster of Żuḻawski’s Possession that this would be an unpredictable beast.
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Wallace & Gromit: Vengeance Most Fowl 2024
Very cute. It remains very impressive what can be achieved with claymation, sad it’s becoming a dying artform. Also achieves the unachievable in making being British look appealing.
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The Substance 2024
Closing night of the Sydney Film Festival. There are fewer things more satisfying in life than seeing a sea of seniors walk out of the cinema at the 30 minute mark of this film.
The Substance is unrelenting, and maybe excessive, but there is an honest commitment to its visceral B-movie aesthetics that makes it work.
Demi Moore and Margaret Qualley are both ferocious. It's feral. Can’t wait to rewatch.