gmail: realmaryshelley
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Terrifier 2016
the dingy industrial abyss in crushed digital black is p distinct here. i always find myself unsettled by the stillness to the way these movies are shot; it's very 2013 dslr filmmakercore, effective in the ways it's not technically Good. i think i've come around to not being as disturbed by damien leone once i kinda concluded his whole deal is just that he just likes watching women get brutalized in certain ways and hey, that's at least one thing…
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The Wild Robot 2024
energy vampiring the mom and kids enjoying this a row ahead of me in order to offset the anguish of seeing it alone
it's good bc it does it job and made me weep and miss ppl
what if i have smth to tell u ? and i can't ?
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The Love Witch 2016
Yeah, okay, Anna Biller.
I'll stand by the opinion that this is mostly interesting because of its ability to elude easy classification. Everything in this film seems to point toward something subversive going on, but if you read Biller's own commentary, it becomes apparent this is exactly what it seems at first glance: an earnest throwback to sixties cinema that is so exacting it even replicates the era's problems with gender essentialism. Biller doesn't subvert any of this because she…
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Diary
3,662Dec
Nov
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- Grace
- 16
- Red One
- 15
- Catacombs
- 14
- Death Factory
- 14
- The Best Christmas Pageant Ever
- 13
- Heretic
- 12
- The Lurker
- 6
- Leviathan
- 5
- Ju-on: The Grudge
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