Peter Charney’s review published on Letterboxd:
Hooptober 11 #15 of 31
I never thought I'd find myself willingly embarking on a marathon of the “Final Destination” movies, but Hooptober has a way of making one do some crazy things.
Even if the premise feels tired by the end of the franchise, as I expect it might (stay tuned...), it's refreshing to see some inverse gaslighting horror—where we quickly learn that the "insane" person isn't insane at all. The first entry is unexpectedly thoughtful about the mysteriously inescapable nature of death, yet revels in its over-the-top, elaborate deathtrap sequences. Its sleek visual aesthetic enhances the dramatic irony for the audience, and the early 2000s vibe, tinged with Y2K conspiracy paranoia, adds a layer of millennial nostalgia. Fun!
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