A brutal pop-art wood panel cacophony of obligation, confirmity, and denial of self animated and edited (those jump cuts, folks) within a centimeter of its life.
And there will be two more of these? Holy shit.
A brutal pop-art wood panel cacophony of obligation, confirmity, and denial of self animated and edited (those jump cuts, folks) within a centimeter of its life.
And there will be two more of these? Holy shit.
Look, I'm not a part of any queer community, and I'm not Mexican, so issues of representations are not for me totally parse. I will say that this does—unsurprisingly given its whole deal—feel like filmmaking tourism on almost every level. Plenty of elements just don't make sense to me, someone outside of these communities, but not in a way that says, "I don't know because I'm not a part of them, but I understand what is happening." that I can…
"I want to reward you with five minutes of uninterrupted eye contact."
Goofy and disjointed. Coasts mostly on the chemistry between Fey and Poehler, which is probably the reason you're watching it anyway. It's certainly the reason anyone watched it in 2008, me included. (Also: Steve Martin's in this, and I completely forgot.)
Sigourney Weaver movies ranked (She's here to be old (cough59!cough) and glamorous, which is super easy for her. She does also get to be funny, which I always appreciate.)
Of all the great set pieces in this movie—and there are many!—we don't really talk enough about Karen Allen climbing up Harrison Ford like he's a tree when Indy and Marion are in the Well of Souls. (Allen's so great in this. Just steals the movie away from everyone whenever she's on screen.)
I was discussing this with another volunteer who hadn't seen it, and I struggled a bit to fully describe the sensation it conjured up in me while viewing it.
It's a deeply empathetic film about the pressures (grief, trauma, fear, responsibility) we all face and how those pressures build, often turning us into little locuses of pain but can also turn us to epicenters of joy. Humor provides a relief valve for these pressure for the audience, but we're often…
Noel Kirkpatrick liked hellohildy’s review of The Keyhole
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