Like many similar films, this is a strategic formal intervention that is necessary to hide the vanity of the setting in order to establish the alleged depth of anxiety. Avoiding a possible insight into the horrors that befell the heroine, and a potential re-examination of certain social formations, such as parenthood, the film actually sells a relatively tempting audio-visual fog, and that's about it.
Without intending to offend anyone, I think that Hollywood should urgently stop making a top cat out of Elizabeth Moss. We're not all for everything, neither is she for evil seducers either. It is very unclear exactly what impression The Invisible Man was supposed to give. For a story at the center of which is allegedly the relationship of a woman and her abusive boyfriend, his character, as well as in fact their entire relationship, is completely insufficiently researched for…
After watching Nightcrawler and withdrawing parallels with our daily routine, it's easy to come to the conclusion that the TV news world works on the same principle anywhere on the planet.
The topics are slightly different, but the formula is the same. It comes down to the bombing of audience, of course in striking TV terms, recessions, killings, road accidents, reports from current battlefields, all with plenty of explicit and disturbing footage that will, next day, be the subject of…
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