LWLies

LWLies

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  • Talk to Me

    ★★★★

  • You Hurt My Feelings

    ★★★★

  • Oppenheimer

    ★★★★★

  • My Name Is Alfred Hitchcock

    ★★★½

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  • Talk to Me

    Talk to Me

    ★★★★

    Some may roll their eyes to the back of their head like Reagan in The Exorcist at Australian YouTubers RackRacka (aka Danny and Michael Philippou) making the leap to feature filmmaking, but their daring modern horror employs its central concept of teenagers using demonic possession to get high as a thrilling and emotionally engaging exploration of grief, peer pressure and teen life in the digital age.

    Read the full review

  • You Hurt My Feelings

    You Hurt My Feelings

    ★★★★

    Writing can be a lonely pursuit, and authors must often rely on those closest to them for support and feedback as they attempt to navigate the process of constructing a story. So it goes for Beth (Julia Louie-Dreyfus), a novelist who has just finished her second book – a follow-up to her reasonably successful memoir. She has what she believes to be a good marriage therapist husband Don (Tobias Menzies), until she overhears him criticising her new novel to her…

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  • Paul Blart: Mall Cop 2

    Paul Blart: Mall Cop 2

    Rather than a proper review, we've posted a list of 20 things that aren't quite as bad as PAUL BLART: MALL COP 2:

    1. Twin hangnails.

    2. Biting into a piece of fruit you discover to be rotten, then realise you’re too hungry to care so swallow the spoiled produce. This causes a work absence of four days.

    3. When you’re grating cheese, you look away from the serrated edge when you think you’ve got a grove going, and then you slice off the top of your thumb at the joint.

    READ THE REST ON LITTLE WHITE LIES

  • Oppenheimer

    Oppenheimer

    ★★★★★

    There’s something very moving about watching a film and being able to see dust motes float in the air. Or the reddened, mottled skin on the back of an actor’s neck. Or the abrasive textures of wood and fabric. Or drops of water causing minute ripples once they descend into a pond – a visual motif that receives its fiery analog at the slow burn climax of this grandiose new film from Christopher Nolan.

    Read the full review

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