Red Rooms

Red Rooms

Starts off like it’s going to be a Quebecois “Anatomy of a Fall” and then turns into a “Zodiac” plus “Girl with a Dragon Tattoo” hybrid that doesn’t quite work. Still, director Pascal Plante’s instincts for thriller structure are ambitious enough to almost convince you it’s more successful than it is. He combines plausible dark web verisimilitude with Fincher-like psycho vibes in novel and often riveting ways, and leaves enough unsaid for the audience to sort through the intentions. If there’s something working against this film though it’s the sets which are so neutrally modern it feels like an episode of “X-Files.” Nevertheless, this is mostly a win.

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