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I'm not sure what state of mind Stephen King was in when he wrote his short story The Monkey and had it published in 1980 before it became part of his 1985 collection, Skeleton Crew, but I'm willing to bet - despite his storied history of substance use - that it was less fucked up than Osgood Perkins' when he wrote this screenplay adaptation of it.
And that's a compliment.
The Monkey is out there. It is weird, gory, gleefully…
Heart Eyes has its moments of over-the-top gore. It also has a few laugh out loud moments. And it tries really really hard to fit these two pieces together, but it never quite manages it.
Perhaps that's because elements of the plot seem slapped together so haphazardly - from weird bathroom scenes to almost completely empty police stations when the police think they've caught HEK, almost none of this film makes the slightest lick of sense, and it wants to…
When the most exciting part of your $180 million franchise extending superhero film is the post-credits teaser, you know you're in trouble.
Whether it's because of the many reported reshoots or not, the third act of Brave New World is a mess. Sudden cuts to scenes that seemed to miss the scene that led into them, ludicrous wonders that characters can do with a computer, a flat and uninspiring climax (post credits scene aside), and awkward exposition being just some…
- Florida state police officers do not bother pursuing people who directly and brazenly ignore their explicit orders. - Basements below ground level do not flood until it is narratively necessary for them to do so. - Alligators are all at least 9 feet long. - If any alligators smaller than 9 feet long do exist, they most certainly do not venture into basements where their smaller size would enable them to crawl under…
For several months now, Tenet has been proclaimed as the film which might just save the movie theatre industry. A 200 million dollar, original property blockbuster, written and directed by one of the most reliable names in Hollywood, Christopher Nolan. The hopes were that Nolan might deliver a film that was so incredible – so quintessential – to see on the big screen that it would tempt people from their homes, with their huge televisions…
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