Scene of the Crime

Scene of the Crime

Téchiné takes to southwestern France for a pastoral idyll whose sun-drenched landscapes from the start are simmering with malcontent, even before the actual eruption of dread. “The end of childhood” as one wayward boy finds himself wrapped up in the plot of two escaped convicts, though the film gradually becomes something else entirely as his mother tries to untangle his lies from the truth. Deneuve’s harried divorcée irrationally finding herself capable of so much more than her little world’s set of expectations ever prepared her for. In the face of both the law and her family’s priggish Catholicism, even in the face of motherhood itself, choosing instead the reckless thrill of a pure feeling. “You wanted to lose yourself and you’ve done it.” “Finding yourself and losing yourself are the same thing.” The climactic series of unlikely convergences and coincidences build to an almost Egoyanesque ache; secretly pondering the men in her life lost in their home-video ideas of her, wondering what she’s poised to do with the person she’s decided to be. “Your little joke could take you far.”

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