Lists

Sort by

deeply incoherent year with a lot of great films

By release date.

Television Favourites: The Leftovers (2014 - 2017, Damon Lindelof & Tom Perotta) Hannibal (2013 - 2015, Bryan Fuller) Lost (2004 - 2010, Damon Lindelof & Carlton Cuse) Bojack Horseman (2014 - 2020, Raphael Bob-Waksberg) Girls

What comes next, after Hostel, after Saw?

These two aforementioned franchises acknowledge the dense, explicitly American horror of Abu Ghraib. The Hostel series in particular are a beautiful duet of films that acknowledge the intense trauma

I am using the word 'slasher' in this list under a wide lens, including the transition to canonical gun violence movies that behave in ways adjacent to slasher movies and with slasher-like thinking.

I here define

Research notes: - Iterations of Faust from media - Iterations of noir - Theatre works I like that relate to the process - Iterations of camp fairytales - Imagery with black goo

RIP to a real one. Ranked as I revisit, I’ve seen all his major work before, though. In this context ‘Twin Peaks’ stands in only for the Pilot episode, which I like a significant amount more

You've noticed that Hollywood has its energy back, often in surprising places -- even though the studios are complaining about a lack of ticket sales and diminishing box office returns. International cinematographers are working alongside major

"I was always happy to do any type of film."

The greatest of the New Hollywood movement, truly exciting, constantly innovative (even into the 21st century), pushing the boundaries of all genres he worked within.

To be very clear about this, M. Night is one of the more accomplished craftspeople of this generation. The first eight films here are perfect. All of them are good.

Artists find ways to continue working among Hollywood’s cracks. Streaming services continue to spend unbelievable amounts of money on unbelievably obscure vanity projects. 'Auteurs' from the past are resurrected. The biggest arthouse director you know is

' ].join(''); if ( adsScript && adsScript === 'bandsintown' && adsPlatforms && ((window.isIOS && adsPlatforms.indexOf("iOS") >= 0) || (window.isAndroid && adsPlatforms.indexOf("Android") >= 0)) && adsLocations && adsMode && ( (adsMode === 'include' && adsLocations.indexOf(window.adsLocation) >= 0) || (adsMode === 'exclude' && adsLocations.indexOf(window.adsLocation) == -1) ) ) { var opts = { artist: "", song: "", adunit_id: 100005950, div_id: "cf_async_bd5515d3-d6c6-4158-be00-15b2ed2a5f88" }; adUnit.id = opts.div_id; if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } var c=function(){cf.showAsyncAd(opts)};if(typeof window.cf !== 'undefined')c();else{cf_async=!0;var r=document.createElement("script"),s=document.getElementsByTagName("script")[0];r.async=!0;r.src="//srv.tunefindforfans.com/fruits/apricots.js";r.readyState?r.onreadystatechange=function(){if("loaded"==r.readyState||"complete"==r.readyState)r.onreadystatechange=null,c()}:r.onload=c;s.parentNode.insertBefore(r,s)}; } else { adUnit.id = 'pw-bd5515d3-d6c6-4158-be00-15b2ed2a5f88'; adUnit.className = 'pw-div'; adUnit.setAttribute('data-pw-' + (renderMobile ? 'mobi' : 'desk'), 'sky_btf'); if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } adUnit.insertAdjacentHTML('afterend', kicker); window.ramp.que.push(function () { window.ramp.addTag('pw-bd5515d3-d6c6-4158-be00-15b2ed2a5f88'); }); } } tag.remove(); })(document.getElementById('script-bd5515d3-d6c6-4158-be00-15b2ed2a5f88'));