Jimmy Dougan’s review published on Letterboxd:
Absolutely at its best in the rehearsal sequences, where the camera - gently, giddily agitated throughout - chills out and just lets these people play the situation. Paul Raci as Brent, the external director, is by far the most interesting character because he feels like only one not beholden to some wishy-washy empowerment storyline.
Still, it all just feels a little bit too neat, too tidy. It strikes me as weird that it waits till the end to tell you they were all playing themselves; I’m not saying I wanted it to go full Brechtian V-effekt, but putting that info at the start would make the film play very differently.
But I’m a sucker for anything about the power of art to save those even in the direst of circumstances. It would take a viewer more stoic than me to not shed a tear at those final moments.
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