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Todd Phillips: troll or trash collector? Our review.
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The Bikeriders does Goodfellas on motorcycles while telling the story of how a post-Vietnam turned to drugs and violence, dissolving institutions in its wake. Our review.
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Sean Baker's wildly entertaining story of a stripper's whirlwind romance with a rich, young Russian tourist is likely the filmmaker's most fun movie to date, but it also might be the film that cements his legacy. Our full discussion, with spoilers.
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Woman of the Hour connects past horror to the present in a strong directorial debut from Anna Kendrick. Our review.
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Trap works best when it's still in the trap. Our review.
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Sing Sing is a special movie with a powerful performance from Colman Domingo and several members of its ensemble cast, but its inclination towards narrative conventions hampers its impact in comparison to documentaries that cover similar subjects. Our review from SXSW.
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We Live in Time's non-linear structure lessens its impact, but the chemistry between Garfield & Pugh, as well as its message on making the most of your life, will still provoke some tears. Our review.
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The blandest version of a run-of-the-mill action-comedy. Our review.
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For a movie called Heretic, nothing here feels very blasphemous. Our review.
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Borderlands is bad... but how bad is it, really? Our review.
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Ti West is a film nerd and you can feel the inspirations he draws from for MaXXXine, but it's more pastiche than anything.Our review.
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Longlegs may have been overhyped but it isn't overrated. In fact, what may be most clever about it is how it uses your horror biases against you. Our review.
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