Liam Kenny

Liam Kenny Patron

Favorite films

  • Europe '51
  • 10 Skies
  • Gammelion
  • Gertrud

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  • Acto da Primavera

    ★★★★★

  • Easter in Sicily

    ★★★★½

  • To Brasil

    ★★★½

  • Beirut, Never Again

    ★★★★

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  • Exodus

    Exodus

    ★★★★

    Exodus is a mass misunderstanding of space where characters consistently pave over what is before them. In Sal Mineo’s key scene, he is humiliated by the Irgun when he lies about his complicity in Nazi concentration camps. He then joins the Irgun, continuing to aid the Nazi ideology that has caused him so much strife. Paul Newman and Eva Marie Saint disagree over coexistence at Mount Tabor, claiming what they call the Valley of Jezreel (Marj Ibn Amir) for the…

  • Amuse-gueule #1: Digital Destinies

    Amuse-gueule #1: Digital Destinies

    ★★★★½

    “And what remains? Well, what was there to begin with?” By emphasizing the notion that one is watching a Hollywood movie—via recognition of a screen, zine, or image framed by social media—the practice of viewing images can be reconsidered. The Amuse-Gueule series, the Good-bye, My Lady images, and Gina’s many other films, projects, and social media posts request greater awareness of the illusion of fictional characters, and thereby what they are affecting in our reality. Gina unearths ghosts that both…

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  • Run for Cover

    Run for Cover

    ★★★★½

    Everything anyone could ever want from a performance. The grimace and hunch of James Cagney and the big blue eyes of John Derek. Cagney, an actor known for vast, drastic movements, withdraws his hand and becomes director. He widdles the wooden gun and points your eyesight, carefully taking his time to send his bullet into the hawk's heart. So, Cagney is director as father-figure. He listens to Derek and he tries new ideas, introduces new elements to his figure and…

  • The Prowler

    The Prowler

    ★★★★½

    Psychology made spectral, always political. Losey is always Marxist in his abolishment of the specter.

    What I always notice in movies with a quicker diet of cutting is the aversion to the psychology of actors in favor of the propulsion of events by instances. Losey is the antithesis of this, we can see so in the majority of the shots with Evelyn Keyes, or how Van Heflin uses events and certainty as a manipulative tool, a policing tool.

    This shot philosophy…

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  • All My Life

    All My Life

    ★★★★★

    "We have to make seeing exciting again."

    A monumental film for me. The film that made seeing exciting. A film I've seen dozens of times and still cannot explain. A film that is so material and expansive, every watch whether on 16mm or youtube feels totally new (it is!). And what a strange, beautiful song.

    Happy birthday to Barbara Stanwyck and I.

  • The Substance

    The Substance

    ½

    Cinema is dead long live cinema!!!

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Diary

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The Michael Jordan(s) of the Moving Images 131 films

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Jacques Tourneur, Ranked 24 films

Clint Eastwood, Ranked 31 films

The Long Gray Line! That’s An Experimental Film, No?! 33 films

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