' ].join(''); if ( adsScript && adsScript === 'bandsintown' && adsPlatforms && ((window.isIOS && adsPlatforms.indexOf("iOS") >= 0) || (window.isAndroid && adsPlatforms.indexOf("Android") >= 0)) && adsLocations && adsMode && ( (adsMode === 'include' && adsLocations.indexOf(window.adsLocation) >= 0) || (adsMode === 'exclude' && adsLocations.indexOf(window.adsLocation) == -1) ) ) { var opts = { artist: "", song: "", adunit_id: 100005950, div_id: "cf_async_ab70d222-281e-4958-ab60-5a4f4cb61cbc" }; adUnit.id = opts.div_id; if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } var c=function(){cf.showAsyncAd(opts)};if(typeof window.cf !== 'undefined')c();else{cf_async=!0;var r=document.createElement("script"),s=document.getElementsByTagName("script")[0];r.async=!0;r.src="//srv.tunefindforfans.com/fruits/apricots.js";r.readyState?r.onreadystatechange=function(){if("loaded"==r.readyState||"complete"==r.readyState)r.onreadystatechange=null,c()}:r.onload=c;s.parentNode.insertBefore(r,s)}; } else { adUnit.id = 'pw-ab70d222-281e-4958-ab60-5a4f4cb61cbc'; adUnit.className = 'pw-div'; adUnit.setAttribute('data-pw-' + (renderMobile ? 'mobi' : 'desk'), 'sky_btf'); if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } window.addEventListener('DOMContentLoaded', (event) => { adUnit.insertAdjacentHTML('afterend', kicker); window.ramp.que.push(function () { window.ramp.addTag('pw-ab70d222-281e-4958-ab60-5a4f4cb61cbc'); }); }, { once: true }); } } tag.remove(); })(document.getElementById('script-ab70d222-281e-4958-ab60-5a4f4cb61cbc'));
Synopsis
Talk on the phone. Finish your homework. Watch TV. Die.
A young college student who’s struggling financially takes a strange babysitting job which coincides with a full lunar eclipse. She slowly realizes her clients harbor a terrifying secret, putting her life in mortal danger.
' ].join(''); if ( adsScript && adsScript === 'bandsintown' && adsPlatforms && ((window.isIOS && adsPlatforms.indexOf("iOS") >= 0) || (window.isAndroid && adsPlatforms.indexOf("Android") >= 0)) && adsLocations && adsMode && ( (adsMode === 'include' && adsLocations.indexOf(window.adsLocation) >= 0) || (adsMode === 'exclude' && adsLocations.indexOf(window.adsLocation) == -1) ) ) { var opts = { artist: "", song: "", adunit_id: 100005950, div_id: "cf_async_fe635586-62ec-4726-9053-6f131a255a9f" }; adUnit.id = opts.div_id; if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } var c=function(){cf.showAsyncAd(opts)};if(typeof window.cf !== 'undefined')c();else{cf_async=!0;var r=document.createElement("script"),s=document.getElementsByTagName("script")[0];r.async=!0;r.src="//srv.tunefindforfans.com/fruits/apricots.js";r.readyState?r.onreadystatechange=function(){if("loaded"==r.readyState||"complete"==r.readyState)r.onreadystatechange=null,c()}:r.onload=c;s.parentNode.insertBefore(r,s)}; } else { adUnit.id = 'pw-fe635586-62ec-4726-9053-6f131a255a9f'; adUnit.className = 'pw-div -tile300x250 -alignleft'; adUnit.setAttribute('data-pw-' + (renderMobile ? 'mobi' : 'desk'), 'med_rect_atf'); if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } window.addEventListener('DOMContentLoaded', (event) => { adUnit.insertAdjacentHTML('afterend', kicker); window.ramp.que.push(function () { window.ramp.addTag('pw-fe635586-62ec-4726-9053-6f131a255a9f'); }); }, { once: true }); } } tag.remove(); })(document.getElementById('script-fe635586-62ec-4726-9053-6f131a255a9f'));
Director
Director
Producers
Producers
Writer
Writer
Casting
Casting
Editor
Editor
Cinematography
Cinematography
Assistant Directors
Asst. Directors
Additional Directing
Add. Directing
Executive Producers
Exec. Producers
Lighting
Lighting
Additional Photography
Add. Photography
Production Design
Production Design
Art Direction
Art Direction
Set Decoration
Set Decoration
Visual Effects
Visual Effects
Stunts
Stunts
Composer
Composer
Sound
Sound
Costume Design
Costume Design
Makeup
Makeup
Hairstyling
Hairstyling
Studios
Country
Language
Alternative Titles
La casa del Demonio, La casa del diablo, Дом дьявола, Dom Diabła, Dům ďábla, בית השטן, A Casa do Demônio, Şeytanın Evi, 邪恶之屋, 하우스 오브 더 데블, La Casa del Demonio, La maison du diable, Будинок диявола, Az ördög háza
Premiere
25 Apr 2009
-
USA
Tribeca Film Festival
26 Jul 2009
-
Canada18A
Fantasia International Film Festival
Theatrical limited
30 Oct 2009
-
USAR
Physical
08 Sep 2010
-
France12
Canada
26 Jul 2009
-
Premiere18A
Fantasia International Film Festival
France
USA
25 Apr 2009
-
Premiere
Tribeca Film Festival
More
-
ppl who think this is scary cant watch mgm releases cuz they get too scared when the lion roars
-
This review may contain spoilers. I can handle the truth.
GRETA GERWIG DID NOT DESERVE THAT
-
I can’t think of anyone less qualified to be a 911 operator than Lena Dunham.
-
I'll never understand why horror movies wait until the last 20 minutes for something remotely interesting to happen
-
It’s actually insane how much this feels like an 80s movie.
The plot, setting, costumes, cinematography, music, felt so authentically 1980s, I easily could’ve been convinced it was from that era had I known less about the film.
-
Greta gerwig eating pizza should not be as hot as it is
-
This review may contain spoilers. I can handle the truth.
Ti West's direction + spooky and grainy cinematography + methodical and slowly tightening tension + fantastic performances by Jocelin Donahue and Tom Noonan + brilliant references to the 1980s and satanic chillers + one of the greatest climaxes of all time + an eventual release of primal rage and desolation + a slightly-empty house = one of the finest horror films to be released in the 21st century.
Mrs Ulman, are you okay?
:shivers:
-
if lena dunham was my 911 operator i'd just hang up and hope for the best too
-
Genuinely respect how simple and unpretentious this is and the slow burn 70s aesthetic recreation/eventual gory climax does a solid enough job of distracting you from the fact that there are literally 75 minutes of a girl walking around a house in here. Not bad by any means and has decent performances (Gerwig And Noonan MVPs) but feel pretty safe in filing the love for this one I see from friends under “you had to be there.” I’ll stick with Rob Zombie’s Lords of Salem.
-
This review may contain spoilers. I can handle the truth.
watching this movie and shaking my head the whole time so that people know I don’t condone tricking babysitters into partaking in a satanic ritual 🤦♂️🙅♂️
-
pretty sure my jaw has never hung lower than during ***that*** Greta Gerwig scene
-
The only scene that matters here is Jocelin Donahue dancing around the house to The Fixx
