Synopsis
In 1980s Naples, Italy, an awkward Italian teen struggling to find his place experiences heartbreak and liberation after he's inadvertently saved from a freak accident by football legend Diego Maradona.
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The Hand of God
Cast
Filippo Scotti Toni Servillo Teresa Saponangelo Luisa Ranieri Marlon Joubert Massimiliano Gallo Betti Pedrazzi Renato Carpentieri Enzo De Caro Sofya Gershevich Lino Musella Biagio Manna Ciro Capano Alessandro Bressanello Birte Berg Dora Romano Monica Nappo Cristiana Dell'Anna Alfonso Perugini Marina Viro Daniele Vicorito
Director
Producers
Writer
Casting
Editor
Cinematography
Executive Producers
Production Design
Art Direction
Visual Effects
Composer
Sound
Costume Design
Makeup
Hairstyling
Studio
Countries
Language
Alternative Titles
It was the hand of God, Fue la mano de Dios, The Hand of God - A Mão de Deus, Hand of God -神の手が触れた日-, Dieva roka, 신의 손, Boží ruka, Рука Бога, Isten keze, Die Hand Gottes, The Hand of God: A Mão de Deus, La Main de Dieu, יד האלוהים, A mão de Deus, 上帝之手, To była ręka Boga, Ръката на Бог, Hand of God －神の手が触れた日－, Bila je to Božja roka, A fost mâna lui Dumnezeu, Tay Trái Của Chúa
Genre
Themes
Releases by Date
Premiere
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Italy
Venice International Film Festival
09 Oct 2021
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South Korea
Busan International Film Festival
Theatrical limited
24 Nov 2021
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Italy
-
Romania18
01 Dec 2021
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South Korea18
02 Dec 2021
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Uruguay
03 Dec 2021
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UK15
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USAR
Theatrical
02 Dec 2021
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GreeceΚ-12
03 Dec 2021
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Canada
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Ireland15A
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Poland16
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Spain
Digital
15 Dec 2021
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Brazil14
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France12
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Germany12
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Greece16+
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Ireland15
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Italy
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MexicoB-15
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SingaporeM18
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South Korea
-
Spain
-
UK15
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USAR
Releases by Country
Brazil
15 Dec 2021
- Digital14 Netflix
Canada
03 Dec 2021
- Theatrical
France
15 Dec 2021
- Digital12 Netflix
Germany
15 Dec 2021
- Digital12 Netflix
Greece
02 Dec 2021
- TheatricalΚ-12
15 Dec 2021
- Digital16+ Netflix
Ireland
03 Dec 2021
- Theatrical15A
15 Dec 2021
- Digital15 Netflix
Italy
02 Sep 2021
- Premiere Venice International Film Festival
24 Nov 2021
- Theatrical limited
15 Dec 2021
- Digital Netflix
Mexico
15 Dec 2021
- DigitalB-15 Netflix
Poland
03 Dec 2021
- Theatrical16
Romania
24 Nov 2021
- Theatrical limited18
Singapore
15 Dec 2021
- DigitalM18 Netflix
South Korea
09 Oct 2021
- Premiere Busan International Film Festival
01 Dec 2021
- Theatrical limited18
15 Dec 2021
- Digital Netflix
Spain
03 Dec 2021
- Theatrical
15 Dec 2021
- Digital Netflix
UK
03 Dec 2021
- Theatrical limited15
15 Dec 2021
- Digital15 Netflix
USA
03 Dec 2021
- Theatrical limitedR
15 Dec 2021
- DigitalR Netflix
Uruguay
02 Dec 2021
- Theatrical limited
Popular reviews
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*ahem* Not naming any names, but I think someone has a few unresolved issues with women and wanting to fuck their aunt.
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It would be accurate to say that Paolo Sorrentino’s work explores the relationship between the sacred and the profane, but such tepid wording fails to capture the orgiastic maximalism of “The Great Beauty,” speak to the sexed up sacrilege of “The New Pope,” or summon the I didn’t even see it because a Sorrentino movie about Silvio Berlusconi just sounded way too exhausting-ness of “Loro.” Calling “Il Divo” a film about a crooked politician would be like calling “8 ½” a film about writer’s block: Right enough, and yet oh so wrong. In Sorrentino’s world, the sacred and the profane don’t just rub together or intertwine so much as they dry hump each other — with eternal vigor — until…
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In The Hand of God, Paolo Sorrentino channels his personal pain and orchestrates one of the most mournful, spontaneous, and vibrant cinema experiences of the year. It's always inspiring to see renowned directors in their most exposed, candid form, and The Hand of God is for sure the best and most emotional hard-hitter such genre gets to offer.
Largely based on Sorrentino's own life experiences growing up as a teenager in Naples, The Hand of God presents both sides of the coin, mostly the tragedy that overturns Sorrentino's quite peaceful, normal adolescent years. Continuing his trademark of everyday humor and colorful character studies, Sorrentino presents the "before" part of the tale with enough style, gags, and a motley crew that…
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Notice when they ask the young Paolo Sorrentino what he wants to be, he says “a director.” Not a writer, a director. This is a brilliant bit of foreshadowing to his real life where he is an incredible director who can’t write for shit.
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Existe en la pelicula la idea de que Nápoles es una ciudad que no debe abandonarse, tanto en sentido literal como metafórico. Su condimento mágico es tan atractivo que es capaz de generar la presencia de Maradona, Fellini, San Gennaro, Capuano o un jeque árabe. Sin embargo, la sola mención de Maradona, quien permanecerá fuera de campo casi toda la película, es suficiente para comprender cómo su aparición es significativa para toda un pueblo - no sólo para su protagonista - y esto funciona aún si uno no supiera quién fue él en la vida real. En ese aspecto, queda a mano la famosa comparación entre Maradona y Dios, siendo en la película un personaje invisible que opera sobre el…
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First half was cheerful and joyous, last half was sad and miserable. Just like Maradona’s life.
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La voglia di rivederlo subito dopo per vedere se questa volta ci riesci a piangere, come Fabietto. Esci dal cinema totalmente svuotato, in preda al panico perchè capisci che in quel personaggio c'era un po' anche di te, di noi, ma resti in silenzio. Solitamente gli introversi nei film sono dei paraculi, in questo caso capisci da subito che non è così: stai guardando la storia di Sorrentino e per tutta la durata del film ti sembra che la sua vita ti stia passando accanto. È malinconico ma non ti abbatte, ti fa capire che per fare certe cose ci vuole la perseveranza, o meglio... c vonn e pall. Grazie Paolo per gli omaggi a Napoli, a Diego, al cinema, a Fellini. Grazie per averci raccontato la tua storia e per avermi fatto prendere un po' più di coscienza sulla mia. Mo so che voglio fare da grande.
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