Synopsis
The road leads itself to somewhere.
Two drifters bum around, visit earthy women and discuss opening a car wash in Pittsburgh.
Two drifters bum around, visit earthy women and discuss opening a car wash in Pittsburgh.
Gene Hackman Al Pacino Dorothy Tristan Ann Wedgeworth Richard Lynch Eileen Brennan Penelope Allen Richard Hackman Al Cingolani Rutanya Alda Karen Lamm Mary Ann Brownlee Nicholas Carbone Frank Chartier James G. Cureman Armen Darakdjian June Denning June Dixon Richard Jamison Louise Martin Louise Martin Albert Schmidt Patricia A. Wasson Audrianne Waters John G. Wedum
Пугало, Asphaltblüten, L'Épouvantail, 허수아비, 稻草人, L'épouvantail, Lo spaventapasseri, Asphalt-Blüten, El espantapájaros, O Espantalho, 流浪奇男子, הדחליל, Sperietoarea, Strašák, Espantalho, スケアクロウ, Плашилото, 알파치노의 허수아비, Το Σκιάχτρο, Strach na wróble, Madárijesztő, Korkuluk, Опудало, Fågelskrämman, L’espantaocells
how al pacino could go from icily sculpted marble in 1972 to a complete teddy bear in 1973 (he's so charming you almost forget that he abandoned his kid for five years!!) back to cold fury in 1974 and then give one of the best performances ever in 1975.... ugh. his mind, his talent, his POWER.
i love the opening when al pacino looks directly into the lens and says, "this is a love story"
next time anyone says al pacino can only play the same types of roles i'm gonna force them to watch this, a clockwork orange style
al is soooooo little in this i want to put him in my pocket and keep him safe forever
my mom kept telling me to stop smiling whenever pacino was on screen because “it was distracting her from the corner of her eye”. she eventually got what she wanted in the end!
"How come you didn't pound that old lady in the mouth?"
"Old lady? What old lady?"
"The one that hit you in the palms with the stick."
"She was a nun!"
"Boy, some partner I picked."
"You didn't pick me, I picked you."
"Why?"
"Because you gave me your last match. You made me laugh."
Heartbreaking and heartwarming at the very same time. Hackman and Pacino at the top of their game.
The symbolism of the lamp and giving someone your last match is very poignant. To what extent are we willing to sacrifice our own light and warmth for other people's happiness because we care for them? At what point does our own light begin to be depleted if we aren't careful?
Palme d’Or Winners Project, 1973
You wouldn't expect a film where Hackman and Pacino appear on an equal footing to have been sidelined for as long as it has. When put up alongside the films that have gained them notoriety throughout their careers Scarecrow more than holds its ground in comparison, an affectionate character study of two men forever down on their luck who form an affectionate, meaningful friendship.
The opening shot frames them perfectly as opposites brought together for this journey. Max (Hackman) sits on one side of the road frustrated at being ignored by the passing cars. Lion (Pacino) hops and dances around on the other side of this country road amusing himself to wile away the time.…
i just finished writing a 12 page paper about dog day afternoon and its representation of class, gender, and sexuality so my movie analysis brain needs to recharge a bit but when it does, i'm going for this movie because it so desperately needs a proper analysis. there's so much to pull apart, especially from al pacino's heartbreaking performance. it's really the best of his career and the reason why he's my favorite actor. scarecrow is such a poignant abd tragically underrated reflection on masculinity and friendship in the 70s. makes me tear up.