Synopsis
Jackie is a CCTV operator. One day, a man shows his face on her monitor, a man she hoped never to see again. Now she has no choice and is compelled to confront him.
Jackie is a CCTV operator. One day, a man shows his face on her monitor, a man she hoped never to see again. Now she has no choice and is compelled to confront him.
Kate Dickie Tony Curran Martin Compston Natalie Press Paul Higgins John Comerford Andrew Armour Carolyn Calder Martin McCardie Jessica Angus Martin O'Neill Cora Bissett Charles Brown Annie Bain Frances Kelly John McDonald William Cassidy Sarah Haworth Elizabeth Allan Anne Kidd Allan Sawers Frances McEwan Anne McColgan Graeme Wright Sanije Robeli
Iain Anderson Chris Sinclair Douglas MacDougall Kahl Henderson Martin Belshaw Phillip Barrett Lorraine Keiller Nicolas Becker
Sigma Films Zentropa Entertainments UK Film Council Glasgow Film Office Scottish Screen BBC Film Zoma Films Verve Pictures
붉은 거리, Червона дорога, 红色之路, Красная дорога, דרך אדומה, Marcas da Vida, Червен път, Kırmızı Sokak, Житловий комплекс «Ред Роуд», Drumul roșu
In less assured hands, Red Road could easily have been a shamelessly manipulative and grotty little potboiler.
Those hands would not have needed to have been that much less assured than Andrea Arnold's either. This stunning mystery drama, set around the titular (now former) high-rise estate in one of the poorest areas in Glasgow, could so easily on so many occasions go off the rails and become something that would have been considerably less rewarding and considerably more depressing.
Guided by a startling and starkly realistic lead performance from Kate Dickie, this is a film that starts out as a surveillance video suspense thriller before becoming a very affecting domestic drama film. It plays its hand absolutely expertly as well…
The idea of a person with their own hopes and dreams and tragedies being on the other end of a CCTV is one that has long fascinated me.
I must say that I was not entirely convinced or with the best dispositions on my part to see director Andrea Arnold's debut, in the end, I have done so for two simple reasons:
1. because a dear friend from Argentina recommended it in a Discord group.
2. I wanted to get rid of the bitter taste I had from having seen Fish Tank last year.
In this author's work we meet Jackie, a girl who lives alone, works at the Glasgow City Hall. Her job is to watch the images from the surveillance cameras strategically distributed around the city for security reasons. One day, she gets a big surprise when she sees on one of the monitors a man…
Andrea Arnold’s debut is a palpably unsettling, provocative chamber piece, one interested in using the base elements of a thriller and reconfiguring them into something much more unconventional.
The filmmaker is skilful in pushing on the limits of identification, placing us with Jackie (Kate Dickie) as her almost voyeuristic obsession starts to take hold. The story does an excellent job of probing this troubled mind, Arnold matching that state with her brilliantly inventive style—a mix of social realism and poetic hyperstylation, putting us into Jackie’s headspace as we’re thrown into the middle of this situation.
It’s the sort of film that really gets under your skin, keeping us in the dark for most of the runtime so that we share…
Much like the voyeur experience, "Red Road" marks a distressfully invading yet severely irresistible debut from Andrea Arnold, one that brilliantly involves the viewer in the landscape and provides very sparse details, relying only upon what meets the eye and assumption until the disquieting reveal.
Voyeuring the voyeur within the Dogme 95 metrics only adds to the sense of realism and grounds the suspense and some of the more implausible aspects.
Solid civic surveillance thriller that takes full advantage of the Danish connection.
A fascinating exploration on grief, and how it can weigh on us. Kate Dickie and Tony Curran both give memorable and authentic performances. Recommend this highly!
OF COURSE ANDREA ARNOLD’S FIRST FILM IS THIS GOOD OF COURSE IT IS!!!!!! honestly didn’t really know what to expect but wow this got me real good
Red Road doesn't quite take place in the post-Internet era where anything and everything has become a piece of information to be cataloged and collected by big data, but it does eerily presage that with its constantly-observing CCTV cameras that silently-hover over the British residents who live under its watchful gaze.
Jackie Morrison is the woman behind the screen who observes all those caught on camera, or at least in the immediate vicinity she works in. Her job is to monitor it all and report any suspicious behavior, though in reality she ends up simply observing habitual activities: a man who walks his dog every day, kids hanging out around the block, and a janitor cleaning a building every night.…
Andrea Arnold's debut feature was filmed, using Dogme 95 style rules, in and around Glasgow. Mostly around the Red Road high-rise flats which were the tallest residential buildings in Europe at the time they were built, but were demolished in 2015 when the cost of repairs/maintenance became more than their rental income. Their brutalist modernist architectural style mirrors Arnold's film-making style here.
Jackie is a conscientious CCTV security operator with an unhappy, lonely life. One day she sees a man from her past on one of her screens, that she was not expecting to see. She uses her position to monitor his movements so she can find out all about him and engineer a way to meet him, even though…
No flashbacks are ever provided in Andrea Arnold’s debut (“Fish Tank,” “American Honey” are remarkable works of hers that followed). Kate Dickie plays introverted Jackie, a government surveillance operator for the Glasgow slums in Red Road, monitoring dozens of video circuits and reporting any suspicious activity to authorities as they come up. There can be calls on harassment of girls, hit-and-run thefts, or stabbings. One night Jackie notices a man whom we can interpret had a negative impact on her past, and appears to be a resident of a tenement that houses reformed ex-cons. Jackie looks as if she will track him to see if he slips up because the slightest violation of his parole will send him back to…