Synopsis
A woman in her sixties embarks on a journey through the western United States after losing everything in the Great Recession, living as a van-dwelling modern-day nomad.
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Nomadland
Cast
Frances McDormand David Strathairn Linda May Swankie Gay DeForest Patricia Grier Angela Reyes Carl R. Hughes Douglas G. Soul Ryan Aquino Teresa Buchanan Karie Lynn McDermott Wilder Brandy Wilber Makenzie Etcheverry Bob Wells Annette Webb Rachel Bannon Bryce Bedsworth Sherita Deni Coker Merle Redwing Forrest Bault Suanne Carlson Donnie Miller Roxanne Bay Matt Sfaelos Ronald O. Zimmerman Derek Endres Paige Dean Paul Winer Show All…
Director
Producers
Chloé Zhao Frances McDormand Dan Janvey Mollye Asher Emily Foley Geoff Linville Taylor Shung Peter Spears
Writer
Original Writer
Editor
Cinematography
Assistant Director
Lighting
Production Design
Art Direction
Set Decoration
Visual Effects
Composer
Sound
Mike Wolf Snyder Sergio Díaz Zach Seivers Alan Romero Joaquin Rendon Jaime Sainz Cuevas Luis Omar Parra Luis Huesca César González Cortés Andre Diaz Giobeth Diaz Andy Winderbaum Ryan Stern
Costume Design
Studios
Country
Language
Alternative Titles
浪跡天地, 无依之地, Nomadland: Sobreviver na América, 노매드랜드, Göçebe Diyarı, سرزمین خانهبهدوشها, Земя на номади, Země nomádů, 游牧人生, Земля кочівників, Земля кочевников, A nomádok földje, ノマドランド, Klajoklių žemė, Krajina Nomádov, Nomadland - Sobreviver na América, Η Χώρα των Νομάδων, ארץ נוודים, Zemlja nomada, Dežela nomadov, Земља номада, Đất Du Mục, โนแมดแลนด์, أرض الرحّالة, Klejotāju zeme, سرزمین آوارهها, Nomaadimaa
Genre
Themes
Releases by Date
Premiere
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Canada
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Italy
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USA
18 Sep 2020
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Spain
San Sebastián International Film Festival
19 Sep 2020
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FinlandK-18
Helsinki International Film Festival
23 Sep 2020
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Greece
Athens Film Festival
26 Sep 2020
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USA
New York Film Festival
26 Oct 2020
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Ukraine
Kyiv Critics' Week
03 Nov 2020
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Russia
Message to Man International Film Festival
Theatrical limited
29 Jan 2021
-
USAR
20 Apr 2021
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AustraliaM
Theatrical
19 Feb 2021
-
Iceland
-
Ireland12A
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Mexico
-
USAR
26 Feb 2021
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Lithuania
04 Mar 2021
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AustraliaM
-
New ZealandM
11 Mar 2021
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Russia16+
19 Mar 2021
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Taiwan普遍級
25 Mar 2021
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Hungary12
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SingaporeM18
26 Mar 2021
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JapanG
-
Spain16
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SwedenBtl
01 Apr 2021
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Hong Kong
02 Apr 2021
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India
15 Apr 2021
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Brazil12
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South Korea12
19 Apr 2021
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PortugalM/12
23 Apr 2021
-
China
28 Apr 2021
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ItalyT
17 May 2021
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UK12A
21 May 2021
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Austria
-
GreeceΚ
-
Switzerland6
27 May 2021
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Slovakia12
03 Jun 2021
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Czechia12+
09 Jun 2021
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FranceU
01 Jul 2021
-
Germany0
Digital
04 Dec 2020
-
USAR
19 Feb 2021
-
USAR
30 Apr 2021
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Indonesia
-
NetherlandsAL
-
UK12
28 May 2021
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Poland16
06 Oct 2021
-
FranceU
23 Mar 2022
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France
11 Nov 2022
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France
Physical
28 Jun 2021
-
UK12
30 Sep 2021
-
Germany0
15 Oct 2021
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FranceU
TV
14 Aug 2021
-
Canada
Releases by Country
Australia
04 Mar 2021
- TheatricalM
20 Apr 2021
- Theatrical limitedM
Austria
21 May 2021
- Theatrical
Brazil
15 Apr 2021
- Theatrical12 Walt Disney mj.gov.br
Canada
11 Sep 2020
- Premiere Toronto International Film Festival
14 Aug 2021
- TV Super Écran
China
23 Apr 2021
- Theatrical
Czechia
03 Jun 2021
- Theatrical12+
Finland
19 Sep 2020
- PremiereK-18 Helsinki International Film Festival
France
09 Jun 2021
- TheatricalU
06 Oct 2021
- DigitalU VOD
15 Oct 2021
- PhysicalU DVD & Blu-Ray
23 Mar 2022
- Digital MyCanal
11 Nov 2022
- Digital Disney+
Germany
01 Jul 2021
- Theatrical0
30 Sep 2021
- Physical0
Greece
23 Sep 2020
- Premiere Athens Film Festival
21 May 2021
- TheatricalΚ
Hong Kong
01 Apr 2021
- Theatrical
Hungary
25 Mar 2021
- Theatrical12
Iceland
19 Feb 2021
- Theatrical
India
02 Apr 2021
- Theatrical
Indonesia
30 Apr 2021
- Digital
Ireland
19 Feb 2021
- Theatrical12A
Italy
11 Sep 2020
- Premiere Venice International Film Festival
28 Apr 2021
- TheatricalT
Japan
26 Mar 2021
- TheatricalG
Lithuania
26 Feb 2021
- Theatrical
Mexico
19 Feb 2021
- Theatrical
Netherlands
30 Apr 2021
- DigitalAL Disney+ Star
New Zealand
04 Mar 2021
- TheatricalM
Poland
28 May 2021
- Digital16
Portugal
19 Apr 2021
- TheatricalM/12
Russia
03 Nov 2020
- Premiere Message to Man International Film Festival
11 Mar 2021
- Theatrical16+
Singapore
25 Mar 2021
- TheatricalM18
Slovakia
27 May 2021
- Theatrical12
South Korea
15 Apr 2021
- Theatrical12
Spain
18 Sep 2020
- Premiere San Sebastián International Film Festival
26 Mar 2021
- Theatrical16
Sweden
26 Mar 2021
- TheatricalBtl
Switzerland
21 May 2021
- Theatrical6
Taiwan
19 Mar 2021
- Theatrical普遍級
UK
30 Apr 2021
- Digital12 Disney+ Star
17 May 2021
- Theatrical12A
28 Jun 2021
- Physical12 DVD
USA
11 Sep 2020
- Premiere Telluride Film Festival
26 Sep 2020
- Premiere New York Film Festival
04 Dec 2020
- DigitalR Film at Lincoln Center Virtual Cinema
29 Jan 2021
- Theatrical limitedR IMAX
19 Feb 2021
- TheatricalR
19 Feb 2021
- DigitalR Hulu
Ukraine
26 Oct 2020
- Premiere Kyiv Critics' Week
Popular reviews
More-
when they say "money can't buy happiness" it's meant in a very direct and temporary sense, though it's crucially wrong in that money can unlock security and comfort in ways that can make you happy. but it can't buy freedom.
wealth is nothing more than a mound of dirt. and from atop that mound you can see so much more than you could from the floor. but you can't stand on top of the mound without it slowly eroding below you, and your fear of returning to the floor demands you feed the mound even more. so you do. but the mound keeps eroding. so you feed it again. but it keeps eroding. so you continue to feed it, at…
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every single year we arrive at the shallow end of the filmmaking pool known as awards season, and every single year there's a movie (or several) exactly like nomadland. a touristic faux-docudrama vehicle for the most banal form of misery porn, presenting itself with all the deliberately-adorned signifiers of 'authenticity' and 'deeply-felt emotion' that endear this insidious genre of film to a dishwater-dull critical audience desperate to see any portrait of society that vaguely acknowledges that weird and esoteric concept known as 'economic hardship'.
given that we're currently in a global depression the likes of which hasn't been seen since the 1930s, you'd figure that it wouldn't be exceedingly difficult for director chloe zhao to articulate at the very least…
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one of the best movies ever made that opens with a title card about a reduced demand for sheetrock.
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One too many deliberate choices to avoid politics of any kind - The weirdly toothless portrayal of Amazon, the way a whole surgery happens without any mention of healthcare, the complete absence of substantial political conversations/debates among people making clearly political decisions, the foregrounding of two fictional characters with well-off families offering them homes against the backdrop of real nomads whose stories are much more interesting... it’s a shame!
The subtitle of the book this is based on is “Surviving America in the Twenty-First Century” and it opens with the quote “The capitalists don’t want anyone living off their economic grid.” -
absolutely fucking not!!!!! what a truly vile experience this was. i’ve seen republicans with more respect for the poor. feels like a fucking super bowl ad. Those celebrities singing “Imagine” at the beginning of the pandemic? This is that in movie form.
i was already suspicious of this movie when in the first few minutes, the main character Fern—a recent widow, gig economy worker and a nomad living out of a van—claims she loves her amazon job because it pays “good money.” (The book was written before Amazon went to $15 an hour!)
When I found out that this movie was Frances McDormand cosplaying as a poor person surrounded by people who are actually poor, I was pissed. When I…
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NYFF 2020: film #12
“you take care of yourself”
made with care and so much empathy. every frame is bittersweet and full of tenderness, touching on something hidden deep within the human spirit: the desire to keep moving as a way of survival. i have to comment on the score, which is sparse but moved me to tears every time it made an appearance, gently crashing in emotional waves. this is brilliantly directed by chloé zhao and universal in the most honest way, taking aspects that made the rider great and elevating them to a new level
in a strange time where we’ve been deprived of so much, left claustrophobic and aching, and experienced some degree of pain, loneliness and longing, this offers a comforting embrace and escape, filling up some of that emptiness with warmth in the form of wide open space. absolutely singular
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38
There's a tension to Nomadland that ultimately fails the movie. It's initially found in the contrast between the docu style, with non-actors utilized for their stories and experiences, and the vanity of the project as a Frances McDormand vehicle. Her performance is quite good, as is David Strathairn, but they're both disconnected from the material. Too often the film is striving for an authenticity that isn't possible with professional actors in the mix. Watching her pretend while the people around her are fully existing in this experience is unsettling. "It should've been a documentary" is usually a reductive statement, but it's true here. Chloé Zhao found a balance with The Rider that was quite moving until it attempted to…
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Third time. A real “What you give to it, it gives to you” film. If you’ve seen a lot of movies, it’s easy to get bogged down in what this wants to be, what it is aesthetically mining. And if you seek clean social morality, this probably isn’t the one. Too ephemeral, too specific, too hooked into the historical American tradition of liberty in the face of fear and the unknown. One long drive to freedom. There’s no judgment and no plan. The politics aren’t political, they’re social and humanistic. There is an evident philosophy that gets a big platform—a nomadic order of decency and connectedness. It’s sensitive but direct about loss—the amazing regret and What if? that powers life…
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kinda wish a24 distributed this so i could buy frances’ shit bucket on their website
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"I didn’t want my sailboat to be in the driveway when I died. And it’s not. My sailboat’s out here in the desert."
so many shots in this movie spark a direct, unfiltered bolt of emotion inside of me but i think the shot of linda may and fern doing the face masks is my favorite one in the entire film. instantly was when i first saw it. screenshotted it, even. i don’t know why, it just moved me. it’s so beautifully framed and such a lovely moment and it makes me really happy to feel this sweet little moment of relaxation and connectedness between these two women. i think about them so often. and about swankie and the birds…
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