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Synopsis
Two couples meet for a painful and raw conversation in the aftermath of a violent tragedy.
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Director
Director
Producers
Producers
Writer
Writer
Casting
Casting
Editor
Editor
Cinematography
Cinematography
Assistant Directors
Asst. Directors
Executive Producers
Exec. Producers
Lighting
Lighting
Camera Operator
Camera Operator
Production Design
Production Design
Art Direction
Art Direction
Composer
Composer
Sound
Sound
Studios
Country
Language
Alternative Titles
Görüşmə, O Peso da Dor, Исповедь, 매스, 弥撒, Buluşma, Odkupienie, Mišios, Reunião, 午後彌撒, 対峙
Premiere
30 Jan 2021
-
USA
Sundance Film Festival
20 Sep 2021
-
Spain
Donostia-San Sebastián International Film Festival
24 Sep 2021
-
CanadaPG
-
Switzerland
02 Oct 2021
-
USA
Woodstock Film Festival
09 Oct 2021
-
South Korea
Busan International Film Festival
11 Oct 2021
-
UK
BFI London Film Festival
31 Oct 2021
-
Netherlands
Leiden International Film Festival
10 Nov 2021
-
Poland16
American Film Festival
13 Nov 2021
-
Mexico
-
Sweden15
21 Nov 2021
-
Spain
Gijón International Film Festival
Theatrical limited
08 Oct 2021
-
USAPG-13
20 Jan 2022
-
UK12A
Theatrical
15 Oct 2021
-
CanadaPG
24 Dec 2021
-
Poland16
21 Jan 2022
-
Ireland12A
01 Apr 2022
-
Spain
18 May 2022
-
South Korea12
17 Jun 2022
-
Taiwan
15 Sep 2022
-
Russia
Digital
28 Dec 2021
-
Mexico
-
USAPG-13
11 Jan 2022
-
Indonesia
20 Jan 2022
-
UK12
02 Sep 2022
-
AustraliaM
10 Feb 2023
-
JapanG
TV
20 Jan 2022
-
UK12
Australia
Canada
24 Sep 2021
-
PremierePG
Cinefest Sudbury
Indonesia
Ireland
Japan
Mexico
13 Nov 2021
-
Premiere
Los Cabos International Film Festival
Netherlands
31 Oct 2021
-
Premiere
Leiden International Film Festival
Poland
10 Nov 2021
-
Premiere16
American Film Festival
Russia
South Korea
09 Oct 2021
-
Premiere
Busan International Film Festival
Spain
20 Sep 2021
-
Premiere
Donostia-San Sebastián International Film Festival
21 Nov 2021
-
Premiere
Gijón International Film Festival
Sweden
13 Nov 2021
-
Premiere15
Stockholm International Film Festival
Switzerland
24 Sep 2021
-
Premiere
Zurich Film Festival
Taiwan
UK
11 Oct 2021
-
Premiere
BFI London Film Festival
USA
30 Jan 2021
-
Premiere
Sundance Film Festival
02 Oct 2021
-
Premiere
Woodstock Film Festival
More
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a movie so good that i forgot everyone was acting for a good chunk of it
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Ah yes. People talking. My favorite genre.
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SUNDANCE 2021: film #16
“you say you wanna heal, we all do... is this how?”
completely performance driven in the best sense. i was never too overwhelmed with emotion but there’s so much potency in the script that it still shines through, especially because of ann and martha. grief is never easy to translate into something tangible or understandable, but this does an incredible job of bringing it to life in a way that shows empathy and perspective to everyone involved. a heavy experience for sure
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Thought my screening was blurry until I realized it was just the tears in my eyes
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When I got my ticket for Mass, I didn’t expect it to be lighthearted or joyful, but I also wasn’t expecting it to move me as much as it did: I sobbed, I wept, I probably used way too many tissues, and yet, in the end, I smiled. Mass confronts us with perhaps the greatest pain a parent can experience—the loss of a child. This film explores the meeting of two sets of parents; the parents whose son passed away, and the other parents whose child passed away, too, but who also took the lives of others with him.
Set mostly in one location, Mass is a heart-wrenching drama filled with moving performances, impeccable direction, phenomenal writing, and astonishing cinematography. It handles a…
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MASS is one of the most incredibly moving films I’ve ever seen as we listen in on a real-time tense conversation we shouldn’t be listening to. Honestly deconstructs America’s gun problem through four parents’ tragic grief. Emotional powerhouse performances from everyone! Wow!!
Sundance #26
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This movie was devastating. The subject is a downer and I understand not wanting to get into this mental space right now. But those who watch will be rewarded by four tour-de-force performances from incredible actors.
A movie that explores grief, empathy, and forgiveness with grace and compassion.
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A single-location drama about four people sitting in a sterile church anteroom and discussing — at length, and in real-time — the unequally shared tragedy that split their lives down the middle, “Mass” is so anti-cinematic at every turn that it almost comes as a surprise that it wasn’t adapted from a play or shot during COVID. And yet, at no point does this sobering and worthwhile feature debut from actor Fran Kranz (“The Cabin in the Woods”) feel like it shouldn’t have been a movie, or that it could’ve been anything else.
The biggest reason for that is easy to appreciate, but hard to explain. It doesn’t have much to do with the pall created by the hallowed yet…
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Specific, vivid, and unflinching. This will get dinged for not quite eclipsing the "This is a play in movie's clothing" charge, but the decisions on who to put in the frame and when displays a thoughtful strategy carefully executed, especially for a first-time filmmaker. Ann Dowd and Jason Isaacs are remarkably good—restrained and explosive when needed. Looking forward to where Fran Kranz takes things as a writer-director.
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The most devastating revelation of “Mass” is that you know, just minutes into the film, exactly where it will be taking you.
Actor Franz Kranz, in his debut as a director, does not exploit jingoistic imagery or talking points in his examination of four parents’ grief. Viewers, instead, enter with a horrific emotional familiarity that lays all of the groundwork for him.
If the most difficult feat as a director is to simply film actors speaking in a room, Kranz would have seemed to opt in to suffering, since - that is nearly the entirety of “Mass.”
But what Kranz lacks in experience behind the camera, he possesses with time spent on stage. In the last decade plus, he has…
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The world mourned for ten. We mourned for eleven.
An absolutely heartbreaking and layered story between four parents grieving over a tragic event. We don't see photos or flashbacks of the murderer and victim because the story isn't about the events but rather how people cope with loss. After about 100 minutes of breaking apart what has haunted all four adults for years, there is a single line that broke me. The hardest I've cried this year.
Probably the only knock against this film is I can't imagine ever wanting to go through this again.
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Words cannot capture just how cruel it is that someone else will win Ann Dowd’s Oscar this year