' ].join(''); if ( adsScript && adsScript === 'bandsintown' && adsPlatforms && ((window.isIOS && adsPlatforms.indexOf("iOS") >= 0) || (window.isAndroid && adsPlatforms.indexOf("Android") >= 0)) && adsLocations && adsMode && ( (adsMode === 'include' && adsLocations.indexOf(window.adsLocation) >= 0) || (adsMode === 'exclude' && adsLocations.indexOf(window.adsLocation) == -1) ) ) { var opts = { artist: "", song: "", adunit_id: 100005950, div_id: "cf_async_49a07a84-571c-4873-8232-ee6150d3fe81" }; adUnit.id = opts.div_id; if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } var c=function(){cf.showAsyncAd(opts)};if(typeof window.cf !== 'undefined')c();else{cf_async=!0;var r=document.createElement("script"),s=document.getElementsByTagName("script")[0];r.async=!0;r.src="//srv.tunefindforfans.com/fruits/apricots.js";r.readyState?r.onreadystatechange=function(){if("loaded"==r.readyState||"complete"==r.readyState)r.onreadystatechange=null,c()}:r.onload=c;s.parentNode.insertBefore(r,s)}; } else { adUnit.id = 'pw-49a07a84-571c-4873-8232-ee6150d3fe81'; adUnit.className = 'pw-div'; adUnit.setAttribute('data-pw-' + (renderMobile ? 'mobi' : 'desk'), 'sky_btf'); if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } window.addEventListener('DOMContentLoaded', (event) => { adUnit.insertAdjacentHTML('afterend', kicker); window.ramp.que.push(function () { window.ramp.addTag('pw-49a07a84-571c-4873-8232-ee6150d3fe81'); }); }, { once: true }); } } tag.remove(); })(document.getElementById('script-49a07a84-571c-4873-8232-ee6150d3fe81'));
Synopsis
Eve Orrin is at the mercy of her possessive mother, who has a case of "nerves" every time her daughter tries to show a mind of her own. Mrs. Orrin and her friend, Mrs. Marchant, have determined that Eve will marry Mrs. Marchant's milquetoast son, Henry, and Eve is willing to go along with it just to placate her mother. But Eve herself finally has an attack of nerves, and she falls in love with Doctor Harmon, the physician called in to care for her.
' ].join(''); if ( adsScript && adsScript === 'bandsintown' && adsPlatforms && ((window.isIOS && adsPlatforms.indexOf("iOS") >= 0) || (window.isAndroid && adsPlatforms.indexOf("Android") >= 0)) && adsLocations && adsMode && ( (adsMode === 'include' && adsLocations.indexOf(window.adsLocation) >= 0) || (adsMode === 'exclude' && adsLocations.indexOf(window.adsLocation) == -1) ) ) { var opts = { artist: "", song: "", adunit_id: 100005950, div_id: "cf_async_25789818-e692-49ab-a3c5-4c0ecd16b484" }; adUnit.id = opts.div_id; if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } var c=function(){cf.showAsyncAd(opts)};if(typeof window.cf !== 'undefined')c();else{cf_async=!0;var r=document.createElement("script"),s=document.getElementsByTagName("script")[0];r.async=!0;r.src="//srv.tunefindforfans.com/fruits/apricots.js";r.readyState?r.onreadystatechange=function(){if("loaded"==r.readyState||"complete"==r.readyState)r.onreadystatechange=null,c()}:r.onload=c;s.parentNode.insertBefore(r,s)}; } else { adUnit.id = 'pw-25789818-e692-49ab-a3c5-4c0ecd16b484'; adUnit.className = 'pw-div -tile300x250 -alignleft'; adUnit.setAttribute('data-pw-' + (renderMobile ? 'mobi' : 'desk'), 'med_rect_atf'); if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } window.addEventListener('DOMContentLoaded', (event) => { adUnit.insertAdjacentHTML('afterend', kicker); window.ramp.que.push(function () { window.ramp.addTag('pw-25789818-e692-49ab-a3c5-4c0ecd16b484'); }); }, { once: true }); } } tag.remove(); })(document.getElementById('script-25789818-e692-49ab-a3c5-4c0ecd16b484'));
Director
Director
Producer
Producer
Writers
Writers
Original Writer
Original Writer
Cinematography
Cinematography
Assistant Director
Asst. Director
Theatrical
23 Jan 1921
-
USA
USA
More
-
John Waters HAD to have seen this early in his career; I didn't really know what to think of this until I started seeing its mix of grotesque comedy and melodrama as a firm predecessor of his early work. This mother is CRAZY, a monster. The accompanist at Cinecon was absolutely wonderful, but this would've worked almost as well with a horror score. Also, had it ended 25 seconds earlier than it did, it would have the most progressive ending of any silent I've ever seen. Don't miss this if you ever get the chance to see it.
-
Mama’s affair (actually it’s Munchausen’s).
The hammy Adam and Eve intro along with the direction of some of the supporting cast makes what should be an example of concerning disorders instead dismissive and unserious. In short, tonal imbalance.
Whatever musical accompaniment you may be watching this with isn’t nearly dark enough.