Synopsis
A lonely widowed housewife does her daily chores and takes care of her apartment where she lives with her teenage son, and turns the occasional trick to make ends meet. Slowly, her ritualized daily routines begin to fall apart.
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Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles
Director
Producers
Writer
Editor
Cinematography
Art Direction
Sound
Makeup
Studios
Paradise Films Unité Trois Ministère de la Culture Française de Belgique Centre du Cinéma et de l'Audiovisuel de la FWB
Countries
Language
Alternative Titles
Jeanne Dielman, 23 Rue du Commerce, Jeanne Dielman, 잔느 딜망, Жанна Дільман, набережна Коммерс, будинок 23, 1080, Брюссель, Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles, Жанна Дильман, набережная Коммерции 23, Брюссель 1080, Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles, 让娜·迪尔曼, Jeanne Dielman, Bulwar Handlowy, 1080 Bruksela, Жанна Дільман, Набережна комерції 23, 1080 Брюссель, ז'אן דילמן, רחוב דו קומרס 23, בריסל 1080, Jeanne Dielman, moll del Comerç, 23, 1080 Brussel·les, ジャンヌ・ディエルマン ブリュッセル1080、コメルス河畔通り23番地
Releases by Date
Premiere
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France
Cannes Film Festival
07 Sep 1975
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Italy
Venice International Film Festival
22 Oct 1976
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Canada
Toronto International Film Festival
04 Oct 1978
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USA
Bleecker St. Cinema, New York
Theatrical limited
23 Mar 1983
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USANR
08 Sep 2017
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USANR
Theatrical
21 Jan 1976
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FranceU
18 Apr 2007
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Netherlands
29 Apr 2022
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Japan
22 Dec 2022
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FinlandK-7
29 Jun 2023
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Greece
03 Nov 2023
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UK15
Releases by Country
Canada
22 Oct 1976
- Premiere Toronto International Film Festival
Finland
22 Dec 2022
- TheatricalK-7
France
14 May 1975
- Premiere Cannes Film Festival
21 Jan 1976
- TheatricalU
Greece
29 Jun 2023
- Theatrical Re-issue
Italy
07 Sep 1975
- Premiere Venice International Film Festival
Japan
29 Apr 2022
- Theatrical
Netherlands
18 Apr 2007
- Theatrical
UK
03 Nov 2023
- Theatrical15 Re-release
USA
04 Oct 1978
- Premiere Bleecker St. Cinema, New York
23 Mar 1983
- Theatrical limitedNR New York City, New York
08 Sep 2017
- Theatrical limitedNR Harvard Film Archive
Popular reviews
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hey guys thank you for watching my domestic housework asmr video my name is jeanne dielman and be sure to like and subscribe if you wanna see more content like this
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so fascinating to watch this and slowly recognize how quietly influential it’s been to so many pieces of media that i consider canonical to my own taste. you don’t get Lady Bird without this. you don’t get you don’t get The Florida Project without this. you don’t get Portrait of a Lady on Fire or Tomboy without this. you don’t get Parasite or the “Fly” episode of Breaking Bad without this. you don’t get the video for St. Vincent’s “Cruel” (or the entire “housewife on pills” aesthetic of Strange Mercy & “The Strangers”) without this! and yet, for something so foundational, it’s so unbelievably subtle. it’s BORING– on purpose! 3.5 hours of a routine slowly shifting, letting you settle into the…
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Adam was right, I can’t stop thinking about it. A boring, frustrating, painful experience of a movie that is also kind of brilliant. A unique film you should check out if you’re willing to be bored out of your mind for nearly 3 and a half hours.
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After spending three days with Jeanne Dielman I can confidently say that she is a woman who does not like to waste electricity
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quietly radical. yes, it's boring, and that's the point: being a housewife is boring! especially in the 70s, when you don't have games on your phone!!! if it's this "tedious" (non-derogatory) to watch her for 3 hours and 20 minutes, imagine the drudgery of actually living it. it's sooo easy and fun to sing yes i do the cooking, yes i do the cleaning but not so to actually do it...
Chantal Akerman forces you to memorize and empathize with this woman's routine. long, static wide shots of Jeanne polishing shoes and washing dishes and brushing her hair last for several minutes with no cuts, so that when she inevitably begins to subtly unravel we take notice. so much so…
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to be a woman is to be invisible.
this movie demands that you reckon with the hot dinner put on the table and the dishes that are cleaned every night. it does not ask or concede: it is bold in showing you every tedious routine of the labor we have shoved into kitchens and the back of our minds. this is not a wife putting on make-up before her husband wakes up so that he won't have to see her unblemished. this is every piece we have historically devalued and ignored.
a woman is mysterious and unknowable, as decades of movies and other media has drilled into our heads. who knows what they get up to? do they even have…
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![nathaxnne [hiatus]](https://a.ltrbxd.com/resized/avatar/upload/1/9/5/2/4/3/shard/avtr-0-80-0-80-crop.jpg?v=2d9f35eba8)
Like is usually the case with these sorts of things, the day-to-day maintenance operations of and for the patriarchal state are performed almost entirely by women. As the subjugated, enslaved class, they engaged in the preprogrammed routinized, menial labor without which the patriarchy could not be. The entire physical and psycho-emotional substrate of the apparatus of their oppression is entirely dependent upon their daily activities. Women are responsible for all custodial, caretaking tasks in support of male supremacy: cooking, cleaning, education, rearing, procreation, sexual gratification, etc. What is more, the evacuation of autonomy, of personal time, of personal thought, with the burden of near-constant routine action, is a (the?) primary modality of patriarchal oppression. 'Jeanne Dielman' is not about revolution…
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lmao guys she said: "yes i do the cooking 😎 yes i do the cleaning 😜...
...and yes i do have to deal with the existential suffering generated by the loneliness and alienation i experience because of the extremely oppressive patriarchal and capitalistic society i'm hopelessly forced to live in"
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