Synopsis
Some women would kill for a baby
Completely on her own, Sarah spends her time at home, waiting for the approaching birth of her child. But one night, a stranger breaks into her home, ready to snatch her still unborn baby from her.
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Inside
Cast
Director
Producers
Writers
Original Writers
Casting
Editor
Cinematography
Assistant Directors
Executive Producers
Lighting
Camera Operator
Additional Photography
Production Design
Set Decoration
Visual Effects
Stunts
Composer
Sound
Costume Design
Makeup
Hairstyling
Studios
Countries
Language
Alternative Titles
Sakkana mi'bifnim, Terror en la oscuridad, U meni, Icerdeki Seytan, 더 게스트, Inside 2017, Inside 2016, סכנה מבפנים, Внутри, Perigo na Escuridão, 孕中惊魂, インサイド, İçerdeki Şeytan, 劫孕
Genres
Themes
Releases by Date
Premiere
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Spain
Sitges Film Festival
Theatrical
14 Feb 2016
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South Korea
28 Jul 2017
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Spain
24 Aug 2017
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Israel
01 Sep 2017
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Turkey
Digital
12 Jan 2018
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MexicoC
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USA
13 Jul 2018
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JapanR15+
10 Aug 2018
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Germany16
Releases by Country
Germany
10 Aug 2018
- Digital16
Israel
24 Aug 2017
- Theatrical
Japan
13 Jul 2018
- DigitalR15+
Mexico
12 Jan 2018
- DigitalC
South Korea
14 Feb 2016
- Theatrical
Spain
07 Oct 2016
- Premiere Sitges Film Festival
28 Jul 2017
- Theatrical
Turkey
01 Sep 2017
- Theatrical
USA
12 Jan 2018
- Digital
Popular reviews
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Oh man am I pissed. And you're gonna hear about it.
PSA: If you search for the 2007 Alexandre Bustillo version of Inside (you know, the one people actually want to see), Amazon Prime will tell you that you can watch it on Hulu. The information listed will be that for the 2007 version, as will the Hulu title screen, which appears briefly before the movie starts. What you are getting is NOT the 2007 version. What you are actually getting is the shitty 2016 remake, and oooohhh I feel like stomping on my hat a la Yosemite Sam still. Because this was a film I had not yet gotten around to watching and didn't research beforehand, relying strictly on…
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Let's just call this Diet Inside. It's similar in plot but it lacks all the gory goodness of the original. It's watered down, ridiculous in places, and devoid of substance. Think of this as the bunny hill for anyone that can't handle the intensity of the original.
I will say the performances weren't bad but they weren't good enough to give this toothless mess any merit.
Between this and the Martyrs remake, I think it is becoming clear that French extreme horror cannot be duplicated or remade, only experienced so stick with the originals.
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If I had a nickel for every time a shitty remake of a memorable New French Extremity horror flick waters down the violence severely and changes plot points for the worst, misunderstanding the whole point of the original films, I'd have two nickels. Which isn't a lot, but it's weird that it happened twice.
Not even the likes of Harring and Nichols can save this dumpster fire of a remake. While I understand focusing on the terror of pregnancy than the violence, it just ends up being a rather bog-standard home invasion flick. The original's premise is also straight-forward, but that was elevated with the vicious practical gore, unnerving score, a bleak tone and top-notch performances from Dalle and Paradis. The remake lacks everything remotely noteworthy, aside from the direction being slick at times.
Like the Martyrs remake, avoid it and watch the superior French classics.
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Why is that America thinks it can remake already amazing horror movies, they did this to Martyrs and now they did this with Inside. This movie is pretty much if you took everything that was amazing about the original a way, it’s a watered down piece of garbage movie that nobody working on the movie seemed to care about. Th acting in this movie was dreadful and way too over the top, Rachel Nicholas and Laura Harring were dreadful in this movie the performances came off way too over the top as I said before and they were just a major step down from the original. What made the original Inside so darn amazing is that it didn’t hold back…
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At first I was a little surprised actually. It wasn't great but it was competently made. For that I was able to look past some of its drawbacks. But then the third act started and that's where it finally lost me. On a lighter note though La Femme had major fem-dom vibes and I would be her sub any day.
The Dale Doback award goes to Miguel Ángel Vivas, the director and cowriter. Stop giving us Americans a bad name with these shitty Pollyanna endings.
"Isabella..."
"Shitty name!" -
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On the one hand, it’s competently made.
On the bigger hand, it never justifies its existence.
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