Synopsis
The greatest romance of all time!
The spoiled daughter of a Georgia plantation owner conducts a tumultuous romance with a cynical profiteer during the American Civil War and Reconstruction Era.
The spoiled daughter of a Georgia plantation owner conducts a tumultuous romance with a cynical profiteer during the American Civil War and Reconstruction Era.
Vivien Leigh Clark Gable Olivia de Havilland Leslie Howard Hattie McDaniel Thomas Mitchell Barbara O'Neil Evelyn Keyes Ann Rutherford George Reeves Fred Crane Oscar Polk Butterfly McQueen Victor Jory Everett Brown Howard Hickman Alicia Rhett Rand Brooks Carroll Nye Laura Hope Crews Eddie 'Rochester' Anderson Harry Davenport Leona Roberts Jane Darwell Ona Munson Paul Hurst Isabel Jewell Cammie King Eric Linden Show All…
Унесённые ветром, Lo que el viento se llevó, Vom Winde verweht, Gejaagd door de wind, Отнесени от вихъра, Autant en emporte le vent, Jih proti Severu, Odviate vetrom, بر باد رفته, 亂世佳人, E o Vento Levou, 바람과 함께 사라지다, Przeminęło z Wiatrem, Borta med vinden, Tatt av vinden, 乱世佳人, Elfújta a szél, Via col vento, E Tudo o Vento Levou, Borte med blæsten, Przeminęło z wiatrem, Rüzgar Gibi Geçti, Прохујало са вихором, 風と共に去りぬ, Όσα Παίρνει ο Άνεμος, חלף עם הרוח, Віднесені вітром, Pe aripile vântului, ...E o Vento Levou, V vrtincu, Allò que el vent s’endugué, Tuulen viemää, วิมานลอย, Cuốn Theo Chiều Gió, Zameo ih vjetar, ئەنسىز يىللاردىكى نازىنىن, Vėjo nublokšti
Frankly, my dear, I can't fucking believe I wasted almost 4 hours of my life watching pro-Confederacy revisionist propaganda. Nor can I believe that, even during the height of Segregation, it was lauded by critics and was nominated for and won an unprecedented number of Academy Awards. Americans are so forgiving of white supremacy when it comes from within our own borders, it just makes me want to vomit.
And like, okay, if this were a technically brilliant film with a fantastic script and a director and cast that knocked it out of the park but also super racist and manipulative, this would be an entirely different conversation. But it's not! It's a bloated melodrama with basically zero redeeming qualities,…
-1 star due to its racist and sexist content❤
that's enough activism for today i think
for one reason or another, people repeatedly call Gone with the Wind dated. this iconic epic is steeped in the ideologies and social structures of its time, a vivid tableau of an era long past, an idea that the film explores with a mythical longing. yet, as i immersed myself in its lavish narrative, i cast aside any modern lens, seeking instead to understand the world it portrays with the sensibilities of its own, singular epoch. this perspective is essential. it allows one to grasp the film's introspective nuances and appreciate its monumental storytelling holistically. this is where contemporary audiences regularly fall short. while there's nothing wrong with avoiding who or what causes personal discomfort, i just think people are…
Four hours! Four fucking hours! And even after that you don't get a proper conclusion! A colossal disappointment by all means, Gone with the Wind is one never ending soap opera filled with characters you never grow to care about, iconic dialogues that look better on paper, and other than its technically accomplished production, there's nothing memorable about this sappy & overlong melodrama.
Set in the American South during Civil War, the story follows a young, spoiled woman who claws her way out of war, poverty & other misfortunes yet has a weakness for a man who never returned her love. Things take an interesting turn when a roguish fellow takes an interest in her after which the two conduct their turbulent…