Popular reviews

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  Review by jack ✿

  there were four boys in that volvo!

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  Review by lily ★★★★

  oh to be a boy in a crop top staring at the sunset with my dawgs

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  Review by Pate Duncan

  Has the kind of sumptuous and suggestive homosocial atmosphere found in Y Tu Mamá También’s early moments and, obviously, in a more ponderous fashion, My Own Private Idaho. Really fabulous, meandering stuff.

  I wonder to what extent the pastoral expanse here is figured as queerness’s horizon, the kind of frontier narratives extended to “the open road” working their way into the material of location shooting here, Badlands by way of Equation to an Unknown. There’s also a stark contrast between the short’s moments of obscuring of its figures and suggestive fragments of them in closer views, a kind of playful fort-da with the regime of visuality that typically dominates gay male erotic spectacle and its depictions of the youthful male body.…

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  Review by amanda :( 2

  it’s 3 am and i’m so happy i found this again after watching it years ago

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  Review by Stringer Bell ★★★★★

  -Checks title
  -Watches movie
  -"Yeah, that checks out"

  Honestly a banger.
  The best LEVI's Ad I've ever seen.

  Pedro Almodovar should have taken notes from this.

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  Review by Lydia Roberts ★★★★

  Essentially perfect?
  Didn't like whenever any of them opened their mouths but fuck me Harris Savides was some kind of god; this is by far one of the best looking things I've ever seen in my life.

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  Review by Pat Suwanagul

  Four Boys in a Volvo: Picture masculinity squeezed into the backseat of a Volvo, where eye contact feels more like a dare than a gesture of connection.

  For Van Sant, silence is the statement, and tension is the punchline. Four boys, one Volvo, and all the weight of adolescent confusion wrapped into four minutes. If there’s a message, it’s that intimacy doesn’t need words to feel substantial. In Van Sant’s hands, masculinity becomes a quiet art form, proving that what’s left unsaid often speaks volumes.

  Minimalist? Yes. Mundane? Hardly. Van Sant’s Volvo becomes a postmodern capsule, borrowing from Baudrillard’s hyperreality to blur the lines between real life and the art of doing absolutely nothing with feeling. By grounding us in…

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  Review by elijah

  the score is so good jesus christ

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  Review by scottwiv 1

  This reminds me of me and the guys

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  Review by Drew Burnett Gregory ★★★½

  This feels like a first experiment in moving from the style of My Own Private Idaho/Even Cowgirls Get the Blues to the style of Gerry/Elephant/etc.

  I miss Gus. When is he going to do something good and gay again.

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  Review by ash 2

  on the road, you’re alone,
  away from the world.

  the realisation is a stark embrace,
  who will remember us when we’re gone?

  we are bound to death,
  to that mortality of human life,
  what is left of us when we go? 

  who forgets,
  who knows,
  we’re all gone before we even go.

  on the road, you’re alone,
  forgetting as part of the forgotten,
  you just know, that you go,
  away from the world.

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  Review by Seranda ★★★★

  No plot just vibes come on gus give us the 2 hour version