' ].join(''); if ( adsScript && adsScript === 'bandsintown' && adsPlatforms && ((window.isIOS && adsPlatforms.indexOf("iOS") >= 0) || (window.isAndroid && adsPlatforms.indexOf("Android") >= 0)) && adsLocations && adsMode && ( (adsMode === 'include' && adsLocations.indexOf(window.adsLocation) >= 0) || (adsMode === 'exclude' && adsLocations.indexOf(window.adsLocation) == -1) ) ) { var opts = { artist: "", song: "", adunit_id: 100005950, div_id: "cf_async_40fd55f3-9fcc-4e50-a949-09fdf43131f6" }; adUnit.id = opts.div_id; if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } var c=function(){cf.showAsyncAd(opts)};if(typeof window.cf !== 'undefined')c();else{cf_async=!0;var r=document.createElement("script"),s=document.getElementsByTagName("script")[0];r.async=!0;r.src="//srv.tunefindforfans.com/fruits/apricots.js";r.readyState?r.onreadystatechange=function(){if("loaded"==r.readyState||"complete"==r.readyState)r.onreadystatechange=null,c()}:r.onload=c;s.parentNode.insertBefore(r,s)}; } else { adUnit.id = 'pw-40fd55f3-9fcc-4e50-a949-09fdf43131f6'; adUnit.className = 'pw-div'; adUnit.setAttribute('data-pw-' + (renderMobile ? 'mobi' : 'desk'), 'sky_btf'); if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } window.addEventListener('DOMContentLoaded', (event) => { adUnit.insertAdjacentHTML('afterend', kicker); window.ramp.que.push(function () { window.ramp.addTag('pw-40fd55f3-9fcc-4e50-a949-09fdf43131f6'); }); }, { once: true }); } } tag.remove(); })(document.getElementById('script-40fd55f3-9fcc-4e50-a949-09fdf43131f6'));
Synopsis
Based on the sensational New Yorker short story.
When Margot, a college sophomore, goes on a date with the older Robert, she finds that IRL Robert doesn’t live up to the Robert she has been flirting with over texts.
' ].join(''); if ( adsScript && adsScript === 'bandsintown' && adsPlatforms && ((window.isIOS && adsPlatforms.indexOf("iOS") >= 0) || (window.isAndroid && adsPlatforms.indexOf("Android") >= 0)) && adsLocations && adsMode && ( (adsMode === 'include' && adsLocations.indexOf(window.adsLocation) >= 0) || (adsMode === 'exclude' && adsLocations.indexOf(window.adsLocation) == -1) ) ) { var opts = { artist: "", song: "", adunit_id: 100005950, div_id: "cf_async_9eb4ab2b-1fff-4b9a-b5b8-bedf68f9852b" }; adUnit.id = opts.div_id; if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } var c=function(){cf.showAsyncAd(opts)};if(typeof window.cf !== 'undefined')c();else{cf_async=!0;var r=document.createElement("script"),s=document.getElementsByTagName("script")[0];r.async=!0;r.src="//srv.tunefindforfans.com/fruits/apricots.js";r.readyState?r.onreadystatechange=function(){if("loaded"==r.readyState||"complete"==r.readyState)r.onreadystatechange=null,c()}:r.onload=c;s.parentNode.insertBefore(r,s)}; } else { adUnit.id = 'pw-9eb4ab2b-1fff-4b9a-b5b8-bedf68f9852b'; adUnit.className = 'pw-div -tile300x250 -alignleft'; adUnit.setAttribute('data-pw-' + (renderMobile ? 'mobi' : 'desk'), 'med_rect_atf'); if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } window.addEventListener('DOMContentLoaded', (event) => { adUnit.insertAdjacentHTML('afterend', kicker); window.ramp.que.push(function () { window.ramp.addTag('pw-9eb4ab2b-1fff-4b9a-b5b8-bedf68f9852b'); }); }, { once: true }); } } tag.remove(); })(document.getElementById('script-9eb4ab2b-1fff-4b9a-b5b8-bedf68f9852b'));
Director
Director
Producers
Producers
Writer
Writer
Original Writer
Original Writer
Casting
Casting
Editor
Editor
Cinematography
Cinematography
Assistant Directors
Asst. Directors
Executive Producers
Exec. Producers
Lighting
Lighting
Camera Operators
Camera Operators
Production Design
Production Design
Art Direction
Art Direction
Set Decoration
Set Decoration
Stunts
Stunts
Composer
Composer
Sound
Sound
Costume Design
Costume Design
Makeup
Makeup
Hairstyling
Hairstyling
Studios
Countries
Language
Alternative Titles
Кошки-Мышки, Entre ses griffes, 캣 퍼슨, Amante de Gatos, 캣퍼슨, Мишоловка, Кошки-мышки, Siçan-Pişik, Niebezpieczny kochanek, 爱猫人, Pavojingas meilužis, เดทหลอน, Cama de Gato
Premiere
21 Jan 2023
-
USA
Sundance Film Festival
26 Apr 2024
-
South Korea18
Marie Claire Film Festival
Theatrical limited
06 Oct 2023
-
USANR
Theatrical
13 Oct 2023
-
Norway15
27 Oct 2023
-
UK15
02 Nov 2023
-
New ZealandR16
16 Nov 2023
-
Germany16
23 Nov 2023
-
Australia
15 Feb 2024
-
Netherlands12
19 Jun 2024
-
South Korea15
14 Nov 2024
-
Portugal
Digital
01 Dec 2023
-
USANR
12 Mar 2024
-
Spain16
Australia
Azerbaijan
Germany
Netherlands
New Zealand
Norway
Portugal
Puerto Rico
Russia
South Korea
26 Apr 2024
-
Premiere18
Marie Claire Film Festival
Spain
UK
US Virgin Islands
USA
21 Jan 2023
-
Premiere
Sundance Film Festival
Ukraine
More
-
there hasn't been a third act collapse this bad since Clippers-Rockets 2015
-
Everyone in the theater groaned when Nicholas Braun’s character said “Good girl.”
-
im sorry I just can't deal with Cousin Greg having sex
-
essential succession viewing gotta cover this on the podcast (new episodes of “succ off” every monday)
-
i’ve absolutely walked down the street listening to brittany spears while also keeping an eye out for scary men this movie was so real #whore
-
-
if a guy texted me to meet him in the parking lot so he can "unstarve me" i would leave the country and change my identity immediately
-
jesus christ. longest 2 hours of my life. all the subtlety of a brick to the face. promising young woman for people who are too worried about how “lonely” young men are these days.
manages to simultaneously take 2 wildly opposing stances on patriarchal violence & incel culture and execute them both in a way that is cartoonishly on the nose, corny, and kinda offensive. cinema is dead, maybe?
-
What dating a cinephile is like
-
it was going so WELL until it wasn't
-
Oy vey. With hindsight I don’t think there’s any way to put this to screen properly but so many decisions were made to make it worse than bad. Good casting, bad music, horrendous invented ending. We’ve got to start keeping track of when the contemporary Subversive Feminist Thrillers began and stop them ever happening again. FWIW I really liked Promising Young Woman and can anticipate the parallels, but I think that film got it right and this one kind of has no clue. Feels dated and reductive of both men and women - no feminist society exists in which every man is the enemy! Want to write more about this but gonna have a little stress dream or two first!
-
guarantee robert said he doesn’t want to meet someone through an app because he kept striking out publicly in letterboxd comments