' ].join(''); if ( adsScript && adsScript === 'bandsintown' && adsPlatforms && ((window.isIOS && adsPlatforms.indexOf("iOS") >= 0) || (window.isAndroid && adsPlatforms.indexOf("Android") >= 0)) && adsLocations && adsMode && ( (adsMode === 'include' && adsLocations.indexOf(window.adsLocation) >= 0) || (adsMode === 'exclude' && adsLocations.indexOf(window.adsLocation) == -1) ) ) { var opts = { artist: "", song: "", adunit_id: 100005950, div_id: "cf_async_26c821cb-daf1-44c4-bdea-b3dc58df7278" }; adUnit.id = opts.div_id; if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } var c=function(){cf.showAsyncAd(opts)};if(typeof window.cf !== 'undefined')c();else{cf_async=!0;var r=document.createElement("script"),s=document.getElementsByTagName("script")[0];r.async=!0;r.src="//srv.tunefindforfans.com/fruits/apricots.js";r.readyState?r.onreadystatechange=function(){if("loaded"==r.readyState||"complete"==r.readyState)r.onreadystatechange=null,c()}:r.onload=c;s.parentNode.insertBefore(r,s)}; } else { adUnit.id = 'pw-26c821cb-daf1-44c4-bdea-b3dc58df7278'; adUnit.className = 'pw-div'; adUnit.setAttribute('data-pw-' + (renderMobile ? 'mobi' : 'desk'), 'sky_btf'); if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } window.addEventListener('DOMContentLoaded', (event) => { adUnit.insertAdjacentHTML('afterend', kicker); window.ramp.que.push(function () { window.ramp.addTag('pw-26c821cb-daf1-44c4-bdea-b3dc58df7278'); }); }, { once: true }); } } tag.remove(); })(document.getElementById('script-26c821cb-daf1-44c4-bdea-b3dc58df7278'));
Synopsis
More is never enough.
A poet falls in love with an art student, who gravitates to his bohemian lifestyle — and his love of heroin. Hooked as much on one another as they are on the drug, their relationship alternates between states of oblivion, self-destruction, and despair.
' ].join(''); if ( adsScript && adsScript === 'bandsintown' && adsPlatforms && ((window.isIOS && adsPlatforms.indexOf("iOS") >= 0) || (window.isAndroid && adsPlatforms.indexOf("Android") >= 0)) && adsLocations && adsMode && ( (adsMode === 'include' && adsLocations.indexOf(window.adsLocation) >= 0) || (adsMode === 'exclude' && adsLocations.indexOf(window.adsLocation) == -1) ) ) { var opts = { artist: "", song: "", adunit_id: 100005950, div_id: "cf_async_62d7d10e-a792-4690-a9b8-a3d36e7b5266" }; adUnit.id = opts.div_id; if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } var c=function(){cf.showAsyncAd(opts)};if(typeof window.cf !== 'undefined')c();else{cf_async=!0;var r=document.createElement("script"),s=document.getElementsByTagName("script")[0];r.async=!0;r.src="//srv.tunefindforfans.com/fruits/apricots.js";r.readyState?r.onreadystatechange=function(){if("loaded"==r.readyState||"complete"==r.readyState)r.onreadystatechange=null,c()}:r.onload=c;s.parentNode.insertBefore(r,s)}; } else { adUnit.id = 'pw-62d7d10e-a792-4690-a9b8-a3d36e7b5266'; adUnit.className = 'pw-div -tile300x250 -alignleft'; adUnit.setAttribute('data-pw-' + (renderMobile ? 'mobi' : 'desk'), 'med_rect_atf'); if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } window.addEventListener('DOMContentLoaded', (event) => { adUnit.insertAdjacentHTML('afterend', kicker); window.ramp.que.push(function () { window.ramp.addTag('pw-62d7d10e-a792-4690-a9b8-a3d36e7b5266'); }); }, { once: true }); } } tag.remove(); })(document.getElementById('script-62d7d10e-a792-4690-a9b8-a3d36e7b5266'));
Director
Director
Producers
Producers
Writers
Writers
Original Writer
Original Writer
Casting
Casting
Editor
Editor
Cinematography
Cinematography
Assistant Directors
Asst. Directors
Executive Producers
Exec. Producers
Camera Operator
Camera Operator
Production Design
Production Design
Art Direction
Art Direction
Set Decoration
Set Decoration
Visual Effects
Visual Effects
Composer
Composer
Sound
Sound
Costume Design
Costume Design
Studios
Country
Language
Alternative Titles
Candy - OZ, 캔디, 愛糖針, Paradiso+Inferno, Candy - Reise der Engel, Cukiereczek, Кэнди, 糖果, קנדי, Кенди, Kendė, Кенді, ქენდი, キャンディ, 愛‧糖針
Premiere
15 Feb 2006
-
Germany
Berlin International Film Festival
08 Sep 2006
-
USAR
Kansas City Film Festival
Theatrical
25 May 2006
-
AustraliaMA15+
27 Jun 2006
-
PortugalM/16
21 Sep 2006
-
Germany16
03 Nov 2006
-
UK15
02 Mar 2007
-
Brazil16
Physical
11 Sep 2008
-
Czechia
Australia
Brazil
Czechia
Germany
15 Feb 2006
-
Premiere
Berlin International Film Festival
Portugal
UK
USA
08 Sep 2006
-
PremiereR
Kansas City Film Festival
More
-
heath ledger draping a blanket over himself and his tv so he can watch a movie without disturbing his wife while she sleeps...if that isn’t love i don’t know what is.
-
i know i say this pretty much every other day but i really miss heath ledger
-
ThE cOolEsT PeOpLe in McDoNaLd's
-
films that remind me to not do heroin part 2
-
WHY DOES THE POSTER LOOK SO HAPPY AND JOYFUL YET THE STORY IS SO FKN DEPRESSING
-
has one of the most beautiful opening sequences i've ever seen in film
-
This is how a perfectly FUCKED UP marriage between Requiem For a Dream and Trainspotting would look like.
Warning! This is ultimately disturbing because there is Love and Drugs involved.
-
heath ledger was a gift to the world
-
Requiem For A Dream meets Blue Valentine.
To watch whenever you feel like you're forgetting what Acting is.
-
Once upon a time, Dan and Candy were in love, but they were both strung out on heroin. Dan especially was a fiend. One night he comes home crazier than usual after taking too much. Candy gets the kitchen knife to defend herself. Dan doesn't like that...not...one...bit. He takes the knife from her, laughing while he does it, sticks it in her mouth "Let's put a smile on that face!" He can't handle the fact he did something so horrible to Candy so he takes a razor, sticks it in his mouth, and leaves out for America bringing his scars with him. He renounces the name "Dan". Now, he's The Joker.
Why So Serious?
-
requiem for a dream but the better joker is in it
-
Aspects of this bring out the feeling I'm constantly searching for within film. It's difficult to articulate but you know it's there and I wouldn't trade it for anything