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Synopsis
Never underestimate an overachiever.
A group of over-achieving Asian-American high school seniors enjoy a power trip when they dip into extra-curricular criminal activities.
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Director
Director
Producers
Producers
Writers
Writers
Casting
Casting
Editor
Editor
Cinematography
Cinematography
Assistant Directors
Asst. Directors
Executive Producers
Exec. Producers
Lighting
Lighting
Production Design
Production Design
Art Direction
Art Direction
Composers
Composers
Sound
Sound
Costume Design
Costume Design
Makeup
Makeup
Hairstyling
Hairstyling
Studios
Country
Language
Alternative Titles
Завтра лучше чем вчера, יותר מזל מחר, 火爆麻吉, Завтра повезет больше, 베터 럭 투머로우
Premiere
12 Sep 2002
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Canada
Toronto International Film Festival
Theatrical limited
12 Jan 2002
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USAR
11 Apr 2003
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USAR
25 May 2005
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AustraliaMA 15+
Theatrical
25 Apr 2003
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USAR
Physical
30 Sep 2003
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France
Australia
Canada
12 Sep 2002
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Premiere
Toronto International Film Festival
France
USA
12 Jan 2002
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Theatrical limitedR
Sundance Film Festival
More
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“Rumors about us came and went fast and furious.”
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Kind of all over the place but very super important for the debut of Han, a perfect character.
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brain's too fried to write anything more than Asian-American Animals
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This review may contain spoilers. I can handle the truth.
I’ve heard of John Tucker Must Die but John Cho??? 😂😂😅😞😪
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Before director Justin Lin got rich making four consecutive FAST AND FURIOUS sequels (TOKYO DRIFT straight through to the most recent), he debuted with this flawed but powerful teen drama.
While it doesn't go quite as far into hard-R material, BETTER LUCK TOMORROW fits snugly alongside other "Delinquent Kids" movies (a favorite subgenre of mine) like KIDS, BULLY, and RIVER'S EDGE. The twist here, though, is that this film is about a group of upper class, A-student Asian teens, who are able to get away with stealing, cheating, and selling drugs purely because no one expects them to be getting into any trouble (least of all their parents, who are never even glimpsed).
That's a hell of a hook, and…
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This review may contain spoilers. I can handle the truth.
could be easily formulaic but Lin’s obvious strengths as a filmmaker and the committed performances from everyone makes it genuinely compelling in a way that a lot of these “suburbanites going into a life of crime” movies don’t really capture. like how it subverts your expectations of the protagonist and the supporting characters as it goes along, with the main character being a lot more subtly ruthless and selfish than he comes across as, and the major unhinged one being weaker and more susceptible to guilt as the actions get bleaker and bloodier. the decision to end it in a point of stasis, with no real consequences except the lingering emptiness and hollowness inside your own heart is perfect as…
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35mm print
It's hard not to think about the clip of Roger Ebert from the Sundance Film Festival passionately defending this film when (I'm going to make an assumption here about this bit) a white audience member asked Justin Lin if he was ashamed of making a movie all about people from the Asian-American community that would end up becoming bad influences for generations to come. But I think that people who ask questions of that sort are only doing in turn is reinforcing the status quo that ends up putting those as depicted in Better Luck Tomorrow in the exact situation that they end up in. Which, obviously, as an Asian viewer is something that I respond very strongly…
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💕opening a movie like that is absolutely baller💕
han: [does anything]
me: wow, amazing, phenomenal, transcendent. he’s so fuckin cool
han: [literally doing nothing]
me: wow, amazing, phenomenal, transcendent. he’s so fuckin cool
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It is wild that Han from The Fast & The Furious is a character in this movie. That’s like if Quentin Tarantino made a Star Wars and one of the characters was Marsellus Wallace.
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“Rumors about us came fast and furious”
Second movie in my Fast and Furious binge. Wild movie, enjoyed Hans character excited to see more of him in the next ones.
Very rough around the edges and obviously not made on much more than pocket change but it was charming. Very early 2000’s
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I wasn’t expecting a stylized and hyper energetic version of Burning where we explore the desire to feel understood and validated through toxically masculine behavior. Some of the spotty acting truly captures the consistent insecurities and constant desire people feel in high school when they want to fit in, especially if you are a person of color.
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“We didn’t agree to this! This is gonna cost you extra!”
While it’s not the point of the film I can’t help but point out it is quite literally a Fast & Furious prequel in the sense that Sung Kang’s character Han Lue sees his debut prior to director Justin Lin’s lightning takeover of the Fast & Furious franchise with four sequels in consecutive release. A good friend of mine reminded me that Justin Lin had introduced Han as a character in a film prior to the Fast & Furious franchise and I had to jump on it immediately.
What I was met with was a fascinating teen drama about a clan of senior students scamming and hustling their way into some major…