' ].join(''); if ( adsScript && adsScript === 'bandsintown' && adsPlatforms && ((window.isIOS && adsPlatforms.indexOf("iOS") >= 0) || (window.isAndroid && adsPlatforms.indexOf("Android") >= 0)) && adsLocations && adsMode && ( (adsMode === 'include' && adsLocations.indexOf(window.adsLocation) >= 0) || (adsMode === 'exclude' && adsLocations.indexOf(window.adsLocation) == -1) ) ) { var opts = { artist: "", song: "", adunit_id: 100005950, div_id: "cf_async_77607308-48fc-4bf9-aee7-539f6889205a" }; adUnit.id = opts.div_id; if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } var c=function(){cf.showAsyncAd(opts)};if(typeof window.cf !== 'undefined')c();else{cf_async=!0;var r=document.createElement("script"),s=document.getElementsByTagName("script")[0];r.async=!0;r.src="//srv.tunefindforfans.com/fruits/apricots.js";r.readyState?r.onreadystatechange=function(){if("loaded"==r.readyState||"complete"==r.readyState)r.onreadystatechange=null,c()}:r.onload=c;s.parentNode.insertBefore(r,s)}; } else { adUnit.id = 'pw-77607308-48fc-4bf9-aee7-539f6889205a'; adUnit.className = 'pw-div'; adUnit.setAttribute('data-pw-' + (renderMobile ? 'mobi' : 'desk'), 'sky_btf'); if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } window.addEventListener('DOMContentLoaded', (event) => { adUnit.insertAdjacentHTML('afterend', kicker); window.ramp.que.push(function () { window.ramp.addTag('pw-77607308-48fc-4bf9-aee7-539f6889205a'); }); }, { once: true }); } } tag.remove(); })(document.getElementById('script-77607308-48fc-4bf9-aee7-539f6889205a'));
Synopsis
Maybe freedom begins with remorse.
Foreign Legion officer Galoup recalls his once glorious life, training troops in the Gulf of Djibouti. His existence there was happy, strict and regimented, until the arrival of a promising young recruit, Sentain, plants the seeds of jealousy in Galoup's mind.
' ].join(''); if ( adsScript && adsScript === 'bandsintown' && adsPlatforms && ((window.isIOS && adsPlatforms.indexOf("iOS") >= 0) || (window.isAndroid && adsPlatforms.indexOf("Android") >= 0)) && adsLocations && adsMode && ( (adsMode === 'include' && adsLocations.indexOf(window.adsLocation) >= 0) || (adsMode === 'exclude' && adsLocations.indexOf(window.adsLocation) == -1) ) ) { var opts = { artist: "", song: "", adunit_id: 100005950, div_id: "cf_async_8c19ca9c-4c98-4046-b4af-e07421ed107a" }; adUnit.id = opts.div_id; if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } var c=function(){cf.showAsyncAd(opts)};if(typeof window.cf !== 'undefined')c();else{cf_async=!0;var r=document.createElement("script"),s=document.getElementsByTagName("script")[0];r.async=!0;r.src="//srv.tunefindforfans.com/fruits/apricots.js";r.readyState?r.onreadystatechange=function(){if("loaded"==r.readyState||"complete"==r.readyState)r.onreadystatechange=null,c()}:r.onload=c;s.parentNode.insertBefore(r,s)}; } else { adUnit.id = 'pw-8c19ca9c-4c98-4046-b4af-e07421ed107a'; adUnit.className = 'pw-div -tile300x250 -alignleft'; adUnit.setAttribute('data-pw-' + (renderMobile ? 'mobi' : 'desk'), 'med_rect_atf'); if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } window.addEventListener('DOMContentLoaded', (event) => { adUnit.insertAdjacentHTML('afterend', kicker); window.ramp.que.push(function () { window.ramp.addTag('pw-8c19ca9c-4c98-4046-b4af-e07421ed107a'); }); }, { once: true }); } } tag.remove(); })(document.getElementById('script-8c19ca9c-4c98-4046-b4af-e07421ed107a'));
Director
Director
Producers
Producers
Writers
Writers
Original Writer
Original Writer
Casting
Casting
Editor
Editor
Cinematography
Cinematography
Assistant Directors
Asst. Directors
Production Design
Production Design
Choreography
Choreography
Composers
Composers
Sound
Sound
Costume Design
Costume Design
Makeup
Makeup
Hairstyling
Hairstyling
Studios
Country
Primary Language
Spoken Languages
Alternative Titles
Good Work, 軍中禁戀, Чудова робота, Der Fremdenlegionär, Хорошая работа, Buen trabajo, Bom Trabalho, 军中禁恋, Добра работа, 아름다운 직업, Dobrá práce, Piękna praca, Szép munka, İyi İş, עבודה טובה, 美しき仕事, Красива робота
Premiere
04 Sep 1999
-
Italy
Venice Film Festival
16 Sep 1999
-
Canada
Toronto International Film Festival
21 Jan 2000
-
USA
Sundance Film Festival
10 Feb 2000
-
Germany
Berlin International Film Festival
Theatrical limited
03 May 2000
-
Sweden15
31 Mar 2002
-
USA
04 Sep 2020
-
USA
Theatrical
03 May 2000
-
FinlandK-16
-
FranceTP
05 Apr 2001
-
Germany
22 Feb 2024
-
Netherlands9
Digital
01 Sep 2022
-
USAR
Physical
20 Nov 2000
-
UK15
15 Oct 2002
-
USA
15 Sep 2020
-
USA
TV
17 Apr 2000
-
France
Canada
16 Sep 1999
-
Premiere
Toronto International Film Festival
Finland
France
Germany
10 Feb 2000
-
Premiere
Berlin International Film Festival
Italy
04 Sep 1999
-
Premiere
Venice Film Festival
Netherlands
22 Feb 2024
-
Theatrical9
remastered 4K
Sweden
UK
USA
21 Jan 2000
-
Premiere
Sundance Film Festival
04 Sep 2020
-
Theatrical limited
4k re-release
More
-
you keep waiting for something to happen and then realize it’s been happening the whole time
-
Denis poeticizes the potentially reductive. Through her lens, it is colonialism that seems tribal and primitive to watching natives, and sexual repression rather than inhibition that corrodes the mind. The hard flesh of soldiers becomes part of the landscape, eroding their humanity into yet more sand for the desert. Only when it's too late can one finally join in the dance. Play me off, Olga.
-
this is the rhythm of the night
-
I watched this on my birthday when I was high on shrooms quarantining in Canada. They literally locked the door and I could not leave. So I made french toast and watched this. I rented it online from some local theater in Vancouver for $8 which felt nice because I felt like I was ~supporting a local theater~ I know whatever!!!!
the dancing at the end made me sob like baby
But here’s the real tea
Denis Lavant is so hot to me ): so hot )’: he’s like 4 feet tall and legit looks like a toad he’s so hot ))):
happy belated
-
A beautiful, sad and thoughtful exploration of masculinity, ego, regret, and of jealousy so deep-rooted that it can destroy lives. Its almost entirely plotless, has hardly any dialogue and is slowly paced; everything is so magnificently understated and subdued to great, poetic effect. The performances are naturalistic and by its hypnotic visuals and rhythm (those training drills really have an almost musical feel to it), and its great use of music, it becomes a real treat with an ending so sad but so sublime.
-
Women are incredebly good at depicting masculinity while men are terribly bad at depicting femininity, and even men's image of masculinity is almost always "cowboys" like images that is extremely boring and therefore is usually sexist. Claire Denis in her turn depicts and deconstructs this conventional image of masculinity, she tells and much more precisely shows repressed emotions of the charaters whose flesh becomes part of the landscape, fretting the border between them and sand and rocks, Denis studies this fragile and insecure nature of men in environment that for most people is the most masculine thing there is - an army.
Through the Denis' lenses the distance between the characters and the audience is justified in emotionally and sexually…
-
Post-colonial ballet. Serve the good cause then die.
-
google dot com how reach thru screen to touch movie
-
When the dudes are rockin but there’s a hater in the midst.
-
This review may contain spoilers. I can handle the truth.
All movies should end with the main character spinning around on the ground by themselves while “The Rhythm of the Night” plays
-
What's better than this. Guys being dudes.
-
😳 When ur crushing on a guy so much that you abuse your position of power to commit sadomasochistic acts of cruelty towards him because your attraction to him is a threat to the dominant masculinity that is expected of you as a military officer in the colonial machine 😳