Synopsis
Mid-level gangster Wah falls in love with his beautiful cousin, but must also continue to protect his volatile partner-in-crime and friend, Fly.
Mid-level gangster Wah falls in love with his beautiful cousin, but must also continue to protect his volatile partner-in-crime and friend, Fly.
Andy Lau Tak-Wah Maggie Cheung Man-Yuk Jacky Cheung Hok-Yau Alex Man Chi-Leung Wong Aau Ronald Wong Chan Chi-Fai William Chang Benz Kong To-Hoi Wong Kim-Fung Pong Keung-Fai Kan Tat-Wah Pak Yan Kam Shan Chui Si-Fei Chun Kwai-Bo Fei Pak Hui Fan Wai Ching Lam Kau Huang Pa-Ching Chan Man-Hiu Ho Wing-Cheung Wong Chi-Wai Cheung Wing-Cheung Chow Gam-Kong Ma Yuk-Sing Lee Chi-Kit Kong Long Show All…
El fluir de las lágrimas, Wong gok ka moon, Wang Jiao Ka Men, Kiedy łzy przeminą, Ainsi vont les larmes, 旺角卡门, Пока не высохнут слезы, 열혈남아, Καθώς Κυλούν τα Δάκρυα μας, Ao Sabor da Ambição, Wong Gok Ka Moon, Conflito Mortal, სანამ ცრემლი არ შეშრება, Lệ Tình Lãng Tử, いますぐ抱きしめたい, ทะลุกลางอก
It's a testament to Wong Kar-wai's skill as a filmmaker that this very mediocre Hong Kong triad film is still frequently filled with genuine romantic yearning. What can I say? I'm a sucker for swooning synth sounds and dreamy neon photography. Also Maggie Cheung. 🥺
“None of us knows what’s going to happen tomorrow, right? Let’s eat.”
It began, as all great careers should, with Maggie Cheung showing up on Andy Lau’s doorstep in a cotton face mask — and what better to set the tone for Wong Kar Wai’s filmography than a little social distancing?
It’s easy to understand why people are quick to dismiss Wong’s debut as a foot-in-the-door movie beholden to the conventions of ‘80s Hong Kong crime thrillers (the film’s plot invites “Mean Streets” comparisons that haven’t extended to its place in the canon). “As Tears Go By” remains a fascinating document of a young artist trying to articulate his own identity through a language that lacked the vocabulary he needed…
not his best film but once wong kar-wai & maggie cheung return from retirement, it’s over for you bitches
Decades Project: 4/8 of the 80's
"People like us don't have tomorrows."
As Tears Go By is everything I love about Wong Kar-Wai. Even if it's not quite on par with some of his better work, it's still beautiful and fun and immensely impressive for a feature debut. Imagine if Mean Streets were directed by the late Tony Scott and you actually have a fairly accurate approximation of what it's like. Wong blends violent crime with romantic melodrama in a way that will make you think the two were born to be together. But as much as the film is deeply steeped in American genre traditions of the 1980's, it works just as hard to violate those traditions and become…
The most amazing thing about As Tears Go By is that for about an hour, it tricks you into thinking it's a gangster movie. It is not. It is a love story (both romantic and familial), and for someone who generally shies away from the romance genre, it hit me like a sucker punch. What Wong Kar-Wai does in detailing a gruff, violent Wah and then revealing that it was all just to accentuate the romantic aspect of him is not misdirection, though at first glance it could look like it. No, it made me realize that certain 'gangster' character types are essentially romantic underneath it all. There is a passion that ties violence with love. Instead of being on…
“you know who's looking fine tonight? ngor.”
“ok you did not just say that”
“what? she’s a good kisser”
“she is your cousin”
“yeah but she's my first cousin”
“right”
“so, you have your cousins, and then you have your first cousins, and then you have your second cousins...”
“no, wah, nuh-uh”
“that’s not right, is it?”
“that is so not right”
Action! - In The Mood For Kar-wai
Wong Kar Wai is one of those directors that I’ve been intrigued by but haven’t got around to watch more of his work other than the most popular stuff like In the Mood for Love and Chungking Express, plus that IP Man film he did. And I always love the entrancing vibe that a lot of his movies tend to have. Its inherently Hong Kong cinema in its look and overall vibe, but at the same time he brings some form of a style of his own.
Both things are true in his directorial debut, a film inspired by Scorsese’s Mean Street where we follow mob enforcer Wah (Andy Lau), who gets in…
"I just wanted to say—I found that glass."
Half Triad action flick, half romantic melodrama. The film feels like a screenwriter-turned-director getting their feet wet, while also trying to figure out their own style as they go along. Not necessarily a bad thing, either—the influence of Scorsese's Mean Streets is prominent in it's foundation. Small flourishes of the style that WKW came to be known for are in there, too. Distinct edits, dream-like melodrama, thematic needledrops, & energetic action are scattered throughout it's runtime. I absolutely loved it's score—playing endless hours of Vice City as a boy made me a sucker for anything that resembles that ambient style.
My problem comes from the cousin love story. Prepare to be uncomfortable, because…
I’m not going to lie, this movie is a bit of a mess, feeling more like a bad Scorsese imitation than what I’ve become accustomed to from Wong Kar-wai. As Tears Go By, being Wong Kar-wai’s debut film, you can tell he’s playing with a lot of ideas, and at times it feels like he’s sort of throwing things at the wall and trying to see what sticks. Not necessarily a bad film, but one that lacks specificity and nuance. There were also just a lot of dumb writing choices (random coincidences, people being shot and beaten then just miraculously going from place to place), the romance in the film really feels rushed and undercooked (oh and also incestuous), and I won’t…