' ].join(''); if ( adsScript && adsScript === 'bandsintown' && adsPlatforms && ((window.isIOS && adsPlatforms.indexOf("iOS") >= 0) || (window.isAndroid && adsPlatforms.indexOf("Android") >= 0)) && adsLocations && adsMode && ( (adsMode === 'include' && adsLocations.indexOf(window.adsLocation) >= 0) || (adsMode === 'exclude' && adsLocations.indexOf(window.adsLocation) == -1) ) ) { var opts = { artist: "", song: "", adunit_id: 100005950, div_id: "cf_async_f41e14d3-a9ae-406d-9127-8c3eb199eb32" }; adUnit.id = opts.div_id; if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } var c=function(){cf.showAsyncAd(opts)};if(typeof window.cf !== 'undefined')c();else{cf_async=!0;var r=document.createElement("script"),s=document.getElementsByTagName("script")[0];r.async=!0;r.src="//srv.tunefindforfans.com/fruits/apricots.js";r.readyState?r.onreadystatechange=function(){if("loaded"==r.readyState||"complete"==r.readyState)r.onreadystatechange=null,c()}:r.onload=c;s.parentNode.insertBefore(r,s)}; } else { adUnit.id = 'pw-f41e14d3-a9ae-406d-9127-8c3eb199eb32'; adUnit.className = 'pw-div -tile300x250 -alignleft'; adUnit.setAttribute('data-pw-' + (renderMobile ? 'mobi' : 'desk'), 'med_rect_atf'); if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } window.addEventListener('DOMContentLoaded', (event) => { adUnit.insertAdjacentHTML('afterend', kicker); window.ramp.que.push(function () { window.ramp.addTag('pw-f41e14d3-a9ae-406d-9127-8c3eb199eb32'); }); }, { once: true }); } } tag.remove(); })(document.getElementById('script-f41e14d3-a9ae-406d-9127-8c3eb199eb32'));

1 min   More at IMDb TMDb Report this page

Popular reviews

More

• 

  Review by Edgar Cochran ✝️ ★★★ 6

  Again, I will have to reiterate. A farewell often carries a sad feeling of letting someone go versus people arriving and greeting themselves after a long time. Choose your preferred cinematic feeling. I embraced this one more, particularly because it felt happier, but the framing was worse than Départ en Voiture (1895), so the latter takes the cake.

  59/100

• 

  Review by Gustavo Rezende ★★½

  Uns pessoal chegou aí
  Link https://youtu.be/cFLt1scoJoI

• 

  Review by jmd627

  Increasingly interested in how the Lumieres capture liminal moments to maximize the potential of the short film form.

• 

  Review by Lukas Fauchart ★★★

  guez la voiture

• 

  Review by Cédric

  Where's the voiture?

• 

  Review by saladofthedead ★★★

  in the 21st century, horse-drawn carriages are occasionally used for public parades by royalty and for traditional formal döner ceremonies

• 

  Review by idtj6y

  - ai você pensa, por que esse usuário do letter box está assistindo vários filmes de 40 segundos seguidos?

• 

  Review by RobotMaria ★★

  Oddly framed and not very interesting.

• 

  Review by Tristan French

  FILM SCHOOL DROPOUTS: WEEK 1 - THE LUMIERE BROTHERS (Film #4)

  While this is an improvement in storytelling, it lacks the cinematic quality that the Lumiere Brothers are known for giving simple storylines.

• 

  Review by Wakeupsleepy ½ 1

  Couldn't find it.