Synopsis
Welcome to the Kaufman surreal-neorealism tale in a dull world of sameness.
An inspirational speaker becomes reinvigorated after meeting a lively woman who shakes up his mundane existence.
An inspirational speaker becomes reinvigorated after meeting a lively woman who shakes up his mundane existence.
Simon Oré Keith Calder Kassandra Mitchell Pandora Edmiston David Fuchs James A. Fino Aaron Mitchell Jessica Wu Joe Russo Adrian Versteegh Dan Harmon David M. Rheingold
Gilbert Juarez III Owen Klatte B.L. Jurgens Derek Smith Dan Driscoll Cesar Diaz Melendez Chris Tootell Dan MacKenzie Peggy Arel Rachel Larsen Adam Fisher Daniel Gill Drayson Helberg Kim Blanchette Timothy Reckart Ludovic Berardo Kent Burton Sergio Lara Jimenez
安诺玛丽莎, 不正常丽莎, 不寻常的她, 失常丽莎, 安諾瑪麗莎, Аномализа, אנומליסה, 아노말리사, 失常, Аномаліза, アノマリサ, Аномалиса, อโนมาลิซ่า, آنومالیسا
"Some boys take a beautiful girl,
and hide her away from the rest of the world..."
*SPOILERS WILL FOLLOW AS THIS WILL BE MORE OF A
DISORGANIZED DISCUSSION/ANALYSIS THAN REVIEW*
Another note about the film's ending: Lisa does not use the term "Anomalisa" in the final scene of the film, but rather says that she looked up "Anomarisa," in a Japanese-English dictionary and that it translates to Goddess in Heaven. Now, "Anomarisa" isn't the Japanese phrase for Goddess of Heaven, though the actual term is a rather similar sounding phrase (Ama Terasu) and the origin of this term makes sense in the context of the film's themes. Ama Terusu (or Amaterasu Omikami) is "the Great Goddess Spirit Shining in Heaven....…
So I rewatched Anomalisa, one of the top 5 films of that embarrassing “100 movies in one summer” video I did 2 years ago, and after an hour long discussion with the people I watched it with that ended in me deciding once again that CMBYN is insanely irresponsible, I’m coming to terms with the fact that this isn’t the “masterpiece” I made it out to be. What a long sentence!
It could be that I watched Synecdoche New York after seeing this (and FAMOUSLY was more blown away by that) or it could be me being forced to try and make sense of it to a room full of people who hated it, ultimately and unsurprisingly losing that debate.…
this bitch was one consecutive line of awkward conversations, shit gave me more anxiety than uncut gems
well damn if i wanted to watch an animated middle-aged sad sack make bad life decisions and have uncomfortable unprotected sex with strange women while occasionally dropping social commentary in the form of an inappropriately-timed monologue i would have just watched bojack horseman :/
"i think you're extraordinary, but i don't know why yet."
…it has something to do with a courageous reckoning with a man's egocentrism. "every one you talk to has had a day." loved the small scale, loved the discombobulating animation mode, loved the puppet cunnilingus. not an expansion of Kaufman's worldview (how can you expand on Synecdoche?), but a refinement... a guide for daily living.
"In a dream, you came and held my hand;
our love was perfect in that sphere.
No, I never met you, my sweet dear.
And my friends, they say you don't exist.
But friends are cowards, full of fear,
afraid to look at what they missed."
**THIS REVIEW WILL CONTAIN
THEMATIC & SCENE-CONTENT SPOILERS**
The ending is the real gut punch because you've been living in Michael's own, disturbed world/mind for so long that you might forget to consider the effect his behavior might have on another individual also suffering from immense loneliness (but for entirely different reasons, his a result of mental scarring and hers possibly a result of being repressed by a world judgmental of physical disfigurements, a scar…
The tale of a man who mastered how to manipulate people into a false sense of security. This skill backfires on him and he ends up falling out of love with humanity entirely, as a result he suffers endlessly. This film was beautifully done.
I have been afraid of animatronics and puppets since I was a child, especially if they have fur or hair or some semblance of texture. when I first saw this my friends told me not to look anything up because they knew this. I almost left the theater when it started.
when i saw the *** ***** (sex scene) I almost threw up.
anyway, rewatched, that scene still made me feel bad
Michael Stone is also bad at *** (sex)
glad this is a space I can share my memories
I was basically held at gunpoint in the comment section of my stop-motion video to watch this and boy am I glad I did.
Sorta at a loss for words and anything I say about it won’t really be able to really sum up how much I enjoyed it. Slapping a rating on it feels dumb. Felt so real and honest and just perfect in every way. Just gonna leave it at that.
GIRLS JUST WANNA HAVE FUN!
Ideas about this film I am willing to entertain:
1. We are supposed to think of Michael Stone as an awful human being.
2. Everyone is poorly written on purpose, that's the point. Michael can't see anyone other than as a sketch of a human being that exists in relationship to him.
Arguments about this film I am not willing to entertain:
1. This film has any insight or anything of significance to say about Michael, the male psyche, masculinity crisis, or anything else.
2. Writing a movie poorly on purpose means that the movie doesn't suck in part for being poorly written.
3. Being completely unadventurous and refusing to try to be smart, interesting, new, insightful, specific, interesting, enjoyable…