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Synopsis
A wife with a fertility problem wants to use her sister's womb to have children, but her sister is enjoying her boyfriend and sexual freedom. The husband is a commanding chauvinist and this soon turns out to be an investigation into authority, patriarchy and conservatism vs. free love and youth culture.
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Director
Director
Producer
Producer
Writer
Writer
Editor
Editor
Cinematography
Cinematography
Assistant Director
Asst. Director
Lighting
Lighting
Composers
Composers
Studio
Country
Language
Alternative Titles
Haragashionna, Womb for Rent, Harakashi Onna, 代孕女, 代孕女 腹貸し女
Theatrical
01 Mar 1968
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Japan
Japan
More
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Part of my Japanese New Wave Top 200
A little seen Wakamatsu film, and unfairly so I think. In terms of plot this is a fairly typical take on late 60’s sexual & reproductive politics, surrogacy and patriarchal power, themes which writer Masao Adachi explored in several other films from around the same time. But what’s most interesting is that this in some ways feels like a bridge to the more dreamlike and lyrical film language Wakamatsu would put to even greater effect the next year, in better films like Go, Go Second Time Virgin, Violent Virgin and Running in Madness, Dying in Love. Technically this is a pretty experimental film, which makes liberal use of color cinematography and dreamy superimpositions in the sex scenes. It also has pretty cool sound design, with a rocking soundtrack by the psychedelic cult band The Jacks.
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Oh to have control of your own body, how radical.
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Ohne Untertitel schwer einzuschätzen, wirkt aber eher wie ein ambitionierter Wakamatsu.