Synopsis
Tom Stall had the perfect life...until he became a hero.
An average family is thrust into the spotlight after the father commits a seemingly self-defense murder at his diner.
An average family is thrust into the spotlight after the father commits a seemingly self-defense murder at his diner.
Viggo Mortensen Maria Bello Ed Harris William Hurt Ashton Holmes Peter MacNeill Stephen McHattie Greg Bryk Kyle Schmid Sumela Kay Gerry Quigley Deborah Drakeford Heidi Hayes Aidan Devine Bill MacDonald Michelle McCree Ian Matthews R.D. Reid Morgan Kelly Martha Reilly Jason Barbeck Bruce Beaton Neven Pajkic Brendan Connor Nick Antonacci John Watson Don Allison Brittany Payer Mitch Boughs Show All…
Michael O'Farrell Christian T. Cooke Orest Sushko Wayne Griffin Mark Zsifkovits Clive Turner Don White Andy Malcolm Goro Koyama Glen Gauthier
暴力效應, 폭력의 역사, Una Historia Violenta, Una Historia de Violencia, Şiddətin Tarixi, Оправданная жестокость, Şiddetin Tarihçesi, Una historia de violencia, Uma História de Violência, Erőszakos múlt, 暴力史, Historia Przemocy, Dějiny násilí, Το Τέλος της Βίας, O istorie a violenței, היסטוריה של אלימות, Marcas da Violência, Une histoire de violence, Виправдана жорстокість, Una història de violència, Тъмно минало, ヒストリー・オブ・バイオレンス, História násilia, Una historia violenta, Povijest nasilja, Quá Khứ Tội Ác, Smurto istorija, คนประวัติเดือด
I think if Viggo Mortensen was in every movie ever made, the world would be a better place.
100
David Cronenberg has frequently questioned the barriers of our physicality when confronted with the limitless potential of technology. How our bodies react when the unnatural is able to satisfy a certain itch beyond our current evolution. He's always been on a precipice of transformation, confronted with the ghosts in the machine, broken ceilings of self and sexuality and humanism. Understanding that a new world is just around the corner, and you're turned on by it but terrified at where the path might lead. So it's fitting that A History of Violence is akin to a primordial soup - the genesis of tendencies and outbursts that define our past and future. The beginning of the End. Cronenberg doesn't literally go…
Unforgiven for plaid shirt and jeans Southwestern Ontario farm dads. Pretty broad material with regard to identity and violence but it has a solid freshly bruised, existential feeling to it. An open-wound stickiness and brutality and sexuality that only Cronenberg could pack it with and the cast is aces. I think about this line-reading by William Hurt like once a month at least. Great final shot.
[35mm]
So many angles of attack in this one: it’s simple; it’s sophisticated; it’s Spartan; it’s double-edged; it’s familiar; it’s startling; it’s goofy; it’s nightmarish. And it’s all held together by probably the richest pair of lead performances in any Cronenberg movie since THE FLY, a husband and wife with different yet finally convergent fetishes for role playing, Viggo hilarious as a man carefully measuring his every move until the jig is up and Maria Bello wringing consistently interesting variations on the idea of commitment. Great fun, including some slapstick gunplay that signals our hero’s awareness of the kind of movie his financiers wanted him to make, and which he has, but only in a fashion, and, as ever, on his own terms
Ford updated to the 21st century. History as a series of self-deceptions as myth gets subdued into role playing. Cronenberg clear direction blows everything wide open. As the title, perhaps the most wry joke in a pretty funny movie, promises, it is very surgical handled. It is a neowestern that, like most post bicentennial westerns, barely bothers to disguise that it is a mainstream art movie, but there's hardly a ponderous note and while Cronenberg finds an impressive double balance between delivering the goods (meaning blowing heads up) and implicating the audience (meaning keeping critics happy), it has an impressive propulsive quality. A self-annihilating journey that follows as impeccable as it is inevitable towards a release. The blocking is so…
Rotten Tomatoes: 87%
Metacritic Metascore: 81
IMDB: 7.4
89/100
Release Date: 30 September 2005
Distributor: New Line Cinema
Budget: $32M
Worldwide Gross: $61.3M
Total Film Awards: 37
OSCAR Nominations: 2
Richie Cusack: "Does it work for you? I can't see it working for me. I never got the urge, you know? A lot of great-looking women in the world. I never met one made me wanna give up all the others."
SYNOPSIS: A mild-mannered man becomes a local hero through an act of violence, which sets off repercussions that will shake his family to its very core in this action thriller.
Cronenberg's adaptation of a Wagner and Locke graphic novel places a simple American family man, and his all-American family,…