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★★★★★ Rewatched 29 Apr 2013
But having rated it five stars, I'm not sure if I ever want to do this to myself again. It was my first time in the theater, and I forgot that on my previous viewing at home I paused a couple times (toilet break, water). In the theater, there is no escape, and I seriously contemplated fleeing a couple times, just because I found the film so effectively anxiety-inducing.
ERASERHEAD is a miracle of sound design, of no-budget imagination, of…
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★★★★½ Watched 30 May 2016
Perhaps you're like me, and haven't seen much Davies, but you've seen enough Loach and Leigh to feel like you've got the measure of things when it comes to British kitchen-sink miserablism, and autobiographical coming of age stories have no special appeal for you, and you saw THE HOUSE OF MIRTH sixteen years ago and it quickly faded into a miasma of costume dramas, bubbling between THE END OF THE AFFAIR and AN IDEAL HUSBAND and a passel of Austen…
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Way fewer raunchy body scan gags than I expected from a Carry On movie. Did they even get the memo?
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Pacing could be peppier, and I bet it's a slog if you're not on its wavelength, but I fucking loved Maddin (and co) doing Buñuel. I wonder if it plays differently after the UHC CEO assassination, but it spoke clearly and insistently to me immediately: funny, yes, but furious and lacerating and dead-on in its critique, and relentlessly enjoyable to watch. Plus: bog men!
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Sometimes a churro is just a churro. This is not one of those times.
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Jason Momoa: Making Stupid Movies Fun Again
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