Red Rooms

Red Rooms

Not really all that disturbing at all, right up until the point where it is, at which point it goes HARD, becoming probably the most psychologically disturbing film I’ve seen in a long time. That ending manages the neat trick of being simultaneously obvious (spelling out its message in no uncertain terms) and oblique (leaving the question of why Kelly-Anne did all of this entirely up to the audience).

Pascal Plante needs Jesus (complimentary).

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