The Brutalist is over three and a half hours long, with an intermission. It’s shot on VistaVision, a film format primarily used in the 50s. Brady Corbet negotiated for final cut of the movie. But technical specifications and facts do not a good movie make. Such a movie comes pre-built with its own narratives around auteurism and the fight for the creative soul of moviemaking, that could crush it under the weight of its own mythology before it arrives. Megalopolis…
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Au Hasard Balthazar 1966
Listen to our podcast episode on Au Hasard Balthazar here!
Au Hasard Balthazar is a masterpiece from Robert Bresson, the best to ever do it. It is a bleak movie that is very honest about life, but also a beautiful movie that seeks to generate empathy, understanding, and deepen our humanity.
The minimalism and simplicity makes it universally accessible, but it also contains untold depths. Bresson said of the movie, "we must let the mystery remain. Life is mysterious, and…
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Himiko 1974
This is a film that has clear vision, particularly in its use of color and the designs of the three different tribes. All three groups of sun people, mountain people, and forest people have striking costumes, makeup, performances, and dialogue that reflects a distinct way of life. The mountain people, in particular, are so grimy and gross - delightfully so.
But there's still a humanity to them and to the forest people. And that's where the tension at the heart…
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Woman in Chains 1968
This has a great setup and a pretty poor payoff. There are just inconsistencies in Stan's behavior at a couple points, and it also shifts into a different, more typical romance mode that is tonally inconsistent and doesn't suit the premise. The third act gets things back on track with a really stellar dream/avant garde sequence that mixes in the art shown in the gallery early in the film.
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Nosferatu 2024
This movie treats the Nosferatu story as IP with no desire to adapt or understand what makes the source work. It's just using the source story as a means to administer endorphin rushes when you hear someone's name or finally get to See That Face. When Herr Knock said "His name is Count... Orlok..." to end a scene I knew we were in trouble. When Orlok's face was out of focus for no real reason other than to preserve a…
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Ran 1985
“I'm lost.”
"Such is the human condition."
I love a late career masterpiece, and Ran is one of the very best. Kurosawa is freely borrowing elements from Japanese history and Shakespeare here, but he's not beholden to them - he's only beholden to making a great film. The elements he pulls from those sources is plenty of palace intrigue and backstabbing, along with strong thematic material on pride, ambition, and honor. Those serve as a springboard, with Kurosawa creating something…
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