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“I’m trying to fuckin’ support him, dude.” Bros in a haunted house. Reeking of early 2000s mediocrity, this is kinda better than the sum of its parts. It takes too long for the inevitable bloodshed to happen, as the uninteresting characters hash out their bland emotional and relationship problems. The strength of most of the cast covers for a pedestrian script as does some occasionally inspired editing offers touches of mystery and dread, particularly around a third of the way in during which a series of events are repeated in sequence from different perspectives.
“Hey, you suck my cock and I’ll lick your pussy.” “I dunno, those girls were hot. I’d love to fuck that blonde one, she has nice tits.”
Class dialogue in this guttural NJ SOV effort which takes a grimmer than usual approach. But its cheapness makes the dower atmosphere oppressive and boring. The comedy is also dreadful.
Watching HSITC with an audience was a treat, if mainly because of the obvious discomfort (and handful of walkouts) it caused.
The irony of the vitriol is that it's likely accurate to Mohney's intended response, while still completely missing the point with superficial knee-jerk "it's racist/sexist/etc" reactions.
When I spoke with "T. James Write" (who also edited) about the screenplay, he explained that director/producer Harry Mohney had acquired the film rights to the infamous novel Black Abductor and, while he…
Novelty smut from the early 70s which eventually got a theatrical release in ‘79 courtesy of Ann Perry. Around 1/5 of it is legit home movie footage (with the lead actor) shot in Moscow and elsewhere in the Eastern Block, with voice over, RDS style. the rest is bizarre MOS plotting with a lot of sheets on walls. The shooting location of the non-Moscow material is a mystery, but it’s unlikely to be…
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