Anupama Chopra

Anupama Chopra

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  • Singham Again

  • Bhool Bhulaiyaa 3

  • Do Patti

  • Devara: Part 1

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  • Singham Again

    Singham Again

    This review may contain spoilers. I can handle the truth.

    In Singham Again scale is everything. The film has eight stars, six screenplay writers and three writers who worked on dialogue, including director and co-producer Rohit Shetty. The hardware on display is equally expansive – there are battleships, helicopters, dozens of cars that get blown up and smashed. Also, weapons large and small – missiles, guns, machetes. At one point, Tiger Shroff brandishes the Urumi, an Indian sword with a whip-like blade which originated in modern-day Kerala. There is so…

  • Bhool Bhulaiyaa 3

    Bhool Bhulaiyaa 3

    This review may contain spoilers. I can handle the truth.

    The kindest thing that can be said about Bhool Bhulaiyaa 3 is that it’s unpredictable. There is little that prepares you for the climactic twist which is, in equal measure, audacious and ridiculous, well-intentioned but staged so clumsily that it fails to evoke the required empathy. But I will say – I did not see it coming.

    READ MY FULL REVIEW ON THR'S WEBSITE HERE: www.hollywoodreporter.com/movies/movie-reviews/bhool-bhulaiyaa-3-review-1236053549/

    WATCH MY FULL REVIEW ON THR INDIA'S CHANNEL HERE: youtu.be/fFhfuctqQJo?si=YvBX4BnBx_YPJqB3

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  • Laapataa Ladies

    Laapataa Ladies

    This review may contain spoilers. I can handle the truth.

    Laapataa Ladies is about exactly that – women who are lost. The film is set in 2001 in a fictional state called Nirmal Pradesh. In an absurdly comical comedy of errors, Phool and Jaya, both new brides in rural India, with their ghoonghats reaching below their noses, end up without their husbands. But these women are also lost, metaphorically. They are chained by their own conditioning and oppressive patriarchal structures. In The Lunchbox, Nawazuddin Siddiqui’s character Shaikh, famously proclaims, ‘kabhi…

  • The Booth

    The Booth

    Rohin Raveendran’s short The Booth is a terrific and startling film. The director takes something mundane – a frisking booth – and turns it into a space for romance, mystery and danger. He also forces us to think about the inner lives of people who we meet but barely connect with. Rekha, played by Amruta Subhash, does her tedious security job efficiently. But her booth, perhaps the only space that is truly hers, also allows her to have an affair…

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