A portrait of a landscape, within a state of mind, within an alcohol-daze, inside a metal helmet. The armour is metaphorical, yet literal; the landscapes indifferent, yet integral; the titles cynical, yet sincere in opening up a man’s world that is closing in. There’s a spectral quality to the sound, the way it disassociates from the image, the edges removed, the feelings numbed, distorted, made horror; and all the while, the world continues to turn.
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It's Not Me 2024
If it’s not you, Leos Carax, then who is it? Is it Alex Oscar, dreaming of last century’s cinema that produced beauty while witnessing countless horrors? A cinema whose lens is now detached from God’s gaze allowing the shadows of the past to return without the compensating beauties of art? Is our memory all that remains?
Is it Alex or is it his alter-ego, Leos?, or his alter-ego, Denis Lavant?, or his alter-ego, Monsieur Merde?, or more likely is it all of them ecstatically…
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Fallen Leaves 2023
Economy: not a wasted word.
Love: a story of misery, grounded in compassion, but mostly a story of love.
Alcoholic reasoning: depressed because he drinks, drinks because he’s depressed.
The consolations of music: Tchaikovsky’s tragic sixth acting as the main characters’ love theme; Karaoke Schubert!; and melancholic pop.
Colours: never have they been so rich and so sad.
Oppression: Russia’s attacks on the Ukraine breathing down the necks of the Finns, while unemployment and poverty strangle them.
Deadpan delights: Jarmusch’s The…
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Wings of Desire 1987
I thought I’d mark my first year anniversary on Letterboxd by posting a review of my favourite film. It’s a long review, and personal at times, and contains some spoilers, so there you go - a few excuses for you not to read it! But thanks if any of you other Wings of Desire diehards do manage to make it through it to the end.
I recently had the pleasure of chatting about Wings with Dubthrone on his Collokino blog. It…
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