Monterey Pop (1968) for our generation.
CAMP FLOG GNAW (2023) is out. This film marks the end of something Josh and I poured our hearts and souls into, it marks the beginning of the new year, and the immortalization of the best music festival of the 21st century. I hope you can enjoy this film as much as Josh and I did making it. Thank you for the support, thank you for the love, and welcome back to camp, campers!
AND REVIEW, SHARE, AND ENJOY.
Little Women (2019) for men, and I mean that. Paige and I joked about it being that (before everyone else, I’ll add), but it truly is the closest comparison maybe ever. I cried seven times total throughout this film and even after, on the drive back to my house, I was fighting back tears talking with Paige about it. This is, without a single doubt in my mind, my favorite film of the year, my favorite A24 film, and will…
I’m not even kidding when I say that I cried multiple times throughout this film. It was everything I expected it to be and more (Kenergetic as ever). One of those times was also when I saw NB/GG Pictures in the opening credits. My life flashed in front of my eyes and I saw myself working with Baumbach and Gerwig; that’s the goal, and I’m going to make that happen.
Where do I even begin? Barbie (2023) will become immortalized…
Barbie (2023) gave me faith in humanity and then
Oppenheimer (2023) stripped it away.
Both of these films are the most important pictures from this generation, if not film history. This is a review for Oppenheimer (2023), but I could not begin without stating this. Oppenheimer (2023) is the best film Christopher Nolan has ever made. It’s also the most scarring and impactful—calling for change and change now. Nolan dives deep into the complicated psyche of J. Robert Oppenheimer, pushing…
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